Olympus E-M5 vs Nikon D70s
The Olympus OM-D E-M5 and the Nikon D70s are two digital cameras that were announced, respectively, in February 2012 and April 2005. The E-M5 is a mirrorless interchangeable lens camera, while the D70s is a DSLR. The cameras are based on a Four Thirds (E-M5) and an APS-C (D70s) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Nikon provides 6 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-M5||Nikon D70s|
|Mirrorless system camera||Digital single lens reflex|
|Micro Four Thirds lenses||Nikon F mount lenses|
|15.9 MP, Four Thirds Sensor||6 MP, APS-C Sensor|
|1080/60i Video||no Video|
|ISO 200-25600||ISO 200-1600|
|Electronic viewfinder (1440k dots)||Optical viewfinder|
|3.0" LCD, 610k dots||2.0" LCD, 130k dots|
|Tilting touchscreen||Fixed screen (not touch-sensitive)|
|9 shutter flaps per second||3 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|Weathersealed body||Not weather sealed|
|360 shots per battery charge||500 shots per battery charge|
|122 x 89 x 43 mm, 425 g||140 x 111 x 78 mm, 679 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M5 and the Nikon D70s? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Olympus E-M5 and the Nikon D70s. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The E-M5 can be obtained in two different colors (black, silver), while the D70s is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D70s is considerably larger (43 percent) than the Olympus E-M5. Moreover, the D70s is substantially heavier (60 percent) than the E-M5. It is worth mentioning in this context that the E-M5 is splash and dust resistant, while the D70s does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (E-M5) and the Nikon Lens Catalog (D70s). Mirrorless cameras, such as the Olympus E-M5, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Olympus E-M5»||4.8 in||3.5 in||1.7 in||15.0 oz||360||Y||Feb 2012||1,299||-||Olympus E-M5|
|Nikon D70s«||5.5 in||4.4 in||3.1 in||24.0 oz||500||n||Apr 2005||899||-||Nikon D70s|
|Nikon D5300« »||4.9 in||3.9 in||3.0 in||16.9 oz||600||n||Oct 2013||799||-||Nikon D5300|
|Nikon D40« »||4.9 in||3.7 in||2.5 in||18.4 oz||470||n||Nov 2006||499||-||Nikon D40|
|Nikon D80« »||5.2 in||4.1 in||3.0 in||23.6 oz||600||n||Aug 2006||999||-||Nikon D80|
|Nikon D50« »||5.2 in||4.0 in||3.0 in||21.9 oz||400||n||Apr 2005||749||-||Nikon D50|
|Nikon D70« »||5.5 in||4.4 in||3.1 in||24.0 oz||400||n||Jan 2004||999||-||Nikon D70|
|Olympus PEN-F« »||4.9 in||2.8 in||1.5 in||15.1 oz||330||n||Jan 2016||1,199||Olympus PEN-F|
|Olympus E-M5 II« »||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-PL7« »||4.5 in||2.6 in||1.5 in||12.6 oz||350||n||Aug 2014||599||-||Olympus E-PL7|
|Olympus E-M1« »||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399||-||Olympus E-M1|
|Olympus E-P5« »||4.8 in||2.7 in||1.5 in||14.8 oz||330||n||May 2013||999||-||Olympus E-P5|
|Olympus E-PL5« »||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||Sep 2012||599||-||Olympus E-PL5|
|Olympus E-PM2« »||4.3 in||2.5 in||1.3 in||9.5 oz||360||n||Sep 2012||499||-||Olympus E-PM2|
|Panasonic GX8« »||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||-||Panasonic GX8|
|Panasonic GX7« »||4.8 in||2.8 in||2.2 in||14.2 oz||350||n||Aug 2013||999||-||Panasonic GX7|
|Panasonic GH3« »||5.2 in||3.7 in||3.2 in||19.4 oz||540||Y||Sep 2012||1,299||-||Panasonic GH3|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The D70s was launched at a markedly lower price (by 31 percent) than the E-M5, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-M5 features a Four Thirds sensor and the Nikon D70s an APS-C sensor. The sensor area in the D70s is 64 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-M5 has a native 4:3 aspect ratio, while the one in the D70s offers a 3:2 aspect.
Despite having a smaller sensor, the Olympus E-M5 offers a higher resolution of 15.9 megapixels, compared with 6 MP of the Nikon D70s. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 7.85μm for the D70s). However, it should be noted that the E-M5 is much more recent (by 6 years and 9 months) than the D70s, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Olympus E-M5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M5 for good quality output (200 dots per inch) amounts to 23 x 17.3 inch or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inch or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inch or 39 x 29.3 cm. The corresponding values for the Nikon D70s are 15 x 10 inch or 38.2 x 25.4 cm for good quality, 12 x 8 inch or 30.6 x 20.3 cm for very good quality, and 10 x 6.7 inch or 25.5 x 16.9 cm for excellent quality prints.
The Olympus OM-D E-M5 has a native sensitivity range from ISO 200 to ISO 25600. The corresponding ISO settings for the Nikon D70s are ISO 200 to ISO 1600 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the E-M5 provides substantially higher image quality than the D70s, with an overall score that is 21 points higher. This advantage is based on 2.4 bits higher color depth, 2 EV in additional dynamic range, and 0.6 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Olympus E-M5»||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71||Olympus E-M5|
|Nikon D70s«||APS-C||6.0||3008||2000||-||20.4||10.3||529||50||Nikon D70s|
|Nikon D5300« »||APS-C||24.0||6000||4000||1080/60p||24.0||13.9||1338||83||Nikon D5300|
|Nikon D40« »||APS-C||6.0||3008||2000||-||21.0||11.0||561||56||Nikon D40|
|Nikon D80« »||APS-C||10.0||3872||2592||-||22.1||11.2||524||61||Nikon D80|
|Nikon D50« »||APS-C||6.0||3008||2000||-||20.9||10.8||560||55||Nikon D50|
|Nikon D70« »||APS-C||6.0||3008||2000||-||20.4||10.3||529||50||Nikon D70|
|Olympus PEN-F« »||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74||Olympus PEN-F|
|Olympus E-M5 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Olympus E-PL7« »||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72||Olympus E-PL7|
|Olympus E-M1« »||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73||Olympus E-M1|
|Olympus E-P5« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72||Olympus E-P5|
|Olympus E-PL5« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72||Olympus E-PL5|
|Olympus E-PM2« »||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72||Olympus E-PM2|
|Panasonic GX8« »||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Panasonic GX7« »||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70||Panasonic GX7|
|Panasonic GH3« »||Four Thirds||15.9||4608||3456||1080/60p||22.7||12.4||812||71||Panasonic GH3|
Many modern cameras are not only capable of taking still images, but can also record movies. The E-M5 indeed provides movie recording capabilities, while the D70s does not. The highest resolution format that the E-M5 can use is 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the E-M5 has an electronic viewfinder (1440k dots), while the D70s has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the E-M5 offers a wider field of view (100%) than the one in the D70s (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the E-M5 has a higher magnification (0.58x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Olympus E-M5 and Nikon D70s in connection with corresponding information for a sample of similar cameras.
|Olympus E-M5»||1440||n||3.0||610||tilting||Y||1/4000s||9.0||n||Y||Olympus E-M5|
|Nikon D70s«||optical||n||2.0||130||fixed||n||1/8000s||3.0||Y||n||Nikon D70s|
|Nikon D5300« »||optical||n||3.2||1037||swivel||n||1/4000s||5.0||Y||n||Nikon D5300|
|Nikon D40« »||optical||n||2.5||230||fixed||n||1/4000s||2.5||Y||n||Nikon D40|
|Nikon D80« »||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Nikon D80|
|Nikon D50« »||optical||n||2.0||130||fixed||n||1/4000s||2.5||Y||n||Nikon D50|
|Nikon D70« »||optical||n||1.8||130||fixed||n||1/8000s||3.0||Y||n||Nikon D70|
|Olympus PEN-F« »||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus PEN-F|
|Olympus E-M5 II« »||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 II|
|Olympus E-PL7« »||-||n||3.0||1037||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL7|
|Olympus E-M1« »||2360||n||3.0||1037||tilting||Y||1/8000s||10.0||n||Y||Olympus E-M1|
|Olympus E-P5« »||-||n||3.0||1037||tilting||Y||1/8000s||9.0||Y||Y||Olympus E-P5|
|Olympus E-PL5« »||-||n||3.0||460||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL5|
|Olympus E-PM2« »||-||n||3.0||460||fixed||Y||1/4000s||8.0||n||Y||Olympus E-PM2|
|Panasonic GX8« »||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
|Panasonic GX7« »||2760||n||3.0||1040||tilting||Y||1/8000s||5.0||Y||Y||Panasonic GX7|
|Panasonic GH3« »||1746||n||3.0||614||swivel||Y||1/4000s||6.0||Y||n||Panasonic GH3|
One feature that differentiates the E-M5 and the D70s is in-body image stabilization (IBIS). The E-M5 reduces the risk of handshake-induced blur with all attached lenses, while the D70s has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.
The E-M5 writes its imaging data to SDXC cards, while the D70s uses Compact Flash cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M5 and Nikon D70s and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Olympus E-M5»||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-M5|
|Nikon D70s«||Y||-||-||-||-||-||2.0||-||-||-||Nikon D70s|
|Nikon D5300« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5300|
|Nikon D40« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D40|
|Nikon D80« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D80|
|Nikon D50« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D50|
|Nikon D70« »||Y||-||-||-||-||-||1.0||-||-||-||Nikon D70|
|Olympus PEN-F« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus PEN-F|
|Olympus E-M5 II« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Olympus E-PL7« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-PL7|
|Olympus E-M1« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M1|
|Olympus E-P5« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-P5|
|Olympus E-PL5« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PL5|
|Olympus E-PM2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-PM2|
|Panasonic GX8« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Panasonic GX7« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GX7|
|Panasonic GH3« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Panasonic GH3|
Both the E-M5 and the D70s have been discontinued, but can regularly be found used on eBay. The D70s was replaced by the Nikon D80, while the E-M5 was followed by the Olympus E-M5 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Nikon websites.
So what is the bottom line? Is there a clear favorite between the Olympus E-M5 and the Nikon D70s? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Olympus OM-D E-M5:
- More detail: Offers more megapixels (15.9 vs 6MP) with a 59% higher linear resolution.
- Better image quality: Scores substantially higher (21 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.4 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.6 stops ISO advantage).
- Broader imaging potential: Can record not only still images but also 1080/60i movies.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.58x vs 0.50x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (610k vs 130k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (9 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (122x89mm vs 140x111mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 254g or 37 percent) and hence easier to carry around.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- More modern: Reflects 6 years and 9 months of technical progress since the D70s launch.
Advantages of the Nikon D70s:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Gets more shots (500 versus 360) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (31 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in April 2005).
If the number of relative strengths (bullet points above) is taken as a guide, the E-M5 is the clear winner of the match-up (20 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-M5 and the Nikon D70s place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the E-M5 and the D70s in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Olympus E-M5»||+ +||80/100||4.5/5||5/5||5/5||Feb 2012||1,299||-||Olympus E-M5|
|Nikon D70s«||-||-||-||o||5/5||Apr 2005||899||-||Nikon D70s|
|Nikon D5300« »||+ +||79/100||4.5/5||4.5/5||4.5/5||Oct 2013||799||-||Nikon D5300|
|Nikon D40« »||81/100||+ +||o||5/5||4.5/5||Nov 2006||499||-||Nikon D40|
|Nikon D80« »||+||+ +||o||4.5/5||4.5/5||Aug 2006||999||-||Nikon D80|
|Nikon D50« »||78/100||+ +||4/5||o||4.5/5||Apr 2005||749||-||Nikon D50|
|Nikon D70« »||-||+ +||-||o||-||Jan 2004||999||-||Nikon D70|
|Olympus PEN-F« »||-||82/100||4.5/5||4.5/5||5/5||Jan 2016||1,199||Olympus PEN-F|
|Olympus E-M5 II« »||+ +||81/100||5/5||4.5/5||5/5||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-PL7« »||+||-||5/5||4.5/5||4/5||Aug 2014||599||-||Olympus E-PL7|
|Olympus E-M1« »||+ +||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399||-||Olympus E-M1|
|Olympus E-P5« »||+ +||78/100||4.5/5||4.5/5||5/5||May 2013||999||-||Olympus E-P5|
|Olympus E-PL5« »||+ +||-||4.5/5||4.5/5||4.5/5||Sep 2012||599||-||Olympus E-PL5|
|Olympus E-PM2« »||-||77/100||5/5||4.5/5||4.5/5||Sep 2012||499||-||Olympus E-PM2|
|Panasonic GX8« »||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199||-||Panasonic GX8|
|Panasonic GX7« »||+||79/100||5/5||4.5/5||5/5||Aug 2013||999||-||Panasonic GX7|
|Panasonic GH3« »||+ +||79/100||4.5/5||5/5||4.5/5||Sep 2012||1,299||-||Panasonic GH3|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 4000D vs Nikon D70s
- Canon SX410 vs Nikon D70s
- Fujifilm X-A2 vs Olympus E-M5 II
- Leica Digilux 3 vs Olympus E-M5 II
- Nikon D70s vs Panasonic GH2
- Nikon D70s vs Panasonic GX8
- Nikon D70s vs Panasonic TS7
- Nikon D70s vs Ricoh GR II
- Nikon D70s vs Sony NEX-3N
- Nikon D70s vs Sony NEX-6
- Nikon L840 vs Olympus E-M5
- Olympus E-M5 vs Sony A5000
Specifications: Olympus E-M5 vs Nikon D70s
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-M5||Nikon D70s|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Micro Four Thirds lenses||Nikon F mount lenses|
|Launch Date||February 2012||April 2005|
|Launch Price||USD 1299||USD 899|
|Sensor Specs||Olympus E-M5||Nikon D70s|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.7 x 15.6 mm|
|Sensor Area||224.9 mm2||369.72 mm2|
|Sensor Diagonal||21.6 mm||28.4 mm|
|Sensor Resolution||15.9 Megapixels||6 Megapixels|
|Image Resolution||4608 x 3456 pixels||3008 x 2000 pixels|
|Pixel Pitch||3.76 μm||7.85 μm|
|Pixel Density||7.08 MP/cm2||1.63 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60i Video||no Video|
|ISO Setting||200-25600 ISO||200-1600 ISO|
|DXO Sensor Quality (score)||71||50|
|DXO Color Depth (bits)||22.8||20.4|
|DXO Dynamic Range (EV)||12.3||10.3|
|DXO Low Light (ISO)||826||529|
|Screen Specs||Olympus E-M5||Nikon D70s|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View|
|Rear LCD Size||3.0 inch||2.0 inch|
|LCD Resolution||610k dots||130k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Olympus E-M5||Nikon D70s|
|Autofocus System||Contrast-detect AF||Phase-detect AF|
|Continuous Shooting||9 shutter flaps/s||3 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||50 000 actuations|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||CF cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Olympus E-M5||Nikon D70s|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Olympus E-M5||Nikon D70s|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||360 shots per charge||500 shots per charge|
122 x 89 x 43 mm
(4.8 x 3.5 x 1.7 in)
140 x 111 x 78 mm
(5.5 x 4.4 x 3.1 in)
|Camera Weight||425 g (15.0 oz)||679 g (24.0 oz)|
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