PW

Olympus E-M5 III vs Sony A6500

The Olympus OM-D E-M5 Mark III and the Sony Alpha A6500 are two enthusiast cameras that were announced, respectively, in October 2019 and October 2016. Both the E-M5 III and the A6500 are mirrorless interchangeable lens cameras that are based on a Four Thirds (E-M5 III) and an APS-C (A6500) sensor. The Olympus has a resolution of 20.2 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Olympus E-M5 III VS Sony A6500
Olympus E-M5 III Sony A6500
Mirrorless system camera Mirrorless system camera
Micro Four Thirds lenses Sony E mount lenses
20.2 MP, Four Thirds Sensor 24 MP, APS-C Sensor
4k/24p Video 4K/30p Video
ISO 200-25600 ISO 100-25600 (100-51200)
Electronic viewfinder (2360k dots) Electronic viewfinder (2359k dots)
3.0" LCD, 1040k dots 3.0" LCD, 922k dots
Swivel touchscreen Tilting touchscreen
10 shutter flaps per second 11 shutter flaps per second
In-body stabilizationIn-body stabilization
Weathersealed bodyWeathersealed body
310 shots per battery charge350 shots per battery charge
125 x 85 x 50 mm, 414 g 120 x 67 x 53 mm, 453 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M5 Mark III and the Sony Alpha A6500? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Olympus E-M5 III and the Sony A6500 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The E-M5 III can be obtained in two different colors (black, silver), while the A6500 is only available in black.

Size Olympus E-M5 III vs Sony A6500
Compare E-M5 III versus A6500 top
Comparison E-M5 III or A6500 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is notably smaller (24 percent) than the Olympus E-M5 III. However, the A6500 is markedly heavier (9 percent) than the E-M5 III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (E-M5 III) and the Sony E-Mount Lens Catalog (A6500). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the E-M5 III gets 310 shots out of its BLS-50 battery, while the A6500 can take 350 images on a single charge of its NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Camera
Model
 
Olympus E-M5 III» 4.9 in 3.3 in 2.0 in 14.6 oz 310 Y Oct 2019 1,199 iOlympus E-M5 III
 
Sony A6500« 4.7 in 2.6 in 2.1 in 16.0 oz 350 Y Oct 2016 1,399iSony A6500
 
Olympus E-M1 III« » 5.3 in 3.6 in 2.7 in 20.5 oz 420 Y Feb 2020 1,799 iOlympus E-M1 III
 
Olympus E-M1X« » 5.7 in 5.8 in 3.0 in 35.2 oz 870 Y Jan 2019 2,999 iOlympus E-M1X
 
Olympus E-PL9« » 4.6 in 2.7 in 1.5 in 13.4 oz 350 n Feb 2018 599 iOlympus E-PL9
 
Olympus E-M1 II« » 5.3 in 3.6 in 2.6 in 20.2 oz 440 Y Sep 2016 1,999 iOlympus E-M1 II
 
Olympus PEN-F« » 4.9 in 2.8 in 1.5 in 15.1 oz 330 n Jan 2016 1,199 iOlympus PEN-F
 
Olympus E-M5 II« » 4.9 in 3.3 in 1.8 in 16.5 oz 310 Y Feb 2015 1,099iOlympus E-M5 II
 
Olympus E-M1« » 5.1 in 3.7 in 2.5 in 17.5 oz 350 Y Sep 2013 1,399iOlympus E-M1
 
Olympus E-M5« » 4.8 in 3.5 in 1.7 in 15.0 oz 360 Y Feb 2012 1,299iOlympus E-M5
 
Panasonic G95« » 5.1 in 3.7 in 3.0 in 18.9 oz 290 Y Apr 2019 999 iPanasonic G95
 
Panasonic GX8« » 5.2 in 3.1 in 2.5 in 17.2 oz 330 Y Jul 2015 1,199iPanasonic GX8
 
Sony A6600« » 4.7 in 2.6 in 2.7 in 17.7 oz 810 Y Aug 2019 1,399 iSony A6600
 
Sony A6300« » 4.7 in 2.6 in 1.9 in 14.3 oz 400 Y Feb 2016 999iSony A6300
 
Sony A77« » 5.6 in 4.1 in 3.2 in 25.8 oz 470 Y Aug 2011 1,399iSony A77
 
Sony NEX-7« » 4.7 in 2.6 in 1.7 in 14.1 oz 430 n Aug 2011 1,349iSony NEX-7
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-M5 III was launched at a somewhat lower price (by 14 percent) than the A6500, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Olympus E-M5 III features a Four Thirds sensor and the Sony A6500 an APS-C sensor. The sensor area in the A6500 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-M5 III has a native 4:3 aspect ratio, while the one in the A6500 offers a 3:2 aspect.

In terms of underlying technology, both cameras are build around CMOS sensors.

Olympus E-M5 III and Sony A6500 sensor measures

With 24MP, the A6500 offers a higher resolution than the E-M5 III (20.2MP), but the A6500 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 3.34μm for the E-M5 III) due to its larger sensor. However, the E-M5 III is a much more recent model (by 3 years) than the A6500, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the E-M5 III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A6500 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6500 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Olympus E-M5 III are 25.9 x 19.4 inch or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inch or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inch or 43.9 x 32.9 cm for excellent quality prints.

Unlike the A6500, the E-M5 III has the capacity to capture high quality composite images (80MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Olympus OM-D E-M5 Mark III has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 64-25600. The corresponding ISO settings for the Sony Alpha A6500 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.

E-M5 III versus A6500 MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Olympus E-M5 III Four Thirds 20.2 5184 38884k/24p........Olympus E-M5 III
 
Sony A6500 APS-C 24.0 6000 40004K/30p24.513.7140585Sony A6500
 
Olympus E-M1 III Four Thirds 20.2 5184 38884K/30p........Olympus E-M1 III
 
Olympus E-M1X Four Thirds 20.2 5184 38884K/30p........Olympus E-M1X
 
Olympus E-PL9 Four Thirds 15.9 4608 34564K/30p........Olympus E-PL9
 
Olympus E-M1 II Four Thirds 20.2 5184 38884K/30p23.712.8131280Olympus E-M1 II
 
Olympus PEN-F Four Thirds 20.2 5184 38881080/60p23.112.489474Olympus PEN-F
 
Olympus E-M5 II Four Thirds 15.9 4608 34561080/60p23.012.584273Olympus E-M5 II
 
Olympus E-M1 Four Thirds 15.9 4608 34561080/30p23.012.775773Olympus E-M1
 
Olympus E-M5 Four Thirds 15.9 4608 34561080/60i22.812.382671Olympus E-M5
 
Panasonic G95 Four Thirds 20.2 5184 38884K/30p........Panasonic G95
 
Panasonic GX8 Four Thirds 20.2 5184 38884K/30p23.512.680675Panasonic GX8
 
Sony A6600 APS-C 24.0 6000 40004K/30p23.813.4149782Sony A6600
 
Sony A6300 APS-C 24.0 6000 40004K/30p24.413.7143785Sony A6300
 
Sony A77 APS-C 24.0 6000 40001080/60p24.013.280178Sony A77
 
Sony NEX-7 APS-C 24.0 6000 40001080/60i24.113.4101681Sony NEX-7

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A6500 provides a faster frame rate than the E-M5 III. It can shoot movie footage at 4K/30p, while the Olympus is limited to 4k/24p.

 

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the E-M5 III offers a slightly higher resolution than the one in the A6500 (2360k vs 2359k dots). The table below summarizes some of the other core capabilities of the Olympus E-M5 III and Sony A6500 in connection with corresponding information for a sample of similar cameras.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Olympus E-M5 III2360 n 3.0 1040 swivel Y 1/8000s 10.0 n Y Olympus E-M5 III
 
Sony A65002359 n 3.0 922 tilting Y 1/4000s 11.0 Y Y Sony A6500
 
Olympus E-M1 III2360 n 3.0 1037 swivel Y 1/8000s 18.0 n Y Olympus E-M1 III
 
Olympus E-M1X2360 n 3.0 1037 swivel Y 1/8000s 18.0 n Y Olympus E-M1X
 
Olympus E-PL9none n 3.0 1040 tilting Y 1/4000s 8.6 Y Y Olympus E-PL9
 
Olympus E-M1 II2360 n 3.0 1037 swivel Y 1/8000s 18.0 n Y Olympus E-M1 II
 
Olympus PEN-F2360 n 3.0 1037 swivel Y 1/8000s 10.0 n Y Olympus PEN-F
 
Olympus E-M5 II2360 n 3.0 1037 swivel Y 1/8000s 10.0 n Y Olympus E-M5 II
 
Olympus E-M12360 n 3.0 1037 tilting Y 1/8000s 10.0 n Y Olympus E-M1
 
Olympus E-M51440 n 3.0 610 tilting Y 1/4000s 9.0 n Y Olympus E-M5
 
Panasonic G952360 n 3.0 1240 swivel Y 1/4000s 9.0 Y Y Panasonic G95
 
Panasonic GX82360 n 3.0 1040 swivel Y 1/8000s 10.0 n Y Panasonic GX8
 
Sony A66002359 n 3.0 922 tilting Y 1/4000s 11.0 n Y Sony A6600
 
Sony A63002359 n 3.0 922 tilting n 1/4000s 11.0 Y n Sony A6300
 
Sony A772359 Y 3.0 921 full-flex n 1/8000s 12.0 Y Y Sony A77
 
Sony NEX-72359 n 3.0 921 tilting n 1/4000s 10.0 Y n Sony NEX-7

One difference between the cameras concerns the presence of an on-board flash. The A6500 has one, while the E-M5 III does not. While the built-in flash of the A6500 is not very powerful, it can at times be useful as a fill-in light.

The E-M5 III has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the A6500 does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Olympus E-M5 III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The E-M5 III writes its imaging data to SDXC cards, while the A6500 uses SDXC or Memory Stick PRO Duo cards. The E-M5 III supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the A6500 can use UHS-I cards (up to 104 MB/s).

 

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M5 Mark III and Sony Alpha A6500 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Olympus E-M5 IIIYstereomonoY-micro2.0Y-YOlympus E-M5 III
 
Sony A6500YstereomonoY-micro2.0YY-Sony A6500
 
Olympus E-M1 IIIYstereomonoYYmicro3.1Y-YOlympus E-M1 III
 
Olympus E-M1XYstereomonoYYmicro3.0Y-YOlympus E-M1X
 
Olympus E-PL9Ystereomono--micro2.0Y-YOlympus E-PL9
 
Olympus E-M1 IIYstereomonoYYmicro3.0Y--Olympus E-M1 II
 
Olympus PEN-FYstereomono--micro2.0Y--Olympus PEN-F
 
Olympus E-M5 IIYstereomonoY-micro2.0Y--Olympus E-M5 II
 
Olympus E-M1YstereomonoY-micro2.0Y--Olympus E-M1
 
Olympus E-M5Ystereomono--mini2.0---Olympus E-M5
 
Panasonic G95YstereomonoYYmicro2.0Y-YPanasonic G95
 
Panasonic GX8YstereomonoY-micro2.0YY-Panasonic GX8
 
Sony A6600YstereomonoYYYES2.0YYYSony A6600
 
Sony A6300YstereomonoY-micro2.0YY-Sony A6300
 
Sony A77YstereomonoY-mini2.0---Sony A77
 
Sony NEX-7YstereomonoY-mini2.0---Sony NEX-7

Studio photographers will appreciate that the Olympus E-M5 III (unlike the A6500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The E-M5 III is a recent model that features in the current product line-up of Olympus. In contrast, the A6500 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A6500 was succeeded by the Sony A6600. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Sony websites.

Review summary

So what is the bottom line? Which of the two cameras – the Olympus E-M5 III or the Sony A6500 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

ilogo

Reasons to prefer the Olympus OM-D E-M5 Mark III:

  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
  • More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
  • Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
  • Easier wireless transfer: Supports Bluetooth for image sharing without cables.
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
  • More affordable: Was introduced into a lower priced segment (14 percent cheaper at launch).
  • More modern: Reflects 3 years of technical progress since the A6500 launch.

ilogo

Advantages of the Sony Alpha A6500:

  • More detail: Has more megapixels (24 vs 20.2MP), which boosts linear resolution by 11%.
  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better video: Provides higher movie framerates (4K/30p versus 4k/24p).
  • Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.68x).
  • More compact: Is smaller (120x67mm vs 125x85mm) and will fit more readily into a bag.
  • Longer lasting: Gets more shots (350 versus 310) out of a single battery charge.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • More heavily discounted: Has been around for much longer (launched in October 2016).

If the count of relative strengths (bullet points above) is taken as a measure, the E-M5 III emerges as the winner of the contest (12 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

E-M5 III 12:09 A6500

How about other alternatives? Do the specifications of the Olympus E-M5 III and the Sony A6500 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the E-M5 III or the A6500 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cam
era
  labs  
dp
re
  view  
e
photo
  zine  
ima
ging
resource
photo
graphy
  blog  
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Camera
Model
 
Olympus E-M5 III+82/1004.5/5..4.5/5 Oct 2019 1,199 iOlympus E-M5 III
 
Sony A6500+ +85/1004.5/55/54.5/5 Oct 2016 1,399iSony A6500
 
Olympus E-M1 III....4.5/5..4/5 Feb 2020 1,799 iOlympus E-M1 III
 
Olympus E-M1Xo..4.5/55/5.. Jan 2019 2,999 iOlympus E-M1X
 
Olympus E-PL9+..4.5/54.5/54/5 Feb 2018 599 iOlympus E-PL9
 
Olympus E-M1 II+ +85/1004.5/55/54.5/5 Sep 2016 1,999 iOlympus E-M1 II
 
Olympus PEN-F..82/1004.5/54.5/55/5 Jan 2016 1,199 iOlympus PEN-F
 
Olympus E-M5 II+ +81/1005/54.5/55/5 Feb 2015 1,099iOlympus E-M5 II
 
Olympus E-M1+ +84/1004.5/54.5/54.5/5 Sep 2013 1,399iOlympus E-M1
 
Olympus E-M5+ +80/1004.5/55/55/5 Feb 2012 1,299iOlympus E-M5
 
Panasonic G95+83/1004.5/54.5/54.5/5 Apr 2019 999 iPanasonic G95
 
Panasonic GX8+82/1004.5/55/54.5/5 Jul 2015 1,199iPanasonic GX8
 
Sony A6600+83/1004.5/5..4/5 Aug 2019 1,399 iSony A6600
 
Sony A6300+85/1005/55/55/5 Feb 2016 999iSony A6300
 
Sony A7791/10081/100..4.5/55/5 Aug 2011 1,399iSony A77
 
Sony NEX-7+ +81/1004.5/55/55/5 Aug 2011 1,349iSony NEX-7
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

Olympus E-M5 III:
Check Amazon price
Sony A6500:
Check Ebay offers

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.

~

    Specifications: Olympus E-M5 III vs Sony A6500

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Olympus E-M5 III Sony A6500
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Micro Four Thirds lenses Sony E mount lenses
    Launch Date October 2019 October 2016
    Launch Price USD 1199 USD 1399
    Sensor Specs Olympus E-M5 III Sony A6500
    Sensor Technology CMOS CMOS
    Sensor Format Four Thirds Sensor APS-C Sensor
    Sensor Size 17.3 x 13.0 mm 23.5 x 15.6 mm
    Sensor Area 224.9 mm2 366.6 mm2
    Sensor Diagonal 21.6 mm 28.2 mm
    Crop Factor 2.0x 1.5x
    Sensor Resolution 20.2 Megapixels 24 Megapixels
    Image Resolution 5184 x 3888 pixels 6000 x 4000 pixels
    Pixel Pitch 3.34 μm 3.91 μm
    Pixel Density 8.96 MP/cm2 6.55 MP/cm2
    Moiré control no AA filter Anti-Alias filter
    Movie Capability 4k/24p Video 4K/30p Video
    ISO Setting 200-25600 ISO 100-25600 ISO
    ISO Boost 64-25600 ISO 100-51200 ISO
    Image Processor TruePic VIII BIONZ X
    DXO Sensor Quality (score) .. 85
    DXO Color Depth (bits) .. 24.5
    DXO Dynamic Range (EV) .. 13.7
    DXO Low Light (ISO) .. 1405
    Screen Specs Olympus E-M5 III Sony A6500
    Viewfinder Type Electronic viewfinder Electronic viewfinder
    Viewfinder Field of View 100% 100%
    Viewfinder Magnification 0.68x 0.70x
    Viewfinder Resolution 2360k dots 2359k dots
    LCD Framing Live View Live View
    Rear LCD Size 3.0 inch 3.0 inch
    LCD Resolution 1040k dots 922k dots
    LCD Attachment Swivel screen Tilting screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Olympus E-M5 III Sony A6500
    Focus System On-Sensor Phase-detect On-Sensor Phase-detect
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/8000/s 1/4000/s
    Continuous Shooting 10 shutter flaps/s 11 shutter flaps/s
    Electronic Shutterup to 1/32000sYES
    Time-Lapse PhotographyIntervalometer built-inno Intervalometer
    Image StabilizationIn-body stabilizationIn-body stabilization
    Fill Flash no On-Board Flash Build-in Flash
    Storage Medium SDXC cards MS or SDXC cards
    Second Storage Option Single card slot Single card slot
    UHS card support UHS-II UHS-I
    Connectivity Specs Olympus E-M5 III Sony A6500
    External Flash Hotshoe Hotshoe
    Studio Flash PC Sync socket no PC Sync
    USB Connector USB 2.0 USB 2.0
    HDMI Port micro HDMI micro HDMI
    Microphone Port External MIC port External MIC port
    Wifi Support Wifi built-in Wifi built-in
    Near-Field Communication no NFC NFC built-in
    Bluetooth Support Bluetooth built-in no Bluetooth
    Body Specs Olympus E-M5 III Sony A6500
    Environmental SealingWeathersealed bodyWeathersealed body
    Battery Type BLS-50 NP-FW50
    Battery Life (CIPA)310 shots per charge350 shots per charge
    In-Camera Charging USB charging USB charging
    Body Dimensions 125 x 85 x 50 mm
    (4.9 x 3.3 x 2.0 in)
    120 x 67 x 53 mm
    (4.7 x 2.6 x 2.1 in)
    Camera Weight 414 g (14.6 oz) 453 g (16.0 oz)

    Did you notice an error on this page? If so, please get in touch, so that we can correct the information.

    You are here Home  »  CAM-parator  »  Olympus E-M5 III vs Sony A6500