Olympus E-M5 II vs Sony NEX-7

The Olympus OM-D E-M5 Mark II and the Sony Alpha NEX-7 are two enthusiast cameras that were announced, respectively, in February 2015 and August 2011. Both the E-M5 II and the NEX-7 are mirrorless interchangeable lens cameras that are based on a Four Thirds (E-M5 II) and an APS-C (NEX-7) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Sony provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-M5 II		Sony NEX-7
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Sony E mount lenses
15.9 MP – Four Thirds sensor		24 MP – APS-C sensor
1080/60p Video		1080/60i Video
ISO 200-25,600		ISO 100-16,000
Electronic viewfinder (2360k dots)		Electronic viewfinder (2359k dots)
3.0" LCD – 1037k dots		3.0" LCD – 921k dots
Swivel touchscreen		Tilting screen (no touchscreen)
10 shutter flaps per second		10 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		not weather sealed
310 shots per battery charge		430 shots per battery charge
124 x 85 x 45 mm, 469 g		120 x 67 x 43 mm, 400 g

Check E-M5 II offers at
ebay.com
Check NEX-7 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M5 Mark II and the Sony Alpha NEX-7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Olympus E-M5 II and the Sony NEX-7 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The E-M5 II can be obtained in two different colors (black, silver), while the NEX-7 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-7 is notably smaller (24 percent) than the Olympus E-M5 II. Moreover, the NEX-7 is markedly lighter (15 percent) than the E-M5 II. It is worth mentioning in this context that the E-M5 II is splash and dust resistant, while the NEX-7 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (E-M5 II) and the Sony E-Mount Lens Catalog (NEX-7). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the E-M5 II gets 310 shots out of its Olympus BLN-1 battery, while the NEX-7 can take 430 images on a single charge of its Sony NP-FW50 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	1,099	ebay.com
2.		Sony NEX-7	120 mm	67 mm	43 mm	400 g	430	n	Aug 2011	1,349	ebay.com
3.		Fujifilm X100	126 mm	75 mm	54 mm	445 g	300	n	Sep 2010	1,199	ebay.com
4.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	1,399	ebay.com
5.		Olympus E-M5	122 mm	89 mm	43 mm	425 g	360	Y	Feb 2012	1,299	ebay.com
6.		Olympus E-M5 III	125 mm	85 mm	50 mm	414 g	310	Y	Oct 2019	1,199	ebay.com
7.		Olympus E-M10	119 mm	82 mm	46 mm	396 g	320	n	Jan 2014	699	ebay.com
8.		Olympus E-M10 II	120 mm	83 mm	47 mm	390 g	320	n	Aug 2015	649	ebay.com
9.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330	n	May 2013	999	ebay.com
10.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330	n	Jan 2016	1,199	ebay.com
11.		Panasonic G85	128 mm	89 mm	74 mm	505 g	330	Y	Sep 2016	899	ebay.com
12.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	1,199	ebay.com
13.		Panasonic GX85	122 mm	71 mm	44 mm	426 g	290	n	Apr 2016	799	amazon.com
14.		Sony A3000	128 mm	91 mm	85 mm	411 g	470	n	Aug 2013	329	ebay.com
15.		Sony A6000	120 mm	67 mm	45 mm	344 g	360	n	Feb 2014	599	ebay.com
16.		Sony A6400	120 mm	67 mm	50 mm	403 g	410	Y	Jan 2019	899	amazon.com
17.		Sony RX1	113 mm	65 mm	70 mm	482 g	270	n	Sep 2012	2,799	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-M5 II was launched at a somewhat lower price (by 19 percent) than the NEX-7, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Olympus E-M5 II features a Four Thirds sensor and the Sony NEX-7 an APS-C sensor. The sensor area in the NEX-7 is 62 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-M5 II has a native 4:3 aspect ratio, while the one in the NEX-7 offers a 3:2 aspect.

With 24MP, the NEX-7 offers a higher resolution than the E-M5 II (15.9MP), but the NEX-7 nevertheless has larger individual pixels (pixel pitch of 3.90μm versus 3.76μm for the E-M5 II) due to its larger sensor. However, the E-M5 II is a much more recent model (by 3 years and 5 months) than the NEX-7, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony NEX-7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-7 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-M5 II are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.

Unlike the NEX-7, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Olympus OM-D E-M5 Mark II has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha NEX-7 are ISO 100 to ISO 16000 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the NEX-7 has a markedly higher DXO score than the E-M5 II (overall score 8 points higher), which will translate into better image quality. The advantage is based on 1.1 bits higher color depth, 0.9 EV in additional dynamic range, and 0.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
2.		Sony NEX-7	APS-C	24.0	6000	4000	1080/60i	24.1	13.4	1016	81
3.		Fujifilm X100	APS-C	12.2	4288	2848	720/30p	22.9	12.4	1001	73
4.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
5.		Olympus E-M5	Four Thirds	15.9	4608	3456	1080/60i	22.8	12.3	826	71
6.		Olympus E-M5 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1324	76
7.		Olympus E-M10	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	884	72
8.		Olympus E-M10 II	Four Thirds	15.9	4608	3456	1080/60p	23.1	12.5	842	73
9.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
10.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
11.		Panasonic G85	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.5	656	71
12.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
13.		Panasonic GX85	Four Thirds	15.8	4592	3448	4K/30p	22.9	12.6	662	71
14.		Sony A3000	APS-C	19.8	5456	3632	1080/60i	23.7	12.8	1068	78
15.		Sony A6000	APS-C	24.0	6000	4000	1080/60p	24.1	13.1	1347	82
16.		Sony A6400	APS-C	24.0	6000	4000	4K/30p	24.0	13.6	1431	83
17.		Sony RX1	Full Frame	24.0	6000	4000	1080/60p	25.1	14.3	2534	93
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the E-M5 II provides a higher frame rate than the NEX-7. It can shoot video footage at 1080/60p, while the Sony is limited to 1080/60i.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the E-M5 II offers a slightly higher resolution than the one in the NEX-7 (2360k vs 2359k dots). The adjacent table lists some of the other core features of the Olympus E-M5 II and Sony NEX-7 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
2.		Sony NEX-7	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
3.		Fujifilm X100	1440	n	2.8 / 460	fixed	n	1/4000s	5.0/s	Y	n
4.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
5.		Olympus E-M5	1440	n	3.0 / 610	tilting	Y	1/4000s	9.0/s	n	Y
6.		Olympus E-M5 III	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
7.		Olympus E-M10	1440	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	Y	Y
8.		Olympus E-M10 II	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
9.		Olympus E-P5	optional	n	3.0 / 1037	tilting	Y	1/8000s	9.0/s	Y	Y
10.		Olympus PEN-F	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
11.		Panasonic G85	2360	n	3.0 / 1040	swivel	Y	1/4000s	9.0/s	Y	Y
12.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
13.		Panasonic GX85	2765	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
14.		Sony A3000	202	n	3.0 / 230	fixed	n	1/4000s	2.5/s	Y	n
15.		Sony A6000	1440	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
16.		Sony A6400	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	n
17.		Sony RX1	optional	n	3.0 / 1229	fixed	n	1/4000s	5.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that differentiates the E-M5 II and the NEX-7 is in-body image stabilization (IBIS). The E-M5 II reduces the risk of handshake-induced blur with all attached lenses, while the NEX-7 offers no blur reduction with lenses that themselves do not provide optical image stabilization.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M5 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Olympus E-M5 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The E-M5 II writes its imaging data to SDXC cards, while the NEX-7 uses SDXC or Memory Stick PRO Duo cards. The E-M5 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the NEX-7 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M5 Mark II and Sony Alpha NEX-7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
2.		Sony NEX-7	Y	stereo / mono	Y	-	mini	2.0	-	-	-
3.		Fujifilm X100	Y	stereo / -	-	-	mini	2.0	-	-	-
4.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
5.		Olympus E-M5	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Olympus E-M5 III	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
7.		Olympus E-M10	Y	stereo / mono	-	-	micro	2.0	Y	-	-
8.		Olympus E-M10 II	Y	stereo / mono	-	-	micro	2.0	Y	-	-
9.		Olympus E-P5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
10.		Olympus PEN-F	Y	stereo / mono	-	-	micro	2.0	Y	-	-
11.		Panasonic G85	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
12.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
13.		Panasonic GX85	Y	stereo / mono	-	-	micro	2.0	Y	-	-
14.		Sony A3000	Y	stereo / mono	-	-	mini	2.0	-	-	-
15.		Sony A6000	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
16.		Sony A6400	Y	stereo / mono	Y	-	micro	2.0	Y	Y	Y
17.		Sony RX1	Y	stereo / mono	Y	-	mini	2.0	-	-	-

It is notable that the E-M5 II offers wifi support, while the NEX-7 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Studio photographers will appreciate that the Olympus E-M5 II (unlike the NEX-7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the E-M5 II and the NEX-7 have been discontinued, but can regularly be found used on ebay. The E-M5 II was replaced by the Olympus E-M5 III, while the NEX-7 does not have a direct successor. Further information on the features and operation of the E-M5 II and NEX-7 can be found, respectively, in the Olympus E-M5 II Manual (free pdf) or the online Sony NEX-7 Manual.

Review summary

So how do things add up? Is there a clear favorite between the Olympus E-M5 II and the Sony NEX-7? Which camera is better? The listing below highlights the relative strengths of the two models.

Arguments in favor of the Olympus OM-D E-M5 Mark II:

• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.73x).
• More detailed LCD: Has a higher resolution rear screen (1037k vs 921k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards.
• More affordable: Was introduced into a lower priced segment (19 percent cheaper at launch).
• More modern: Reflects 3 years and 5 months of technical progress since the NEX-7 launch.

Advantages of the Sony Alpha NEX-7:

• More detail: Has more megapixels (24 vs 15.9MP), which boosts linear resolution by 25%.
• Better image quality: Scores markedly higher (8 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (1.1 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (0.9 EV of extra DR).
• More compact: Is smaller (120x67mm vs 124x85mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 69g or 15 percent) and is thus easier to take along.
• Longer lasting: Gets more shots (430 versus 310) out of a single battery charge.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More heavily discounted: Has been around for much longer (launched in August 2011).

If the count of relative strengths (bullet points above) is taken as a measure, the E-M5 II is the clear winner of the match-up (17 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-M5 II and the Sony NEX-7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the E-M5 II or the NEX-7 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	1,099	ebay.com
2.		Sony NEX-7	5/5	+ +	..	81/100	4.5/5	5/5	Aug 2011	1,349	ebay.com
3.		Fujifilm X100	3/5	..	..	75/100	4/5	5/5	Sep 2010	1,199	ebay.com
4.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	1,399	ebay.com
5.		Olympus E-M5	4/5	+ +	..	80/100	4.5/5	5/5	Feb 2012	1,299	ebay.com
6.		Olympus E-M5 III	5/5	+	5/5	82/100	4.5/5	4.5/5	Oct 2019	1,199	ebay.com
7.		Olympus E-M10	4/5	..	..	80/100	5/5	5/5	Jan 2014	699	ebay.com
8.		Olympus E-M10 II	4.5/5	+ +	..	80/100	5/5	5/5	Aug 2015	649	ebay.com
9.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	999	ebay.com
10.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	1,199	ebay.com
11.		Panasonic G85	..	+ +	..	84/100	5/5	4.5/5	Sep 2016	899	ebay.com
12.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	1,199	ebay.com
13.		Panasonic GX85	4.5/5	+ +	..	82/100	5/5	5/5	Apr 2016	799	amazon.com
14.		Sony A3000	3/5	+	..	..	4/5	4/5	Aug 2013	329	ebay.com
15.		Sony A6000	5/5	+	4.5/5	80/100	4.5/5	5/5	Feb 2014	599	ebay.com
16.		Sony A6400	4/5	+	4/5	85/100	4.5/5	4/5	Jan 2019	899	amazon.com
17.		Sony RX1	5/5	..	..	79/100	4/5	4.5/5	Sep 2012	2,799	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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