Olympus E-M5 II vs Sony HX400V
The Olympus OM-D E-M5 Mark II and the Sony Cyber-shot DSC-HX400V are two digital cameras that were revealed to the public, respectively, in February 2015 and February 2014. The E-M5 II is a mirrorless interchangeable lens camera, while the HX400V is a fixed lens compact. The cameras are based on a Four Thirds (E-M5 II) and a 1/2.3-inch (HX400V) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Sony provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-M5 II||Sony HX400V|
|Mirrorless system camera||Fixed lens compact camera|
|Micro Four Thirds lenses||24-1200mm f/2.8-6.3|
|15.9 MP, Four Thirds Sensor||20.2 MP, 1/2.3" Sensor|
|1080/60p Video||1080/60p Video|
|ISO 200-25600||ISO 80-3200 (80-12800)|
|Electronic viewfinder (2360k dots)||Electronic viewfinder (210k dots)|
|3.0" LCD, 1037k dots||3.0" LCD, 921k dots|
|Swivel touchscreen||Tilting screen (not touch-sensitive)|
|10 shutter flaps per second||10 shutter flaps per second|
|In-body stabilization||Lens-based stabilization|
|Weathersealed body||Not weather sealed|
|310 shots per battery charge||300 shots per battery charge|
|124 x 85 x 45 mm, 469 g||130 x 93 x 103 mm, 660 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M5 Mark II and the Sony Cyber-shot DSC-HX400V? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Olympus E-M5 II vs Sony HX400V
The physical size and weight of the Olympus E-M5 II and the Sony HX400V are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The E-M5 II can be obtained in two different colors (black, silver), while the HX400V is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony HX400V is notably larger (15 percent) than the Olympus E-M5 II. It is worth mentioning in this context that the E-M5 II is splash and dust resistant, while the HX400V does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the HX400V has a lens built in, whereas the E-M5 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-M5 II and their specifications in the Micro Four Thirds Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Olympus E-M5 II»||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Sony HX400V«||5.1 in||3.7 in||4.1 in||23.3 oz||300||n||Feb 2014||499||Sony HX400V|
|Canon SX70« »||5.0 in||3.6 in||4.6 in||21.4 oz||325||n||Sep 2018||549||Canon SX70|
|Canon SX60« »||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||-||Canon SX60|
|Kodak AZ901« »||5.5 in||4.1 in||4.7 in||27.4 oz||400||n||Jan 2016||499||Kodak AZ901|
|Olympus PEN-F« »||4.9 in||2.8 in||1.5 in||15.1 oz||330||n||Jan 2016||1,199||Olympus PEN-F|
|Olympus E-M10 II« »||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||649||-||Olympus E-M10 II|
|Olympus E-M10« »||4.7 in||3.2 in||1.8 in||14.0 oz||320||n||Jan 2014||699||-||Olympus E-M10|
|Olympus E-PL7« »||4.5 in||2.6 in||1.5 in||12.6 oz||350||n||Aug 2014||599||-||Olympus E-PL7|
|Olympus E-M1« »||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399||-||Olympus E-M1|
|Olympus E-P5« »||4.8 in||2.7 in||1.5 in||14.8 oz||330||n||May 2013||999||-||Olympus E-P5|
|Olympus E-M5« »||4.8 in||3.5 in||1.7 in||15.0 oz||360||Y||Feb 2012||1,299||-||Olympus E-M5|
|Panasonic G85« »||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899||-||Panasonic G85|
|Panasonic GX85« »||4.8 in||2.8 in||1.7 in||15.0 oz||290||n||Apr 2016||799||Panasonic GX85|
|Panasonic GX8« »||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||-||Panasonic GX8|
|Sony HX99« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||449||Sony HX99|
|Sony HX95« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||429||Sony HX95|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The HX400V was launched at a lower price than the E-M5 II, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Olympus E-M5 II vs Sony HX400V
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-M5 II features a Four Thirds sensor and the Sony HX400V a 1/2.3-inch sensor. The sensor area in the HX400V is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the HX400V offers a higher resolution of 20.2 megapixels, compared with 15.9 MP of the E-M5 II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 3.76μm for the E-M5 II). Moreover, it should be noted that the E-M5 II is a somewhat more recent model (by 11 months) than the HX400V, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the HX400V has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony HX400V implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the HX400V for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inch or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inch or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inch or 43.9 x 32.9 cm. The corresponding values for the Olympus E-M5 II are 23 x 17.3 inch or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inch or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inch or 39 x 29.3 cm for excellent quality prints.
Unlike the HX400V, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Olympus OM-D E-M5 Mark II has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Cyber-shot DSC-HX400V are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-12800.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Olympus E-M5 II»||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Sony HX400V«||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Sony HX400V|
|Canon SX70« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX70|
|Canon SX60« »||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Kodak AZ901« »||1/2.3||20.2||5184||3888||1080/30p||-||-||-||-||Kodak AZ901|
|Olympus PEN-F« »||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74||Olympus PEN-F|
|Olympus E-M10 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73||Olympus E-M10 II|
|Olympus E-M10« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72||Olympus E-M10|
|Olympus E-PL7« »||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72||Olympus E-PL7|
|Olympus E-M1« »||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73||Olympus E-M1|
|Olympus E-P5« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72||Olympus E-P5|
|Olympus E-M5« »||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71||Olympus E-M5|
|Panasonic G85« »||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71||Panasonic G85|
|Panasonic GX85« »||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71||Panasonic GX85|
|Panasonic GX8« »||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Sony HX99« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX99|
|Sony HX95« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX95|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).
Feature comparison: Olympus E-M5 II vs Sony HX400V
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the E-M5 II offers a substantially higher resolution than the one in the HX400V (2360k vs 210k dots). The following table reports on some other key feature differences and similarities of the Olympus E-M5 II, the Sony HX400V, and comparable cameras.
|Olympus E-M5 II»||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 II|
|Sony HX400V«||210||n||3.0||921||tilting||n||1/4000s||10.0||Y||Y||Sony HX400V|
|Canon SX70« »||2360||n||3.0||922||swivel||n||1/2000s||10.0||Y||Y||Canon SX70|
|Canon SX60« »||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Kodak AZ901« »||202||n||3.0||920||swivel||n||1/2000s||5.0||Y||Y||Kodak AZ901|
|Olympus PEN-F« »||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus PEN-F|
|Olympus E-M10 II« »||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10 II|
|Olympus E-M10« »||1440||n||3.0||1037||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10|
|Olympus E-PL7« »||-||n||3.0||1037||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL7|
|Olympus E-M1« »||2360||n||3.0||1037||tilting||Y||1/8000s||10.0||n||Y||Olympus E-M1|
|Olympus E-P5« »||-||n||3.0||1037||tilting||Y||1/8000s||9.0||Y||Y||Olympus E-P5|
|Olympus E-M5« »||1440||n||3.0||610||tilting||Y||1/4000s||9.0||n||Y||Olympus E-M5|
|Panasonic G85« »||2360||n||3.0||1040||swivel||Y||1/4000s||9.0||Y||Y||Panasonic G85|
|Panasonic GX85« »||2765||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y||Panasonic GX85|
|Panasonic GX8« »||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
|Sony HX99« »||638||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony HX99|
|Sony HX95« »||638||n||3.0||922||tilting||n||1/2000s||10.0||Y||Y||Sony HX95|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The E-M5 II has a touchscreen, while the HX400V has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The E-M5 II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the HX400V does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M5 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-M5 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-M5 II writes its imaging data to SDXC cards, while the HX400V uses SDXC or Memory Stick PRO Duo cards. The E-M5 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the HX400V cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison: Olympus E-M5 II vs Sony HX400V
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M5 Mark II and Sony Cyber-shot DSC-HX400V and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Olympus E-M5 II»||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Sony HX400V«||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony HX400V|
|Canon SX70« »||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Canon SX70|
|Canon SX60« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Kodak AZ901« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Kodak AZ901|
|Olympus PEN-F« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus PEN-F|
|Olympus E-M10 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10 II|
|Olympus E-M10« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10|
|Olympus E-PL7« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-PL7|
|Olympus E-M1« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M1|
|Olympus E-P5« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-P5|
|Olympus E-M5« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-M5|
|Panasonic G85« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G85|
|Panasonic GX85« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GX85|
|Panasonic GX8« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Sony HX99« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX99|
|Sony HX95« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX95|
It is notable that the E-M5 II has a microphone port, which is missing on the HX400V. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Olympus E-M5 II (unlike the HX400V) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the E-M5 II and the HX400V are recent models that are part of the current product line-up. The E-M5 II replaced the earlier Olympus E-M5, while the HX400V does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Sony websites.
Review summary: Olympus E-M5 II vs Sony HX400V
So what conclusions can be drawn? Is there a clear favorite between the Olympus E-M5 II and the Sony HX400V? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Olympus OM-D E-M5 Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 210k dots).
- More detailed LCD: Has a higher resolution rear screen (1037k vs 921k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- More compact: Is smaller (124x85mm vs 130x93mm) and thus needs less room in the bag.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards.
- More modern: Is somewhat more recent (announced 11 months after the HX400V).
Reasons to prefer the Sony Cyber-shot DSC-HX400V:
- More detail: Has more megapixels (20.2 vs 15.9MP), which boosts linear resolution by 13%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Ready to shoot: Has an integrated lens, whereas the E-M5 II necessitates an extra lens.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in February 2014).
If the number of relative strengths (bullet points above) is taken as a guide, the E-M5 II is the clear winner of the match-up (21 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-M5 II and the Sony HX400V place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-M5 II or the HX400V. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews: Olympus E-M5 II vs Sony HX400V
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Olympus E-M5 II»||+ +||81/100||5/5||4.5/5||5/5||Feb 2015||1,099||Olympus E-M5 II|
|Sony HX400V«||+ +||-||4/5||-||4/5||Feb 2014||499||Sony HX400V|
|Canon SX70« »||-||-||3.5/5||-||3.5/5||Sep 2018||549||Canon SX70|
|Canon SX60« »||+ +||75/100||4/5||-||4.5/5||Sep 2014||549||-||Canon SX60|
|Kodak AZ901« »||-||-||3.5/5||-||3/5||Jan 2016||499||Kodak AZ901|
|Olympus PEN-F« »||-||82/100||4.5/5||4.5/5||5/5||Jan 2016||1,199||Olympus PEN-F|
|Olympus E-M10 II« »||+ +||80/100||5/5||5/5||5/5||Aug 2015||649||-||Olympus E-M10 II|
|Olympus E-M10« »||-||80/100||5/5||4.5/5||5/5||Jan 2014||699||-||Olympus E-M10|
|Olympus E-PL7« »||+||-||5/5||4.5/5||4/5||Aug 2014||599||-||Olympus E-PL7|
|Olympus E-M1« »||+ +||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399||-||Olympus E-M1|
|Olympus E-P5« »||+ +||78/100||4.5/5||4.5/5||5/5||May 2013||999||-||Olympus E-P5|
|Olympus E-M5« »||+ +||80/100||4.5/5||5/5||5/5||Feb 2012||1,299||-||Olympus E-M5|
|Panasonic G85« »||+ +||84/100||5/5||4.5/5||4.5/5||Sep 2016||899||-||Panasonic G85|
|Panasonic GX85« »||+ +||82/100||5/5||4.5/5||5/5||Apr 2016||799||Panasonic GX85|
|Panasonic GX8« »||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199||-||Panasonic GX8|
|Sony HX99« »||-||-||4/5||-||4.5/5||Aug 2018||449||Sony HX99|
|Sony HX95« »||-||-||-||-||-||Aug 2018||429||Sony HX95|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1200D vs Olympus E-M5 II
- Canon 80D vs Sony HX400V
- Hasselblad X1D vs Sony HX400V
- Leica CL vs Sony HX400V
- Leica M Typ 262 vs Olympus E-M5 II
- Leica X Vario vs Sony HX400V
- Nikon D60 vs Sony HX400V
- Nikon D90 vs Olympus E-M5 II
- Olympus E-5 vs Olympus E-M5 II
- Olympus E-M5 II vs Sony A7R
- Panasonic FZ100 vs Sony HX400V
- Sony A6000 vs Sony HX400V
Specifications: Olympus E-M5 II vs Sony HX400V
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-M5 II||Sony HX400V|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||24-1200mm f/2.8-6.3|
|Launch Date||February 2015||February 2014|
|Launch Price||USD 1099||USD 499|
|Sensor Specs||Olympus E-M5 II||Sony HX400V|
|Sensor Format||Four Thirds Sensor||1/2.3" Sensor|
|Sensor Size||17.3 x 13.0 mm||6.17 x 4.55 mm|
|Sensor Area||224.9 mm2||28.0735 mm2|
|Sensor Diagonal||21.6 mm||7.7 mm|
|Sensor Resolution||15.9 Megapixels||20.2 Megapixels|
|Image Resolution||4608 x 3456 pixels||5184 x 3888 pixels|
|Pixel Pitch||3.76 μm||1.18 μm|
|Pixel Density||7.08 MP/cm2||71.80 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||200-25600 ISO||80-3200 ISO|
|ISO Boost||100-25600 ISO||80-12800 ISO|
|Image Processor||TruePic VII||BIONZ X|
|DXO Sensor Quality (score)||73||..|
|DXO Color Depth (bits)||23.0||..|
|DXO Dynamic Range (EV)||12.5||..|
|DXO Low Light (ISO)||842||..|
|Screen Specs||Olympus E-M5 II||Sony HX400V|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||210k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1037k dots||921k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Olympus E-M5 II||Sony HX400V|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||10 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-II||no|
|Connectivity Specs||Olympus E-M5 II||Sony HX400V|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Olympus E-M5 II||Sony HX400V|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Type||BLN-1 power pack||NP-BX1 power pack|
|Battery Life (CIPA)||310 shots per charge||300 shots per charge|
124 x 85 x 45 mm
(4.9 x 3.3 x 1.8 in)
130 x 93 x 103 mm
(5.1 x 3.7 x 4.1 in)
|Camera Weight||469 g (16.5 oz)||660 g (23.3 oz)|
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