Olympus E-M5 II vs Pentax K-5

The Olympus OM-D E-M5 Mark II and the Pentax K-5 are two enthusiast cameras that were revealed to the public, respectively, in February 2015 and September 2010. The E-M5 II is a mirrorless interchangeable lens camera, while the K-5 is a DSLR. The cameras are based on a Four Thirds (E-M5 II) and an APS-C (K-5) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Pentax provides 16.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-M5 II		Pentax K-5
Mirrorless system camera		Digital single lens reflex
Micro Four Thirds lenses		Pentax K mount lenses
15.9 MP – Four Thirds sensor		16.1 MP – APS-C sensor
1080/60p Video		1080/25p Video
ISO 200-25,600		ISO 100-12,800 (80 - 51,200)
Electronic viewfinder (2360k dots)		Optical viewfinder
3.0" LCD – 1037k dots		3.0" LCD – 921k dots
Swivel touchscreen		Fixed screen (not touch-sensitive)
10 shutter flaps per second		7 shutter flaps per second
In-body stabilization		In-body stabilization
Weathersealed body		Weathersealed body
310 shots per battery charge		740 shots per battery charge
124 x 85 x 45 mm, 469 g		131 x 97 x 73 mm, 760 g

Check E-M5 II offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M5 Mark II and the Pentax K-5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Olympus E-M5 II and the Pentax K-5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The E-M5 II can be obtained in two different colors (black, silver), while the K-5 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-5 is notably larger (21 percent) than the Olympus E-M5 II. Moreover, the K-5 is substantially heavier (62 percent) than the E-M5 II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the E-M5 II gets 310 shots out of its Olympus BLN-1 battery, while the K-5 can take 740 images on a single charge of its Pentax D-LI90 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	1,099	ebay.com
2.		Pentax K-5	131 mm	97 mm	73 mm	760 g	740	Y	Sep 2010	1,099	ebay.com
3.		Olympus E-M5 III	125 mm	85 mm	50 mm	414 g	310	Y	Oct 2019	1,199	ebay.com
4.		Olympus E-M1 II	134 mm	91 mm	67 mm	574 g	440	Y	Sep 2016	1,999	ebay.com
5.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330	n	Jan 2016	1,199	ebay.com
6.		Olympus E-M10 II	120 mm	83 mm	47 mm	390 g	320	n	Aug 2015	649	ebay.com
7.		Olympus E-M10	119 mm	82 mm	46 mm	396 g	320	n	Jan 2014	699	ebay.com
8.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	1,399	ebay.com
9.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330	n	May 2013	999	ebay.com
10.		Olympus E-M5	122 mm	89 mm	43 mm	425 g	360	Y	Feb 2012	1,299	ebay.com
11.		Panasonic G80	128 mm	89 mm	74 mm	505 g	330	Y	Sep 2016	899	ebay.com
12.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	1,199	ebay.com
13.		Pentax K-3 II	131 mm	100 mm	77 mm	800 g	720	Y	Apr 2015	1,099	ebay.com
14.		Pentax K-50	130 mm	97 mm	71 mm	650 g	410	Y	Jun 2013	599	ebay.com
15.		Pentax K-3	131 mm	100 mm	77 mm	800 g	560	Y	Oct 2013	1,299	ebay.com
16.		Pentax K-30	130 mm	97 mm	71 mm	650 g	410	Y	May 2012	849	ebay.com
17.		Pentax K-5 II	131 mm	97 mm	73 mm	760 g	740	Y	Sep 2012	1,099	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The two cameras under review were launched at the same price and fall into the same market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Olympus E-M5 II features a Four Thirds sensor and the Pentax K-5 an APS-C sensor. The sensor area in the K-5 is 65 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-M5 II has a native 4:3 aspect ratio, while the one in the K-5 offers a 3:2 aspect.

With 16.1MP, the K-5 offers a higher resolution than the E-M5 II (15.9MP), but the K-5 nevertheless has larger individual pixels (pixel pitch of 4.81μm versus 3.76μm for the E-M5 II) due to its larger sensor. However, the E-M5 II is a much more recent model (by 4 years and 4 months) than the K-5, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.

Unlike the K-5, the E-M5 II has the capacity to capture high quality composite images (40MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Olympus OM-D E-M5 Mark II has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Pentax K-5 are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 80-51200.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the K-5 has a markedly higher DXO score than the E-M5 II (overall score 9 points higher), which will translate into better image quality. The advantage is based on 0.7 bits higher color depth, 1.6 EV in additional dynamic range, and 0.5 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
2.		Pentax K-5	APS-C	16.1	4928	3264	1080/25p	23.7	14.1	1162	82
3.		Olympus E-M5 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1324	76
4.		Olympus E-M1 II	Four Thirds	20.2	5184	3888	4K/30p	23.7	12.8	1312	80
5.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
6.		Olympus E-M10 II	Four Thirds	15.9	4608	3456	1080/60p	23.1	12.5	842	73
7.		Olympus E-M10	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	884	72
8.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
9.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
10.		Olympus E-M5	Four Thirds	15.9	4608	3456	1080/60i	22.8	12.3	826	71
11.		Panasonic G80	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.5	656	71
12.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
13.		Pentax K-3 II	APS-C	24.1	6016	4000	1080/60i	23.6	13.6	1106	80
14.		Pentax K-50	APS-C	16.1	4928	3264	1080/30p	23.7	13.0	1120	79
15.		Pentax K-3	APS-C	24.1	6016	4000	1080/60i	23.7	13.4	1216	80
16.		Pentax K-30	APS-C	16.1	4928	3264	1080/30p	23.7	13.0	1129	79
17.		Pentax K-5 II	APS-C	16.1	4928	3264	1080/25p	23.8	14.1	1235	82
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the E-M5 II provides a higher frame rate than the K-5. It can shoot video footage at 1080/60p, while the Pentax is limited to 1080/25p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the E-M5 II has an electronic viewfinder (2360k dots), while the K-5 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the E-M5 II has a higher magnification than the one of the K-5 (0.74x vs 0.61x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Olympus E-M5 II, the Pentax K-5, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
2.		Pentax K-5	optical	Y	3.0 / 921	fixed	n	1/8000s	7.0/s	Y	Y
3.		Olympus E-M5 III	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
4.		Olympus E-M1 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
5.		Olympus PEN-F	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
6.		Olympus E-M10 II	2360	n	3.0 / 1040	tilting	Y	1/4000s	8.0/s	Y	Y
7.		Olympus E-M10	1440	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	Y	Y
8.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
9.		Olympus E-P5	optional	n	3.0 / 1037	tilting	Y	1/8000s	9.0/s	Y	Y
10.		Olympus E-M5	1440	n	3.0 / 610	tilting	Y	1/4000s	9.0/s	n	Y
11.		Panasonic G80	2360	n	3.0 / 1040	swivel	Y	1/4000s	9.0/s	Y	Y
12.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
13.		Pentax K-3 II	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	n	Y
14.		Pentax K-50	optical	n	3.0 / 921	fixed	n	1/6000s	6.0/s	Y	Y
15.		Pentax K-3	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	Y	Y
16.		Pentax K-30	optical	n	3.0 / 921	fixed	n	1/6000s	6.0/s	Y	Y
17.		Pentax K-5 II	optical	Y	3.0 / 921	fixed	n	1/8000s	7.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The E-M5 II has a touchscreen, while the K-5 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M5 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Olympus E-M5 II and the Pentax K-5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the E-M5 II and the K-5 write their files to SDXC cards. The E-M5 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the K-5 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M5 Mark II and Pentax K-5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
2.		Pentax K-5	Y	stereo / mono	Y	-	mini	2.0	-	-	-
3.		Olympus E-M5 III	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
4.		Olympus E-M1 II	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
5.		Olympus PEN-F	Y	stereo / mono	-	-	micro	2.0	Y	-	-
6.		Olympus E-M10 II	Y	stereo / mono	-	-	micro	2.0	Y	-	-
7.		Olympus E-M10	Y	stereo / mono	-	-	micro	2.0	Y	-	-
8.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
9.		Olympus E-P5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
10.		Olympus E-M5	Y	stereo / mono	-	-	mini	2.0	-	-	-
11.		Panasonic G80	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
12.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
13.		Pentax K-3 II	Y	mono / mono	Y	Y	mini	3.0	-	-	-
14.		Pentax K-50	Y	mono / mono	-	-	micro	2.0	-	-	-
15.		Pentax K-3	Y	mono / mono	Y	Y	mini	3.0	-	-	-
16.		Pentax K-30	Y	mono / mono	-	-	-	2.0	-	-	-
17.		Pentax K-5 II	Y	stereo / mono	Y	-	mini	2.0	-	-	-

It is notable that the E-M5 II offers wifi support, while the K-5 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

Both the E-M5 II and the K-5 have been discontinued, but can regularly be found used on ebay. The K-5 was replaced by the Pentax K-5 II, while the E-M5 II was followed by the Olympus E-M5 III. Further information on the features and operation of the E-M5 II and K-5 can be found, respectively, in the Olympus E-M5 II Manual (free pdf) or the online Pentax K-5 Manual.

Review summary

So what is the bottom line? Is the Olympus E-M5 II better than the Pentax K-5 or vice versa? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Olympus OM-D E-M5 Mark II:

• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better video: Provides higher movie framerates (1080/60p versus 1080/25p).
• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.61x).
• More detailed LCD: Has a higher resolution rear screen (1037k vs 921k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (10 vs 7 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More compact: Is smaller (124x85mm vs 131x97mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 291g or 38 percent) and hence easier to carry around.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards.
• More modern: Reflects 4 years and 4 months of technical progress since the K-5 launch.

Arguments in favor of the Pentax K-5:

• Better image quality: Scores markedly higher (9 points) in the DXO overall evaluation.
• More dynamic range: Captures a broader range of light and dark details (1.6 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (0.5 stops ISO advantage).
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Longer lasting: Gets more shots (740 versus 310) out of a single battery charge.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More heavily discounted: Has been around for much longer (launched in September 2010).

If the count of individual advantages (bullet points above) is taken as a guide, the E-M5 II is the clear winner of the match-up (16 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-M5 II and the Pentax K-5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-M5 II or the K-5. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	1,099	ebay.com
2.		Pentax K-5	4/5	..	..	83/100	5/5	4.5/5	Sep 2010	1,099	ebay.com
3.		Olympus E-M5 III	5/5	+	5/5	82/100	4.5/5	4.5/5	Oct 2019	1,199	ebay.com
4.		Olympus E-M1 II	5/5	+ +	5/5	85/100	4.5/5	4.5/5	Sep 2016	1,999	ebay.com
5.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	1,199	ebay.com
6.		Olympus E-M10 II	4.5/5	+ +	..	80/100	5/5	5/5	Aug 2015	649	ebay.com
7.		Olympus E-M10	4/5	..	..	80/100	5/5	5/5	Jan 2014	699	ebay.com
8.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	1,399	ebay.com
9.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	999	ebay.com
10.		Olympus E-M5	4/5	+ +	..	80/100	4.5/5	5/5	Feb 2012	1,299	ebay.com
11.		Panasonic G80	..	+ +	..	84/100	5/5	4.5/5	Sep 2016	899	ebay.com
12.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	1,199	ebay.com
13.		Pentax K-3 II	4.5/5	..	..	..	5/5	5/5	Apr 2015	1,099	ebay.com
14.		Pentax K-50	5/5	..	..	..	5/5	4.5/5	Jun 2013	599	ebay.com
15.		Pentax K-3	4/5	..	..	83/100	5/5	5/5	Oct 2013	1,299	ebay.com
16.		Pentax K-30	4/5	..	..	78/100	4.5/5	4.5/5	May 2012	849	ebay.com
17.		Pentax K-5 II	5/5	..	..	80/100	5/5	4.5/5	Sep 2012	1,099	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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