Olympus E-M1X vs E-P5
The Olympus OM-D E-M1X and the Olympus PEN E-P5 are two enthusiast cameras that were officially introduced, respectively, in January 2019 and May 2013. Both the E-M1X and the E-P5 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The E-M1X has a resolution of 20.2 megapixels, whereas the E-P5 provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-M1X||Olympus E-P5|
|Mirrorless system camera||Mirrorless system camera|
|Micro Four Thirds lenses||Micro Four Thirds lenses|
|20.2 MP, Four Thirds Sensor||15.9 MP, Four Thirds Sensor|
|4K/30p Video||1080/30p Video|
|ISO 200-25600||ISO 200-25600|
|Electronic viewfinder (2360k dots)||Viewfinder optional|
|3.0" LCD, 1037k dots||3.0" LCD, 1037k dots|
|Swivel touchscreen||Tilting touchscreen|
|18 shutter flaps per second||9 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|Weathersealed body||Not weather sealed|
|870 shots per battery charge||330 shots per battery charge|
|144 x 147 x 75 mm, 997 g||122 x 69 x 37 mm, 420 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M1X and the Olympus PEN E-P5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Olympus E-M1X and the Olympus E-P5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-M1X can be obtained in two different colors (black, silver), while the E-P5 is available in three color-versions (black, silver, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-P5 is considerably smaller (60 percent) than the Olympus E-M1X. Moreover, the E-P5 is substantially lighter (58 percent) than the E-M1X. It is worth mentioning in this context that the E-M1X is splash and dust resistant, while the E-P5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the E-M1X gets 870 shots out of its BLH-1 battery, while the E-P5 can take 330 images on a single charge of its BLN-1 power pack. As can be seen in the images above, the E-M1X has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the E-M1X can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Olympus E-M1X»||144 mm||147 mm||75 mm||997 g||870||Y||Jan 2019||2,999||Olympus E-M1X|
|Olympus E-P5«||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999||-||Olympus E-P5|
|Olympus E-PL9« »||117 mm||68 mm||39 mm||380 g||350||n||Feb 2018||549||Olympus E-PL9|
|Olympus E-M1 II« »||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Olympus E-M5 II« »||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M10« »||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699||-||Olympus E-M10|
|Olympus E-PL7« »||115 mm||67 mm||38 mm||357 g||350||n||Aug 2014||599||-||Olympus E-PL7|
|Olympus E-M1« »||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399||-||Olympus E-M1|
|Panasonic S1« »||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499||Panasonic S1|
|Panasonic S1R« »||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699||Panasonic S1R|
|Panasonic G90« »||130 mm||94 mm||77 mm||536 g||290||Y||Apr 2019||999||Panasonic G90|
|Panasonic S1H« »||151 mm||114 mm||110 mm||1052 g||400||Y||May 2019||3,999||Panasonic S1H|
|Panasonic GH5s« »||139 mm||98 mm||87 mm||660 g||440||Y||Jan 2018||2,499||Panasonic GH5s|
|Panasonic G9« »||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999||Panasonic GH5|
|Panasonic GX7« »||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999||-||Panasonic GX7|
|Sony A900« »||156 mm||117 mm||82 mm||895 g||880||Y||Sep 2008||2,999||-||Sony A900|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-P5 was launched at a markedly lower price (by 67 percent) than the E-M1X, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
In terms of chip-set technology, the E-M1X uses a more advanced image processing engine (Dual TruePic VIII) than the E-P5 (TruePic VI), with benefits for noise reduction, color accuracy, and processing speed.
While the two cameras under review share the same sensor size, the E-M1X offers a higher resolution of 20.2 megapixels, compared with 15.9 MP of the E-P5. This megapixels advantage translates into a 13 percent gain in linear resolution. On the other hand, these sensor specs imply that the E-M1X has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 3.76μm for the E-P5). In this context, it should be noted, however, that the E-M1X is much more recent (by 5 years and 8 months) than the E-P5, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the E-M1X has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Olympus E-M1X implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M1X for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inch or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inch or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inch or 43.9 x 32.9 cm. The corresponding values for the Olympus E-P5 are 23 x 17.3 inch or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inch or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inch or 39 x 29.3 cm for excellent quality prints.
The E-M1X has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the E-P5, the E-M1X has the capacity to capture high quality composite images (80MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Olympus OM-D E-M1X has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 64-25600. The corresponding ISO settings for the Olympus PEN E-P5 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Olympus E-M1X»||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||Olympus E-M1X|
|Olympus E-P5«||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72||Olympus E-P5|
|Olympus E-PL9« »||Four Thirds||15.9||4608||3456||4K/30p||-||-||-||-||Olympus E-PL9|
|Olympus E-M1 II« »||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Olympus E-M5 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Olympus E-M10« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72||Olympus E-M10|
|Olympus E-PL7« »||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72||Olympus E-PL7|
|Olympus E-M1« »||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73||Olympus E-M1|
|Panasonic S1« »||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95||Panasonic S1|
|Panasonic S1R« »||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100||Panasonic S1R|
|Panasonic G90« »||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic G90|
|Panasonic S1H« »||Full Frame||24.0||6000||4000||6K/30p||-||-||-||-||Panasonic S1H|
|Panasonic GH5s« »||Four Thirds||9.9||3680||2700||4K/60p||-||-||-||-||Panasonic GH5s|
|Panasonic G9« »||Four Thirds||20.2||5184||3888||4K/60p||-||-||-||-||Panasonic G9|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Panasonic GX7« »||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70||Panasonic GX7|
|Sony A900« »||Full Frame||24.4||6048||4032||-||23.7||12.3||1431||79||Sony A900|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the E-M1X provides a higher video resolution than the E-P5. It can shoot video footage at 4K/30p, while the E-P5 is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the E-M1X has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-P5 relies on live view and the rear LCD for framing. That said, the E-P5 can be equipped with an optional viewfinder – the VF-4. The adjacent table lists some of the other core features of the Olympus E-M1X and Olympus E-P5 along with similar information for a selection of comparators.
|Olympus E-M1X»||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1X|
|Olympus E-P5«||-||n||3.0||1037||tilting||Y||1/8000s||9.0||Y||Y||Olympus E-P5|
|Olympus E-PL9« »||-||n||3.0||1040||tilting||Y||1/4000s||8.6||Y||Y||Olympus E-PL9|
|Olympus E-M1 II« »||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 II|
|Olympus E-M5 II« »||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 II|
|Olympus E-M10« »||1440||n||3.0||1037||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10|
|Olympus E-PL7« »||-||n||3.0||1037||tilting||Y||1/4000s||8.0||n||Y||Olympus E-PL7|
|Olympus E-M1« »||2360||n||3.0||1037||tilting||Y||1/8000s||10.0||n||Y||Olympus E-M1|
|Panasonic S1« »||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1|
|Panasonic S1R« »||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1R|
|Panasonic G90« »||2360||n||3.0||1240||swivel||Y||1/4000s||9.0||Y||Y||Panasonic G90|
|Panasonic S1H« »||5760||Y||3.2||2330||swivel||Y||1/8000s||9.0||n||Y||Panasonic S1H|
|Panasonic GH5s« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||n||Panasonic GH5s|
|Panasonic G9« »||3680||Y||3.0||1040||swivel||Y||1/8000s||20.0||n||Y||Panasonic G9|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Panasonic GX7« »||2760||n||3.0||1040||tilting||Y||1/8000s||5.0||Y||Y||Panasonic GX7|
|Sony A900« »||optical||Y||3.0||922||fixed||n||1/8000s||5.0||n||Y||Sony A900|
One difference between the cameras concerns the presence of an on-board flash. The E-P5 has one, while the E-M1X does not. While the built-in flash of the E-P5 is not very powerful, it can at times be useful as a fill-in light.The E-M1X has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the E-P5 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M1X is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-M1X and the Olympus E-P5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the E-M1X and the E-P5 write their files to SDXC cards. The E-M1X features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-P5 only has one slot. The E-M1X supports UHS-II cards (on both slots), while the E-P5 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M1X and Olympus PEN E-P5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Olympus E-M1X»||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y||Olympus E-M1X|
|Olympus E-P5«||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-P5|
|Olympus E-PL9« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Olympus E-PL9|
|Olympus E-M1 II« »||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Olympus E-M5 II« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Olympus E-M10« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10|
|Olympus E-PL7« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-PL7|
|Olympus E-M1« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M1|
|Panasonic S1« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1|
|Panasonic S1R« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1R|
|Panasonic G90« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||Y||Panasonic G90|
|Panasonic S1H« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1H|
|Panasonic GH5s« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5s|
|Panasonic G9« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Panasonic GX7« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GX7|
|Sony A900« »||Y||-||-||-||-||mini||2.0||-||-||-||Sony A900|
It is notable that the E-M1X has a microphone port, which is missing on the E-P5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Olympus E-M1X (unlike the E-P5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the E-M1X has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The E-M1X is a recent model that features in the current product line-up of Olympus. In contrast, the E-P5 has been discontinued (but it can be found pre-owned on eBay). There has not been a direct replacement model for the E-P5 from Olympus. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus website.
So what is the bottom line? Which of the two cameras – the Olympus E-M1X or the Olympus E-P5 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Olympus OM-D E-M1X:
- More detail: Offers more megapixels (20.2 vs 15.9MP) with a 13% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better jpgs: Has a more modern image processing engine (Dual TruePic VIII vs TruePic VI).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (18 vs 9 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (870 versus 330) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 5 years and 8 months of technical progress since the E-P5 launch.
Arguments in favor of the Olympus PEN E-P5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More compact: Is smaller (122x69mm vs 144x147mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 577g or 58 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (67 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in May 2013).
If the count of relative strengths (bullet points above) is taken as a measure, the E-M1X is the clear winner of the match-up (23 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-M1X and the Olympus E-P5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-M1X or the E-P5. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Olympus E-M1X»||o||-||4.5/5||5/5||-||Jan 2019||2,999||Olympus E-M1X|
|Olympus E-P5«||+ +||78/100||4.5/5||4.5/5||5/5||May 2013||999||-||Olympus E-P5|
|Olympus E-PL9« »||+||-||4.5/5||-||4/5||Feb 2018||549||Olympus E-PL9|
|Olympus E-M1 II« »||+ +||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999||Olympus E-M1 II|
|Olympus E-M5 II« »||+ +||81/100||5/5||4.5/5||5/5||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M10« »||-||80/100||5/5||4.5/5||5/5||Jan 2014||699||-||Olympus E-M10|
|Olympus E-PL7« »||+||-||5/5||4.5/5||4/5||Aug 2014||599||-||Olympus E-PL7|
|Olympus E-M1« »||+ +||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399||-||Olympus E-M1|
|Panasonic S1« »||+ +||88/100||4.5/5||-||4/5||Feb 2019||2,499||Panasonic S1|
|Panasonic S1R« »||-||89/100||4.5/5||-||4.5/5||Feb 2019||3,699||Panasonic S1R|
|Panasonic G90« »||+||83/100||4.5/5||-||4.5/5||Apr 2019||999||Panasonic G90|
|Panasonic S1H« »||-||-||-||-||-||May 2019||3,999||Panasonic S1H|
|Panasonic GH5s« »||-||84/100||4.5/5||5/5||4.5/5||Jan 2018||2,499||Panasonic GH5s|
|Panasonic G9« »||+ +||85/100||5/5||5/5||5/5||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Panasonic GX7« »||+||79/100||5/5||4.5/5||5/5||Aug 2013||999||-||Panasonic GX7|
|Sony A900« »||+ +||+ +||4.5/5||4/5||5/5||Sep 2008||2,999||-||Sony A900|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Olympus E-M1X vs Olympus E-P5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-M1X||Olympus E-P5|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||January 2019||May 2013|
|Launch Price||USD 2999||USD 999|
|Sensor Specs||Olympus E-M1X||Olympus E-P5|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||20.2 Megapixels||15.9 Megapixels|
|Image Resolution||5184 x 3888 pixels||4608 x 3456 pixels|
|Pixel Pitch||3.34 μm||3.76 μm|
|Pixel Density||8.96 MP/cm2||7.08 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/30p Video|
|ISO Setting||200-25600 ISO||200-25600 ISO|
|ISO Boost||64-25600 ISO||100-25600 ISO|
|Image Processor||Dual TruePic VIII||TruePic VI|
|DXO Sensor Quality (score)||..||72|
|DXO Color Depth (bits)||..||22.8|
|DXO Dynamic Range (EV)||..||12.4|
|DXO Low Light (ISO)||..||895|
|Screen Specs||Olympus E-M1X||Olympus E-P5|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1037k dots||1037k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Olympus E-M1X||Olympus E-P5|
|Autofocus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/8000/s|
|Continuous Shooting||18 shutter flaps/s||9 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Olympus E-M1X||Olympus E-P5|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Olympus E-M1X||Olympus E-P5|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||870 shots per charge||330 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
144 x 147 x 75 mm
(5.7 x 5.8 x 3.0 in)
122 x 69 x 37 mm
(4.8 x 2.7 x 1.5 in)
|Camera Weight||997 g (35.2 oz)||420 g (14.8 oz)|
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