Olympus E-M1X vs Nikon D3
The Olympus OM-D E-M1X and the Nikon D3 are two digital cameras that were announced, respectively, in January 2019 and August 2007. The E-M1X is a mirrorless interchangeable lens camera, while the D3 is a DSLR. The cameras are based on a Four Thirds (E-M1X) and a full frame (D3) sensor. The Olympus has a resolution of 20.2 megapixels, whereas the Nikon provides 12.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-M1X||Nikon D3|
|Mirrorless system camera||Digital single lens reflex|
|Micro Four Thirds lenses||Nikon F mount lenses|
|20.2 MP, Four Thirds Sensor||12.1 MP, Full Frame Sensor|
|4K/30p Video||no Video|
|ISO 200-25600||ISO 200-6400 (100-25600)|
|Electronic viewfinder (2360k dots)||Optical viewfinder|
|3.0" LCD, 1037k dots||3.0" LCD, 922k dots|
|Swivel touchscreen||Fixed screen (not touch-sensitive)|
|18 shutter flaps per second||11 shutter flaps per second|
|In-body stabilization||Lens stabilization only|
|Weathersealed body||Weathersealed body|
|870 shots per battery charge||4300 shots per battery charge|
|144 x 147 x 75 mm, 997 g||160 x 157 x 88 mm, 1300 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M1X and the Nikon D3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Olympus E-M1X vs Nikon D3
The physical size and weight of the Olympus E-M1X and the Nikon D3 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-M1X can be obtained in two different colors (black, silver), while the D3 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D3 is notably larger (19 percent) than the Olympus E-M1X. Moreover, the D3 is markedly heavier (30 percent) than the E-M1X. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (E-M1X) and the Nikon Lens Catalog (D3). Mirrorless cameras, such as the Olympus E-M1X, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
Concerning battery life, the E-M1X gets 870 shots out of its BLH-1 battery, while the D3 can take 4300 images on a single charge of its EN-EL4a power pack. As can be seen in the images above, both cameras have a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the E-M1X can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Olympus E-M1X»||144 mm||147 mm||75 mm||997 g||870||Y||Jan 2019||2,999||Olympus E-M1X|
|Nikon D3«||160 mm||157 mm||88 mm||1300 g||4300||Y||Aug 2007||4,999||-||Nikon D3|
|Canon 1D Mark III« »||156 mm||157 mm||80 mm||1155 g||2200||Y||Feb 2007||4,499||-||Canon 1D Mark III|
|Nikon D4« »||160 mm||157 mm||91 mm||1340 g||2600||Y||Jan 2012||5,999||-||Nikon D4|
|Nikon D3S« »||160 mm||157 mm||88 mm||1240 g||4200||Y||Oct 2009||5,199||-||Nikon D3S|
|Nikon D3X« »||160 mm||157 mm||88 mm||1260 g||4400||Y||Dec 2008||7,999||-||Nikon D3X|
|Nikon D700« »||147 mm||123 mm||77 mm||1074 g||1000||Y||Jul 2008||2,999||-||Nikon D700|
|Olympus E-PL9« »||117 mm||68 mm||39 mm||380 g||350||n||Feb 2018||549||Olympus E-PL9|
|Olympus E-M1 II« »||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Panasonic S1« »||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499||Panasonic S1|
|Panasonic S1R« »||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699||Panasonic S1R|
|Panasonic G90« »||130 mm||94 mm||77 mm||536 g||290||Y||Apr 2019||999||Panasonic G90|
|Panasonic GH5s« »||139 mm||98 mm||87 mm||660 g||440||Y||Jan 2018||2,499||Panasonic GH5s|
|Panasonic GX9« »||124 mm||72 mm||47 mm||407 g||260||n||Feb 2018||849||Panasonic GX9|
|Panasonic G9« »||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999||Panasonic GH5|
|Sony A900« »||156 mm||117 mm||82 mm||895 g||880||Y||Sep 2008||2,999||-||Sony A900|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-M1X was launched at a markedly lower price (by 40 percent) than the D3, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Olympus E-M1X vs Nikon D3
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-M1X features a Four Thirds sensor and the Nikon D3 a full frame sensor. The sensor area in the D3 is 282 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the E-M1X has a native 4:3 aspect ratio, while the one in the D3 offers a 3:2 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Despite having a smaller sensor, the Olympus E-M1X offers a higher resolution of 20.2 megapixels, compared with 12.1 MP of the Nikon D3. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 8.43μm for the D3). However, it should be noted that the E-M1X is much more recent (by 11 years and 5 months) than the D3, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the E-M1X has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Olympus E-M1X implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M1X for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inch or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inch or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inch or 43.9 x 32.9 cm. The corresponding values for the Nikon D3 are 21.3 x 14.2 inch or 54.1 x 36 cm for good quality, 17 x 11.3 inch or 43.2 x 28.8 cm for very good quality, and 14.2 x 9.4 inch or 36 x 24 cm for excellent quality prints.
The E-M1X has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the D3, the E-M1X has the capacity to capture high quality composite images (80MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Olympus OM-D E-M1X has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 64-25600. The corresponding ISO settings for the Nikon D3 are ISO 200 to ISO 6400, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Olympus E-M1X»||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||Olympus E-M1X|
|Nikon D3«||Full Frame||12.1||4256||2832||-||23.5||12.2||2290||81||Nikon D3|
|Canon 1D Mark III« »||APS-H||10.1||3888||2592||-||22.7||11.7||1078||71||Canon 1D Mark III|
|Nikon D4« »||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89||Nikon D4|
|Nikon D3S« »||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82||Nikon D3S|
|Nikon D3X« »||Full Frame||24.4||6048||4032||-||24.7||13.7||1992||88||Nikon D3X|
|Nikon D700« »||Full Frame||12.1||4256||2832||-||23.5||12.2||2303||80||Nikon D700|
|Olympus E-PL9« »||Four Thirds||15.9||4608||3456||4K/30p||-||-||-||-||Olympus E-PL9|
|Olympus E-M1 II« »||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Panasonic S1« »||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95||Panasonic S1|
|Panasonic S1R« »||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100||Panasonic S1R|
|Panasonic G90« »||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic G90|
|Panasonic GH5s« »||Four Thirds||9.9||3680||2700||4K/60p||-||-||-||-||Panasonic GH5s|
|Panasonic GX9« »||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic GX9|
|Panasonic G9« »||Four Thirds||20.2||5184||3888||4K/60p||-||-||-||-||Panasonic G9|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Sony A900« »||Full Frame||24.4||6048||4032||-||23.7||12.3||1431||79||Sony A900|
Many modern cameras are not only capable of taking still images, but can also record movies. The E-M1X indeed provides movie recording capabilities, while the D3 does not. The highest resolution format that the E-M1X can use is 4K/30p.
Feature comparison: Olympus E-M1X vs Nikon D3
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the E-M1X has an electronic viewfinder (2360k dots), while the D3 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the E-M1X has a higher magnification than the one of the D3 (0.83x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Olympus E-M1X, the Nikon D3, and comparable cameras.
|Olympus E-M1X»||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1X|
|Nikon D3«||optical||Y||3.0||922||fixed||n||1/8000s||11.0||n||n||Nikon D3|
|Canon 1D Mark III« »||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark III|
|Nikon D4« »||optical||Y||3.2||921||fixed||n||1/8000s||11.0||n||n||Nikon D4|
|Nikon D3S« »||optical||Y||3.0||921||fixed||n||1/8000s||11.0||n||n||Nikon D3S|
|Nikon D3X« »||optical||Y||3.0||922||fixed||n||1/8000s||5.0||n||n||Nikon D3X|
|Nikon D700« »||optical||Y||3.0||922||fixed||n||1/8000s||8.0||Y||n||Nikon D700|
|Olympus E-PL9« »||-||n||3.0||1040||tilting||Y||1/4000s||8.6||Y||Y||Olympus E-PL9|
|Olympus E-M1 II« »||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 II|
|Panasonic S1« »||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1|
|Panasonic S1R« »||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1R|
|Panasonic G90« »||2360||n||3.0||1240||swivel||Y||1/4000s||9.0||Y||Y||Panasonic G90|
|Panasonic GH5s« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||n||Panasonic GH5s|
|Panasonic GX9« »||2760||n||3.0||1240||tilting||Y||1/4000s||9.0||Y||Y||Panasonic GX9|
|Panasonic G9« »||3680||Y||3.0||1040||swivel||Y||1/8000s||20.0||n||Y||Panasonic G9|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Sony A900« »||optical||Y||3.0||922||fixed||n||1/8000s||5.0||n||Y||Sony A900|
One feature that differentiates the E-M1X and the D3 is in-body image stabilization (IBIS). The E-M1X reduces the risk of handshake-induced blur with all attached lenses, while the D3 has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.The E-M1X has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the D3 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M1X is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-M1X and the Nikon D3 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-M1X writes its imaging data to SDXC cards, while the D3 uses Compact Flash cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
Connectivity comparison: Olympus E-M1X vs Nikon D3
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M1X and Nikon D3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Olympus E-M1X»||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y||Olympus E-M1X|
|Nikon D3«||Y||-||-||-||-||mini||2.0||-||-||-||Nikon D3|
|Canon 1D Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1D Mark III|
|Nikon D4« »||Y||mono||mono||-||-||micro||2.0||-||-||-||Nikon D4|
|Nikon D3S« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Nikon D3S|
|Nikon D3X« »||Y||-||-||-||-||mini||2.0||-||-||-||Nikon D3X|
|Nikon D700« »||Y||-||-||-||-||mini||2.0||-||-||-||Nikon D700|
|Olympus E-PL9« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Olympus E-PL9|
|Olympus E-M1 II« »||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Panasonic S1« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1|
|Panasonic S1R« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1R|
|Panasonic G90« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||Y||Panasonic G90|
|Panasonic GH5s« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5s|
|Panasonic GX9« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic GX9|
|Panasonic G9« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Sony A900« »||Y||-||-||-||-||mini||2.0||-||-||-||Sony A900|
It is notable that the E-M1X offers wifi support, while the D3 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The E-M1X is a recent model that features in the current product line-up of Olympus. In contrast, the D3 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the D3 was succeeded by the Nikon D4. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Nikon websites.
Review summary: Olympus E-M1X vs Nikon D3
So what is the bottom line? Is there a clear favorite between the Olympus E-M1X and the Nikon D3? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Olympus OM-D E-M1X:
- More detail: Offers more megapixels (20.2 vs 12.1MP) with a 27% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Broader imaging potential: Can record not only still images but also 4K/30p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.83x vs 0.70x).
- More detailed LCD: Has a higher resolution rear screen (1037k vs 922k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (18 vs 11 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (144x147mm vs 160x157mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 303g or 23 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (40 percent cheaper at launch).
- More modern: Reflects 11 years and 5 months of technical progress since the D3 launch.
Arguments in favor of the Nikon D3:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Longer lasting: Gets more shots (4300 versus 870) out of a single battery charge.
- More heavily discounted: Has been around for much longer (launched in August 2007).
If the count of individual advantages (bullet points above) is taken as a guide, the E-M1X is the clear winner of the match-up (22 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-M1X and the Nikon D3 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the E-M1X and the D3 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Olympus E-M1X vs Nikon D3
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Olympus E-M1X»||o||-||4.5/5||-||-||Jan 2019||2,999||Olympus E-M1X|
|Nikon D3«||-||+ +||5/5||o||4.5/5||Aug 2007||4,999||-||Nikon D3|
|Canon 1D Mark III« »||-||-||-||o||-||Feb 2007||4,499||-||Canon 1D Mark III|
|Nikon D4« »||-||-||4.5/5||-||4.5/5||Jan 2012||5,999||-||Nikon D4|
|Nikon D3S« »||-||89/100||4.5/5||5/5||5/5||Oct 2009||5,199||-||Nikon D3S|
|Nikon D3X« »||-||86/100||4/5||5/5||5/5||Dec 2008||7,999||-||Nikon D3X|
|Nikon D700« »||89/100||+ +||4.5/5||5/5||4.5/5||Jul 2008||2,999||-||Nikon D700|
|Olympus E-PL9« »||+||-||4.5/5||-||4/5||Feb 2018||549||Olympus E-PL9|
|Olympus E-M1 II« »||+ +||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999||Olympus E-M1 II|
|Panasonic S1« »||+ +||-||-||-||4/5||Feb 2019||2,499||Panasonic S1|
|Panasonic S1R« »||-||-||4.5/5||-||4.5/5||Feb 2019||3,699||Panasonic S1R|
|Panasonic G90« »||+||-||4.5/5||-||4.5/5||Apr 2019||999||Panasonic G90|
|Panasonic GH5s« »||-||84/100||4.5/5||-||4.5/5||Jan 2018||2,499||Panasonic GH5s|
|Panasonic GX9« »||+||84/100||4.5/5||4.5/5||4.5/5||Feb 2018||849||Panasonic GX9|
|Panasonic G9« »||+ +||85/100||5/5||5/5||5/5||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Sony A900« »||+ +||+ +||4.5/5||4/5||5/5||Sep 2008||2,999||-||Sony A900|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1200D vs Olympus E-M1X
- Canon 1D Mark III vs Nikon D3
- Canon 250D vs Olympus E-M1X
- Canon 5D vs Olympus E-M1X
- Canon SL1 vs Olympus E-M1X
- Canon T7 vs Olympus E-M1X
- Nikon D1 vs Olympus E-M1X
- Nikon D3 vs Nikon D5200
- Nikon D3 vs Sony A7
- Nikon D3 vs Sony A7 II
- Nikon D80 vs Olympus E-M1X
- Olympus E-M1X vs Sony A6400
Specifications: Olympus E-M1X vs Nikon D3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-M1X||Nikon D3|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Micro Four Thirds lenses||Nikon F mount lenses|
|Launch Date||January 2019||August 2007|
|Launch Price||USD 2999||USD 4999|
|Sensor Specs||Olympus E-M1X||Nikon D3|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||36.0 x 23.9 mm|
|Sensor Area||224.9 mm2||860.4 mm2|
|Sensor Diagonal||21.6 mm||43.2 mm|
|Sensor Resolution||20.2 Megapixels||12.1 Megapixels|
|Image Resolution||5184 x 3888 pixels||4256 x 2832 pixels|
|Pixel Pitch||3.34 μm||8.43 μm|
|Pixel Density||8.96 MP/cm2||1.40 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||no Video|
|ISO Setting||200-25600 ISO||200-6400 ISO|
|ISO Boost||64-25600 ISO||100-25600 ISO|
|Image Processor||Dual TruePic VIII||EXPEED|
|DXO Sensor Quality (score)||..||81|
|DXO Color Depth (bits)||..||23.5|
|DXO Dynamic Range (EV)||..||12.2|
|DXO Low Light (ISO)||..||2290|
|Screen Specs||Olympus E-M1X||Nikon D3|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1037k dots||922k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Olympus E-M1X||Nikon D3|
|Autofocus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||18 shutter flaps/s||11 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations||300 000 actuations|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CF cards|
|Second Storage Option||Dual card slots||Dual card slots|
|Connectivity Specs||Olympus E-M1X||Nikon D3|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Olympus E-M1X||Nikon D3|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||BLH-1 power pack||EN-EL4a power pack|
|Battery Life (CIPA)||870 shots per charge||4300 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
144 x 147 x 75 mm
(5.7 x 5.8 x 3.0 in)
160 x 157 x 88 mm
(6.3 x 6.2 x 3.5 in)
|Camera Weight||997 g (35.2 oz)||1300 g (45.9 oz)|
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