Olympus E-M10 III vs Sony A7C
The Olympus OM-D E-M10 Mark III and the Sony Alpha A7C are two digital cameras that were announced, respectively, in August 2017 and September 2020. Both the E-M10 III and the A7C are mirrorless interchangeable lens cameras that are based on a Four Thirds (E-M10 III) and a full frame (A7C) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M10 Mark III and the Sony Alpha A7C? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Olympus E-M10 III and the Sony A7C are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7C is notably smaller (14 percent) than the Olympus E-M10 III. However, the A7C is markedly heavier (24 percent) than the E-M10 III. It is noteworthy in this context that the A7C is splash and dust-proof, while the E-M10 III does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (E-M10 III) and the Sony FE Lens Catalog (A7C). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the E-M10 III gets 330 shots out of its BLS-50 battery, while the A7C can take 740 images on a single charge of its NP-FZ100 power pack. The power pack in the A7C can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Olympus E-M10 III||122 mm||84 mm||50 mm||410 g||330||n||Aug 2017||649||ebay.com|
|2.||Sony A7C||124 mm||71 mm||60 mm||509 g||740||Y||Sep 2020||1,799||amazon.com|
|3.||Olympus E-M10 IV||122 mm||84 mm||49 mm||383 g||360||n||Aug 2020||699||amazon.com|
|4.||Olympus E-PL10||117 mm||68 mm||39 mm||380 g||350||n||Oct 2019||599||amazon.com|
|5.||Olympus E-PL9||117 mm||68 mm||39 mm||380 g||350||n||Feb 2018||599||ebay.com|
|6.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999||ebay.com|
|7.||Olympus E-PL8||115 mm||67 mm||38 mm||357 g||350||n||Sep 2016||549||ebay.com|
|8.||Olympus PEN-F||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199||ebay.com|
|9.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649||ebay.com|
|10.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699||ebay.com|
|11.||Olympus E-PL7||115 mm||67 mm||38 mm||357 g||350||n||Aug 2014||599||ebay.com|
|12.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999||ebay.com|
|13.||Panasonic GX80||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799||amazon.com|
|14.||Sony A9||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499||ebay.com|
|15.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399||ebay.com|
|16.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999||ebay.com|
|17.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-M10 III was launched at a markedly lower price (by 64 percent) than the A7C, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-M10 III features a Four Thirds sensor and the Sony A7C a full frame sensor. The sensor area in the A7C is 276 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the E-M10 III has a native 4:3 aspect ratio, while the one in the A7C offers a 3:2 aspect.
With 24MP, the A7C offers a higher resolution than the E-M10 III (15.9MP), but the A7C nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 3.76μm for the E-M10 III) due to its larger sensor. Moreover, the A7C is a much more recent model (by 3 years) than the E-M10 III, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the E-M10 III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7C implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7C for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-M10 III are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The A7C has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Olympus OM-D E-M10 Mark III has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A7C are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
In terms of underlying technology, the E-M10 III is build around a CMOS sensor, while the A7C uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Olympus E-M10 III||Four Thirds||15.9||4608||3456||4K/30p||23.1||12.8||1120||74|
|2.||Sony A7C||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3407||95|
|3.||Olympus E-M10 IV||Four Thirds||20.2||5184||3888||4K/30p||23.3||13.2||1402||76|
|4.||Olympus E-PL10||Four Thirds||15.9||4608||3456||4K/30p||23.3||13.1||1324||76|
|5.||Olympus E-PL9||Four Thirds||15.9||4608||3456||4K/30p||23.1||12.8||1162||74|
|6.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|7.||Olympus E-PL8||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.6||1030||73|
|8.||Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|9.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|10.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|11.||Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72|
|12.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|13.||Panasonic GX80||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|14.||Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|16.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|17.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a variety of features. The E-M10 III and the A7C are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The table below summarizes some of the other core capabilities of the Olympus E-M10 III and Sony A7C in connection with corresponding information for a sample of similar cameras.
|1.||Olympus E-M10 III||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.6/s||Y||Y|
|2.||Sony A7C||2360||n||3.0 / 922||swivel||Y||1/4000s||10.0/s||n||Y|
|3.||Olympus E-M10 IV||2360||n||3.0 / 1040||tilting||Y||1/4000s||15.0/s||Y||Y|
|4.||Olympus E-PL10||none||n||3.0 / 1040||tilting||Y||1/4000s||8.6/s||Y||Y|
|5.||Olympus E-PL9||none||n||3.0 / 1040||tilting||Y||1/4000s||8.6/s||Y||Y|
|6.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0/s||n||Y|
|7.||Olympus E-PL8||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||n||Y|
|8.||Olympus PEN-F||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|9.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||Y|
|10.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||Y||Y|
|11.||Olympus E-PL7||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||n||Y|
|12.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0/s||Y||Y|
|13.||Panasonic GX80||2765||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||Y|
|14.||Sony A9||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0/s||n||Y|
|15.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0/s||Y||Y|
|16.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0/s||n||Y|
|17.||Sony A7||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The E-M10 III has one, while the A7C does not. While the built-in flash of the E-M10 III is not very powerful, it can at times be useful as a fill-in light.The A7C has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the E-M10 III does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-M10 III and the Sony A7C both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-M10 III writes its imaging data to SDXC cards, while the A7C uses SDXC or Memory Stick PRO Duo cards. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M10 Mark III and Sony Alpha A7C and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-M10 III||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|2.||Sony A7C||Y||stereo / mono||Y||Y||micro||3.2||Y||Y||Y|
|3.||Olympus E-M10 IV||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|4.||Olympus E-PL10||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|5.||Olympus E-PL9||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|6.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|7.||Olympus E-PL8||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Olympus PEN-F||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Olympus E-PL7||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|12.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Panasonic GX80||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Sony A9||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|15.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|16.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony A7||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7C has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The E-M10 III lacks such a headphone port.
The A7C is a recent model that features in the current product line-up of Sony. In contrast, the E-M10 III has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the E-M10 III was succeeded by the Olympus E-M10 IV. Further information on the features and operation of the E-M10 III and A7C can be found, respectively, in the Olympus E-M10 III Manual (free pdf) or the online Sony A7C Manual.
So what is the bottom line? Which of the two cameras – the Olympus E-M10 III or the Sony A7C – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Olympus OM-D E-M10 Mark III:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.62x vs 0.59x).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 922k dots).
- Less heavy: Is lighter (by 99g or 19 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (64 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in August 2017).
Reasons to prefer the Sony Alpha A7C:
- More detail: Has more megapixels (24 vs 15.9MP), which boosts linear resolution by 25%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 8.6 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (124x71mm vs 122x84mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (740 versus 330) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 3 years of technical progress since the E-M10 III launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A7C is the clear winner of the contest (20 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-M10 III and the Sony A7C place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-M10 III or the A7C. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-M10 III||..||+||5/5||80/100||4.5/5||4.5/5||Aug 2017||649||ebay.com|
|2.||Sony A7C||3.5/5||..||3.5/5||86/100||4/5||4/5||Sep 2020||1,799||amazon.com|
|3.||Olympus E-M10 IV||4.5/5||..||5/5||81/100||4.5/5||4.5/5||Aug 2020||699||amazon.com|
|4.||Olympus E-PL10||..||..||4/5||77/100||..||4/5||Oct 2019||599||amazon.com|
|5.||Olympus E-PL9||..||+||..||..||4.5/5||4/5||Feb 2018||599||ebay.com|
|6.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999||ebay.com|
|7.||Olympus E-PL8||..||..||..||..||4.5/5||4/5||Sep 2016||549||ebay.com|
|8.||Olympus PEN-F||..||..||4/5||82/100||4.5/5||5/5||Jan 2016||1,199||ebay.com|
|9.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649||ebay.com|
|10.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699||ebay.com|
|11.||Olympus E-PL7||4/5||+||..||..||5/5||4/5||Aug 2014||599||ebay.com|
|12.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999||ebay.com|
|13.||Panasonic GX80||4.5/5||+ +||..||82/100||5/5||5/5||Apr 2016||799||amazon.com|
|14.||Sony A9||5/5||+ +||4.8/5||89/100||5/5||5/5||Apr 2017||4,499||ebay.com|
|15.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399||ebay.com|
|16.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999||ebay.com|
|17.||Sony A7||5/5||+ +||..||80/100||5/5||5/5||Oct 2013||1,699||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 760D vs Olympus E-M10 III
- Canon D30 vs Sony A7C
- Canon SX740 vs Olympus E-M10 III
- Canon T5i vs Sony A7C
- Fujifilm X-A2 vs Sony A7C
- Fujifilm XP140 vs Olympus E-M10 III
- Nikon B700 vs Sony A7C
- Nikon D3400 vs Sony A7C
- Nikon D500 vs Olympus E-M10 III
- Olympus E-M10 III vs Panasonic GX1
- Olympus E-M10 III vs Sony A6400
- Pentax K-3 III vs Sony A7C
Specifications: Olympus E-M10 III vs Sony A7C
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-M10 III||Sony A7C|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||August 2017||September 2020|
|Launch Price||USD 649||USD 1,799|
|Sensor Specs||Olympus E-M10 III||Sony A7C|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.6 x 23.8 mm|
|Sensor Area||224.9 mm2||847.28 mm2|
|Sensor Diagonal||21.6 mm||42.8 mm|
|Sensor Resolution||15.9 Megapixels||24 Megapixels|
|Image Resolution||4608 x 3456 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.76 μm||5.94 μm|
|Pixel Density||7.08 MP/cm2||2.83 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||200 - 25,600 ISO||100 - 51,200 ISO|
|ISO Boost||100 - 25,600 ISO||50 - 204,800 ISO|
|Image Processor||TruePic VIII||BIONZ X|
|DXO Sensor Quality (score)||..||95|
|DXO Color Depth (bits)||..||25.0|
|DXO Dynamic Range (EV)||..||14.7|
|DXO Low Light (ISO)||..||3407|
|Screen Specs||Olympus E-M10 III||Sony A7C|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||922k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Shooting Specs||Olympus E-M10 III||Sony A7C|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||8.6 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Single or Dual Card Slots||Single card slot||Single card slot|
|UHS card support||UHS-II||UHS-II|
|Connectivity Specs||Olympus E-M10 III||Sony A7C|
|USB Connector||USB 2.0||USB 3.2|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Olympus E-M10 III||Sony A7C|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||330 shots per charge||740 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
122 x 84 x 50 mm
(4.8 x 3.3 x 2.0 in)
124 x 71 x 60 mm
(4.9 x 2.8 x 2.4 in)
|Camera Weight||410 g (14.5 oz)||509 g (18.0 oz)|
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