Olympus E-M10 II vs Sony A99 II
The Olympus OM-D E-M10 Mark II and the Sony Alpha ALT-A99 II are two digital cameras that were announced, respectively, in August 2015 and September 2016. The E-M10 II is a mirrorless interchangeable lens camera, while the A99 II is a DSLR. The cameras are based on a Four Thirds (E-M10 II) and a full frame (A99 II) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M10 Mark II and the Sony Alpha ALT-A99 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Olympus E-M10 II and the Sony A99 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The E-M10 II can be obtained in three different colors (black, silver, brown), while the A99 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A99 II is considerably larger (49 percent) than the Olympus E-M10 II. Moreover, the A99 II is substantially heavier (118 percent) than the E-M10 II. It is noteworthy in this context that the A99 II is splash and dust-proof, while the E-M10 II does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649|
|2.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199|
|3.||Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|4.||Nikon D850||146 mm||124 mm||79 mm||1005 g||1840||Y||Jul 2017||3,299|
|5.||Olympus E-PL9||117 mm||68 mm||39 mm||380 g||350||n||Feb 2018||599|
|6.||Olympus E-M10 III||122 mm||84 mm||50 mm||410 g||330||n||Aug 2017||649|
|7.||Olympus E-PL8||115 mm||67 mm||38 mm||357 g||350||n||Sep 2016||549|
|8.||Olympus PEN-F||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199|
|9.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699|
|10.||Olympus E-PL7||115 mm||67 mm||38 mm||357 g||350||n||Aug 2014||599|
|11.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|12.||Olympus E-PL6||111 mm||64 mm||38 mm||325 g||360||n||May 2013||599|
|13.||Olympus E-PL5||111 mm||64 mm||38 mm||325 g||360||n||Sep 2012||599|
|14.||Panasonic GX85||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|15.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|16.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999|
|17.||Sony A99||147 mm||111 mm||78 mm||812 g||500||Y||Sep 2012||2,799|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-M10 II was launched at a markedly lower price (by 80 percent) than the A99 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Olympus E-M10 II features a Four Thirds sensor and the Sony A99 II a full frame sensor. The sensor area in the A99 II is 283 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the E-M10 II has a native 4:3 aspect ratio, while the one in the A99 II offers a 3:2 aspect.
With 42.2MP, the A99 II offers a higher resolution than the E-M10 II (15.9MP), but the A99 II nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 3.76μm for the E-M10 II) due to its larger sensor. Moreover, the A99 II is a somewhat more recent model (by 1 year) than the E-M10 II, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Sony A99 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A99 II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Olympus E-M10 II are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The A99 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Olympus OM-D E-M10 Mark II has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha ALT-A99 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A99 II offers substantially better image quality than the E-M10 II (overall score 19 points higher). The advantage is based on 2.3 bits higher color depth, 0.9 EV in additional dynamic range, and 1.5 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|2.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|3.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|4.||Nikon D850||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100|
|5.||Olympus E-PL9||Four Thirds||15.9||4608||3456||4K/30p||23.1||12.8||1162||74|
|6.||Olympus E-M10 III||Four Thirds||15.9||4608||3456||4K/30p||23.1||12.8||1120||74|
|7.||Olympus E-PL8||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.6||1030||73|
|8.||Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|9.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|10.||Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72|
|11.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|12.||Olympus E-PL6||Four Thirds||15.9||4608||3456||1080/30p||22.5||12.0||717||68|
|13.||Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|14.||Panasonic GX85||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|15.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|16.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|17.||Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A99 II provides a better video resolution than the E-M10 II. It can shoot movie footage at 4K/30p, while the Olympus is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A99 II offers a slightly higher resolution than the one in the E-M10 II (2400k vs 2360k dots). The table below summarizes some of the other core capabilities of the Olympus E-M10 II and Sony A99 II in connection with corresponding information for a sample of similar cameras.
|1.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||Y|
|2.||Sony A99 II||2400||Y||3.0 / 1229||full-flex||n||1/8000s||12.0/s||n||Y|
|3.||Canon 5DS R||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0/s||n||n|
|4.||Nikon D850||optical||Y||3.2 / 2359||tilting||Y||1/8000s||9.0/s||n||n|
|5.||Olympus E-PL9||none||n||3.0 / 1040||tilting||Y||1/4000s||8.6/s||Y||Y|
|6.||Olympus E-M10 III||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.6/s||Y||Y|
|7.||Olympus E-PL8||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||n||Y|
|8.||Olympus PEN-F||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|9.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||Y||Y|
|10.||Olympus E-PL7||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||n||Y|
|11.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0/s||Y||Y|
|12.||Olympus E-PL6||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0/s||n||Y|
|13.||Olympus E-PL5||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0/s||n||Y|
|14.||Panasonic GX85||2765||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||Y|
|15.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|16.||Sony A7S II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|17.||Sony A99||2359||Y||3.0 / 1229||full-flex||n||1/8000s||6.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The E-M10 II has one, while the A99 II does not. While the built-in flash of the E-M10 II is not very powerful, it can at times be useful as a fill-in light.The A99 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the E-M10 II does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M10 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-M10 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-M10 II writes its imaging data to SDXC cards, while the A99 II uses SDXC or Memory Stick PRO Duo cards. The A99 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-M10 II only has one slot. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M10 Mark II and Sony Alpha ALT-A99 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|2.||Sony A99 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|3.||Canon 5DS R||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|4.||Nikon D850||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|5.||Olympus E-PL9||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|6.||Olympus E-M10 III||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|7.||Olympus E-PL8||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Olympus PEN-F||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Olympus E-PL7||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|12.||Olympus E-PL6||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Olympus E-PL5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|14.||Panasonic GX85||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony A7S II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony A99||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
It is notable that the A99 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The E-M10 II lacks such a headphone port.
Studio photographers will appreciate that the Sony A99 II (unlike the E-M10 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A99 II is a recent model that features in the current product line-up of Sony. In contrast, the E-M10 II has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the E-M10 II was succeeded by the Olympus E-M10 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Sony websites.
So what conclusions can be drawn? Is the Olympus E-M10 II better than the Sony A99 II or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Olympus OM-D E-M10 Mark II:
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (120x83mm vs 143x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 459g or 54 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (80 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in August 2015).
Advantages of the Sony Alpha ALT-A99 II:
- More detail: Has more megapixels (42.2 vs 15.9MP), which boosts linear resolution by 66%.
- Better image quality: Scores substantially higher (19 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.3 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (0.9 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.5 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.62x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1040k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 8 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (490 versus 320) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Was introduced somewhat (1 year) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the A99 II is the clear winner of the contest (23 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-M10 II and the Sony A99 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-M10 II or the A99 II. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649|
|2.||Sony A99 II||..||..||4.5/5||85/100||4.5/5||4.5/5||Sep 2016||3,199|
|3.||Canon 5DS R||5/5||+||..||83/100||5/5||4.5/5||Feb 2015||3,699|
|4.||Nikon D850||4.5/5||+ +||5/5||89/100||4.5/5||5/5||Jul 2017||3,299|
|5.||Olympus E-PL9||..||+||..||..||4.5/5||4/5||Feb 2018||599|
|6.||Olympus E-M10 III||..||+||5/5||80/100||4.5/5||4.5/5||Aug 2017||649|
|7.||Olympus E-PL8||..||..||..||..||4.5/5||4/5||Sep 2016||549|
|8.||Olympus PEN-F||..||..||4/5||82/100||4.5/5||5/5||Jan 2016||1,199|
|9.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699|
|10.||Olympus E-PL7||4/5||+||..||..||5/5||4/5||Aug 2014||599|
|11.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999|
|12.||Olympus E-PL6||..||..||..||..||..||..||May 2013||599|
|13.||Olympus E-PL5||3/5||+ +||..||..||4.5/5||4.5/5||Sep 2012||599|
|14.||Panasonic GX85||4.5/5||+ +||..||82/100||5/5||5/5||Apr 2016||799|
|15.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199|
|16.||Sony A7S II||5/5||+||..||..||4.5/5||5/5||Sep 2015||2,999|
|17.||Sony A99||5/5||..||..||84/100||4.5/5||4.5/5||Sep 2012||2,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 350D vs Olympus E-M10 II
- Canon 40D vs Olympus E-M10 II
- Canon 40D vs Sony A99 II
- Canon R6 vs Sony A99 II
- Canon SX410 vs Olympus E-M10 II
- Nikon D300S vs Olympus E-M10 II
- Nikon D5300 vs Sony A99 II
- Olympus E-3 vs Sony A99 II
- Olympus E-M10 II vs Panasonic FZ82
- Olympus E-M10 II vs Ricoh WG-60
- Panasonic G3 vs Sony A99 II
- Panasonic TZ95 vs Sony A99 II
Specifications: Olympus E-M10 II vs Sony A99 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-M10 II||Sony A99 II|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Micro Four Thirds lenses||Sony A mount lenses|
|Launch Date||August 2015||September 2016|
|Launch Price||USD 649||USD 3,199|
|Sensor Specs||Olympus E-M10 II||Sony A99 II|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.9 x 24.0 mm|
|Sensor Area||224.9 mm2||861.6 mm2|
|Sensor Diagonal||21.6 mm||43.2 mm|
|Sensor Resolution||15.9 Megapixels||42.2 Megapixels|
|Image Resolution||4608 x 3456 pixels||7952 x 5304 pixels|
|Pixel Pitch||3.76 μm||4.52 μm|
|Pixel Density||7.08 MP/cm2||4.90 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||200 - 25,600 ISO||100 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||50 - 25,600 ISO|
|Image Processor||TruePic VII||BIONZ X|
|DXO Sensor Quality (score)||73||92|
|DXO Color Depth (bits)||23.1||25.4|
|DXO Dynamic Range (EV)||12.5||13.4|
|DXO Low Light (ISO)||842||2317|
|Screen Specs||Olympus E-M10 II||Sony A99 II|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2400k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1229k dots|
|LCD Attachment||Tilting screen||Fully flexible screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Olympus E-M10 II||Sony A99 II|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||8 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Olympus E-M10 II||Sony A99 II|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Olympus E-M10 II||Sony A99 II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||320 shots per charge||490 shots per charge|
120 x 83 x 47 mm
(4.7 x 3.3 x 1.9 in)
143 x 104 x 76 mm
(5.6 x 4.1 x 3.0 in)
|Camera Weight||390 g (13.8 oz)||849 g (29.9 oz)|
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