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Olympus E-M10 II versus Sony A7R

The Olympus OM-D E-M10 Mark II and the Sony Alpha A7R are two digital cameras that were announced, respectively, in August 2015 and October 2013. Both the E-M10 II and the A7R are mirrorless interchangeable lens cameras that are based on a Four Thirds (E-M10 II) and a full frame sensor. The Olympus has a resolution of 15.9 megapixel, whereas the Sony provides 36.2 MP.

Body comparison

An illustration of the physical size and weight of the Olympus E-M10 II and the Sony A7R is provided in the side-by-side display below. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the E-M10 II – represents 100 percent across all the size and weight measures).

Olympus E-M10 II vs Sony A7R front
E-M10 II versus A7R top view
E-M10 II and A7R rear side
Body view (E-M10 II on the left)

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R is notably larger (20 percent) than the Olympus E-M10 II. Moreover, the A7R is markedly heavier (19 percent) than the E-M10 II. It is noteworthy in this context that the A7R is splash and dust-proof, while the E-M10 II does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Micro Four Thirds Lens Catalog (E-M10 II) and the Sony FE Lens Catalog (A7R). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the E-M10 II gets 320 shots out of its BLS-50 battery, while the A7R can take 340 images on a single charge of its NP-FW50 power pack.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.

Camera Body Specifications
Camera Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(y/n)
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Olympus E-M10 II (⇒ rgt) 120 mm 83 mm 47 mm 390 g 320 no 2015 799discont. check
Sony A7R (⇒ lft) 127 mm 94 mm 48 mm 465 g 340 YES 2013 2,299discont. check
Nikon D750 (⇒ lft | rgt) 141 mm 113 mm 78 mm 750 g 1230 YES 2014 2,299 latest check
Nikon D610 (⇒ lft | rgt) 141 mm 113 mm 82 mm 850 g 900 YES 2013 1,999 latest check
Olympus E-M10 III (⇒ lft | rgt) 122 mm 84 mm 50 mm 410 g 330 no 2017 649 latest check
Olympus PEN-F (⇒ lft | rgt) 125 mm 72 mm 37 mm 427 g 330 no 2016 1,199 latest check
Olympus E-PL8 (⇒ lft | rgt) 115 mm 67 mm 38 mm 357 g 350 no 2016 549discont. check
Olympus E-M5 II (⇒ lft | rgt) 124 mm 85 mm 45 mm 469 g 310 YES 2015 1,099 latest check
Olympus E-M10 (⇒ lft | rgt) 119 mm 82 mm 46 mm 396 g 320 no 2014 699discont. check
Olympus E-P5 (⇒ lft | rgt) 122 mm 69 mm 37 mm 420 g 330 no 2013 999discont. check
Panasonic G85 (⇒ lft | rgt) 128 mm 89 mm 74 mm 505 g 330 YES 2016 899 latest check
Panasonic GX85 (⇒ lft | rgt) 122 mm 71 mm 44 mm 426 g 290 no 2016 799 latest check
Panasonic GM5 (⇒ lft | rgt) 99 mm 60 mm 36 mm 211 g 220 no 2014 749discont. check
Panasonic GX7 (⇒ lft | rgt) 123 mm 71 mm 55 mm 402 g 350 no 2013 999discont. check
Sony A7 II (⇒ lft | rgt) 127 mm 96 mm 60 mm 599 g 350 YES 2014 1,999discont. check
Sony A7S (⇒ lft | rgt) 127 mm 94 mm 48 mm 489 g 380 YES 2014 2,499discont. check
Sony A7 (⇒ lft | rgt) 127 mm 94 mm 48 mm 474 g 340 YES 2013 1,699discont. check

The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-M10 II was launched at a markedly lower price (by 65 percent) than the A7R, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Olympus E-M10 II features a Four Thirds sensor and the Sony A7R a full frame sensor. The sensor area in the A7R is 283 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the E-M10 II has a native 4:3 aspect ratio, while the one in the A7R offers a 3:2 aspect.

Olympus E-M10 II and Sony A7R sensor measures
Sensor size

With 36.2MP, the A7R offers a higher resolution than the E-M10 II (15.9MP), but the A7R nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 3.76μm for the E-M10 II) due to its larger sensor. However, the E-M10 II is a somewhat more recent model (by 1 year and 10 months) than the A7R, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

E-M10 II versus A7R MP
Sensor resolution

Consistent information on actual sensor performance is available from DXO Mark for most cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A7R offers substantially better image quality than the E-M10 II (overall score 22 points higher). The advantage is based on 2.5 bits higher color depth, 1.6 EV in additional dynamic range, and 1.7 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
Camera Sensor
Class
Resolution
(Megapixel)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Olympus E-M10 II (⇒ rgt) Four Thirds 15.9 4608 3456 1080/60p 23.1 12.5 842 73
Sony A7R (⇒ lft) Full Frame 36.2 7360 4912 1080/60p 25.6 14.1 2746 95
Nikon D750 (⇒ lft | rgt) Full Frame 24.2 6016 4016 1080/60p 24.8 14.5 2956 93
Nikon D610 (⇒ lft | rgt) Full Frame 24.2 6016 4016 1080/30p 25.1 14.4 2925 94
Olympus E-M10 III (⇒ lft | rgt) Four Thirds 15.9 4608 3456 4K/30p .. .. .. ..
Olympus PEN-F (⇒ lft | rgt) Four Thirds 20.2 5184 3888 1080/60p 23.1 12.4 894 74
Olympus E-PL8 (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/30p - - - -
Olympus E-M5 II (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/60p 23.0 12.5 842 73
Olympus E-M10 (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/30p 22.8 12.3 884 72
Olympus E-P5 (⇒ lft | rgt) Four Thirds 15.9 4608 3456 1080/30p 22.8 12.4 895 72
Panasonic G85 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 4K/30p 22.8 12.5 656 71
Panasonic GX85 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 4K/30p 22.9 12.6 662 71
Panasonic GM5 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 1080/60p 22.1 11.7 721 66
Panasonic GX7 (⇒ lft | rgt) Four Thirds 15.8 4592 3448 1080/60p 22.6 12.2 718 70
Sony A7 II (⇒ lft | rgt) Full Frame 24.0 6000 4000 1080/60p 24.9 13.6 2449 90
Sony A7S (⇒ lft | rgt) Full Frame 12.0 4240 2832 1080/60p 23.9 13.2 3702 87
Sony A7 (⇒ lft | rgt) Full Frame 24.0 6000 4000 1080/60p 24.8 14.2 2248 90

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7R offers a slightly higher resolution than the one in the E-M10 II (2400k vs 2360k dots). The table below summarizes some of the other core capabilities of the Olympus E-M10 II and Sony A7R in connection with corresponding information for a sample of similar cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.

Core Features
Camera Viewfinder
(Type or
'000 dots)
Control
Panel
(Y/n)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(Y/n)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec))
Build-in
Flash
(GN)
Build-in
Image
Stab
Olympus E-M10 II (⇒ rgt) 2360 no 3.0 1040 tilting YES 4000 8.0 5.8 YES
Sony A7R (⇒ lft) 2400 no 3.0 1230 tilting no 8000 4.0 no no
Nikon D750 (⇒ lft | rgt) optical YES 3.2 1229 tilting no 4000 6.0 12 no
Nikon D610 (⇒ lft | rgt) optical YES 3.2 921 fixed no 4000 6.0 12 no
Olympus E-M10 III (⇒ lft | rgt) 2360 no 3.0 1040 tilting YES 4000 8.6 5.8 YES
Olympus PEN-F (⇒ lft | rgt) 2360 no 3.0 1037 swivel YES 8000 10.0 no YES
Olympus E-PL8 (⇒ lft | rgt) no no 3.0 1037 tilting YES 4000 8.0 no YES
Olympus E-M5 II (⇒ lft | rgt) 2360 no 3.0 1037 swivel YES 8000 10.0 no YES
Olympus E-M10 (⇒ lft | rgt) 1440 no 3.0 1037 tilting YES 4000 8.0 5.8 YES
Olympus E-P5 (⇒ lft | rgt) no no 3.0 1037 tilting YES 8000 9.0 7 YES
Panasonic G85 (⇒ lft | rgt) 2360 no 3.0 1040 swivel YES 4000 9.0 6.2 YES
Panasonic GX85 (⇒ lft | rgt) 2765 no 3.0 1040 tilting YES 4000 8.0 6 YES
Panasonic GM5 (⇒ lft | rgt) 1166 no 3.0 921 fixed YES 500 5.8 no no
Panasonic GX7 (⇒ lft | rgt) 2760 no 3.0 1040 tilting YES 8000 5.0 7 YES
Sony A7 II (⇒ lft | rgt) 2400 no 3.0 1230 tilting no 8000 5.0 no YES
Sony A7S (⇒ lft | rgt) 2400 no 3.0 921 tilting no 8000 5.0 no no
Sony A7 (⇒ lft | rgt) 2400 no 3.0 1230 tilting no 8000 5.0 no no

Both the E-M10 II and the A7R have been discontinued, but can regularly be found used on ebay. The A7R was replaced by the Sony A7R II, while the E-M10 II was followed by the Olympus E-M10 III.

Summary

So how do things add up? Is the Olympus E-M10 II better than the Sony A7R or vice versa? A synthesis of the relative strong points of each of the models is listed below.


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Reasons to prefer the Olympus OM-D E-M10 Mark II:

  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • Faster burst: Shoots at higher frequency (8 vs 4 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (120x83mm vs 127x94mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 75g or 16 percent) and hence easier to carry around.
  • Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
  • Sharper images: Has hand-shake reducing image stabilization build-in.
  • More affordable: Was introduced into a lower priced category (65 percent cheaper at launch).
  • More modern: Is somewhat more recent (announced 1 year and 10 months after the A7R).

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Advantages of the Sony Alpha A7R:

  • More detail: Has more megapixels (36.2 vs 15.9MP), which boosts linear resolution by 54%.
  • Better image quality: Scores substantially higher (22 points) in the DXO overall evaluation.
  • Richer colors: Generates noticeably more natural colors (2.5 bits more color depth).
  • More dynamic range: Captures a broader range of light and dark details (1.6 EV of extra DR).
  • Better low-light sensitivity: Can shoot in dim conditions (1.7 stops ISO advantage).
  • More detailed LCD: Has a higher resolution rear screen (1230k vs 1040k dots).
  • Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
  • More heavily discounted: Has been on the market for longer (launched in October 2013).

If the number of relative strengths (bullet points above) is taken as a guide, the A7R comes out slightly ahead of the E-M10 II (9 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.

E-M10 II 08:09 A7R

In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the E-M10 II and the A7R in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.

Review scores
Camera camera
labs
dp
review
ephoto
zine
imaging
resource
photography
blog
Camera
Launch
(year)
Launch
Price
(USD)
Street
Price
(amazon)
Used
Price
(ebay)
Olympus E-M10 II (⇒ rgt) HiRec 80/100 Silver 5/5 5/5 5/5 2015 799discont. check
Sony A7R (⇒ lft) HiRec 82/100 Gold 4.5/5 5/5 5/5 2013 2,299discont. check
Nikon D750 (⇒ lft | rgt) HiRec 90/100 Gold 4.5/5 5/5 4.5/5 2014 2,299 latest check
Nikon D610 (⇒ lft | rgt) HiRec 87/100 Gold 4.5/5 4.5/5 4.5/5 2013 1,999 latest check
Olympus E-M10 III (⇒ lft | rgt) Rec 80/100 4.5/5 .. 4.5/5 2017 649 latest check
Olympus PEN-F (⇒ lft | rgt) - 82/100 Silver 4.5/5 4.5/5 5/5 2016 1,199 latest check
Olympus E-PL8 (⇒ lft | rgt) - - 4.5/5 - 4/5 2016 549discont. check
Olympus E-M5 II (⇒ lft | rgt) HiRec 81/100 Silver 5/5 4.5/5 5/5 2015 1,099 latest check
Olympus E-M10 (⇒ lft | rgt) - 80/100 Gold 5/5 4.5/5 5/5 2014 699discont. check
Olympus E-P5 (⇒ lft | rgt) HiRec 78/100 Silver 4.5/5 4.5/5 5/5 2013 999discont. check
Panasonic G85 (⇒ lft | rgt) HiRec 84/100 Gold 5/5 4.5/5 4.5/5 2016 899 latest check
Panasonic GX85 (⇒ lft | rgt) HiRec 82/100 Silver 5/5 4.5/5 5/5 2016 799 latest check
Panasonic GM5 (⇒ lft | rgt) Rec 77/100 Silver 5/5 5/5 4.5/5 2014 749discont. check
Panasonic GX7 (⇒ lft | rgt) Rec 79/100 Silver 5/5 4.5/5 5/5 2013 999discont. check
Sony A7 II (⇒ lft | rgt) Rec 82/100 Silver 4.5/5 5/5 5/5 2014 1,999discont. check
Sony A7S (⇒ lft | rgt) - 86/100 Gold 4.5/5 4.5/5 5/5 2014 2,499discont. check
Sony A7 (⇒ lft | rgt) HiRec 80/100 Silver 5/5 4.5/5 5/5 2013 1,699discont. check

The review scores listed above should be treated with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Other comparisons

In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you cannot find the camera you are interested in, please send me an email, and I will try to update the database with the necessary infos.

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