Olympus E-M10 II vs Sony A5000
The Olympus OM-D E-M10 Mark II and the Sony Alpha A5000 are two digital cameras that were revealed to the public, respectively, in August 2015 and January 2014. Both the E-M10 II and the A5000 are mirrorless interchangeable lens cameras that are based on a Four Thirds (E-M10 II) and an APS-C (A5000) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Sony provides 19.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M10 Mark II and the Sony Alpha A5000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Olympus E-M10 II and the Sony A5000 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-M10 II can be obtained in three different colors (black, silver, brown), while the A5000 is also available in three color-versions, but different ones (black, silver, white).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A5000 is considerably smaller (30 percent) than the Olympus E-M10 II. Moreover, the A5000 is markedly lighter (31 percent) than the E-M10 II. In this context, it is worth noting that neither the E-M10 II nor the A5000 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (E-M10 II) and the Sony E-Mount Lens Catalog (A5000). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the E-M10 II gets 320 shots out of its BLS-50 battery, while the A5000 can take 420 images on a single charge of its NP-FW50 power pack. The power pack in the A5000 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Olympus E-M10 II||120 mm||83 mm||47 mm||390 g||320||n||Aug 2015||649|
|2.||Sony A5000||110 mm||63 mm||36 mm||269 g||420||n||Jan 2014||449|
|3.||Canon M10||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499|
|4.||Nikon D3300||124 mm||98 mm||76 mm||430 g||700||n||Jan 2014||499|
|5.||Olympus E-PL9||117 mm||68 mm||39 mm||380 g||350||n||Feb 2018||599|
|6.||Olympus E-M10 III||122 mm||84 mm||50 mm||410 g||330||n||Aug 2017||649|
|7.||Olympus E-PL8||115 mm||67 mm||38 mm||357 g||350||n||Sep 2016||549|
|8.||Olympus PEN-F||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199|
|9.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699|
|10.||Olympus E-PL7||115 mm||67 mm||38 mm||357 g||350||n||Aug 2014||599|
|11.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|12.||Olympus E-PL6||111 mm||64 mm||38 mm||325 g||360||n||May 2013||599|
|13.||Olympus E-PL5||111 mm||64 mm||38 mm||325 g||360||n||Sep 2012||599|
|14.||Panasonic GX85||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|15.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|16.||Sony A5100||110 mm||63 mm||36 mm||283 g||400||n||Aug 2014||549|
|17.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A5000 was launched at a markedly lower price (by 31 percent) than the E-M10 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Olympus E-M10 II features a Four Thirds sensor and the Sony A5000 an APS-C sensor. The sensor area in the A5000 is 59 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-M10 II has a native 4:3 aspect ratio, while the one in the A5000 offers a 3:2 aspect.
With 19.8MP, the A5000 offers a higher resolution than the E-M10 II (15.9MP), but the A5000 nevertheless has larger individual pixels (pixel pitch of 4.25μm versus 3.76μm for the E-M10 II) due to its larger sensor. However, the E-M10 II is a somewhat more recent model (by 1 year and 7 months) than the A5000, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the E-M10 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A5000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A5000 for good quality output (200 dots per inch) amounts to 27.3 x 18.2 inches or 69.3 x 46.1 cm, for very good quality (250 dpi) 21.8 x 14.5 inches or 55.4 x 36.9 cm, and for excellent quality (300 dpi) 18.2 x 12.1 inches or 46.2 x 30.8 cm. The corresponding values for the Olympus E-M10 II are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Olympus OM-D E-M10 Mark II has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A5000 are ISO 100 to ISO 16000 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A5000 has a markedly higher DXO score than the E-M10 II (overall score 6 points higher), which will translate into better image quality. The advantage is based on 0.7 bits higher color depth, 0.5 EV in additional dynamic range, and 0.4 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|5.||Olympus E-PL9||Four Thirds||15.9||4608||3456||4K/30p||..||..||..||..|
|6.||Olympus E-M10 III||Four Thirds||15.9||4608||3456||4K/30p||..||..||..||..|
|7.||Olympus E-PL8||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..|
|8.||Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|9.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|10.||Olympus E-PL7||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.4||873||72|
|11.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|12.||Olympus E-PL6||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..|
|13.||Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|14.||Panasonic GX85||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|15.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the E-M10 II provides a higher frame rate than the A5000. It can shoot video footage at 1080/60p, while the Sony is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the E-M10 II has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the A5000 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Olympus E-M10 II and Sony A5000 along with similar information for a selection of comparators.
|1.||Olympus E-M10 II||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|2.||Sony A5000||none||n||3.0 / 461||tilting||n||1/4000s||3.5||Y||n|
|3.||Canon M10||none||n||3.0 / 1040||tilting||Y||1/4000s||4.6||Y||n|
|4.||Nikon D3300||optical||n||3.0 / 921||fixed||n||1/4000s||5.0||Y||n|
|5.||Olympus E-PL9||none||n||3.0 / 1040||tilting||Y||1/4000s||8.6||Y||Y|
|6.||Olympus E-M10 III||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.6||Y||Y|
|7.||Olympus E-PL8||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0||n||Y|
|8.||Olympus PEN-F||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|9.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0||Y||Y|
|10.||Olympus E-PL7||optional||n||3.0 / 1037||tilting||Y||1/4000s||8.0||n||Y|
|11.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0||Y||Y|
|12.||Olympus E-PL6||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0||n||Y|
|13.||Olympus E-PL5||optional||n||3.0 / 460||tilting||Y||1/4000s||8.0||n||Y|
|14.||Panasonic GX85||2765||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
|15.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0||Y||Y|
|16.||Sony A5100||none||n||3.0 / 922||tilting||Y||1/4000s||6.0||Y||n|
|17.||Sony NEX-3N||optional||n||3.0 / 460||tilting||n||1/4000s||4.0||Y||n|
One feature that differentiates the E-M10 II and the A5000 is in-body image stabilization (IBIS). The E-M10 II reduces the risk of handshake-induced blur with all attached lenses, while the A5000 offers no blur reduction with lenses that themselves do not provide optical image stabilization.The A5000 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the E-M10 II does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M10 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-M10 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-M10 II writes its imaging data to SDXC cards, while the A5000 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M10 Mark II and Sony Alpha A5000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-M10 II||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|2.||Sony A5000||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|3.||Canon M10||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|4.||Nikon D3300||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|5.||Olympus E-PL9||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|6.||Olympus E-M10 III||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|7.||Olympus E-PL8||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Olympus PEN-F||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Olympus E-PL7||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|12.||Olympus E-PL6||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Olympus E-PL5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|14.||Panasonic GX85||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony A5100||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony NEX-3N||-||stereo / mono||-||-||micro||2.0||-||-||-|
It is notable that the E-M10 II has a hotshoe, while the A5000 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the E-M10 II and the A5000 have been discontinued, but can regularly be found used on eBay. The A5000 was replaced by the Sony A5100, while the E-M10 II was followed by the Olympus E-M10 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Sony websites.
So how do things add up? Is there a clear favorite between the Olympus E-M10 II and the Sony A5000? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Olympus OM-D E-M10 Mark II:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 461k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (8 vs 3.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More modern: Is somewhat more recent (announced 1 year and 7 months after the A5000).
Arguments in favor of the Sony Alpha A5000:
- More detail: Has more megapixels (19.8 vs 15.9MP), which boosts linear resolution by 14%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores markedly higher (6 points) in the DXO overall evaluation.
- Better low-light sensitivity: Can shoot in dim conditions (0.4 stops ISO advantage).
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (110x63mm vs 120x83mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 121g or 31 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (420 versus 320) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (31 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2014).
If the number of relative strengths (bullet points above) is taken as a guide, the A5000 comes out slightly ahead of the E-M10 II (12 : 11 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-M10 II and the Sony A5000 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-M10 II or the A5000. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-M10 II||4.5/5||+ +||..||80/100||5/5||5/5||Aug 2015||649|
|2.||Sony A5000||3/5||+||..||..||4.5/5||4.5/5||Jan 2014||449|
|3.||Canon M10||..||..||..||..||..||4/5||Oct 2015||499|
|4.||Nikon D3300||3/5||+||..||77/100||4.5/5||4.5/5||Jan 2014||499|
|5.||Olympus E-PL9||..||+||..||..||4.5/5||4/5||Feb 2018||599|
|6.||Olympus E-M10 III||..||+||5/5||80/100||4.5/5||4.5/5||Aug 2017||649|
|7.||Olympus E-PL8||..||..||..||..||4.5/5||4/5||Sep 2016||549|
|8.||Olympus PEN-F||..||..||4/5||82/100||4.5/5||5/5||Jan 2016||1,199|
|9.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699|
|10.||Olympus E-PL7||4/5||+||..||..||5/5||4/5||Aug 2014||599|
|11.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999|
|12.||Olympus E-PL6||..||..||..||..||..||..||May 2013||599|
|13.||Olympus E-PL5||3/5||+ +||..||..||4.5/5||4.5/5||Sep 2012||599|
|14.||Panasonic GX85||4.5/5||+ +||..||82/100||5/5||5/5||Apr 2016||799|
|15.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999|
|16.||Sony A5100||4.5/5||+||..||..||4.5/5||5/5||Aug 2014||549|
|17.||Sony NEX-3N||3/5||..||..||..||4.5/5||4.5/5||Feb 2013||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5D Mark II vs Olympus E-M10 II
- Canon 70D vs Sony A5000
- Fujifilm X-Pro1 vs Sony A5000
- Leica M Typ 240 vs Olympus E-M10 II
- Olympus E-520 vs Olympus E-M10 II
- Olympus E-M10 II vs Panasonic GF1
- Olympus E-M10 II vs Panasonic GH5
- Panasonic G2 vs Sony A5000
- Panasonic GX7 vs Sony A5000
- Pentax K-5 vs Sony A5000
- Sony A5000 vs Sony NEX-5R
Specifications: Olympus E-M10 II vs Sony A5000
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-M10 II||Sony A5000|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses||Sony E mount lenses|
|Launch Date||August 2015||January 2014|
|Launch Price||USD 649||USD 449|
|Sensor Specs||Olympus E-M10 II||Sony A5000|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.2 x 15.4 mm|
|Sensor Area||224.9 mm2||357.28 mm2|
|Sensor Diagonal||21.6 mm||27.8 mm|
|Sensor Resolution||15.9 Megapixels||19.8 Megapixels|
|Image Resolution||4608 x 3456 pixels||5456 x 3632 pixels|
|Pixel Pitch||3.76 μm||4.25 μm|
|Pixel Density||7.08 MP/cm2||5.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60i Video|
|ISO Setting||200 - 25,600 ISO||100 - 16,000 ISO|
|ISO Boost||100 - 25,600 ISO||no Enhancement|
|Image Processor||TruePic VII||BIONZ X|
|DXO Sensor Quality (score)||73||79|
|DXO Color Depth (bits)||23.1||23.8|
|DXO Dynamic Range (EV)||12.5||13.0|
|DXO Low Light (ISO)||842||1089|
|Screen Specs||Olympus E-M10 II||Sony A5000|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||461k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Olympus E-M10 II||Sony A5000|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||8 shutter flaps/s||3.5 shutter flaps/s|
|Electronic Shutter||up to 1/16000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Olympus E-M10 II||Sony A5000|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Olympus E-M10 II||Sony A5000|
|Battery Life (CIPA)||320 shots per charge||420 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
120 x 83 x 47 mm
(4.7 x 3.3 x 1.9 in)
110 x 63 x 36 mm
(4.3 x 2.5 x 1.4 in)
|Camera Weight||390 g (13.8 oz)||269 g (9.5 oz)|
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