Olympus E-M1 vs Sony A3000

The Olympus OM-D E-M1 and the Sony Alpha A3000 are two digital cameras that were announced, respectively, in September 2013 and August 2013. Both the E-M1 and the A3000 are mirrorless interchangeable lens cameras that are based on a Four Thirds (E-M1) and an APS-C (A3000) sensor. The Olympus has a resolution of 15.9 megapixels, whereas the Sony provides 19.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-M1		Sony A3000
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Sony E mount lenses
15.9 MP – Four Thirds sensor		19.8 MP – APS-C sensor
1080/30p Video		1080/60i Video
ISO 200-25,600		ISO 100-16,000
Electronic viewfinder (2360k dots)		Electronic viewfinder (202k dots)
3.0" LCD – 1037k dots		3.0" LCD – 230k dots
Tilting touchscreen		Fixed screen (not touch-sensitive)
10 shutter flaps per second		2.5 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		not weather sealed
350 shots per battery charge		470 shots per battery charge
130 x 94 x 63 mm, 497 g		128 x 91 x 85 mm, 411 g

Check E-M1 offers at
ebay.com
Check A3000 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M1 and the Sony Alpha A3000? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Olympus E-M1 and the Sony A3000. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

The E-M1 can be obtained in two different colors (black, silver), while the A3000 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A3000 is somewhat smaller (5 percent) than the Olympus E-M1. Moreover, the A3000 is markedly lighter (17 percent) than the E-M1. It is worth mentioning in this context that the E-M1 is splash and dust resistant, while the A3000 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Micro Four Thirds Lens Catalog (E-M1) and the Sony E-Mount Lens Catalog (A3000). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the E-M1 gets 350 shots out of its Olympus BLN-1 battery, while the A3000 can take 470 images on a single charge of its Sony NP-FW50 power pack. The power pack in the A3000 can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	1,399	ebay.com
2.		Sony A3000	128 mm	91 mm	85 mm	411 g	470	n	Aug 2013	329	ebay.com
3.		Olympus E-M1 II	134 mm	91 mm	67 mm	574 g	440	Y	Sep 2016	1,999	ebay.com
4.		Olympus E-M5	122 mm	89 mm	43 mm	425 g	360	Y	Feb 2012	1,299	ebay.com
5.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	1,099	ebay.com
6.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330	n	May 2013	999	ebay.com
7.		Olympus E-PL5	111 mm	64 mm	38 mm	325 g	360	n	Sep 2012	599	ebay.com
8.		Olympus E-PL7	115 mm	67 mm	38 mm	357 g	350	n	Aug 2014	599	ebay.com
9.		Olympus E-PM2	110 mm	64 mm	34 mm	269 g	360	n	Sep 2012	499	ebay.com
10.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330	n	Jan 2016	1,199	ebay.com
11.		Panasonic GH3	133 mm	93 mm	82 mm	550 g	540	Y	Sep 2012	1,299	ebay.com
12.		Panasonic GH4	133 mm	93 mm	84 mm	560 g	500	Y	Feb 2014	1,499	ebay.com
13.		Sony A6000	120 mm	67 mm	45 mm	344 g	360	n	Feb 2014	599	ebay.com
14.		Sony A6400	120 mm	67 mm	50 mm	403 g	410	Y	Jan 2019	899	amazon.com
15.		Sony NEX-6	120 mm	67 mm	43 mm	345 g	360	n	Sep 2012	999	ebay.com
16.		Sony NEX-7	120 mm	67 mm	43 mm	400 g	430	n	Aug 2011	1,349	ebay.com
17.		Sony RX1R	113 mm	65 mm	70 mm	482 g	270	n	Jun 2013	2,799	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A3000 was launched at a markedly lower price (by 76 percent) than the E-M1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Olympus E-M1 features a Four Thirds sensor and the Sony A3000 an APS-C sensor. The sensor area in the A3000 is 59 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-M1 has a native 4:3 aspect ratio, while the one in the A3000 offers a 3:2 aspect.

With 19.8MP, the A3000 offers a higher resolution than the E-M1 (15.9MP), but the A3000 nevertheless has larger individual pixels (pixel pitch of 4.25μm versus 3.76μm for the E-M1) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the E-M1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony A3000 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A3000 for good quality output (200 dots per inch) amounts to 27.3 x 18.2 inches or 69.3 x 46.1 cm, for very good quality (250 dpi) 21.8 x 14.5 inches or 55.4 x 36.9 cm, and for excellent quality (300 dpi) 18.2 x 12.1 inches or 46.2 x 30.8 cm. The corresponding values for the Olympus E-M1 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.

The E-M1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Olympus OM-D E-M1 has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A3000 are ISO 100 to ISO 16000 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A3000 has a markedly higher DXO score than the E-M1 (overall score 5 points higher), which will translate into better image quality. The advantage is based on 0.7 bits higher color depth, 0.1 EV in additional dynamic range, and 0.5 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
2.		Sony A3000	APS-C	19.8	5456	3632	1080/60i	23.7	12.8	1068	78
3.		Olympus E-M1 II	Four Thirds	20.2	5184	3888	4K/30p	23.7	12.8	1312	80
4.		Olympus E-M5	Four Thirds	15.9	4608	3456	1080/60i	22.8	12.3	826	71
5.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
6.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
7.		Olympus E-PL5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	889	72
8.		Olympus E-PL7	Four Thirds	15.9	4608	3456	1080/30p	22.7	12.4	873	72
9.		Olympus E-PM2	Four Thirds	15.9	4608	3456	1080/30p	22.7	12.2	932	72
10.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
11.		Panasonic GH3	Four Thirds	15.9	4608	3456	1080/60p	22.7	12.4	812	71
12.		Panasonic GH4	Four Thirds	15.9	4608	3456	4K/30p	23.2	12.8	791	74
13.		Sony A6000	APS-C	24.0	6000	4000	1080/60p	24.1	13.1	1347	82
14.		Sony A6400	APS-C	24.0	6000	4000	4K/30p	24.0	13.6	1431	83
15.		Sony NEX-6	APS-C	16.0	4912	3264	1080/60i	23.7	13.1	1018	78
16.		Sony NEX-7	APS-C	24.0	6000	4000	1080/60i	24.1	13.4	1016	81
17.		Sony RX1R	Full Frame	24.0	6000	4000	1080/60p	25.0	13.6	2537	91

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A3000 provides a faster frame rate than the E-M1. It can shoot movie footage at 1080/60i, while the Olympus is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the E-M1 offers a substantially higher resolution than the one in the A3000 (2360k vs 202k dots). The following table reports on some other key feature differences and similarities of the Olympus E-M1, the Sony A3000, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
2.		Sony A3000	202	n	3.0 / 230	fixed	n	1/4000s	2.5/s	Y	n
3.		Olympus E-M1 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
4.		Olympus E-M5	1440	n	3.0 / 610	tilting	Y	1/4000s	9.0/s	n	Y
5.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
6.		Olympus E-P5	optional	n	3.0 / 1037	tilting	Y	1/8000s	9.0/s	Y	Y
7.		Olympus E-PL5	optional	n	3.0 / 460	tilting	Y	1/4000s	8.0/s	n	Y
8.		Olympus E-PL7	optional	n	3.0 / 1037	tilting	Y	1/4000s	8.0/s	n	Y
9.		Olympus E-PM2	optional	n	3.0 / 460	fixed	Y	1/4000s	8.0/s	n	Y
10.		Olympus PEN-F	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
11.		Panasonic GH3	1746	n	3.0 / 614	swivel	Y	1/4000s	6.0/s	Y	n
12.		Panasonic GH4	2359	n	3.0 / 1036	swivel	Y	1/8000s	12.0/s	Y	n
13.		Sony A6000	1440	n	3.0 / 922	tilting	n	1/4000s	11.0/s	Y	n
14.		Sony A6400	2359	n	3.0 / 922	tilting	Y	1/4000s	11.0/s	Y	n
15.		Sony NEX-6	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
16.		Sony NEX-7	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
17.		Sony RX1R	optional	n	3.0 / 1229	fixed	n	1/4000s	5.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that differentiates the E-M1 and the A3000 is in-body image stabilization (IBIS). The E-M1 reduces the risk of handshake-induced blur with all attached lenses, while the A3000 offers no blur reduction with lenses that themselves do not provide optical image stabilization.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Olympus E-M1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The E-M1 writes its imaging data to SDXC cards, while the A3000 uses SDXC or Memory Stick PRO Duo cards. The E-M1 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the A3000 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M1 and Sony Alpha A3000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
2.		Sony A3000	Y	stereo / mono	-	-	mini	2.0	-	-	-
3.		Olympus E-M1 II	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
4.		Olympus E-M5	Y	stereo / mono	-	-	mini	2.0	-	-	-
5.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
6.		Olympus E-P5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
7.		Olympus E-PL5	Y	stereo / mono	-	-	mini	2.0	-	-	-
8.		Olympus E-PL7	Y	stereo / mono	-	-	micro	2.0	Y	-	-
9.		Olympus E-PM2	Y	stereo / mono	-	-	mini	2.0	-	-	-
10.		Olympus PEN-F	Y	stereo / mono	-	-	micro	2.0	Y	-	-
11.		Panasonic GH3	Y	stereo / mono	Y	Y	mini	2.0	Y	-	-
12.		Panasonic GH4	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
13.		Sony A6000	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
14.		Sony A6400	Y	stereo / mono	Y	-	micro	2.0	Y	Y	Y
15.		Sony NEX-6	Y	stereo / mono	-	-	mini	2.0	Y	-	-
16.		Sony NEX-7	Y	stereo / mono	Y	-	mini	2.0	-	-	-
17.		Sony RX1R	Y	stereo / mono	Y	-	mini	2.0	-	-	-

It is notable that the E-M1 has a microphone port, which is missing on the A3000. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Studio photographers will appreciate that the Olympus E-M1 (unlike the A3000) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the E-M1 and the A3000 have been discontinued, but can regularly be found used on ebay. The E-M1 was replaced by the Olympus E-M1 II, while the A3000 does not have a direct successor. Further information on the features and operation of the E-M1 and A3000 can be found, respectively, in the Olympus E-M1 Manual (free pdf) or the online Sony A3000 Manual.

Review summary

So how do things add up? Which of the two cameras – the Olympus E-M1 or the Sony A3000 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Reasons to prefer the Olympus OM-D E-M1:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 202k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.47x).
• More detailed LCD: Has a higher resolution rear screen (1037k vs 230k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (10 vs 2.5 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.

Arguments in favor of the Sony Alpha A3000:

• More detail: Has more megapixels (19.8 vs 15.9MP), which boosts linear resolution by 14%.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Scores markedly higher (5 points) in the DXO overall evaluation.
• Better low-light sensitivity: Can shoot in dim conditions (0.5 stops ISO advantage).
• Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
• Less heavy: Has a lower weight (by 86g or 17 percent) and is thus easier to take along.
• Longer lasting: Gets more shots (470 versus 350) out of a single battery charge.
• Easier travel charging: Can be conveniently charged via its USB port.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More affordable: Was introduced into a lower priced category (76 percent cheaper at launch).

If the number of relative strengths (bullet points above) is taken as a guide, the E-M1 is the clear winner of the match-up (17 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-M1 and the Sony A3000 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the E-M1 or the A3000 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	1,399	ebay.com
2.		Sony A3000	3/5	+	..	..	4/5	4/5	Aug 2013	329	ebay.com
3.		Olympus E-M1 II	5/5	+ +	5/5	85/100	4.5/5	4.5/5	Sep 2016	1,999	ebay.com
4.		Olympus E-M5	4/5	+ +	..	80/100	4.5/5	5/5	Feb 2012	1,299	ebay.com
5.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	1,099	ebay.com
6.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	999	ebay.com
7.		Olympus E-PL5	3/5	+ +	..	..	4.5/5	4.5/5	Sep 2012	599	ebay.com
8.		Olympus E-PL7	4/5	+	..	..	5/5	4/5	Aug 2014	599	ebay.com
9.		Olympus E-PM2	3/5	..	..	77/100	5/5	4.5/5	Sep 2012	499	ebay.com
10.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	1,199	ebay.com
11.		Panasonic GH3	5/5	+ +	..	79/100	4.5/5	4.5/5	Sep 2012	1,299	ebay.com
12.		Panasonic GH4	5/5	+ +	..	85/100	5/5	5/5	Feb 2014	1,499	ebay.com
13.		Sony A6000	5/5	+	4.5/5	80/100	4.5/5	5/5	Feb 2014	599	ebay.com
14.		Sony A6400	4/5	+	4/5	85/100	4.5/5	4/5	Jan 2019	899	amazon.com
15.		Sony NEX-6	5/5	+ +	..	78/100	4.5/5	4.5/5	Sep 2012	999	ebay.com
16.		Sony NEX-7	5/5	+ +	..	81/100	4.5/5	5/5	Aug 2011	1,349	ebay.com
17.		Sony RX1R	5/5	..	..	..	4/5	4.5/5	Jun 2013	2,799	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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