Olympus E-M1 II vs Sony RX100 VI
The Olympus OM-D E-M1 Mark II and the Sony Cyber-shot DSC-RX100 VI are two digital cameras that were officially introduced, respectively, in September 2016 and June 2018. The E-M1 II is a mirrorless interchangeable lens camera, while the RX100 VI is a fixed lens compact. The cameras are based on a Four Thirds (E-M1 II) and an one-inch (RX100 VI) sensor. The Olympus has a resolution of 20.2 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-M1 II||Sony RX100 VI|
|Mirrorless system camera||Fixed lens compact camera|
|Micro Four Thirds lenses||24-200mm f/2.8-4.5|
|20.2 MP, Four Thirds Sensor||20 MP, 1" Sensor|
|4K/30p Video||4K/30p Video|
|ISO 200-25,600||ISO 125-12,800 (80 - 25,600)|
|Electronic viewfinder (2360k dots)||Electronic viewfinder (2359k dots)|
|3.0 LCD, 1037k dots||3.0 LCD, 1229k dots|
|Swivel touchscreen||Tilting touchscreen|
|18 shutter flaps per second||24 shutter flaps per second|
|In-body stabilization||Lens-based stabilization|
|Weathersealed body||not weather sealed|
|440 shots per battery charge||240 shots per battery charge|
|134 x 91 x 67 mm, 574 g||102 x 58 x 43 mm, 301 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M1 Mark II and the Sony Cyber-shot DSC-RX100 VI? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Olympus E-M1 II and the Sony RX100 VI is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 VI is considerably smaller (51 percent) than the Olympus E-M1 II. It is worth mentioning in this context that the E-M1 II is splash and dust resistant, while the RX100 VI does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX100 VI has a lens built in, whereas the E-M1 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-M1 II and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the E-M1 II gets 440 shots out of its BLH-1 battery, while the RX100 VI can take 240 images on a single charge of its NP-BX1 power pack. The power pack in the RX100 VI can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|Sony RX100 VI||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199|
|Fujifilm X100F||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299|
|Leica C-LUX||113 mm||67 mm||46 mm||340 g||370||n||Jun 2018||1,049|
|Olympus E-M1 III||134 mm||91 mm||69 mm||580 g||420||Y||Feb 2020||1,799|
|Olympus PEN-F||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199|
|Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399|
|Panasonic G9||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699|
|Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999|
|Panasonic G80||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899|
|Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
|Sony RX100 VII||102 mm||58 mm||43 mm||302 g||260||n||Jul 2019||1,199|
|Sony A9||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499|
|Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
|Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The RX100 VI was launched at a lower price than the E-M1 II, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-M1 II features a Four Thirds sensor and the Sony RX100 VI an one-inch sensor. The sensor area in the RX100 VI is 48 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 2.7. The sensor in the E-M1 II has a native 4:3 aspect ratio, while the one in the RX100 VI offers a 3:2 aspect.
With 20.2MP, the E-M1 II offers a slightly higher resolution than the RX100 VI (20MP), but the E-M1 II nevertheless has larger individual pixels (pixel pitch of 3.34μm versus 2.41μm for the RX100 VI) due to its larger sensor. However, the RX100 VI is a somewhat more recent model (by 1 year and 8 months) than the E-M1 II, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the E-M1 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Unlike the RX100 VI, the E-M1 II has the capacity to capture high quality composite images (50MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Olympus OM-D E-M1 Mark II has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 64-25600. The corresponding ISO settings for the Sony Cyber-shot DSC-RX100 VI are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|Sony RX100 VI||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Olympus E-M1 III||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||..||..||..||..|
|Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|Panasonic G80||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|Sony RX100 VII||1-inch||20.0||5472||3648||4K/30p||21.8||12.4||418||63|
|Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the E-M1 II offers a slightly higher resolution than the one in the RX100 VI (2360k vs 2359k dots). The following table reports on some other key feature differences and similarities of the Olympus E-M1 II, the Sony RX100 VI, and comparable cameras.
|Olympus E-M1 II||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y|
|Sony RX100 VI||2359||n||3.0||1229||tilting||Y||1/2000s||24.0||Y||Y|
|Olympus E-M1 III||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y|
|Olympus E-M5 II||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y|
|Sony RX100 VII||2359||n||3.0||921||tilting||Y||1/2000s||90.0||Y||Y|
|Sony RX100 V||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The RX100 VI has one, while the E-M1 II does not. While the built-in flash of the RX100 VI is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-M1 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-M1 II writes its imaging data to SDXC cards, while the RX100 VI uses SDXC or Memory Stick PRO Duo cards. The E-M1 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the RX100 VI only has one slot. The E-M1 II supports UHS-II cards (on its first slot), while the RX100 VI can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M1 Mark II and Sony Cyber-shot DSC-RX100 VI and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Olympus E-M1 II||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-|
|Sony RX100 VI||-||stereo||mono||-||-||micro||2.0||Y||Y||Y|
|Olympus E-M1 III||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y|
|Olympus E-M5 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||-|
|Sony RX100 VII||-||stereo||mono||Y||-||micro||2.0||Y||Y||Y|
|Sony RX100 V||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the E-M1 II has a hotshoe, while the RX100 VI does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Olympus E-M1 II (unlike the RX100 VI) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The E-M1 II is a recent model that features in the current product line-up of Olympus. In contrast, the RX100 VI has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the RX100 VI was succeeded by the Sony RX100 VII. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Sony websites.
So what is the bottom line? Is there a clear favorite between the Olympus E-M1 II and the Sony RX100 VI? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Olympus OM-D E-M1 Mark II:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.59x).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (440 versus 240) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More heavily discounted: Has been on the market for longer (launched in September 2016).
Arguments in favor of the Sony Cyber-shot DSC-RX100 VI:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 1037k dots).
- Faster burst: Shoots at higher frequency (24 vs 18 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the E-M1 II necessitates an extra lens.
- More compact: Is smaller (102x58mm vs 134x91mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the E-M1 II).
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Was introduced somewhat (1 year and 8 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the E-M1 II is the clear winner of the match-up (21 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-M1 II and the Sony RX100 VI place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the E-M1 II and the RX100 VI in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Olympus E-M1 II||+ +||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999|
|Sony RX100 VI||+ +||83/100||4/5||..||4.5/5||Jun 2018||1,199|
|Fujifilm X100F||+||83/100||4.5/5||..||4.5/5||Jan 2017||1,299|
|Leica C-LUX||..||..||4.5/5||..||4/5||Jun 2018||1,049|
|Olympus E-M1 III||..||83/100||4.5/5||..||4/5||Feb 2020||1,799|
|Olympus PEN-F||..||82/100||4.5/5||4.5/5||5/5||Jan 2016||1,199|
|Olympus E-M5 II||+ +||81/100||5/5||4.5/5||5/5||Feb 2015||1,099|
|Olympus E-M1||+ +||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399|
|Panasonic G9||+ +||85/100||5/5||5/5||5/5||Nov 2017||1,699|
|Panasonic GH5||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999|
|Panasonic G80||+ +||84/100||5/5||4.5/5||4.5/5||Sep 2016||899|
|Panasonic GX8||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199|
|Sony RX100 VII||..||..||4/5||..||5/5||Jul 2019||1,199|
|Sony A9||+ +||89/100||5/5||5/5||5/5||Apr 2017||4,499|
|Sony RX100 V||+ +||83/100||4/5||5/5||4.5/5||Oct 2016||999|
|Sony RX100 IV||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999|
|Sony A7 II||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark II vs Olympus E-M1 II
- Canon 1Ds vs Olympus E-M1 II
- Canon 800D vs Olympus E-M1 II
- Canon G7 X Mark II vs Olympus E-M1 II
- Canon T5i vs Olympus E-M1 II
- Fujifilm X-Pro3 vs Sony RX100 VI
- Fujifilm X-T10 vs Olympus E-M1 II
- Nikon D3X vs Sony RX100 VI
- Olympus E-520 vs Olympus E-M1 II
- Samsung NX30 vs Sony RX100 VI
- Sony A7S II vs Sony RX100 VI
- Sony RX0 vs Sony RX100 VI
Specifications: Olympus E-M1 II vs Sony RX100 VI
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-M1 II||Sony RX100 VI|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||24-200mm f/2.8-4.5|
|Launch Date||September 2016||June 2018|
|Launch Price||USD 1,999||USD 1,199|
|Sensor Specs||Olympus E-M1 II||Sony RX100 VI|
|Sensor Format||Four Thirds Sensor||1" Sensor|
|Sensor Size||17.3 x 13.0 mm||13.2 x 8.8 mm|
|Sensor Area||224.9 mm2||116.16 mm2|
|Sensor Diagonal||21.6 mm||15.9 mm|
|Sensor Resolution||20.2 Megapixels||20 Megapixels|
|Image Resolution||5184 x 3888 pixels||5472 x 3648 pixels|
|Pixel Pitch||3.34 μm||2.41 μm|
|Pixel Density||8.96 MP/cm2||17.18 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||200 - 25,600 ISO||125 - 12,800 ISO|
|ISO Boost||64 - 25,600 ISO||80 - 25,600 ISO|
|Image Processor||TruePic VIII||BIONZ X|
|DXO Sensor Quality (score)||80||..|
|DXO Color Depth (bits)||23.7||..|
|DXO Dynamic Range (EV)||12.8||..|
|DXO Low Light (ISO)||1312||..|
|Screen Specs||Olympus E-M1 II||Sony RX100 VI|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1037k dots||1229k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Olympus E-M1 II||Sony RX100 VI|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/2000s|
|Continuous Shooting||18 shutter flaps/s||24 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Single UHS-II||UHS-I|
|Connectivity Specs||Olympus E-M1 II||Sony RX100 VI|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Olympus E-M1 II||Sony RX100 VI|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||440 shots per charge||240 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
134 x 91 x 67 mm
(5.3 x 3.6 x 2.6 in)
102 x 58 x 43 mm
(4.0 x 2.3 x 1.7 in)
|Camera Weight||574 g (20.2 oz)||301 g (10.6 oz)|
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