Olympus E-M1 II vs Sony H300
The Olympus OM-D E-M1 Mark II and the Sony Cyber-shot DSC-H300 are two digital cameras that were officially introduced, respectively, in September 2016 and February 2014. The E-M1 II is a mirrorless interchangeable lens camera, while the H300 is a fixed lens compact. The cameras are based on a Four Thirds (E-M1 II) and a 1/2.3-inch (H300) sensor. The Olympus has a resolution of 20.2 megapixels, whereas the Sony provides 19.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M1 Mark II and the Sony Cyber-shot DSC-H300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Olympus E-M1 II and the Sony H300. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony H300 is notably smaller (7 percent) than the Olympus E-M1 II. It is worth mentioning in this context that the E-M1 II is splash and dust resistant, while the H300 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the H300 has a lens built in, whereas the E-M1 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-M1 II and their specifications in the Micro Four Thirds Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Olympus E-M1 II||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999|
|Sony H300||5.0 in||3.5 in||3.6 in||20.8 oz||350||n||Feb 2014||219|
|Canon SX610||4.1 in||2.4 in||1.1 in||6.7 oz||270||n||Jan 2015||249|
|Olympus E-M1 III||5.3 in||3.6 in||2.7 in||20.5 oz||420||Y||Feb 2020||1,799|
|Olympus PEN-F||4.9 in||2.8 in||1.5 in||15.1 oz||330||n||Jan 2016||1,199|
|Olympus E-M5 II||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099|
|Olympus E-M1||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399|
|Panasonic G9||5.4 in||3.8 in||3.6 in||23.2 oz||400||Y||Nov 2017||1,699|
|Panasonic GH5||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999|
|Panasonic G85||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899|
|Panasonic GX8||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199|
|Sony A9||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499|
|Sony HX90V||4.0 in||2.3 in||1.4 in||8.6 oz||360||n||Apr 2015||429|
|Sony A7 II||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999|
|Sony HX400V||5.1 in||3.7 in||4.1 in||23.3 oz||300||n||Feb 2014||499|
|Sony H400||5.1 in||3.7 in||4.8 in||22.2 oz||300||n||Feb 2014||319|
|Sony H200||4.8 in||3.3 in||3.4 in||18.7 oz||240||n||Jan 2013||249|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The H300 was launched at a lower price than the E-M1 II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-M1 II features a Four Thirds sensor and the Sony H300 a 1/2.3-inch sensor. The sensor area in the H300 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 20.2MP, the E-M1 II offers a slightly higher resolution than the H300 (19.9MP), but the E-M1 II nevertheless has larger individual pixels (pixel pitch of 3.34μm versus 1.19μm for the H300) due to its larger sensor. Moreover, the E-M1 II is a much more recent model (by 2 years and 7 months) than the H300, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The E-M1 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the H300, the E-M1 II has the capacity to capture high quality composite images (50MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Olympus OM-D E-M1 Mark II has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 64-25600. The corresponding ISO settings for the Sony Cyber-shot DSC-H300 are ISO 80 to ISO 3200 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
| DXO |
|Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|Olympus E-M1 III||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||..||..||..||..|
|Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the E-M1 II provides a higher video resolution than the H300. It can shoot video footage at 4K/30p, while the Sony is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the E-M1 II has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the H300 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Olympus E-M1 II and Sony H300 in connection with corresponding information for a sample of similar cameras.
|Olympus E-M1 II||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y|
|Olympus E-M1 III||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y|
|Olympus E-M5 II||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The E-M1 II has a touchscreen, while the H300 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The E-M1 II has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the H300 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M1 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-M1 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-M1 II writes its imaging data to SDXC cards, while the H300 uses SDXC or Memory Stick PRO Duo cards. The E-M1 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the H300 only has one slot. The E-M1 II supports UHS-II cards on its first slot and UHS-I on its second one, while the H300 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M1 Mark II and Sony Cyber-shot DSC-H300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|Olympus E-M1 II||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-|
|Olympus E-M1 III||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y|
|Olympus E-M5 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||-|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the E-M1 II has a hotshoe, while the H300 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Olympus E-M1 II (unlike the H300) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the E-M1 II and the H300 are recent models that are part of the current product line-up. The H300 replaced the earlier Sony H200, while the E-M1 II followed on from the Olympus E-M1. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Sony websites.
So what conclusions can be drawn? Is the Olympus E-M1 II better than the Sony H300 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Olympus OM-D E-M1 Mark II:
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 720/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 460k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/1500s) to freeze action.
- Faster burst: Shoots at higher frequency (18 vs 0.8 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (440 versus 350) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
- More modern: Reflects 2 years and 7 months of technical progress since the H300 launch.
Advantages of the Sony Cyber-shot DSC-H300:
- Ready to shoot: Has an integrated lens, whereas the E-M1 II necessitates an extra lens.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in February 2014).
If the count of relative strengths (bullet points above) is taken as a measure, the E-M1 II is the clear winner of the match-up (27 : 4 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-M1 II and the Sony H300 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the E-M1 II and the H300 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Olympus E-M1 II||+ +||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999|
|Sony H300||+||..||4.5/5||..||4/5||Feb 2014||219|
|Canon SX610||..||..||4/5||..||4/5||Jan 2015||249|
|Olympus E-M1 III||..||83/100||4.5/5||..||4/5||Feb 2020||1,799|
|Olympus PEN-F||..||82/100||4.5/5||4.5/5||5/5||Jan 2016||1,199|
|Olympus E-M5 II||+ +||81/100||5/5||4.5/5||5/5||Feb 2015||1,099|
|Olympus E-M1||+ +||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399|
|Panasonic G9||+ +||85/100||5/5||5/5||5/5||Nov 2017||1,699|
|Panasonic GH5||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999|
|Panasonic G85||+ +||84/100||5/5||4.5/5||4.5/5||Sep 2016||899|
|Panasonic GX8||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199|
|Sony A9||+ +||89/100||5/5||5/5||5/5||Apr 2017||4,499|
|Sony HX90V||+ +||..||4/5||..||4.5/5||Apr 2015||429|
|Sony A7 II||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999|
|Sony HX400V||+ +||..||4/5||..||4/5||Feb 2014||499|
|Sony H400||o||..||3.5/5||..||3.5/5||Feb 2014||319|
|Sony H200||..||..||3.5/5||..||3.5/5||Jan 2013||249|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Olympus E-M1 II vs Sony H300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-M1 II||Sony H300|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Micro Four Thirds lenses||25-875mm f/3.4-6.5|
|Launch Date||September 2016||February 2014|
|Launch Price||USD 1,999||USD 219|
|Sensor Specs||Olympus E-M1 II||Sony H300|
|Sensor Format||Four Thirds Sensor||1/2.3" Sensor|
|Sensor Size||17.3 x 13.0 mm||6.17 x 4.55 mm|
|Sensor Area||224.9 mm2||28.0735 mm2|
|Sensor Diagonal||21.6 mm||7.7 mm|
|Sensor Resolution||20.2 Megapixels||19.9 Megapixels|
|Image Resolution||5184 x 3888 pixels||5152 x 3864 pixels|
|Pixel Pitch||3.34 μm||1.19 μm|
|Pixel Density||8.96 MP/cm2||70.91 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||720/30p Video|
|ISO Setting||200 - 25,600 ISO||80 - 3,200 ISO|
|ISO Boost||64 - 25,600 ISO||no Enhancement|
|Image Processor||TruePic VIII||BIONZ|
|DXO Sensor Quality (score)||80||..|
|DXO Color Depth (bits)||23.7||..|
|DXO Dynamic Range (EV)||12.8||..|
|DXO Low Light (ISO)||1312||..|
|Screen Specs||Olympus E-M1 II||Sony H300|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1037k dots||460k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Olympus E-M1 II||Sony H300|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||18 shutter flaps/s||0.8 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Single UHS-II||no|
|Connectivity Specs||Olympus E-M1 II||Sony H300|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Olympus E-M1 II||Sony H300|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||440 shots per charge||350 shots per charge|
134 x 91 x 67 mm
(5.3 x 3.6 x 2.6 in)
128 x 89 x 92 mm
(5.0 x 3.5 x 3.6 in)
|Camera Weight||574 g (20.2 oz)||590 g (20.8 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.