Olympus E-M1 II vs Panasonic G10

The Olympus OM-D E-M1 Mark II and the Panasonic Lumix DMC-G10 are two digital cameras that were announced, respectively, in September 2016 and March 2010. Both the E-M1 II and the G10 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. The Olympus has a resolution of 20.2 megapixels, whereas the Panasonic provides 12 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-M1 II		Panasonic G10
Mirrorless system camera		Mirrorless system camera
Micro Four Thirds lenses		Micro Four Thirds lenses
20.2 MP – Four Thirds sensor		12 MP – Four Thirds sensor
4K/30p Video		720/30p Video
ISO 200-25,600		ISO 100-6,400
Electronic viewfinder (2360k dots)		Electronic viewfinder (202k dots)
3.0" LCD – 1037k dots		3.0" LCD – 460k dots
Swivel touchscreen		Fixed screen (not touch-sensitive)
18 shutter flaps per second		2.6 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		not weather sealed
440 shots per battery charge		380 shots per battery charge
134 x 91 x 67 mm, 574 g		124 x 84 x 74 mm, 388 g

Check E-M1 II offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus OM-D E-M1 Mark II and the Panasonic Lumix DMC-G10? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Olympus E-M1 II and the Panasonic G10 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G10 is notably smaller (15 percent) than the Olympus E-M1 II. Moreover, the G10 is markedly lighter (32 percent) than the E-M1 II. It is worth mentioning in this context that the E-M1 II is splash and dust resistant, while the G10 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the E-M1 II gets 440 shots out of its Olympus BLH-1 battery, while the G10 can take 380 images on a single charge of its Panasonic DMW-BLB13 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-M1 II	134 mm	91 mm	67 mm	574 g	440	Y	Sep 2016	1,999	ebay.com
2.		Panasonic G10	124 mm	84 mm	74 mm	388 g	380	n	Mar 2010	499	ebay.com
3.		Olympus E-M1 III	134 mm	91 mm	69 mm	580 g	420	Y	Feb 2020	1,799	ebay.com
4.		Olympus PEN-F	125 mm	72 mm	37 mm	427 g	330	n	Jan 2016	1,199	ebay.com
5.		Olympus E-M5 II	124 mm	85 mm	45 mm	469 g	310	Y	Feb 2015	1,099	ebay.com
6.		Olympus E-M1	130 mm	94 mm	63 mm	497 g	350	Y	Sep 2013	1,399	ebay.com
7.		Panasonic G9	137 mm	97 mm	92 mm	658 g	400	Y	Nov 2017	1,699	ebay.com
8.		Panasonic GH5	139 mm	98 mm	87 mm	725 g	410	Y	Jan 2017	1,999	ebay.com
9.		Panasonic G80	128 mm	89 mm	74 mm	505 g	330	Y	Sep 2016	899	ebay.com
10.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	1,199	ebay.com
11.		Panasonic G3	115 mm	84 mm	47 mm	336 g	270	n	May 2011	599	ebay.com
12.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	549	ebay.com
13.		Panasonic G2	124 mm	84 mm	74 mm	428 g	360	n	Mar 2010	599	ebay.com
14.		Panasonic GF2	113 mm	68 mm	33 mm	310 g	300	n	Nov 2010	549	ebay.com
15.		Panasonic G1	124 mm	84 mm	45 mm	360 g	410	n	Sep 2008	599	ebay.com
16.		Sony A9	127 mm	96 mm	63 mm	673 g	650	Y	Apr 2017	4,499	ebay.com
17.		Sony A7 II	127 mm	96 mm	60 mm	599 g	350	Y	Nov 2014	1,999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G10 was launched at a markedly lower price (by 75 percent) than the E-M1 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

While the two cameras under review share the same sensor size, the E-M1 II offers a higher resolution of 20.2 megapixels, compared with 12 MP of the G10. This megapixels advantage translates into a 30 percent gain in linear resolution. On the other hand, these sensor specs imply that the E-M1 II has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 4.33μm for the G10). In this context, it should be noted, however, that the E-M1 II is much more recent (by 6 years and 6 months) than the G10, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the E-M1 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Olympus E-M1 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M1 II for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Panasonic G10 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The E-M1 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

Unlike the G10, the E-M1 II has the capacity to capture high quality composite images (50MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Olympus OM-D E-M1 Mark II has a native sensitivity range from ISO 200 to ISO 25600, which can be extended to ISO 64-25600. The corresponding ISO settings for the Panasonic Lumix DMC-G10 are ISO 100 to ISO 6400 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the E-M1 II provides substantially higher image quality than the G10, with an overall score that is 28 points higher. This advantage is based on 2.5 bits higher color depth, 2.7 EV in additional dynamic range, and 1.7 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-M1 II	Four Thirds	20.2	5184	3888	4K/30p	23.7	12.8	1312	80
2.		Panasonic G10	Four Thirds	12.0	4000	3000	720/30p	21.2	10.1	411	52
3.		Olympus E-M1 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1356	76
4.		Olympus PEN-F	Four Thirds	20.2	5184	3888	1080/60p	23.1	12.4	894	74
5.		Olympus E-M5 II	Four Thirds	15.9	4608	3456	1080/60p	23.0	12.5	842	73
6.		Olympus E-M1	Four Thirds	15.9	4608	3456	1080/30p	23.0	12.7	757	73
7.		Panasonic G9	Four Thirds	20.2	5184	3888	4K/60p	23.1	12.8	1138	74
8.		Panasonic GH5	Four Thirds	20.2	5184	3888	4K/60p	23.9	13.0	807	77
9.		Panasonic G80	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.5	656	71
10.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
11.		Panasonic G3	Four Thirds	15.8	4592	3448	1080/60i	21.0	10.6	667	56
12.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
13.		Panasonic G2	Four Thirds	12.0	4000	3000	720/30p	21.2	10.3	493	53
14.		Panasonic GF2	Four Thirds	12.0	4000	3000	1080/60i	21.2	10.3	506	54
15.		Panasonic G1	Four Thirds	12.0	4000	3000	none	21.1	10.3	463	53
16.		Sony A9	Full Frame	24.0	6000	4000	4K/30p	24.9	13.3	3517	92
17.		Sony A7 II	Full Frame	24.0	6000	4000	1080/60p	24.9	13.6	2449	90
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the E-M1 II provides a higher video resolution than the G10. It can shoot video footage at 4K/30p, while the Panasonic is limited to 720/30p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the E-M1 II offers a substantially higher resolution than the one in the G10 (2360k vs 202k dots). The following table reports on some other key feature differences and similarities of the Olympus E-M1 II, the Panasonic G10, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-M1 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
2.		Panasonic G10	202	n	3.0 / 460	fixed	n	1/4000s	2.6/s	Y	n
3.		Olympus E-M1 III	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
4.		Olympus PEN-F	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
5.		Olympus E-M5 II	2360	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
6.		Olympus E-M1	2360	n	3.0 / 1037	tilting	Y	1/8000s	10.0/s	n	Y
7.		Panasonic G9	3680	Y	3.0 / 1040	swivel	Y	1/8000s	20.0/s	n	Y
8.		Panasonic GH5	3680	n	3.2 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
9.		Panasonic G80	2360	n	3.0 / 1040	swivel	Y	1/4000s	9.0/s	Y	Y
10.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
11.		Panasonic G3	1440	n	3.0 / 460	swivel	Y	1/4000s	4.0/s	Y	n
12.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
13.		Panasonic G2	1440	n	3.0 / 460	swivel	Y	1/4000s	2.6/s	Y	n
14.		Panasonic GF2	optional	n	3.0 / 460	fixed	Y	1/4000s	2.6/s	Y	n
15.		Panasonic G1	1440	n	3.0 / 460	swivel	n	1/4000s	3.0/s	Y	n
16.		Sony A9	3686	n	3.0 / 1440	tilting	Y	1/8000s	20.0/s	n	Y
17.		Sony A7 II	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that differentiates the E-M1 II and the G10 is in-body image stabilization (IBIS). The E-M1 II reduces the risk of handshake-induced blur with all attached lenses, while the G10 offers no blur reduction with lenses that themselves do not provide optical image stabilization.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M1 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Olympus E-M1 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the E-M1 II and the G10 write their files to SDXC cards. The E-M1 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the G10 only has one slot. The E-M1 II supports UHS-II cards on its first slot and UHS-I on its second one, while the G10 cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus OM-D E-M1 Mark II and Panasonic Lumix DMC-G10 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-M1 II	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
2.		Panasonic G10	Y	mono / -	-	-	mini	2.0	-	-	-
3.		Olympus E-M1 III	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
4.		Olympus PEN-F	Y	stereo / mono	-	-	micro	2.0	Y	-	-
5.		Olympus E-M5 II	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
6.		Olympus E-M1	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
7.		Panasonic G9	Y	stereo / mono	Y	Y	full	3.0	Y	-	Y
8.		Panasonic GH5	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
9.		Panasonic G80	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
10.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
11.		Panasonic G3	Y	stereo / mono	-	-	mini	2.0	-	-	-
12.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
13.		Panasonic G2	Y	stereo / mono	-	-	mini	2.0	-	-	-
14.		Panasonic GF2	Y	stereo / mono	-	-	mini	2.0	-	-	-
15.		Panasonic G1	Y	- / -	-	-	mini	2.0	-	-	-
16.		Sony A9	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	Y
17.		Sony A7 II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-

It is notable that the E-M1 II has a microphone port, which is missing on the G10. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Studio photographers will appreciate that the Olympus E-M1 II (unlike the G10) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the E-M1 II and the G10 have been discontinued, but can regularly be found used on ebay. The G10 was replaced by the Panasonic G3, while the E-M1 II was followed by the Olympus E-M1 III. Further information on the features and operation of the E-M1 II and G10 can be found, respectively, in the Olympus E-M1 II Manual (free pdf) or the online Panasonic G10 Manual.

Review summary

So what is the bottom line? Is the Olympus E-M1 II better than the Panasonic G10 or vice versa? The listing below highlights the relative strengths of the two models.

Arguments in favor of the Olympus OM-D E-M1 Mark II:

• More detail: Offers more megapixels (20.2 vs 12MP) with a 30% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Scores substantially higher (28 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (2.5 bits more color depth).
• More dynamic range: Captures a larger spectrum of light and dark details (2.7 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (1.7 stops ISO advantage).
• Better video: Provides higher definition movie capture (4K/30p vs 720/30p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 202k dots).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.52x).
• More detailed LCD: Has a higher resolution rear screen (1037k vs 460k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (18 vs 2.6 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Longer lasting: Can take more shots (440 versus 380) on a single battery charge.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
• More modern: Reflects 6 years and 6 months of technical progress since the G10 launch.

Advantages of the Panasonic Lumix DMC-G10:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• More compact: Is smaller (124x84mm vs 134x91mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 186g or 32 percent) and is thus easier to take along.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More affordable: Was introduced into a lower priced category (75 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in March 2010).

If the count of relative strengths (bullet points above) is taken as a measure, the E-M1 II is the clear winner of the match-up (30 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-M1 II and the Panasonic G10 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-M1 II or the G10. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-M1 II	5/5	+ +	5/5	85/100	4.5/5	4.5/5	Sep 2016	1,999	ebay.com
2.		Panasonic G10	3/5	..	..	70/100	4/5	4/5	Mar 2010	499	ebay.com
3.		Olympus E-M1 III	5/5	..	5/5	83/100	4.5/5	4/5	Feb 2020	1,799	ebay.com
4.		Olympus PEN-F	..	..	4/5	82/100	4.5/5	5/5	Jan 2016	1,199	ebay.com
5.		Olympus E-M5 II	5/5	+ +	4.5/5	81/100	5/5	5/5	Feb 2015	1,099	ebay.com
6.		Olympus E-M1	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2013	1,399	ebay.com
7.		Panasonic G9	..	+ +	5/5	85/100	5/5	5/5	Nov 2017	1,699	ebay.com
8.		Panasonic GH5	4.5/5	+ +	..	85/100	4.5/5	5/5	Jan 2017	1,999	ebay.com
9.		Panasonic G80	..	+ +	..	84/100	5/5	4.5/5	Sep 2016	899	ebay.com
10.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	1,199	ebay.com
11.		Panasonic G3	3/5	+ +	..	75/100	4.5/5	5/5	May 2011	599	ebay.com
12.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	549	ebay.com
13.		Panasonic G2	..	..	..	72/100	4/5	4.5/5	Mar 2010	599	ebay.com
14.		Panasonic GF2	3/5	82/100	..	70/100	4.5/5	4.5/5	Nov 2010	549	ebay.com
15.		Panasonic G1	..	+ +	..	70/100	4/5	4.5/5	Sep 2008	599	ebay.com
16.		Sony A9	5/5	+ +	4.8/5	89/100	5/5	5/5	Apr 2017	4,499	ebay.com
17.		Sony A7 II	5/5	+	4/5	82/100	4.5/5	5/5	Nov 2014	1,999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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