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Olympus E-M1 II versus Canon 5D Mark III

The Olympus OM-D E-M1 Mark II and the Canon EOS 5D Mark III are two digital cameras that were revealed to the public, respectively, in September 2016 and March 2012. The E-M1 II is a mirrorless interchangeable lens camera, while the 5D Mark III is a DSLR. The cameras are based on a Four Thirds (E-M1 II) and a full frame (5D Mark III) sensor. The Olympus has a resolution of 20.2 megapixel, whereas the Canon provides 22.1 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Olympus E-M1 II vs Canon 5D Mark III

The physical size and weight of the Olympus E-M1 II and the Canon 5D Mark III are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the E-M1 II – represents the basis for the calculations across all the size and weight measures).

Compare Olympus E-M1 II vs Canon 5D Mark III
Compare E-M1 II versus 5D Mark III top
Compare E-M1 II and 5D Mark III rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 5D Mark III is considerably larger (45 percent) than the Olympus E-M1 II. Moreover, the 5D Mark III is substantially heavier (66 percent) than the E-M1 II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Micro Four Thirds Lens Catalog (E-M1 II) and the Canon EF Lens Catalog (5D Mark III). Mirrorless cameras, such as the Olympus E-M1 II, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.

Concerning battery life, the E-M1 II gets 440 shots out of its BLH-1 battery, while the 5D Mark III can take 950 images on a single charge of its LP-E6 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Olympus E-M1 II» 5.3 in 3.6 in 2.6 in 20.2 oz 440 Y Sep 2016 1,999 i i Olympus E-M1 II
Canon 5D Mark III« 6.0 in 4.6 in 3.0 in 33.5 oz 950 Y Mar 2012 3,499- i Canon 5D Mark III
Canon 5D Mark IV« » 5.9 in 4.6 in 3.0 in 31.4 oz 900 Y Aug 2016 3,499 i i Canon 5D Mark IV
Canon 5DS« » 6.0 in 4.6 in 3.0 in 32.8 oz 700 Y Feb 2015 3,699 i i Canon 5DS
Canon 5DS R« » 6.0 in 4.6 in 3.0 in 32.8 oz 700 Y Feb 2015 3,699 i i Canon 5DS R
Canon 5D Mark II« » 6.0 in 4.5 in 3.0 in 30.0 oz 850 Y Sep 2008 3,499- i Canon 5D Mark II
Nikon D610« » 5.6 in 4.4 in 3.2 in 30.0 oz 900 Y Oct 2013 1,999 i i Nikon D610
Olympus PEN-F« » 4.9 in 2.8 in 1.5 in 15.1 oz 330 n Jan 2016 1,199 i i Olympus PEN-F
Olympus E-M5 II« » 4.9 in 3.3 in 1.8 in 16.5 oz 310 Y Feb 2015 1,099 i i Olympus E-M5 II
Olympus E-M1« » 5.1 in 3.7 in 2.5 in 17.5 oz 350 Y Sep 2013 1,399- i Olympus E-M1
Panasonic G9« » 5.4 in 3.8 in 3.6 in 23.2 oz 400 Y Nov 2017 1,699 i i Panasonic G9
Panasonic GH5« » 5.5 in 3.9 in 3.4 in 25.6 oz 410 Y Jan 2017 1,999 i i Panasonic GH5
Panasonic G85« » 5.0 in 3.5 in 2.9 in 17.8 oz 330 Y Sep 2016 899 i i Panasonic G85
Panasonic GX8« » 5.2 in 3.1 in 2.5 in 17.2 oz 330 Y Jul 2015 1,199- i Panasonic GX8
Sony A7 III« » 5.0 in 3.8 in 2.9 in 22.9 oz 610 Y Feb 2018 1,999 i i Sony A7 III
Sony A9« » 5.0 in 3.8 in 2.5 in 23.7 oz 650 Y Apr 2017 4,499 i i Sony A9
Sony A7 II« » 5.0 in 3.8 in 2.4 in 21.1 oz 350 Y Nov 2014 1,999- i Sony A7 II

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-M1 II was launched at a markedly lower price (by 43 percent) than the 5D Mark III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

 

Sensor comparison: Olympus E-M1 II vs Canon 5D Mark III

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Olympus E-M1 II features a Four Thirds sensor and the Canon 5D Mark III a full frame sensor. The sensor area in the 5D Mark III is 284 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the E-M1 II has a native 4:3 aspect ratio, while the one in the 5D Mark III offers a 3:2 aspect.

Olympus E-M1 II and Canon 5D Mark III sensor measures

With 22.1MP, the 5D Mark III offers a higher resolution than the E-M1 II (20.2MP), but the 5D Mark III nevertheless has larger individual pixels (pixel pitch of 6.25μm versus 3.34μm for the E-M1 II) due to its larger sensor. However, the E-M1 II is a much more recent model (by 4 years and 6 months) than the 5D Mark III, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the E-M1 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

Unlike the 5D Mark III, the E-M1 II has the capacity to capture high quality composite images (50MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

E-M1 II versus 5D Mark III MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar image quality. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Olympus E-M1 II» Four Thirds 20.2 5184 38884K/30p23.712.8131280Olympus E-M1 II
Canon 5D Mark III« Full Frame 22.1 5760 38401080/30p24.011.7229381Canon 5D Mark III
Canon 5D Mark IV« » Full Frame 30.1 6720 44804K/30p24.813.6299591Canon 5D Mark IV
Canon 5DS« » Full Frame 50.3 8688 57921080/60p24.712.4238187Canon 5DS
Canon 5DS R« » Full Frame 50.3 8688 57921080/60p24.612.4230886Canon 5DS R
Canon 5D Mark II« » Full Frame 21.0 5616 37441080/30p23.711.9181579Canon 5D Mark II
Nikon D610« » Full Frame 24.2 6016 40161080/30p25.114.4292594Nikon D610
Olympus PEN-F« » Four Thirds 20.2 5184 38881080/60p23.112.489474Olympus PEN-F
Olympus E-M5 II« » Four Thirds 15.9 4608 34561080/60p23.012.584273Olympus E-M5 II
Olympus E-M1« » Four Thirds 15.9 4608 34561080/30p23.012.775773Olympus E-M1
Panasonic G9« » Four Thirds 20.2 5184 38884K/60p----Panasonic G9
Panasonic GH5« » Four Thirds 20.2 5184 38884K/60p23.913.080777Panasonic GH5
Panasonic G85« » Four Thirds 15.8 4592 34484K/30p22.812.565671Panasonic G85
Panasonic GX8« » Four Thirds 20.2 5184 38884K/30p23.512.680675Panasonic GX8
Sony A7 III« » Full Frame 24.0 6000 40004K/30p25.014.7373096Sony A7 III
Sony A9« » Full Frame 24.0 6000 40004K/30p24.913.3351792Sony A9
Sony A7 II« » Full Frame 24.0 6000 40001080/60p24.913.6244990Sony A7 II

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the E-M1 II provides a higher video resolution than the 5D Mark III. It can shoot video footage at 4K/30p, while the Canon is limited to 1080/30p.

 

Feature comparison: Olympus E-M1 II vs Canon 5D Mark III

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the E-M1 II has an electronic viewfinder (2360k dots), while the 5D Mark III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Olympus E-M1 II, the Canon 5D Mark III, and comparable cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec)
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Olympus E-M1 II»2360 n 3.0 1037 swivel Y 8000 18.0 n Y Olympus E-M1 II
Canon 5D Mark III«optical Y 3.2 1040 fixed n 8000 6.0 n n Canon 5D Mark III
Canon 5D Mark IV« »optical Y 3.2 1620 fixed Y 8000 7.0 n n Canon 5D Mark IV
Canon 5DS« »optical Y 3.2 1040 fixed n 8000 5.0 n n Canon 5DS
Canon 5DS R« »optical Y 3.2 1040 fixed n 8000 5.0 n n Canon 5DS R
Canon 5D Mark II« »optical Y 3.0 920 fixed n 8000 3.9 n n Canon 5D Mark II
Nikon D610« »optical Y 3.2 921 fixed n 4000 6.0 Y n Nikon D610
Olympus PEN-F« »2360 n 3.0 1037 swivel Y 8000 10.0 n Y Olympus PEN-F
Olympus E-M5 II« »2360 n 3.0 1037 swivel Y 8000 10.0 n Y Olympus E-M5 II
Olympus E-M1« »2360 n 3.0 1037 tilting Y 8000 10.0 n Y Olympus E-M1
Panasonic G9« »3680 Y 3.0 1040 swivel Y 8000 20.0 n Y Panasonic G9
Panasonic GH5« »3680 n 3.2 1620 swivel Y 8000 12.0 n Y Panasonic GH5
Panasonic G85« »2360 n 3.0 1040 swivel Y 4000 9.0 Y Y Panasonic G85
Panasonic GX8« »2360 n 3.0 1040 swivel Y 8000 10.0 n Y Panasonic GX8
Sony A7 III« »2359 n 3.0 922 tilting Y 8000 10.0 n Y Sony A7 III
Sony A9« »3686 n 3.0 1440 tilting Y 8000 20.0 n Y Sony A9
Sony A7 II« »2400 n 3.0 1230 tilting n 8000 5.0 n Y Sony A7 II

One feature that differentiates the E-M1 II and the 5D Mark III is in-body image stabilization (IBIS). The E-M1 II reduces the risk of handshake-induced blur with all attached lenses, while the 5D Mark III has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.

The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the E-M1 II features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (rolling shutter) or shooting under artificial light sources (flickering).

The E-M1 II writes its imaging data to SDXC cards, while the 5D Mark III uses Compact Flash cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
Olympus E-M1 II»YstereomonoYYmicro3.0Y--Olympus E-M1 II
Canon 5D Mark III«YmonomonoYYmini2.0---Canon 5D Mark III
Canon 5D Mark IV« »YmonomonoYYmini3.0YY-Canon 5D Mark IV
Canon 5DS« »YmonomonoY-mini3.0---Canon 5DS
Canon 5DS R« »YmonomonoY-mini3.0---Canon 5DS R
Canon 5D Mark II« »YmonomonoY-mini2.0---Canon 5D Mark II
Nikon D610« »YmonomonoYYmini2.0---Nikon D610
Olympus PEN-F« »Ystereomono--micro2.0Y--Olympus PEN-F
Olympus E-M5 II« »YstereomonoY-micro2.0Y--Olympus E-M5 II
Olympus E-M1« »YstereomonoY-micro2.0Y--Olympus E-M1
Panasonic G9« »YstereomonoYYfull3.0Y-YPanasonic G9
Panasonic GH5« »YstereomonoYYfull3.1Y-YPanasonic GH5
Panasonic G85« »YstereomonoY-micro2.0Y--Panasonic G85
Panasonic GX8« »YstereomonoY-micro2.0YY-Panasonic GX8
Sony A7 III« »YstereomonoYYmicro3.1YYYSony A7 III
Sony A9« »YstereomonoYYmicro2.0YYYSony A9
Sony A7 II« »YstereomonoYYmicro2.0YY-Sony A7 II

The E-M1 II is a current model that online retailers, such as amazon, will have in stock. In contrast, the 5D Mark III has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 5D Mark III was succeeded by the Canon 5D Mark IV.

Review summary: Olympus E-M1 II vs Canon 5D Mark III

So what conclusions can be drawn? Which of the two cameras – the Olympus E-M1 II or the Canon 5D Mark III – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.

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Arguments in favor of the Olympus OM-D E-M1 Mark II:

  • Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • More dynamic range: Captures a larger spectrum of light and dark details (1.1 EV of extra DR).
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
  • More framing info: Has an electronic viewfinder that displays shooting data.
  • More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
  • Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
  • Faster burst: Shoots at higher frequency (18 vs 6 flaps/sec) to capture the decisive moment.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • More compact: Is smaller (134x91mm vs 152x116mm) and thus needs less room in the bag.
  • Less heavy: Is lighter (by 376g or 40 percent) and hence easier to carry around.
  • Sharper images: Has hand-shake reducing image stabilization build-in.
  • More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
  • Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
  • Easier file upload: Has wifi build in for automatic backup or image transfer to the web.
  • More affordable: Was introduced into a lower priced category (43 percent cheaper at launch).
  • More modern: Reflects 4 years and 6 months of technical progress since the 5D Mark III launch.

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Reasons to prefer the Canon EOS 5D Mark III:

  • More detail: Has more megapixels (22.1 vs 20.2MP), which boosts linear resolution by 7%.
  • Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
  • Better low-light sensitivity: Can shoot in dim conditions (0.8 stops ISO advantage).
  • Brighter framing: Features an optical viewfinder for clear, lag-free composition.
  • Easier setting verification: Features a control panel on top to check shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • Longer lasting: Gets more shots (950 versus 440) out of a single battery charge.
  • More heavily discounted: Has been around for much longer (launched in March 2012).

If the count of relative strengths (bullet points above) is taken as a measure, the E-M1 II is the clear winner of the match-up (17 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.

E-M1 II 17:08 5D Mark III

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the E-M1 II or the 5D Mark III handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is where reviews by experts come in. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Olympus E-M1 II»HiRec85/1004.5/55/54.5/5 Sep 2016 1,999 i i Olympus E-M1 II
Canon 5D Mark III«HiRec82/1004.5/55/54.5/5 Mar 2012 3,499- i Canon 5D Mark III
Canon 5D Mark IV« »HiRec87/1004.5/55/54.5/5 Aug 2016 3,499 i i Canon 5D Mark IV
Canon 5DS« »Rec83/1004.5/55/54.5/5 Feb 2015 3,699 i i Canon 5DS
Canon 5DS R« »Rec83/1005/55/54.5/5 Feb 2015 3,699 i i Canon 5DS R
Canon 5D Mark II« »91/10079/1004/55/5- Sep 2008 3,499- i Canon 5D Mark II
Nikon D610« »HiRec87/1004.5/54.5/54.5/5 Oct 2013 1,999 i i Nikon D610
Olympus PEN-F« »-82/1004.5/54.5/55/5 Jan 2016 1,199 i i Olympus PEN-F
Olympus E-M5 II« »HiRec81/1005/54.5/55/5 Feb 2015 1,099 i i Olympus E-M5 II
Olympus E-M1« »HiRec84/1004.5/54.5/54.5/5 Sep 2013 1,399- i Olympus E-M1
Panasonic G9« »HiRec85/1005/5-5/5 Nov 2017 1,699 i i Panasonic G9
Panasonic GH5« »HiRec85/1004.5/55/55/5 Jan 2017 1,999 i i Panasonic GH5
Panasonic G85« »HiRec84/1005/54.5/54.5/5 Sep 2016 899 i i Panasonic G85
Panasonic GX8« »Rec82/1004.5/55/54.5/5 Jul 2015 1,199- i Panasonic GX8
Sony A7 III« »HiRec89/1005/55/55/5 Feb 2018 1,999 i i Sony A7 III
Sony A9« »HiRec89/1005/55/55/5 Apr 2017 4,499 i i Sony A9
Sony A7 II« »Rec82/1004.5/55/55/5 Nov 2014 1,999- i Sony A7 II

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

 

Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you do not see the camera that you are looking for, please contact me, and I will try to add information on that model to the database.

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