Olympus E-620 vs Panasonic S1

The Olympus E-620 and the Panasonic Lumix DC-S1 are two digital cameras that were officially introduced, respectively, in February 2009 and February 2019. The E-620 is a DSLR, while the S1 is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (E-620) and a full frame (S1) sensor. The Olympus has a resolution of 12.2 megapixels, whereas the Panasonic provides 24 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-620		Panasonic S1
Digital single lens reflex		Mirrorless system camera
Four Thirds lenses		Leica L mount lenses
12.2 MP – Four Thirds sensor		24 MP – Full Frame sensor
no Video		4K/60p Video
ISO 100-3,200		ISO 100-51,200 (50 - 204,800)
Optical viewfinder		Electronic viewfinder (5760k dots)
2.7" LCD – 230k dots		3.2" LCD – 2100k dots
Swivel screen (not touch-sensitive)		Fully flexible touchscreen
4 shutter flaps per second		9 shutter flaps per second
In-body stabilization		In-body stabilization
not weather sealed		Weathersealed body
500 shots per battery charge		400 shots per battery charge
130 x 94 x 60 mm, 521 g		149 x 110 x 97 mm, 1017 g

Check E-620 offers at
ebay.com
Check S1 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-620 and the Panasonic Lumix DC-S1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Olympus E-620 and the Panasonic S1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S1 is notably larger (34 percent) than the Olympus E-620. Moreover, the S1 is substantially heavier (95 percent) than the E-620. It is noteworthy in this context that the S1 is splash and dust-proof, while the E-620 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the E-620 gets 500 shots out of its Olympus BLS-1 battery, while the S1 can take 400 images on a single charge of its Panasonic DMW-BLJ31 power pack. The power pack in the S1 can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-620	130 mm	94 mm	60 mm	521 g	500	n	Feb 2009	699	ebay.com
2.		Panasonic S1	149 mm	110 mm	97 mm	1017 g	400	Y	Feb 2019	2,499	amazon.com
3.		Canon R6	138 mm	98 mm	88 mm	680 g	360	Y	Jul 2020	2,499	amazon.com
4.		Olympus E-PL1	115 mm	72 mm	42 mm	334 g	290	n	Feb 2010	599	ebay.com
5.		Olympus E-450	130 mm	91 mm	53 mm	440 g	500	n	Mar 2009	499	ebay.com
6.		Olympus E-600	130 mm	94 mm	60 mm	535 g	500	n	Aug 2009	449	ebay.com
7.		Olympus E-P1	121 mm	70 mm	36 mm	355 g	300	n	Jun 2009	799	ebay.com
8.		Olympus E-P2	121 mm	70 mm	36 mm	355 g	300	n	Nov 2009	799	ebay.com
9.		Olympus E-30	142 mm	108 mm	75 mm	701 g	750	n	Nov 2008	1,299	ebay.com
10.		Olympus E-420	130 mm	91 mm	53 mm	440 g	500	n	Mar 2008	599	ebay.com
11.		Olympus E-520	136 mm	92 mm	68 mm	535 g	750	n	May 2008	699	ebay.com
12.		Olympus E-410	130 mm	91 mm	53 mm	435 g	500	n	Mar 2007	699	ebay.com
13.		Olympus E-510	136 mm	92 mm	68 mm	538 g	750	n	Mar 2007	799	ebay.com
14.		Panasonic S5	133 mm	98 mm	82 mm	714 g	440	Y	Sep 2020	1,999	amazon.com
15.		Panasonic S1R	149 mm	110 mm	97 mm	1016 g	380	Y	Feb 2019	3,699	amazon.com
16.		Panasonic S1H	151 mm	114 mm	110 mm	1052 g	400	Y	May 2019	3,999	amazon.com
17.		Sony A900	156 mm	117 mm	82 mm	895 g	880	Y	Sep 2008	2,999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-620 was launched at a markedly lower price (by 72 percent) than the S1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Olympus E-620 features a Four Thirds sensor and the Panasonic S1 a full frame sensor. The sensor area in the S1 is 276 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the E-620 has a native 4:3 aspect ratio, while the one in the S1 offers a 3:2 aspect.

With 24MP, the S1 offers a higher resolution than the E-620 (12.2MP), but the S1 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 4.29μm for the E-620) due to its larger sensor. Moreover, the S1 is a much more recent model (by 9 years and 11 months) than the E-620, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the S1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Panasonic S1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-620 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.

Unlike the E-620, the S1 has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Olympus E-620 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Panasonic Lumix DC-S1 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the S1 offers substantially better image quality than the E-620 (overall score 40 points higher). The advantage is based on 3.9 bits higher color depth, 4.2 EV in additional dynamic range, and 2.6 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-620	Four Thirds	12.2	4032	3024	none	21.3	10.3	536	55
2.		Panasonic S1	Full Frame	24.0	6000	4000	4K/60p	25.2	14.5	3333	95
3.		Canon R6	Full Frame	20.0	5472	3648	4k/60p	24.2	14.3	3394	90
4.		Olympus E-PL1	Four Thirds	12.2	4032	3024	720/30p	21.5	10.1	487	54
5.		Olympus E-450	Four Thirds	10.0	3648	2736	none	21.5	10.5	512	56
6.		Olympus E-600	Four Thirds	12.2	4032	3024	none	21.5	10.3	541	55
7.		Olympus E-P1	Four Thirds	12.2	4032	3024	720/30p	21.4	10.4	536	55
8.		Olympus E-P2	Four Thirds	12.2	4032	3024	720/30p	21.5	10.4	505	56
9.		Olympus E-30	Four Thirds	12.2	4032	3024	none	21.3	10.4	530	55
10.		Olympus E-420	Four Thirds	10.0	3648	2736	none	21.5	10.4	527	56
11.		Olympus E-520	Four Thirds	10.0	3648	2736	none	21.4	10.4	548	55
12.		Olympus E-410	Four Thirds	10.0	3648	2736	none	21.1	10.0	494	51
13.		Olympus E-510	Four Thirds	10.0	3648	2736	none	21.2	10.0	442	52
14.		Panasonic S5	Full Frame	24.0	6000	4000	4K/60p	25.1	14.5	2697	94
15.		Panasonic S1R	Full Frame	46.7	8368	5584	4K/60p	26.4	14.1	3525	100
16.		Panasonic S1H	Full Frame	24.0	6000	4000	6K/30p	25.2	14.2	2805	94
17.		Sony A900	Full Frame	24.4	6048	4032	none	23.7	12.3	1431	79
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The S1 indeed provides for movie recording, while the E-620 does not. The highest resolution format that the S1 can use is 4K/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the S1 has an electronic viewfinder (5760k dots), while the E-620 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the S1 offers a wider field of view (100%) than the one in the E-620 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the S1 has a higher magnification (0.78x vs 0.48x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Olympus E-620 and Panasonic S1 along with similar information for a selection of comparators.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-620	optical	n	2.7 / 230	swivel	n	1/4000s	4.0/s	Y	Y
2.		Panasonic S1	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
3.		Canon R6	3690	n	3.0 / 1620	swivel	Y	1/8000s	12.0/s	n	Y
4.		Olympus E-PL1	optional	n	2.7 / 230	fixed	n	1/2000s	3.0/s	Y	Y
5.		Olympus E-450	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	n
6.		Olympus E-600	optical	n	2.7 / 230	swivel	n	1/4000s	4.0/s	Y	Y
7.		Olympus E-P1	none	n	3.0 / 230	fixed	n	1/4000s	3.0/s	n	Y
8.		Olympus E-P2	optional	n	3.0 / 230	fixed	n	1/4000s	3.0/s	n	Y
9.		Olympus E-30	optical	Y	2.7 / 230	swivel	n	1/8000s	5.0/s	Y	Y
10.		Olympus E-420	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	n
11.		Olympus E-520	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	Y
12.		Olympus E-410	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	n
13.		Olympus E-510	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	Y
14.		Panasonic S5	2360	n	3.0 / 1840	swivel	Y	1/8000s	7.0/s	n	Y
15.		Panasonic S1R	5760	Y	3.2 / 2100	full-flex	Y	1/8000s	9.0/s	n	Y
16.		Panasonic S1H	5760	Y	3.2 / 2330	swivel	Y	1/8000s	9.0/s	n	Y
17.		Sony A900	optical	Y	3.0 / 922	fixed	n	1/8000s	5.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The E-620 has one, while the S1 does not. While the built-in flash of the E-620 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic S1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The E-620 writes its imaging data to Compact Flash or xD Picture cards, while the S1 uses SDXC or XQD cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-620 and Panasonic Lumix DC-S1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-620	Y	- / -	-	-	-	2.0	-	-	-
2.		Panasonic S1	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
3.		Canon R6	Y	mono / mono	Y	Y	micro	3.2	Y	-	Y
4.		Olympus E-PL1	Y	stereo / -	-	-	mini	2.0	-	-	-
5.		Olympus E-450	Y	- / -	-	-	-	2.0	-	-	-
6.		Olympus E-600	Y	- / -	-	-	-	2.0	-	-	-
7.		Olympus E-P1	Y	stereo / -	-	-	mini	2.0	-	-	-
8.		Olympus E-P2	Y	stereo / -	-	-	mini	2.0	-	-	-
9.		Olympus E-30	Y	- / -	-	-	-	2.0	-	-	-
10.		Olympus E-420	Y	- / -	-	-	-	2.0	-	-	-
11.		Olympus E-520	Y	- / -	-	-	-	2.0	-	-	-
12.		Olympus E-410	Y	- / -	-	-	-	2.0	-	-	-
13.		Olympus E-510	Y	- / -	-	-	-	2.0	-	-	-
14.		Panasonic S5	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
15.		Panasonic S1R	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
16.		Panasonic S1H	Y	stereo / mono	Y	Y	full	3.1	Y	-	Y
17.		Sony A900	Y	- / -	-	-	mini	2.0	-	-	-

It is notable that the S1 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-620 does not provide wifi capability.

Studio photographers will appreciate that the Panasonic S1 (unlike the E-620) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

The S1 is a recent model that features in the current product line-up of Panasonic. In contrast, the E-620 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the E-620 was succeeded by the Olympus E-600. Further information on the features and operation of the E-620 and S1 can be found, respectively, in the Olympus E-620 Manual (free pdf) or the online Panasonic S1 Manual.

Review summary

So what is the bottom line? Is the Olympus E-620 better than the Panasonic S1 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Olympus E-620:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• More compact: Is smaller (130x94mm vs 149x110mm) and thus needs less room in the bag.
• Less heavy: Is lighter (by 496g or 49 percent) and hence easier to carry around.
• Longer lasting: Can take more shots (500 versus 400) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (72 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in February 2009).

Arguments in favor of the Panasonic Lumix DC-S1:

• More detail: Has more megapixels (24 vs 12.2MP), which boosts linear resolution by 43%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• High quality composites: Can combine several shots after pixel-shifting its sensor.
• Better image quality: Scores substantially higher (40 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (3.9 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (4.2 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (2.6 stops ISO advantage).
• Broader imaging potential: Can capture not only stills but also 4K/60p video.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.48x).
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 2.7") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2100k vs 230k dots).
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (9 vs 4 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More modern: Reflects 9 years and 11 months of technical progress since the E-620 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the S1 is the clear winner of the contest (27 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-620 and the Panasonic S1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the E-620 and the S1 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-620	3/5	88/100	..	72/100	4.5/5	5/5	Feb 2009	699	ebay.com
2.		Panasonic S1	4.5/5	+ +	4.5/5	88/100	4.5/5	4/5	Feb 2019	2,499	amazon.com
3.		Canon R6	5/5	+ +	4/5	90/100	4.5/5	5/5	Jul 2020	2,499	amazon.com
4.		Olympus E-PL1	..	86/100	..	69/100	4/5	4.5/5	Feb 2010	599	ebay.com
5.		Olympus E-450	..	..	..	..	4/5	4/5	Mar 2009	499	ebay.com
6.		Olympus E-600	..	..	..	..	..	4.5/5	Aug 2009	449	ebay.com
7.		Olympus E-P1	..	+	..	66/100	4/5	4.5/5	Jun 2009	799	ebay.com
8.		Olympus E-P2	3/5	+	..	69/100	4/5	4.5/5	Nov 2009	799	ebay.com
9.		Olympus E-30	..	..	..	71/100	4.5/5	4/5	Nov 2008	1,299	ebay.com
10.		Olympus E-420	..	85/100	..	+ +	4/5	4.5/5	Mar 2008	599	ebay.com
11.		Olympus E-520	..	87/100	..	+ +	4.5/5	4.5/5	May 2008	699	ebay.com
12.		Olympus E-410	..	86/100	..	+ +	4/5	4.5/5	Mar 2007	699	ebay.com
13.		Olympus E-510	..	89/100	..	+ +	3.5/5	4.5/5	Mar 2007	799	ebay.com
14.		Panasonic S5	4.5/5	+ +	4.5/5	88/100	4.5/5	4.5/5	Sep 2020	1,999	amazon.com
15.		Panasonic S1R	4.5/5	..	4.6/5	89/100	4.5/5	4.5/5	Feb 2019	3,699	amazon.com
16.		Panasonic S1H	..	..	4/5	90/100	..	..	May 2019	3,999	amazon.com
17.		Sony A900	..	+ +	..	+ +	4.5/5	5/5	Sep 2008	2,999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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