Olympus E-620 vs Panasonic GF7
The Olympus E-620 and the Panasonic Lumix DMC-GF7 are two digital cameras that were officially introduced, respectively, in February 2009 and January 2015. The E-620 is a DSLR, while the GF7 is a mirrorless interchangeable lens camera. Both cameras are equipped with a Four Thirds sensor. The Olympus has a resolution of 12.2 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-620 and the Panasonic Lumix DMC-GF7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Olympus E-620 and the Panasonic GF7. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The GF7 can be obtained in two different colors (black, pink), while the E-620 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF7 is considerably smaller (43 percent) than the Olympus E-620. Moreover, the GF7 is substantially lighter (49 percent) than the E-620. In this context, it is worth noting that neither the E-620 nor the GF7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-620) and the Micro Four Thirds Lens Catalog (GF7). Mirrorless cameras, such as the GF7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the E-620 gets 500 shots out of its Olympus BLS-1 battery, while the GF7 can take 230 images on a single charge of its Panasonic DMW-BLH7 power pack.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-620 | 130 mm | 94 mm | 60 mm | 521 g | 500 | n | Feb 2009 | 699 | ebay.com | |
2. | Panasonic GF7 | 107 mm | 65 mm | 33 mm | 266 g | 230 | n | Jan 2015 | 499 | ebay.com | |
3. | Olympus E-30 | 142 mm | 108 mm | 75 mm | 701 g | 750 | n | Nov 2008 | 1,299 | ebay.com | |
4. | Olympus E-410 | 130 mm | 91 mm | 53 mm | 435 g | 500 | n | Mar 2007 | 699 | ebay.com | |
5. | Olympus E-420 | 130 mm | 91 mm | 53 mm | 440 g | 500 | n | Mar 2008 | 599 | ebay.com | |
6. | Olympus E-450 | 130 mm | 91 mm | 53 mm | 440 g | 500 | n | Mar 2009 | 499 | ebay.com | |
7. | Olympus E-510 | 136 mm | 92 mm | 68 mm | 538 g | 750 | n | Mar 2007 | 799 | ebay.com | |
8. | Olympus E-520 | 136 mm | 92 mm | 68 mm | 535 g | 750 | n | May 2008 | 699 | ebay.com | |
9. | Olympus E-600 | 130 mm | 94 mm | 60 mm | 535 g | 500 | n | Aug 2009 | 449 | ebay.com | |
10. | Olympus E-P1 | 121 mm | 70 mm | 36 mm | 355 g | 300 | n | Jun 2009 | 799 | ebay.com | |
11. | Olympus E-P2 | 121 mm | 70 mm | 36 mm | 355 g | 300 | n | Nov 2009 | 799 | ebay.com | |
12. | Olympus E-PL1 | 115 mm | 72 mm | 42 mm | 334 g | 290 | n | Feb 2010 | 599 | ebay.com | |
13. | Panasonic G7 | 125 mm | 86 mm | 77 mm | 410 g | 350 | n | May 2015 | 649 | ebay.com | |
14. | Panasonic GF6 | 111 mm | 65 mm | 38 mm | 323 g | 340 | n | Apr 2013 | 499 | ebay.com | |
15. | Panasonic GM5 | 99 mm | 60 mm | 36 mm | 211 g | 220 | n | Sep 2014 | 749 | ebay.com | |
16. | Panasonic GX1 | 116 mm | 68 mm | 39 mm | 318 g | 320 | n | Nov 2011 | 699 | ebay.com | |
17. | Panasonic GX850 | 107 mm | 65 mm | 33 mm | 269 g | 210 | n | Jan 2017 | 549 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The GF7 was launched at a markedly lower price (by 29 percent) than the E-620, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
While the two cameras under review share the same sensor size, the GF7 offers a higher resolution of 15.8 megapixels, compared with 12.2 MP of the E-620. This megapixels advantage translates into a 14 percent gain in linear resolution. On the other hand, these sensor specs imply that the GF7 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.77μm versus 4.29μm for the E-620). However, it should be noted that the GF7 is much more recent (by 5 years and 10 months) than the E-620, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
The resolution advantage of the Panasonic GF7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GF7 for good quality output (200 dots per inch) amounts to 23 x 17.2 inches or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inches or 38.9 x 29.2 cm. The corresponding values for the Olympus E-620 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.
The Olympus E-620 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Panasonic Lumix DMC-GF7 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-620 | Four Thirds | 12.2 | 4032 | 3024 | none | 21.3 | 10.3 | 536 | 55 | |
2. | Panasonic GF7 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.7 | 12.3 | 874 | 70 | |
3. | Olympus E-30 | Four Thirds | 12.2 | 4032 | 3024 | none | 21.3 | 10.4 | 530 | 55 | |
4. | Olympus E-410 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.1 | 10.0 | 494 | 51 | |
5. | Olympus E-420 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.5 | 10.4 | 527 | 56 | |
6. | Olympus E-450 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.5 | 10.5 | 512 | 56 | |
7. | Olympus E-510 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.2 | 10.0 | 442 | 52 | |
8. | Olympus E-520 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.4 | 10.4 | 548 | 55 | |
9. | Olympus E-600 | Four Thirds | 12.2 | 4032 | 3024 | none | 21.5 | 10.3 | 541 | 55 | |
10. | Olympus E-P1 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.4 | 10.4 | 536 | 55 | |
11. | Olympus E-P2 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.5 | 10.4 | 505 | 56 | |
12. | Olympus E-PL1 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.5 | 10.1 | 487 | 54 | |
13. | Panasonic G7 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 22.8 | 12.4 | 904 | 71 | |
14. | Panasonic GF6 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60i | 20.7 | 10.6 | 622 | 54 | |
15. | Panasonic GM5 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 22.1 | 11.7 | 721 | 66 | |
16. | Panasonic GX1 | Four Thirds | 15.8 | 4592 | 3448 | 1080/60p | 20.8 | 10.6 | 703 | 55 | |
17. | Panasonic GX850 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 23.2 | 13.3 | 586 | 73 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The GF7 indeed provides for movie recording, while the E-620 does not. The highest resolution format that the GF7 can use is 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the E-620 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GF7 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Olympus E-620, the Panasonic GF7, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-620 | optical | n | 2.7 / 230 | swivel | n | 1/4000s | 4.0/s | Y | Y | |
2. | Panasonic GF7 | none | n | 3.0 / 1040 | tilting | Y | 1/500s | 5.8/s | Y | n | |
3. | Olympus E-30 | optical | Y | 2.7 / 230 | swivel | n | 1/8000s | 5.0/s | Y | Y | |
4. | Olympus E-410 | optical | n | 2.5 / 215 | fixed | n | 1/4000s | 3.0/s | Y | n | |
5. | Olympus E-420 | optical | n | 2.7 / 215 | fixed | n | 1/4000s | 3.5/s | Y | n | |
6. | Olympus E-450 | optical | n | 2.7 / 215 | fixed | n | 1/4000s | 3.5/s | Y | n | |
7. | Olympus E-510 | optical | n | 2.5 / 215 | fixed | n | 1/4000s | 3.0/s | Y | Y | |
8. | Olympus E-520 | optical | n | 2.7 / 215 | fixed | n | 1/4000s | 3.5/s | Y | Y | |
9. | Olympus E-600 | optical | n | 2.7 / 230 | swivel | n | 1/4000s | 4.0/s | Y | Y | |
10. | Olympus E-P1 | none | n | 3.0 / 230 | fixed | n | 1/4000s | 3.0/s | n | Y | |
11. | Olympus E-P2 | optional | n | 3.0 / 230 | fixed | n | 1/4000s | 3.0/s | n | Y | |
12. | Olympus E-PL1 | optional | n | 2.7 / 230 | fixed | n | 1/2000s | 3.0/s | Y | Y | |
13. | Panasonic G7 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 7.0/s | Y | n | |
14. | Panasonic GF6 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 4.2/s | Y | n | |
15. | Panasonic GM5 | 1166 | n | 3.0 / 921 | fixed | Y | 1/500s | 5.8/s | n | n | |
16. | Panasonic GX1 | optional | n | 3.0 / 460 | fixed | Y | 1/4000s | 4.2/s | Y | n | |
17. | Panasonic GX850 | none | n | 3.0 / 1040 | tilting | Y | 1/500s | 10.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that differentiates the E-620 and the GF7 is in-body image stabilization (IBIS). The E-620 reduces the risk of handshake-induced blur with all attached lenses, while the GF7 offers no blur reduction with lenses that themselves do not provide optical image stabilization.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GF7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The E-620 writes its imaging data to Compact Flash or xD Picture cards, while the GF7 uses SDXC cards. The E-620 features dual card slots, which can be very useful in case a memory card fails. In contrast, the GF7 only has one slot.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-620 and Panasonic Lumix DMC-GF7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-620 | Y | - / - | - | - | - | 2.0 | - | - | - | |
2. | Panasonic GF7 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
3. | Olympus E-30 | Y | - / - | - | - | - | 2.0 | - | - | - | |
4. | Olympus E-410 | Y | - / - | - | - | - | 2.0 | - | - | - | |
5. | Olympus E-420 | Y | - / - | - | - | - | 2.0 | - | - | - | |
6. | Olympus E-450 | Y | - / - | - | - | - | 2.0 | - | - | - | |
7. | Olympus E-510 | Y | - / - | - | - | - | 2.0 | - | - | - | |
8. | Olympus E-520 | Y | - / - | - | - | - | 2.0 | - | - | - | |
9. | Olympus E-600 | Y | - / - | - | - | - | 2.0 | - | - | - | |
10. | Olympus E-P1 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
11. | Olympus E-P2 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
12. | Olympus E-PL1 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
13. | Panasonic G7 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
14. | Panasonic GF6 | - | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
15. | Panasonic GM5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
16. | Panasonic GX1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
17. | Panasonic GX850 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - |
It is notable that the E-620 has a hotshoe, while the GF7 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Both the E-620 and the GF7 have been discontinued, but can regularly be found used on ebay. The E-620 was replaced by the Olympus E-600, while the GF7 was followed by the Panasonic GX850. Further information on the features and operation of the E-620 and GF7 can be found, respectively, in the Olympus E-620 Manual (free pdf) or the online Panasonic GF7 Manual.
Review summary
So how do things add up? Is the Olympus E-620 better than the Panasonic GF7 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Olympus E-620:
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/500s) to freeze action.
- Longer lasting: Can take more shots (500 versus 230) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in February 2009).
Reasons to prefer the Panasonic Lumix DMC-GF7:
- More detail: Has more megapixels (15.8 vs 12.2MP), which boosts linear resolution by 14%.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (5.8 vs 4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (107x65mm vs 130x94mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 255g or 49 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (29 percent cheaper at launch).
- More modern: Reflects 5 years and 10 months of technical progress since the E-620 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GF7 is the clear winner of the contest (14 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-620 and the Panasonic GF7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-620 or the GF7. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-620 | 3/5 | 88/100 | .. | 72/100 | 4.5/5 | 5/5 | Feb 2009 | 699 | ebay.com | |
2. | Panasonic GF7 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Jan 2015 | 499 | ebay.com | |
3. | Olympus E-30 | .. | .. | .. | 71/100 | 4.5/5 | 4/5 | Nov 2008 | 1,299 | ebay.com | |
4. | Olympus E-410 | .. | 86/100 | .. | + + | 4/5 | 4.5/5 | Mar 2007 | 699 | ebay.com | |
5. | Olympus E-420 | .. | 85/100 | .. | + + | 4/5 | 4.5/5 | Mar 2008 | 599 | ebay.com | |
6. | Olympus E-450 | .. | .. | .. | .. | 4/5 | 4/5 | Mar 2009 | 499 | ebay.com | |
7. | Olympus E-510 | .. | 89/100 | .. | + + | 3.5/5 | 4.5/5 | Mar 2007 | 799 | ebay.com | |
8. | Olympus E-520 | .. | 87/100 | .. | + + | 4.5/5 | 4.5/5 | May 2008 | 699 | ebay.com | |
9. | Olympus E-600 | .. | .. | .. | .. | .. | 4.5/5 | Aug 2009 | 449 | ebay.com | |
10. | Olympus E-P1 | .. | + | .. | 66/100 | 4/5 | 4.5/5 | Jun 2009 | 799 | ebay.com | |
11. | Olympus E-P2 | 3/5 | + | .. | 69/100 | 4/5 | 4.5/5 | Nov 2009 | 799 | ebay.com | |
12. | Olympus E-PL1 | .. | 86/100 | .. | 69/100 | 4/5 | 4.5/5 | Feb 2010 | 599 | ebay.com | |
13. | Panasonic G7 | 4/5 | + + | 3.5/5 | 80/100 | 5/5 | 4.5/5 | May 2015 | 649 | ebay.com | |
14. | Panasonic GF6 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Apr 2013 | 499 | ebay.com | |
15. | Panasonic GM5 | 3.5/5 | + | .. | 77/100 | 5/5 | 4.5/5 | Sep 2014 | 749 | ebay.com | |
16. | Panasonic GX1 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Nov 2011 | 699 | ebay.com | |
17. | Panasonic GX850 | .. | + | .. | 76/100 | 4.5/5 | 4.5/5 | Jan 2017 | 549 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Olympus E-620 vs Panasonic GF7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Olympus E-620 | Panasonic GF7 |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Four Thirds lenses | Micro Four Thirds lenses |
Launch Date | February 2009 | January 2015 |
Launch Price | USD 699 | USD 499 |
Sensor Specs | Olympus E-620 | Panasonic GF7 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Four Thirds Sensor | Four Thirds Sensor |
Sensor Size | 17.3 x 13.0 mm | 17.3 x 13.0 mm |
Sensor Area | 224.9 mm2 | 224.9 mm2 |
Sensor Diagonal | 21.6 mm | 21.6 mm |
Crop Factor | 2.0x | 2.0x |
Sensor Resolution | 12.2 Megapixels | 15.8 Megapixels |
Image Resolution | 4032 x 3024 pixels | 4592 x 3448 pixels |
Pixel Pitch | 4.29 μm | 3.77 μm |
Pixel Density | 5.42 MP/cm2 | 7.04 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | no Video | 1080/60p Video |
ISO Setting | 100 - 3,200 ISO | 200 - 25,600 ISO |
ISO Boost | no Enhancement | 100 - 25,600 ISO |
Image Processor | TruePic III+ | Venus |
DXO Sensor Quality (score) | 55 | .. |
DXO Color Depth (bits) | 21.3 | .. |
DXO Dynamic Range (EV) | 10.3 | .. |
DXO Low Light (ISO) | 536 | .. |
Screen Specs | Olympus E-620 | Panasonic GF7 |
Viewfinder Type | Optical viewfinder | no viewfinder |
Viewfinder Field of View | 95% | |
Viewfinder Magnification | 0.48x | |
LCD Framing | Live View | Live View |
Rear LCD Size | 2.7inch | 3.0inch |
LCD Resolution | 230k dots | 1040k dots |
LCD Attachment | Swivel screen | Tilting screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Olympus E-620 | Panasonic GF7 |
Focus System | Phase-detect AF | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/500s |
Continuous Shooting | 4 shutter flaps/s | 5.8 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/16000s |
Image Stabilization | In-body stabilization | Lens stabilization only |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | CF or XD cards | SDXC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
Connectivity Specs | Olympus E-620 | Panasonic GF7 |
External Flash | Hotshoe | no Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | no HDMI | micro HDMI |
Wifi Support | no Wifi | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Body Specs | Olympus E-620 | Panasonic GF7 |
Battery Type | Olympus BLS-1 | Panasonic DMW-BLH7 |
Battery Life (CIPA) | 500 shots per charge | 230 shots per charge |
Body Dimensions |
130 x 94 x 60 mm (5.1 x 3.7 x 2.4 in) |
107 x 65 x 33 mm (4.2 x 2.6 x 1.3 in) |
Camera Weight | 521 g (18.4 oz) | 266 g (9.4 oz) |
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