Olympus E-620 vs E-M5 III
The Olympus E-620 and the Olympus OM-D E-M5 Mark III are two digital cameras that were revealed to the public, respectively, in February 2009 and October 2019. The E-620 is a DSLR, while the E-M5 III is a mirrorless interchangeable lens camera. Both cameras are equipped with a Four Thirds sensor. The E-620 has a resolution of 12.2 megapixels, whereas the E-M5 III provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-620||Olympus E-M5 III|
|Digital single lens reflex||Mirrorless system camera|
|Four Thirds lenses||Micro Four Thirds lenses|
|12.2 MP, Four Thirds Sensor||20.2 MP, Four Thirds Sensor|
|no Video||4k/24p Video|
|ISO 100-3,200||ISO 200-25,600|
|Optical viewfinder||Electronic viewfinder (2360k dots)|
|2.7 LCD, 230k dots||3.0 LCD, 1040k dots|
|Swivel screen (not touch-sensitive)||Swivel touchscreen|
|4 shutter flaps per second||10 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|not weather sealed||Weathersealed body|
|500 shots per battery charge||310 shots per battery charge|
|130 x 94 x 60 mm, 521 g||125 x 85 x 50 mm, 414 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-620 and the Olympus OM-D E-M5 Mark III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Olympus E-620 and the Olympus E-M5 III is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The E-M5 III can be obtained in two different colors (black, silver), while the E-620 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 III is notably smaller (13 percent) than the Olympus E-620. Moreover, the E-M5 III is markedly lighter (21 percent) than the E-620. It is noteworthy in this context that the E-M5 III is splash and dust-proof, while the E-620 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-620) and the Micro Four Thirds Lens Catalog (E-M5 III). Mirrorless cameras, such as the E-M5 III, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the E-620 gets 500 shots out of its BLS-1 battery, while the E-M5 III can take 310 images on a single charge of its BLS-50 power pack. The power pack in the E-M5 III can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699|
|Olympus E-M5 III||125 mm||85 mm||50 mm||414 g||310||Y||Oct 2019||1,199|
|Olympus PEN-F||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199|
|Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399|
|Olympus E-M5||122 mm||89 mm||43 mm||425 g||360||Y||Feb 2012||1,299|
|Olympus E-PL1||115 mm||72 mm||42 mm||334 g||290||n||Feb 2010||599|
|Olympus E-450||130 mm||91 mm||53 mm||440 g||500||n||Mar 2009||499|
|Olympus E-600||130 mm||94 mm||60 mm||535 g||500||n||Aug 2009||449|
|Olympus E-P1||121 mm||70 mm||36 mm||355 g||300||n||Jun 2009||799|
|Olympus E-P2||121 mm||70 mm||36 mm||355 g||300||n||Nov 2009||799|
|Olympus E-30||142 mm||108 mm||75 mm||701 g||750||n||Nov 2008||1,299|
|Olympus E-420||130 mm||91 mm||53 mm||440 g||500||n||Mar 2008||599|
|Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699|
|Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699|
|Olympus E-510||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799|
|Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-620 was launched at a markedly lower price (by 42 percent) than the E-M5 III, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Technology-wise, the E-M5 III uses a more advanced image processing engine (TruePic VIII) than the E-620 (TruePic III+), with benefits for noise reduction, color accuracy, and processing speed.
While the two cameras under review share the same sensor size, the E-M5 III offers a higher resolution of 20.2 megapixels, compared with 12.2 MP of the E-620. This megapixels advantage translates into a 29 percent gain in linear resolution. On the other hand, these sensor specs imply that the E-M5 III has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 4.29μm for the E-620). However, it should be noted that the E-M5 III is much more recent (by 10 years and 7 months) than the E-620, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the E-M5 III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Olympus E-M5 III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M5 III for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Olympus E-620 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.
The E-M5 III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the E-620, the E-M5 III has the capacity to capture high quality composite images (80MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Olympus E-620 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Olympus OM-D E-M5 Mark III are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 64-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|Olympus E-M5 III||Four Thirds||20.2||5184||3888||4k/24p||..||..||..||..|
|Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|Olympus E-M5||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71|
|Olympus E-PL1||Four Thirds||12.2||4032||3024||720/30p||21.5||10.1||487||54|
|Olympus E-450||Four Thirds||10.0||3648||2736||none||21.5||10.5||512||56|
|Olympus E-600||Four Thirds||12.2||4032||3024||none||21.5||10.3||541||55|
|Olympus E-P1||Four Thirds||12.2||4032||3024||720/30p||21.4||10.4||536||55|
|Olympus E-P2||Four Thirds||12.2||4032||3024||720/30p||21.5||10.4||505||56|
|Olympus E-30||Four Thirds||12.2||4032||3024||none||21.3||10.4||530||55|
|Olympus E-420||Four Thirds||10.0||3648||2736||none||21.5||10.4||527||56|
|Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The E-M5 III indeed provides for movie recording, while the E-620 does not. The highest resolution format that the E-M5 III can use is 4k/24p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-M5 III has an electronic viewfinder (2360k dots), while the E-620 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the E-M5 III offers a wider field of view (100%) than the one in the E-620 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the E-M5 III has a higher magnification (0.68x vs 0.48x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Olympus E-620, the Olympus E-M5 III, and comparable cameras.
|Olympus E-M5 III||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y|
|Olympus E-M5 II||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The E-620 has one, while the E-M5 III does not. While the built-in flash of the E-620 is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M5 III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-M5 III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-620 writes its imaging data to Compact Flash or xD Picture cards, while the E-M5 III uses SDXC cards. The E-620 features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-M5 III only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-620 and Olympus OM-D E-M5 Mark III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Olympus E-M5 III||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
|Olympus E-M5 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||-|
It is notable that the E-M5 III offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-620 does not provide wifi capability.
Studio photographers will appreciate that the Olympus E-M5 III (unlike the E-620) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The E-M5 III is a recent model that features in the current product line-up of Olympus. In contrast, the E-620 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the E-620 was succeeded by the Olympus E-600. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus website.
So how do things add up? Which of the two cameras – the Olympus E-620 or the Olympus E-M5 III – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Olympus E-620:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Can take more shots (500 versus 310) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced category (42 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in February 2009).
Reasons to prefer the Olympus OM-D E-M5 Mark III:
- More detail: Has more megapixels (20.2 vs 12.2MP), which boosts linear resolution by 29%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better jpgs: Has a more modern image processing engine (TruePic VIII vs TruePic III+).
- Broader imaging potential: Can capture not only stills but also 4k/24p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.68x vs 0.48x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (125x85mm vs 130x94mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 107g or 21 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More modern: Reflects 10 years and 7 months of technical progress since the E-620 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the E-M5 III is the clear winner of the contest (24 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-620 and the Olympus E-M5 III place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-620 or the E-M5 III. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Olympus E-620||88/100||72/100||4.5/5||o||5/5||Feb 2009||699|
|Olympus E-M5 III||+||82/100||4.5/5||5/5||4.5/5||Oct 2019||1,199|
|Olympus PEN-F||..||82/100||4.5/5||4.5/5||5/5||Jan 2016||1,199|
|Olympus E-M5 II||+ +||81/100||5/5||4.5/5||5/5||Feb 2015||1,099|
|Olympus E-M1||+ +||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399|
|Olympus E-M5||+ +||80/100||4.5/5||5/5||5/5||Feb 2012||1,299|
|Olympus E-PL1||86/100||69/100||4/5||4.5/5||4.5/5||Feb 2010||599|
|Olympus E-450||..||..||4/5||..||4/5||Mar 2009||499|
|Olympus E-600||..||..||..||..||4.5/5||Aug 2009||449|
|Olympus E-P1||+||66/100||4/5||4/5||4.5/5||Jun 2009||799|
|Olympus E-P2||+||69/100||4/5||4.5/5||4.5/5||Nov 2009||799|
|Olympus E-30||..||71/100||4.5/5||..||4/5||Nov 2008||1,299|
|Olympus E-420||85/100||+ +||4/5||o||4.5/5||Mar 2008||599|
|Olympus E-520||87/100||+ +||4.5/5||4/5||4.5/5||May 2008||699|
|Olympus E-410||86/100||+ +||4/5||o||4.5/5||Mar 2007||699|
|Olympus E-510||89/100||+ +||3.5/5||o||4.5/5||Mar 2007||799|
|Panasonic GX8||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 4000D vs Olympus E-620
- Canon 750D vs Olympus E-620
- Canon SX60 vs Olympus E-620
- Canon T100 vs Olympus E-620
- Canon T6 vs Olympus E-M5 III
- Leica C-LUX vs Olympus E-620
- Leica M10-P vs Olympus E-620
- Nikon D7500 vs Olympus E-M5 III
- Nikon P900 vs Olympus E-620
- Olympus E-620 vs Panasonic G7
- Olympus E-620 vs Sony A7R II
- Olympus E-620 vs Sony RX10 IV
Specifications: Olympus E-620 vs Olympus E-M5 III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-620||Olympus E-M5 III|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||February 2009||October 2019|
|Launch Price||USD 699||USD 1,199|
|Sensor Specs||Olympus E-620||Olympus E-M5 III|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||12.2 Megapixels||20.2 Megapixels|
|Image Resolution||4032 x 3024 pixels||5184 x 3888 pixels|
|Pixel Pitch||4.29 μm||3.34 μm|
|Pixel Density||5.42 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||4k/24p Video|
|ISO Setting||100 - 3,200 ISO||200 - 25,600 ISO|
|ISO Boost||no Enhancement||64 - 25,600 ISO|
|Image Processor||TruePic III+||TruePic VIII|
|DXO Sensor Quality (score)||55||..|
|DXO Color Depth (bits)||21.3||..|
|DXO Dynamic Range (EV)||10.3||..|
|DXO Low Light (ISO)||536||..|
|Screen Specs||Olympus E-620||Olympus E-M5 III|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.7inch||3.0inch|
|LCD Resolution||230k dots||1040k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Olympus E-620||Olympus E-M5 III|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||4 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||CF or XD cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Olympus E-620||Olympus E-M5 III|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Olympus E-620||Olympus E-M5 III|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||500 shots per charge||310 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
130 x 94 x 60 mm
(5.1 x 3.7 x 2.4 in)
125 x 85 x 50 mm
(4.9 x 3.3 x 2.0 in)
|Camera Weight||521 g (18.4 oz)||414 g (14.6 oz)|
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