Olympus E-620 vs Kodak S-1

The Olympus E-620 and the Kodak PixPro S-1 are two digital cameras that were announced, respectively, in February 2009 and January 2012. The E-620 is a DSLR, while the S-1 is a mirrorless interchangeable lens camera. Both cameras are equipped with a Four Thirds sensor. The Olympus has a resolution of 12.2 megapixels, whereas the Kodak provides 16.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-620		Kodak S-1
Digital single lens reflex		Mirrorless system camera
Four Thirds lenses		Micro Four Thirds lenses
12.2 MP – Four Thirds sensor		16.1 MP – Four Thirds sensor
no Video		1080/30p Video
ISO 100-3,200		ISO 200-12,800
Optical viewfinder		No viewfinder, LCD framing
2.7" LCD – 230k dots		3.0" LCD – 920k dots
Swivel screen (not touch-sensitive)		Tilting screen (no touchscreen)
4 shutter flaps per second		4 shutter flaps per second
In-body stabilization		In-body stabilization
500 shots per battery charge		410 shots per battery charge
130 x 94 x 60 mm, 521 g		116 x 68 x 36 mm, 290 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-620 and the Kodak PixPro S-1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Olympus E-620 and the Kodak S-1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The S-1 can be obtained in two different colors (black, white), while the E-620 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Kodak S-1 is considerably smaller (35 percent) than the Olympus E-620. Moreover, the S-1 is substantially lighter (44 percent) than the E-620. In this context, it is worth noting that neither the E-620 nor the S-1 are weather-sealed.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-620) and the Micro Four Thirds Lens Catalog (S-1). Mirrorless cameras, such as the S-1, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the E-620 gets 500 shots out of its Olympus BLS-1 battery, while the S-1 can take 410 images on a single charge of its Kodak LB-070 power pack. The power pack in the S-1 can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-620	130 mm	94 mm	60 mm	521 g	500	n	Feb 2009	699	ebay.com
2.		Kodak S-1	116 mm	68 mm	36 mm	290 g	410	n	Jan 2012	299	ebay.com
3.		Olympus E-P5	122 mm	69 mm	37 mm	420 g	330	n	May 2013	999	ebay.com
4.		Olympus E-PL6	111 mm	64 mm	38 mm	325 g	360	n	May 2013	599	ebay.com
5.		Olympus E-PL5	111 mm	64 mm	38 mm	325 g	360	n	Sep 2012	599	ebay.com
6.		Olympus E-PM2	110 mm	64 mm	34 mm	269 g	360	n	Sep 2012	499	ebay.com
7.		Olympus E-PL1	115 mm	72 mm	42 mm	334 g	290	n	Feb 2010	599	ebay.com
8.		Olympus E-450	130 mm	91 mm	53 mm	440 g	500	n	Mar 2009	499	ebay.com
9.		Olympus E-600	130 mm	94 mm	60 mm	535 g	500	n	Aug 2009	449	ebay.com
10.		Olympus E-P1	121 mm	70 mm	36 mm	355 g	300	n	Jun 2009	799	ebay.com
11.		Olympus E-P2	121 mm	70 mm	36 mm	355 g	300	n	Nov 2009	799	ebay.com
12.		Olympus E-30	142 mm	108 mm	75 mm	701 g	750	n	Nov 2008	1,299	ebay.com
13.		Olympus E-420	130 mm	91 mm	53 mm	440 g	500	n	Mar 2008	599	ebay.com
14.		Olympus E-520	136 mm	92 mm	68 mm	535 g	750	n	May 2008	699	ebay.com
15.		Olympus E-410	130 mm	91 mm	53 mm	435 g	500	n	Mar 2007	699	ebay.com
16.		Olympus E-510	136 mm	92 mm	68 mm	538 g	750	n	Mar 2007	799	ebay.com
17.		Panasonic GX7	123 mm	71 mm	55 mm	402 g	350	n	Aug 2013	999	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The S-1 was launched at a markedly lower price (by 57 percent) than the E-620, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

While the two cameras under review share the same sensor size, the S-1 offers a higher resolution of 16.1 megapixels, compared with 12.2 MP of the E-620. This megapixels advantage translates into a 15 percent gain in linear resolution. On the other hand, these sensor specs imply that the S-1 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.74μm versus 4.29μm for the E-620). However, it should be noted that the S-1 is much more recent (by 2 years and 10 months) than the E-620, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.

The resolution advantage of the Kodak S-1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S-1 for good quality output (200 dots per inch) amounts to 23.2 x 17.4 inches or 58.9 x 44.2 cm, for very good quality (250 dpi) 18.6 x 13.9 inches or 47.1 x 35.4 cm, and for excellent quality (300 dpi) 15.5 x 11.6 inches or 39.3 x 29.5 cm. The corresponding values for the Olympus E-620 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.

The Olympus E-620 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Kodak PixPro S-1 are ISO 200 to ISO 12800 (no boost).

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-620	Four Thirds	12.2	4032	3024	none	21.3	10.3	536	55
2.		Kodak S-1	Four Thirds	16.1	4640	3480	1080/30p	22.2	11.8	598	65
3.		Olympus E-P5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.4	895	72
4.		Olympus E-PL6	Four Thirds	15.9	4608	3456	1080/30p	22.5	12.0	717	68
5.		Olympus E-PL5	Four Thirds	15.9	4608	3456	1080/30p	22.8	12.3	889	72
6.		Olympus E-PM2	Four Thirds	15.9	4608	3456	1080/30p	22.7	12.2	932	72
7.		Olympus E-PL1	Four Thirds	12.2	4032	3024	720/30p	21.5	10.1	487	54
8.		Olympus E-450	Four Thirds	10.0	3648	2736	none	21.5	10.5	512	56
9.		Olympus E-600	Four Thirds	12.2	4032	3024	none	21.5	10.3	541	55
10.		Olympus E-P1	Four Thirds	12.2	4032	3024	720/30p	21.4	10.4	536	55
11.		Olympus E-P2	Four Thirds	12.2	4032	3024	720/30p	21.5	10.4	505	56
12.		Olympus E-30	Four Thirds	12.2	4032	3024	none	21.3	10.4	530	55
13.		Olympus E-420	Four Thirds	10.0	3648	2736	none	21.5	10.4	527	56
14.		Olympus E-520	Four Thirds	10.0	3648	2736	none	21.4	10.4	548	55
15.		Olympus E-410	Four Thirds	10.0	3648	2736	none	21.1	10.0	494	51
16.		Olympus E-510	Four Thirds	10.0	3648	2736	none	21.2	10.0	442	52
17.		Panasonic GX7	Four Thirds	15.8	4592	3448	1080/60p	22.6	12.2	718	70
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The S-1 indeed provides for movie recording, while the E-620 does not. The highest resolution format that the S-1 can use is 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the E-620 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the S-1 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Olympus E-620, the Kodak S-1, and comparable cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-620	optical	n	2.7 / 230	swivel	n	1/4000s	4.0/s	Y	Y
2.		Kodak S-1	none	n	3.0 / 920	tilting	n	1/4000s	4.0/s	n	Y
3.		Olympus E-P5	optional	n	3.0 / 1037	tilting	Y	1/8000s	9.0/s	Y	Y
4.		Olympus E-PL6	optional	n	3.0 / 460	tilting	Y	1/4000s	8.0/s	n	Y
5.		Olympus E-PL5	optional	n	3.0 / 460	tilting	Y	1/4000s	8.0/s	n	Y
6.		Olympus E-PM2	optional	n	3.0 / 460	fixed	Y	1/4000s	8.0/s	n	Y
7.		Olympus E-PL1	optional	n	2.7 / 230	fixed	n	1/2000s	3.0/s	Y	Y
8.		Olympus E-450	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	n
9.		Olympus E-600	optical	n	2.7 / 230	swivel	n	1/4000s	4.0/s	Y	Y
10.		Olympus E-P1	none	n	3.0 / 230	fixed	n	1/4000s	3.0/s	n	Y
11.		Olympus E-P2	optional	n	3.0 / 230	fixed	n	1/4000s	3.0/s	n	Y
12.		Olympus E-30	optical	Y	2.7 / 230	swivel	n	1/8000s	5.0/s	Y	Y
13.		Olympus E-420	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	n
14.		Olympus E-520	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	Y
15.		Olympus E-410	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	n
16.		Olympus E-510	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	Y
17.		Panasonic GX7	2760	n	3.0 / 1040	tilting	Y	1/8000s	5.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The E-620 has one, while the S-1 does not. While the built-in flash of the E-620 is not very powerful, it can at times be useful as a fill-in light.

The E-620 writes its imaging data to Compact Flash or xD Picture cards, while the S-1 uses SDXC cards. The E-620 features dual card slots, which can be very useful in case a memory card fails. In contrast, the S-1 only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-620 and Kodak PixPro S-1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-620	Y	- / -	-	-	-	2.0	-	-	-
2.		Kodak S-1	Y	stereo / mono	-	-	micro	2.0	Y	-	-
3.		Olympus E-P5	Y	stereo / mono	-	-	micro	2.0	Y	-	-
4.		Olympus E-PL6	Y	stereo / mono	-	-	mini	2.0	-	-	-
5.		Olympus E-PL5	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Olympus E-PM2	Y	stereo / mono	-	-	mini	2.0	-	-	-
7.		Olympus E-PL1	Y	stereo / -	-	-	mini	2.0	-	-	-
8.		Olympus E-450	Y	- / -	-	-	-	2.0	-	-	-
9.		Olympus E-600	Y	- / -	-	-	-	2.0	-	-	-
10.		Olympus E-P1	Y	stereo / -	-	-	mini	2.0	-	-	-
11.		Olympus E-P2	Y	stereo / -	-	-	mini	2.0	-	-	-
12.		Olympus E-30	Y	- / -	-	-	-	2.0	-	-	-
13.		Olympus E-420	Y	- / -	-	-	-	2.0	-	-	-
14.		Olympus E-520	Y	- / -	-	-	-	2.0	-	-	-
15.		Olympus E-410	Y	- / -	-	-	-	2.0	-	-	-
16.		Olympus E-510	Y	- / -	-	-	-	2.0	-	-	-
17.		Panasonic GX7	Y	stereo / mono	-	-	mini	2.0	Y	Y	-

It is notable that the S-1 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-620 does not provide wifi capability.

Both the E-620 and the S-1 have been discontinued, but can regularly be found used on ebay. The E-620 was replaced by the Olympus E-600, while the S-1 does not have a direct successor. Further information on the features and operation of the E-620 and S-1 can be found, respectively, in the Olympus E-620 Manual (free pdf) or the online Kodak S-1 Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Olympus E-620 or the Kodak S-1 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Arguments in favor of the Olympus E-620:

• Easier framing: Has an optical viewfinder for image composition and settings control.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Longer lasting: Can take more shots (500 versus 410) on a single battery charge.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More heavily discounted: Has been available for much longer (launched in February 2009).

Reasons to prefer the Kodak PixPro S-1:

• More detail: Has more megapixels (16.1 vs 12.2MP), which boosts linear resolution by 15%.
• Broader imaging potential: Can capture not only stills but also 1080/30p video.
• Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (920k vs 230k dots).
• More compact: Is smaller (116x68mm vs 130x94mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 231g or 44 percent) and is thus easier to take along.
• Easier travel charging: Can be conveniently charged via its USB port.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• More affordable: Was introduced into a lower priced category (57 percent cheaper at launch).
• More modern: Reflects 2 years and 10 months of technical progress since the E-620 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the S-1 is the clear winner of the contest (11 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-620 and the Kodak S-1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the E-620 or the S-1 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-620	3/5	88/100	..	72/100	4.5/5	5/5	Feb 2009	699	ebay.com
2.		Kodak S-1	..	..	..	..	4/5	4/5	Jan 2012	299	ebay.com
3.		Olympus E-P5	5/5	+ +	..	78/100	4.5/5	5/5	May 2013	999	ebay.com
4.		Olympus E-PL6	..	..	..	..	..	..	May 2013	599	ebay.com
5.		Olympus E-PL5	3/5	+ +	..	..	4.5/5	4.5/5	Sep 2012	599	ebay.com
6.		Olympus E-PM2	3/5	..	..	77/100	5/5	4.5/5	Sep 2012	499	ebay.com
7.		Olympus E-PL1	..	86/100	..	69/100	4/5	4.5/5	Feb 2010	599	ebay.com
8.		Olympus E-450	..	..	..	..	4/5	4/5	Mar 2009	499	ebay.com
9.		Olympus E-600	..	..	..	..	..	4.5/5	Aug 2009	449	ebay.com
10.		Olympus E-P1	..	+	..	66/100	4/5	4.5/5	Jun 2009	799	ebay.com
11.		Olympus E-P2	3/5	+	..	69/100	4/5	4.5/5	Nov 2009	799	ebay.com
12.		Olympus E-30	..	..	..	71/100	4.5/5	4/5	Nov 2008	1,299	ebay.com
13.		Olympus E-420	..	85/100	..	+ +	4/5	4.5/5	Mar 2008	599	ebay.com
14.		Olympus E-520	..	87/100	..	+ +	4.5/5	4.5/5	May 2008	699	ebay.com
15.		Olympus E-410	..	86/100	..	+ +	4/5	4.5/5	Mar 2007	699	ebay.com
16.		Olympus E-510	..	89/100	..	+ +	3.5/5	4.5/5	Mar 2007	799	ebay.com
17.		Panasonic GX7	4/5	+	..	79/100	5/5	5/5	Aug 2013	999	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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