Olympus E-510 vs Sony A7S

The Olympus E-510 and the Sony Alpha A7S are two digital cameras that were officially introduced, respectively, in March 2007 and April 2014. The E-510 is a DSLR, while the A7S is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (E-510) and a full frame (A7S) sensor. The Olympus has a resolution of 10 megapixels, whereas the Sony provides 12 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-510		Sony A7S
Digital single lens reflex		Mirrorless system camera
Four Thirds lenses		Sony E mount lenses
10 MP – Four Thirds sensor		12 MP – Full Frame sensor
no Video		1080/60p Video
ISO 100-1,600		ISO 100-102,400 (50 - 409,600)
Optical viewfinder		Electronic viewfinder (2400k dots)
2.5" LCD – 215k dots		3.0" LCD – 921k dots
Fixed screen (not touch-sensitive)		Tilting screen (no touchscreen)
3 shutter flaps per second		5 shutter flaps per second
In-body stabilization		Lens stabilization only
not weather sealed		Weathersealed body
750 shots per battery charge		380 shots per battery charge
136 x 92 x 68 mm, 538 g		127 x 94 x 48 mm, 489 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-510 and the Sony Alpha A7S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Olympus E-510 and the Sony A7S. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7S is somewhat smaller (5 percent) than the Olympus E-510. Moreover, the A7S is markedly lighter (9 percent) than the E-510. It is noteworthy in this context that the A7S is splash and dust-proof, while the E-510 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-510) and the Sony FE Lens Catalog (A7S). Mirrorless cameras, such as the A7S, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the E-510 gets 750 shots out of its Olympus BLM-1 battery, while the A7S can take 380 images on a single charge of its Sony NP-FW50 power pack. The power pack in the A7S can be charged via the USB port, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-510	136 mm	92 mm	68 mm	538 g	750	n	Mar 2007	799	ebay.com
2.		Sony A7S	127 mm	94 mm	48 mm	489 g	380	Y	Apr 2014	2,499	ebay.com
3.		Nikon Df	144 mm	110 mm	67 mm	760 g	1400	Y	Nov 2013	2,749	ebay.com
4.		Olympus E-30	142 mm	108 mm	75 mm	701 g	750	n	Nov 2008	1,299	ebay.com
5.		Olympus E-400	130 mm	91 mm	53 mm	435 g	500	n	Sep 2006	699	ebay.com
6.		Olympus E-410	130 mm	91 mm	53 mm	435 g	500	n	Mar 2007	699	ebay.com
7.		Olympus E-500	130 mm	95 mm	66 mm	479 g	750	n	Sep 2005	599	ebay.com
8.		Olympus E-520	136 mm	92 mm	68 mm	535 g	750	n	May 2008	699	ebay.com
9.		Olympus E-600	130 mm	94 mm	60 mm	535 g	500	n	Aug 2009	449	ebay.com
10.		Olympus E-620	130 mm	94 mm	60 mm	521 g	500	n	Feb 2009	699	ebay.com
11.		Olympus E-P1	121 mm	70 mm	36 mm	355 g	300	n	Jun 2009	799	ebay.com
12.		Olympus E-P3	122 mm	69 mm	34 mm	369 g	330	n	Jun 2011	799	ebay.com
13.		Panasonic L10	135 mm	96 mm	78 mm	556 g	450	n	Aug 2007	599	ebay.com
14.		Sony A7	127 mm	94 mm	48 mm	474 g	340	Y	Oct 2013	1,699	ebay.com
15.		Sony A7R	127 mm	94 mm	48 mm	465 g	340	Y	Oct 2013	2,299	ebay.com
16.		Sony A7S II	127 mm	96 mm	60 mm	627 g	370	Y	Sep 2015	2,999	ebay.com
17.		Sony ZV-E1	121 mm	72 mm	54 mm	483 g	570	Y	Mar 2023	2,199	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-510 was launched at a markedly lower price (by 68 percent) than the A7S, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Olympus E-510 features a Four Thirds sensor and the Sony A7S a full frame sensor. The sensor area in the A7S is 280 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the E-510 has a native 4:3 aspect ratio, while the one in the A7S offers a 3:2 aspect.

With 12MP, the A7S offers a higher resolution than the E-510 (10MP), but the A7S nevertheless has larger individual pixels (pixel pitch of 8.45μm versus 4.74μm for the E-510) due to its larger sensor. Moreover, the A7S is a much more recent model (by 7 years and 1 month) than the E-510, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony A7S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7S for good quality output (200 dots per inch) amounts to 21.2 x 14.2 inches or 53.8 x 36 cm, for very good quality (250 dpi) 17 x 11.3 inches or 43.1 x 28.8 cm, and for excellent quality (300 dpi) 14.1 x 9.4 inches or 35.9 x 24 cm. The corresponding values for the Olympus E-510 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

The Olympus E-510 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Sony Alpha A7S are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-409600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A7S offers substantially better image quality than the E-510 (overall score 35 points higher). The advantage is based on 2.7 bits higher color depth, 3.2 EV in additional dynamic range, and 3.1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-510	Four Thirds	10.0	3648	2736	none	21.2	10.0	442	52
2.		Sony A7S	Full Frame	12.0	4240	2832	1080/60p	23.9	13.2	3702	87
3.		Nikon Df	Full Frame	16.2	4928	3280	none	24.6	13.1	3279	89
4.		Olympus E-30	Four Thirds	12.2	4032	3024	none	21.3	10.4	530	55
5.		Olympus E-400	Four Thirds	10.0	3648	2736	none	21.0	10.6	127	53
6.		Olympus E-410	Four Thirds	10.0	3648	2736	none	21.1	10.0	494	51
7.		Olympus E-500	Four Thirds	8.0	3264	2448	none	20.7	10.3	45	51
8.		Olympus E-520	Four Thirds	10.0	3648	2736	none	21.4	10.4	548	55
9.		Olympus E-600	Four Thirds	12.2	4032	3024	none	21.5	10.3	541	55
10.		Olympus E-620	Four Thirds	12.2	4032	3024	none	21.3	10.3	536	55
11.		Olympus E-P1	Four Thirds	12.2	4032	3024	720/30p	21.4	10.4	536	55
12.		Olympus E-P3	Four Thirds	12.2	4032	3024	1080/60i	20.8	10.1	536	51
13.		Panasonic L10	Four Thirds	10.0	3648	2736	none	21.3	10.8	429	55
14.		Sony A7	Full Frame	24.0	6000	4000	1080/60p	24.8	14.2	2248	90
15.		Sony A7R	Full Frame	36.2	7360	4912	1080/60p	25.6	14.1	2746	95
16.		Sony A7S II	Full Frame	12.0	4240	2832	4K/30p	23.6	13.3	2993	85
17.		Sony ZV-E1	Full Frame	12.0	4240	2832	4K/60p	25.4	14.6	3181	96
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The A7S indeed provides for movie recording, while the E-510 does not. The highest resolution format that the A7S can use is 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7S has an electronic viewfinder (2400k dots), while the E-510 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A7S offers a wider field of view (100%) than the one in the E-510 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A7S has a higher magnification (0.71x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Olympus E-510 and Sony A7S in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-510	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	Y
2.		Sony A7S	2400	n	3.0 / 921	tilting	n	1/8000s	5.0/s	n	n
3.		Nikon Df	optical	Y	3.2 / 921	fixed	n	1/4000s	5.5/s	n	n
4.		Olympus E-30	optical	Y	2.7 / 230	swivel	n	1/8000s	5.0/s	Y	Y
5.		Olympus E-400	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	n
6.		Olympus E-410	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	n
7.		Olympus E-500	optical	n	2.5 / 215	fixed	n	1/4000s	2.5/s	Y	n
8.		Olympus E-520	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	Y
9.		Olympus E-600	optical	n	2.7 / 230	swivel	n	1/4000s	4.0/s	Y	Y
10.		Olympus E-620	optical	n	2.7 / 230	swivel	n	1/4000s	4.0/s	Y	Y
11.		Olympus E-P1	none	n	3.0 / 230	fixed	n	1/4000s	3.0/s	n	Y
12.		Olympus E-P3	optional	n	3.0 / 614	fixed	Y	1/4000s	3.0/s	Y	Y
13.		Panasonic L10	optical	n	2.5 / 207	swivel	n	1/4000s	3.0/s	Y	n
14.		Sony A7	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	n
15.		Sony A7R	2400	n	3.0 / 1230	tilting	n	1/8000s	4.0/s	n	n
16.		Sony A7S II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
17.		Sony ZV-E1	none	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The E-510 has one, while the A7S does not. While the built-in flash of the E-510 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The E-510 writes its imaging data to Compact Flash or xD Picture cards, while the A7S uses SDXC or Memory Stick PRO Duo cards. The E-510 features dual card slots, which can be very useful in case a memory card fails. In contrast, the A7S only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-510 and Sony Alpha A7S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-510	Y	- / -	-	-	-	2.0	-	-	-
2.		Sony A7S	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
3.		Nikon Df	Y	- / -	-	-	mini	2.0	-	-	-
4.		Olympus E-30	Y	- / -	-	-	-	2.0	-	-	-
5.		Olympus E-400	Y	- / -	-	-	-	2.0	-	-	-
6.		Olympus E-410	Y	- / -	-	-	-	2.0	-	-	-
7.		Olympus E-500	Y	- / -	-	-	-	2.0	-	-	-
8.		Olympus E-520	Y	- / -	-	-	-	2.0	-	-	-
9.		Olympus E-600	Y	- / -	-	-	-	2.0	-	-	-
10.		Olympus E-620	Y	- / -	-	-	-	2.0	-	-	-
11.		Olympus E-P1	Y	stereo / -	-	-	mini	2.0	-	-	-
12.		Olympus E-P3	Y	stereo / -	-	-	mini	2.0	-	-	-
13.		Panasonic L10	Y	- / -	-	-	-	2.0	-	-	-
14.		Sony A7	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
15.		Sony A7R	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
16.		Sony A7S II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
17.		Sony ZV-E1	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y

It is notable that the A7S offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-510 does not provide wifi capability.

Both the E-510 and the A7S have been discontinued, but can regularly be found used on ebay. The E-510 was replaced by the Olympus E-520, while the A7S was followed by the Sony A7S II. Further information on the features and operation of the E-510 and A7S can be found, respectively, in the Olympus E-510 Manual (free pdf) or the online Sony A7S Manual.

Review summary

So what conclusions can be drawn? Which of the two cameras – the Olympus E-510 or the Sony A7S – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Olympus E-510:

• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Longer lasting: Can take more shots (750 versus 380) on a single battery charge.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More affordable: Was introduced into a lower priced category (68 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in March 2007).

Reasons to prefer the Sony Alpha A7S:

• More detail: Has more megapixels (12 vs 10MP), which boosts linear resolution by 12%.
• Better image quality: Scores substantially higher (35 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (2.7 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (3.2 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (3.1 stops ISO advantage).
• Broader imaging potential: Can capture not only stills but also 1080/60p video.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.46x).
• Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (921k vs 215k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier travel charging: Can be conveniently charged via its USB port.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More modern: Reflects 7 years and 1 month of technical progress since the E-510 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the A7S is the clear winner of the contest (21 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-510 and the Sony A7S place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the E-510 and the A7S in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-510	..	89/100	..	+ +	3.5/5	4.5/5	Mar 2007	799	ebay.com
2.		Sony A7S	4/5	..	..	86/100	4.5/5	5/5	Apr 2014	2,499	ebay.com
3.		Nikon Df	4/5	..	..	81/100	4/5	4/5	Nov 2013	2,749	ebay.com
4.		Olympus E-30	..	..	..	71/100	4.5/5	4/5	Nov 2008	1,299	ebay.com
5.		Olympus E-400	..	85/100	..	..	4/5	4/5	Sep 2006	699	ebay.com
6.		Olympus E-410	..	86/100	..	+ +	4/5	4.5/5	Mar 2007	699	ebay.com
7.		Olympus E-500	..	76/100	..	+ +	..	..	Sep 2005	599	ebay.com
8.		Olympus E-520	..	87/100	..	+ +	4.5/5	4.5/5	May 2008	699	ebay.com
9.		Olympus E-600	..	..	..	..	..	4.5/5	Aug 2009	449	ebay.com
10.		Olympus E-620	3/5	88/100	..	72/100	4.5/5	5/5	Feb 2009	699	ebay.com
11.		Olympus E-P1	..	+	..	66/100	4/5	4.5/5	Jun 2009	799	ebay.com
12.		Olympus E-P3	..	83/100	..	74/100	4.5/5	4.5/5	Jun 2011	799	ebay.com
13.		Panasonic L10	..	85/100	..	+	3.5/5	4/5	Aug 2007	599	ebay.com
14.		Sony A7	5/5	+ +	..	80/100	5/5	5/5	Oct 2013	1,699	ebay.com
15.		Sony A7R	5/5	+ +	..	82/100	4.5/5	5/5	Oct 2013	2,299	ebay.com
16.		Sony A7S II	5/5	+	..	..	4.5/5	5/5	Sep 2015	2,999	ebay.com
17.		Sony ZV-E1	..	+	4/5	..	..	4.5/5	Mar 2023	2,199	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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