Olympus E-510 vs Pentax K-70
The Olympus E-510 and the Pentax K-70 are two digital cameras that were officially introduced, respectively, in March 2007 and June 2016. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a Four Thirds (E-510) and an APS-C (K-70) sensor. The Olympus has a resolution of 10 megapixels, whereas the Pentax provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-510 and the Pentax K-70? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Olympus E-510 and the Pentax K-70 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The K-70 can be obtained in two different colors (black, silver), while the E-510 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-70 is notably smaller (6 percent) than the Olympus E-510. However, the K-70 is markedly heavier (28 percent) than the E-510. It is noteworthy in this context that the K-70 is splash and dust-proof, while the E-510 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Olympus E-510||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799||ebay.com|
|2.||Pentax K-70||126 mm||93 mm||74 mm||688 g||410||Y||Jun 2016||649||amazon.com|
|3.||Olympus E-P3||122 mm||69 mm||34 mm||369 g||330||n||Jun 2011||799||ebay.com|
|4.||Olympus E-600||130 mm||94 mm||60 mm||535 g||500||n||Aug 2009||449||ebay.com|
|5.||Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699||ebay.com|
|6.||Olympus E-P1||121 mm||70 mm||36 mm||355 g||300||n||Jun 2009||799||ebay.com|
|7.||Olympus E-30||142 mm||108 mm||75 mm||701 g||750||n||Nov 2008||1,299||ebay.com|
|8.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699||ebay.com|
|9.||Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699||ebay.com|
|10.||Olympus E-400||130 mm||91 mm||53 mm||435 g||500||n||Sep 2006||699||ebay.com|
|11.||Olympus E-500||130 mm||95 mm||66 mm||479 g||750||n||Sep 2005||599||ebay.com|
|12.||Panasonic L10||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599||ebay.com|
|13.||Pentax K-3 III||135 mm||104 mm||74 mm||820 g||800||Y||Mar 2021||1,999||amazon.com|
|14.||Pentax KP||132 mm||101 mm||76 mm||703 g||390||Y||Jan 2017||1,099||ebay.com|
|15.||Pentax K-S2||123 mm||91 mm||73 mm||678 g||410||Y||Feb 2015||749||ebay.com|
|16.||Pentax K-3 II||131 mm||100 mm||77 mm||800 g||720||Y||Apr 2015||1,099||ebay.com|
|17.||Pentax K-50||130 mm||97 mm||71 mm||650 g||410||Y||Jun 2013||599||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The K-70 was launched at a somewhat lower price (by 19 percent) than the E-510, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-510 features a Four Thirds sensor and the Pentax K-70 an APS-C sensor. The sensor area in the K-70 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-510 has a native 4:3 aspect ratio, while the one in the K-70 offers a 3:2 aspect.
With 24MP, the K-70 offers a higher resolution than the E-510 (10MP), but the K-70 has smaller individual pixels (pixel pitch of 3.91μm versus 4.74μm for the E-510). Yet, the K-70 is a much more recent model (by 9 years and 3 months) than the E-510, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the K-70 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Pentax K-70 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-70 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-510 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The K-70 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the E-510, the K-70 has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Olympus E-510 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Pentax K-70 are ISO 100 to ISO 102400 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|3.||Olympus E-P3||Four Thirds||12.2||4032||3024||1080/60i||20.8||10.1||536||51|
|4.||Olympus E-600||Four Thirds||12.2||4032||3024||none||21.5||10.3||541||55|
|5.||Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|6.||Olympus E-P1||Four Thirds||12.2||4032||3024||720/30p||21.4||10.4||536||55|
|7.||Olympus E-30||Four Thirds||12.2||4032||3024||none||21.3||10.4||530||55|
|8.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|9.||Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|10.||Olympus E-400||Four Thirds||10.0||3648||2736||none||21.0||10.6||127||53|
|11.||Olympus E-500||Four Thirds||8.0||3264||2448||none||20.7||10.3||45||51|
|12.||Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
|13.||Pentax K-3 III||APS-C||25.6||6192||4128||4K/30p||24.2||13.7||2083||85|
|16.||Pentax K-3 II||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The K-70 indeed provides for movie recording, while the E-510 does not. The highest resolution format that the K-70 can use is 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. The E-510 and the K-70 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the K-70 offers a wider field of view (100%) than the one in the E-510 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the K-70 has a higher magnification (0.63x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Olympus E-510 and Pentax K-70 along with similar information for a selection of comparators.
|1.||Olympus E-510||optical||n||2.5 / 215||fixed||n||1/4000s||3.0/s||Y||Y|
|2.||Pentax K-70||optical||n||3.0 / 921||swivel||n||1/6000s||6.0/s||Y||Y|
|3.||Olympus E-P3||optional||n||3.0 / 614||fixed||Y||1/4000s||3.0/s||Y||Y|
|4.||Olympus E-600||optical||n||2.7 / 230||swivel||n||1/4000s||4.0/s||Y||Y|
|5.||Olympus E-620||optical||n||2.7 / 230||swivel||n||1/4000s||4.0/s||Y||Y|
|6.||Olympus E-P1||none||n||3.0 / 230||fixed||n||1/4000s||3.0/s||n||Y|
|7.||Olympus E-30||optical||Y||2.7 / 230||swivel||n||1/8000s||5.0/s||Y||Y|
|8.||Olympus E-520||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||Y|
|9.||Olympus E-410||optical||n||2.5 / 215||fixed||n||1/4000s||3.0/s||Y||n|
|10.||Olympus E-400||optical||n||2.5 / 215||fixed||n||1/4000s||3.0/s||Y||n|
|11.||Olympus E-500||optical||n||2.5 / 215||fixed||n||1/4000s||2.5/s||Y||n|
|12.||Panasonic L10||optical||n||2.5 / 207||swivel||n||1/4000s||3.0/s||Y||n|
|13.||Pentax K-3 III||optical||Y||3.2 / 1620||fixed||Y||1/8000s||12.0/s||n||Y|
|14.||Pentax KP||optical||n||3.0 / 921||tilting||n||1/6000s||7.0/s||Y||Y|
|15.||Pentax K-S2||optical||n||3.0 / 921||swivel||n||1/6000s||5.4/s||Y||Y|
|16.||Pentax K-3 II||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3/s||n||Y|
|17.||Pentax K-50||optical||n||3.0 / 921||fixed||n||1/6000s||6.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
The Pentax K-70 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-510 writes its imaging data to Compact Flash or xD Picture cards, while the K-70 uses SDXC cards. The E-510 features dual card slots, which can be very useful in case a memory card fails. In contrast, the K-70 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-510 and Pentax K-70 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-510||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Pentax K-70||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|3.||Olympus E-P3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|4.||Olympus E-600||Y||- / -||-||-||-||2.0||-||-||-|
|5.||Olympus E-620||Y||- / -||-||-||-||2.0||-||-||-|
|6.||Olympus E-P1||Y||stereo / -||-||-||mini||2.0||-||-||-|
|7.||Olympus E-30||Y||- / -||-||-||-||2.0||-||-||-|
|8.||Olympus E-520||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Olympus E-410||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Olympus E-400||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Olympus E-500||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Panasonic L10||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Pentax K-3 III||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|14.||Pentax KP||Y||stereo / mono||Y||-||-||2.0||Y||-||-|
|15.||Pentax K-S2||Y||mono / mono||Y||-||micro||2.0||Y||Y||-|
|16.||Pentax K-3 II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|17.||Pentax K-50||Y||mono / mono||-||-||micro||2.0||-||-||-|
It is notable that the K-70 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-510 does not provide wifi capability.
The K-70 is a recent model that features in the current product line-up of Pentax. In contrast, the E-510 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the E-510 was succeeded by the Olympus E-520. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Pentax websites.
So how do things add up? Which of the two cameras – the Olympus E-510 or the Pentax K-70 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Olympus E-510:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Less heavy: Is lighter (by 150g or 22 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (750 versus 410) on a single battery charge.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in March 2007).
Arguments in favor of the Pentax K-70:
- More detail: Has more megapixels (24 vs 10MP), which boosts linear resolution by 58%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.63x vs 0.46x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (921k vs 215k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/6000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (6 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was released into a lower priced segment (19 percent cheaper at launch).
- More modern: Reflects 9 years and 3 months of technical progress since the E-510 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the K-70 is the clear winner of the contest (22 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-510 and the Pentax K-70 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the E-510 or the K-70 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-510||..||89/100||..||+ +||3.5/5||4.5/5||Mar 2007||799||ebay.com|
|2.||Pentax K-70||4.5/5||..||..||79/100||4.5/5||4.5/5||Jun 2016||649||amazon.com|
|3.||Olympus E-P3||..||83/100||..||74/100||4.5/5||4.5/5||Jun 2011||799||ebay.com|
|4.||Olympus E-600||..||..||..||..||..||4.5/5||Aug 2009||449||ebay.com|
|5.||Olympus E-620||3/5||88/100||..||72/100||4.5/5||5/5||Feb 2009||699||ebay.com|
|6.||Olympus E-P1||..||+||..||66/100||4/5||4.5/5||Jun 2009||799||ebay.com|
|7.||Olympus E-30||..||..||..||71/100||4.5/5||4/5||Nov 2008||1,299||ebay.com|
|8.||Olympus E-520||..||87/100||..||+ +||4.5/5||4.5/5||May 2008||699||ebay.com|
|9.||Olympus E-410||..||86/100||..||+ +||4/5||4.5/5||Mar 2007||699||ebay.com|
|10.||Olympus E-400||..||85/100||..||..||4/5||4/5||Sep 2006||699||ebay.com|
|11.||Olympus E-500||..||76/100||..||+ +||..||..||Sep 2005||599||ebay.com|
|12.||Panasonic L10||..||85/100||..||+||3.5/5||4/5||Aug 2007||599||ebay.com|
|13.||Pentax K-3 III||4/5||..||3/5||..||4.5/5||..||Mar 2021||1,999||amazon.com|
|14.||Pentax KP||4/5||..||3/5||82/100||5/5||4.5/5||Jan 2017||1,099||ebay.com|
|15.||Pentax K-S2||4.5/5||..||..||..||5/5||4.5/5||Feb 2015||749||ebay.com|
|16.||Pentax K-3 II||4.5/5||..||..||..||5/5||5/5||Apr 2015||1,099||ebay.com|
|17.||Pentax K-50||5/5||..||..||..||5/5||4.5/5||Jun 2013||599||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 6D Mark II vs Olympus E-510
- Canon T5i vs Pentax K-70
- Fujifilm X-E4 vs Pentax K-70
- Leica Q Typ 116 vs Olympus E-510
- Nikon D810 vs Pentax K-70
- Olympus E-500 vs Pentax K-70
- Olympus E-510 vs Pentax 645Z
- Olympus E-510 vs Sony A6300
- Olympus E-510 vs Sony HX95
- Olympus E-510 vs Sony RX1
- Olympus E-PL5 vs Pentax K-70
- Panasonic GF5 vs Pentax K-70
Specifications: Olympus E-510 vs Pentax K-70
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-510||Pentax K-70|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Four Thirds lenses||Pentax K mount lenses|
|Launch Date||March 2007||June 2016|
|Launch Price||USD 799||USD 649|
|Sensor Specs||Olympus E-510||Pentax K-70|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.5 x 15.6 mm|
|Sensor Area||224.9 mm2||366.6 mm2|
|Sensor Diagonal||21.6 mm||28.2 mm|
|Sensor Resolution||10 Megapixels||24 Megapixels|
|Image Resolution||3648 x 2736 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.74 μm||3.91 μm|
|Pixel Density||4.44 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100 - 1,600 ISO||100 - 102,400 ISO|
|Image Processor||TruePic III||PRIME MII|
|DXO Sensor Quality (score)||52||..|
|DXO Color Depth (bits)||21.2||..|
|DXO Dynamic Range (EV)||10.0||..|
|DXO Low Light (ISO)||442||..|
|Screen Specs||Olympus E-510||Pentax K-70|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%||100%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.5inch||3.0inch|
|LCD Resolution||215k dots||921k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Olympus E-510||Pentax K-70|
|Focus System||Phase-detect AF||Phase-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/6000s|
|Continuous Shooting||3 shutter flaps/s||6 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||CF or XD cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Olympus E-510||Pentax K-70|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Olympus E-510||Pentax K-70|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||750 shots per charge||410 shots per charge|
136 x 92 x 68 mm
(5.4 x 3.6 x 2.7 in)
126 x 93 x 74 mm
(5.0 x 3.7 x 2.9 in)
|Camera Weight||538 g (19.0 oz)||688 g (24.3 oz)|
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