Olympus E-500 vs Sony A99
The Olympus Evolt E-500 and the Sony Alpha SLT-A99 are two digital cameras that were announced, respectively, in September 2005 and September 2012. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a Four Thirds (E-500) and a full frame (A99) sensor. The Olympus has a resolution of 8 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus Evolt E-500 and the Sony Alpha SLT-A99? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Olympus E-500 and the Sony A99. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A99 is notably larger (32 percent) than the Olympus E-500. Moreover, the A99 is substantially heavier (70 percent) than the E-500. It is noteworthy in this context that the A99 is splash and dust-proof, while the E-500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Olympus E-500||130 mm||95 mm||66 mm||479 g||750||n||Sep 2005||599||ebay.com|
|2.||Sony A99||147 mm||111 mm||78 mm||812 g||500||Y||Sep 2012||2,799||ebay.com|
|3.||Olympus E-450||130 mm||91 mm||53 mm||440 g||500||n||Mar 2009||499||ebay.com|
|4.||Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699||ebay.com|
|5.||Olympus E-420||130 mm||91 mm||53 mm||440 g||500||n||Mar 2008||599||ebay.com|
|6.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699||ebay.com|
|7.||Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699||ebay.com|
|8.||Olympus E-510||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799||ebay.com|
|9.||Olympus E-330||140 mm||87 mm||72 mm||637 g||750||n||Jan 2006||999||ebay.com|
|10.||Olympus E-400||130 mm||91 mm||53 mm||435 g||500||n||Sep 2006||699||ebay.com|
|11.||Olympus E-300||147 mm||85 mm||64 mm||624 g||750||n||Sep 2004||799||ebay.com|
|12.||Panasonic L10||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599||ebay.com|
|13.||Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499||amazon.com|
|14.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199||ebay.com|
|15.||Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399||ebay.com|
|16.||Sony A850||156 mm||117 mm||82 mm||895 g||880||Y||Aug 2009||1,999||ebay.com|
|17.||Sony A900||156 mm||117 mm||82 mm||895 g||880||Y||Sep 2008||2,999||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-500 was launched at a markedly lower price (by 79 percent) than the A99, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Olympus E-500 features a Four Thirds sensor and the Sony A99 a full frame sensor. The sensor area in the A99 is 279 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the E-500 has a native 4:3 aspect ratio, while the one in the A99 offers a 3:2 aspect.
With 24MP, the A99 offers a higher resolution than the E-500 (8MP), but the A99 nevertheless has larger individual pixels (pixel pitch of 5.96μm versus 5.30μm for the E-500) due to its larger sensor. Moreover, the A99 is a much more recent model (by 6 years and 11 months) than the E-500, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A99 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A99 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-500 are 16.3 x 12.2 inches or 41.5 x 31.1 cm for good quality, 13.1 x 9.8 inches or 33.2 x 24.9 cm for very good quality, and 10.9 x 8.2 inches or 27.6 x 20.7 cm for excellent quality prints.
The Olympus Evolt E-500 has a native sensitivity range from ISO 100 to ISO 400, which can be extended to ISO 100-1600. The corresponding ISO settings for the Sony Alpha SLT-A99 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-25600.
In terms of underlying technology, the E-500 is build around a CCD sensor, while the A99 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Olympus E-500||Four Thirds||8.0||3264||2448||none||20.7||10.3||45||51|
|2.||Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89|
|3.||Olympus E-450||Four Thirds||10.0||3648||2736||none||21.5||10.5||512||56|
|4.||Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|5.||Olympus E-420||Four Thirds||10.0||3648||2736||none||21.5||10.4||527||56|
|6.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|7.||Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|8.||Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|9.||Olympus E-330||Four Thirds||7.4||3136||2352||none||20.8||10.4||73||52|
|10.||Olympus E-400||Four Thirds||10.0||3648||2736||none||21.0||10.6||127||53|
|11.||Olympus E-300||Four Thirds||8.0||3264||2448||none||20.4||10.1||-40||48|
|12.||Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
|13.||Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|14.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|16.||Sony A850||Full Frame||24.4||6048||4032||none||23.8||12.2||1415||79|
|17.||Sony A900||Full Frame||24.4||6048||4032||none||23.7||12.3||1431||79|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The A99 indeed provides for movie recording, while the E-500 does not. The highest resolution format that the A99 can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A99 has an electronic viewfinder (2359k dots), while the E-500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A99 offers a wider field of view (100%) than the one in the E-500 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A99 has a higher magnification (0.71x vs 0.45x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Olympus E-500, the Sony A99, and comparable cameras.
|1.||Olympus E-500||optical||n||2.5 / 215||fixed||n||1/4000s||2.5/s||Y||n|
|2.||Sony A99||2359||Y||3.0 / 1229||full-flex||n||1/8000s||6.0/s||n||Y|
|3.||Olympus E-450||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||n|
|4.||Olympus E-620||optical||n||2.7 / 230||swivel||n||1/4000s||4.0/s||Y||Y|
|5.||Olympus E-420||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||n|
|6.||Olympus E-520||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||Y|
|7.||Olympus E-410||optical||n||2.5 / 215||fixed||n||1/4000s||3.0/s||Y||n|
|8.||Olympus E-510||optical||n||2.5 / 215||fixed||n||1/4000s||3.0/s||Y||Y|
|9.||Olympus E-330||optical||n||2.5 / 215||tilting||n||1/4000s||3.0/s||Y||n|
|10.||Olympus E-400||optical||n||2.5 / 215||fixed||n||1/4000s||3.0/s||Y||n|
|11.||Olympus E-300||optical||n||1.8 / 134||fixed||n||1/4000s||2.5/s||Y||n|
|12.||Panasonic L10||optical||n||2.5 / 207||swivel||n||1/4000s||3.0/s||Y||n|
|13.||Sony A9 II||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0/s||n||Y|
|14.||Sony A99 II||2400||Y||3.0 / 1229||full-flex||n||1/8000s||12.0/s||n||Y|
|15.||Sony A77||2359||Y||3.0 / 921||full-flex||n||1/8000s||12.0/s||Y||Y|
|16.||Sony A850||optical||Y||3.0 / 922||fixed||n||1/8000s||3.0/s||n||Y|
|17.||Sony A900||optical||Y||3.0 / 922||fixed||n||1/8000s||5.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The E-500 has one, while the A99 does not. While the built-in flash of the E-500 is not very powerful, it can at times be useful as a fill-in light.The A99 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the E-500 does not have a selfie-screen.
The E-500 writes its imaging data to Compact Flash or xD Picture cards, while the A99 uses SDXC or Memory Stick PRO Duo cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus Evolt E-500 and Sony Alpha SLT-A99 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-500||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Sony A99||Y||stereo / mono||Y||Y||mini||2.0||-||-||-|
|3.||Olympus E-450||Y||- / -||-||-||-||2.0||-||-||-|
|4.||Olympus E-620||Y||- / -||-||-||-||2.0||-||-||-|
|5.||Olympus E-420||Y||- / -||-||-||-||2.0||-||-||-|
|6.||Olympus E-520||Y||- / -||-||-||-||2.0||-||-||-|
|7.||Olympus E-410||Y||- / -||-||-||-||2.0||-||-||-|
|8.||Olympus E-510||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Olympus E-330||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Olympus E-400||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Olympus E-300||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Panasonic L10||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Sony A9 II||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|14.||Sony A99 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||Y|
|15.||Sony A77||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|16.||Sony A850||Y||- / -||-||-||mini||2.0||-||-||-|
|17.||Sony A900||Y||- / -||-||-||mini||2.0||-||-||-|
Studio photographers will appreciate that the Sony A99 (unlike the E-500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the A99 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the E-500 and the A99 have been discontinued, but can regularly be found used on ebay. The E-500 was replaced by the Olympus E-510, while the A99 was followed by the Sony A99. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Sony websites.
So how do things add up? Is the Olympus E-500 better than the Sony A99 or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Olympus Evolt E-500:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More compact: Is smaller (130x95mm vs 147x111mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 333g or 41 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (750 versus 500) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (79 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2005).
Reasons to prefer the Sony Alpha SLT-A99:
- More detail: Has more megapixels (24 vs 8MP), which boosts linear resolution by 77%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.45x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 215k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (6 vs 2.5 flaps/sec) to capture the decisive moment.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More modern: Reflects 6 years and 11 months of technical progress since the E-500 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A99 is the clear winner of the contest (21 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-500 and the Sony A99 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the E-500 and the A99 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-500||..||76/100||..||+ +||..||..||Sep 2005||599||ebay.com|
|2.||Sony A99||5/5||..||..||84/100||4.5/5||4.5/5||Sep 2012||2,799||ebay.com|
|3.||Olympus E-450||..||..||..||..||4/5||4/5||Mar 2009||499||ebay.com|
|4.||Olympus E-620||3/5||88/100||..||72/100||4.5/5||5/5||Feb 2009||699||ebay.com|
|5.||Olympus E-420||..||85/100||..||+ +||4/5||4.5/5||Mar 2008||599||ebay.com|
|6.||Olympus E-520||..||87/100||..||+ +||4.5/5||4.5/5||May 2008||699||ebay.com|
|7.||Olympus E-410||..||86/100||..||+ +||4/5||4.5/5||Mar 2007||699||ebay.com|
|8.||Olympus E-510||..||89/100||..||+ +||3.5/5||4.5/5||Mar 2007||799||ebay.com|
|9.||Olympus E-330||..||..||..||+||o||..||Jan 2006||999||ebay.com|
|10.||Olympus E-400||..||85/100||..||..||4/5||4/5||Sep 2006||699||ebay.com|
|11.||Olympus E-300||..||..||..||+||o||4.5/5||Sep 2004||799||ebay.com|
|12.||Panasonic L10||..||85/100||..||+||3.5/5||4/5||Aug 2007||599||ebay.com|
|13.||Sony A9 II||..||..||5/5||90/100||5/5||5/5||Oct 2019||4,499||amazon.com|
|14.||Sony A99 II||..||..||4.5/5||85/100||4.5/5||4.5/5||Sep 2016||3,199||ebay.com|
|15.||Sony A77||5/5||91/100||..||81/100||..||5/5||Aug 2011||1,399||ebay.com|
|16.||Sony A850||3/5||..||..||75/100||..||4.5/5||Aug 2009||1,999||ebay.com|
|17.||Sony A900||..||+ +||..||+ +||4.5/5||5/5||Sep 2008||2,999||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D X Mark II vs Olympus E-500
- Canon T1i vs Sony A99
- Fujifilm X-A1 vs Sony A99
- Leica M8 vs Olympus E-500
- Leica S2 vs Sony A99
- Leica V-LUX 1 vs Sony A99
- Nikon D2H vs Sony A99
- Nikon D2X vs Sony A99
- Nikon D850 vs Olympus E-500
- Olympus E-30 vs Olympus E-500
- Olympus E-500 vs Olympus E-M1 II
- Olympus E-500 vs Pentax 645D
Specifications: Olympus E-500 vs Sony A99
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-500||Sony A99|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Four Thirds lenses||Sony A mount lenses|
|Launch Date||September 2005||September 2012|
|Launch Price||USD 599||USD 2,799|
|Sensor Specs||Olympus E-500||Sony A99|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.8 x 23.8 mm|
|Sensor Area||224.9 mm2||852.04 mm2|
|Sensor Diagonal||21.6 mm||43 mm|
|Sensor Resolution||8 Megapixels||24 Megapixels|
|Image Resolution||3264 x 2448 pixels||6000 x 4000 pixels|
|Pixel Pitch||5.30 μm||5.96 μm|
|Pixel Density||3.55 MP/cm2||2.82 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||100 - 400 ISO||100 - 25,600 ISO|
|ISO Boost||100 - 1,600 ISO||50 - 25,600 ISO|
|Image Processor||TruePic||BIONZ X|
|DXO Sensor Quality (score)||..||89|
|DXO Color Depth (bits)||..||25.0|
|DXO Dynamic Range (EV)||..||14.0|
|DXO Low Light (ISO)||..||1555|
|Screen Specs||Olympus E-500||Sony A99|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||2.5inch||3.0inch|
|LCD Resolution||215k dots||1229k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Shooting Specs||Olympus E-500||Sony A99|
|Focus System||Phase-detect AF||Phase-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||2.5 shutter flaps/s||6 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||CF or XD cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|Connectivity Specs||Olympus E-500||Sony A99|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||no Wifi|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Olympus E-500||Sony A99|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||750 shots per charge||500 shots per charge|
130 x 95 x 66 mm
(5.1 x 3.7 x 2.6 in)
147 x 111 x 78 mm
(5.8 x 4.4 x 3.1 in)
|Camera Weight||479 g (16.9 oz)||812 g (28.6 oz)|
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