Olympus E-500 vs Sony A7S II
The Olympus Evolt E-500 and the Sony Alpha 7S II are two digital cameras that were officially introduced, respectively, in September 2005 and September 2015. The E-500 is a DSLR, while the A7S II is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (E-500) and a full frame (A7S II) sensor. The Olympus has a resolution of 8 megapixels, whereas the Sony provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-500||Sony A7S II|
|Digital single lens reflex||Mirrorless system camera|
|Four Thirds lenses||Sony E mount lenses|
|8 MP, Four Thirds Sensor||12 MP, Full Frame Sensor|
|no Video||4K/30p Video|
|ISO 100-400 (100-1600)||ISO 100-102400 (50-409600)|
|Optical viewfinder||Electronic viewfinder (2400k dots)|
|2.5" LCD, 215k dots||3.0" LCD, 1229k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|2.5 shutter flaps per second||5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|750 shots per battery charge||370 shots per battery charge|
|130 x 95 x 66 mm, 479 g||127 x 96 x 60 mm, 627 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus Evolt E-500 and the Sony Alpha 7S II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Olympus E-500 and the Sony A7S II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7S II is somewhat smaller (1 percent) than the Olympus E-500. However, the A7S II is markedly heavier (31 percent) than the E-500. It is noteworthy in this context that the A7S II is splash and dust-proof, while the E-500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-500) and the Sony FE Lens Catalog (A7S II). Mirrorless cameras, such as the A7S II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the E-500 gets 750 shots out of its BLM-1 battery, while the A7S II can take 370 images on a single charge of its NP-FW50 power pack. The power pack in the A7S II can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Olympus E-500»||5.1 in||3.7 in||2.6 in||16.9 oz||750||n||Sep 2005||599||-||Olympus E-500|
|Sony A7S II«||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Olympus E-450« »||5.1 in||3.6 in||2.1 in||15.5 oz||500||n||Mar 2009||499||-||Olympus E-450|
|Olympus E-620« »||5.1 in||3.7 in||2.4 in||18.4 oz||500||n||Feb 2009||699||-||Olympus E-620|
|Olympus E-420« »||5.1 in||3.6 in||2.1 in||15.5 oz||500||n||Mar 2008||599||-||Olympus E-420|
|Olympus E-520« »||5.4 in||3.6 in||2.7 in||18.9 oz||750||n||May 2008||699||-||Olympus E-520|
|Olympus E-410« »||5.1 in||3.6 in||2.1 in||15.3 oz||500||n||Mar 2007||699||-||Olympus E-410|
|Olympus E-510« »||5.4 in||3.6 in||2.7 in||19.0 oz||750||n||Mar 2007||799||-||Olympus E-510|
|Olympus E-330« »||5.5 in||3.4 in||2.8 in||22.5 oz||750||n||Jan 2006||999||-||Olympus E-330|
|Olympus E-400« »||5.1 in||3.6 in||2.1 in||15.3 oz||500||n||Sep 2006||699||-||Olympus E-400|
|Olympus E-300« »||5.8 in||3.3 in||2.5 in||22.0 oz||750||n||Sep 2004||799||-||Olympus E-300|
|Panasonic L10« »||5.3 in||3.8 in||3.1 in||19.6 oz||450||n||Aug 2007||599||-||Panasonic L10|
|Sony A7R IV« »||5.1 in||3.8 in||3.1 in||23.5 oz||670||Y||Jul 2019||3,499||Sony A7R IV|
|Sony A7R III« »||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199||-||Sony A7R III|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Sony A7S« »||5.0 in||3.7 in||1.9 in||17.2 oz||380||Y||Apr 2014||2,499||-||Sony A7S|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-500 was launched at a markedly lower price (by 80 percent) than the A7S II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Olympus E-500 features a Four Thirds sensor and the Sony A7S II a full frame sensor. The sensor area in the A7S II is 276 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the E-500 has a native 4:3 aspect ratio, while the one in the A7S II offers a 3:2 aspect.
With 12MP, the A7S II offers a higher resolution than the E-500 (8MP), but the A7S II nevertheless has larger individual pixels (pixel pitch of 8.40μm versus 5.30μm for the E-500) due to its larger sensor. Moreover, the A7S II is a much more recent model (by 9 years and 11 months) than the E-500, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A7S II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7S II for good quality output (200 dots per inch) amounts to 21.2 x 14.2 inch or 53.8 x 36 cm, for very good quality (250 dpi) 17 x 11.3 inch or 43.1 x 28.8 cm, and for excellent quality (300 dpi) 14.1 x 9.4 inch or 35.9 x 24 cm. The corresponding values for the Olympus E-500 are 16.3 x 12.2 inch or 41.5 x 31.1 cm for good quality, 13.1 x 9.8 inch or 33.2 x 24.9 cm for very good quality, and 10.9 x 8.2 inch or 27.6 x 20.7 cm for excellent quality prints.
The Olympus Evolt E-500 has a native sensitivity range from ISO 100 to ISO 400, which can be extended to ISO 100-1600. The corresponding ISO settings for the Sony Alpha 7S II are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-409600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Olympus E-500»||Four Thirds||8.0||3264||2448||-||-||-||-||-||Olympus E-500|
|Sony A7S II«||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Olympus E-450« »||Four Thirds||10.0||3648||2736||-||21.5||10.5||512||56||Olympus E-450|
|Olympus E-620« »||Four Thirds||12.2||4032||3024||-||21.3||10.3||536||55||Olympus E-620|
|Olympus E-420« »||Four Thirds||10.0||3648||2736||-||21.5||10.4||527||56||Olympus E-420|
|Olympus E-520« »||Four Thirds||10.0||3648||2736||-||21.4||10.4||548||55||Olympus E-520|
|Olympus E-410« »||Four Thirds||10.0||3648||2736||-||21.1||10.0||494||51||Olympus E-410|
|Olympus E-510« »||Four Thirds||10.0||3648||2736||-||21.2||10.0||442||52||Olympus E-510|
|Olympus E-330« »||Four Thirds||7.4||3136||2352||-||-||-||-||-||Olympus E-330|
|Olympus E-400« »||Four Thirds||10.0||3648||2736||-||-||-||-||-||Olympus E-400|
|Olympus E-300« »||Four Thirds||8.0||3264||2448||-||-||-||-||-||Olympus E-300|
|Panasonic L10« »||Four Thirds||10.0||3648||2736||-||21.3||10.8||429||55||Panasonic L10|
|Sony A7R IV« »||Full Frame||60.2||9504||6336||4K/30p||-||-||-||-||Sony A7R IV|
|Sony A7R III« »||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100||Sony A7R III|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7S« »||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87||Sony A7S|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The A7S II indeed provides for movie recording, while the E-500 does not. The highest resolution format that the A7S II can use is 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7S II has an electronic viewfinder (2400k dots), while the E-500 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A7S II offers a wider field of view (100%) than the one in the E-500 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A7S II has a higher magnification (0.78x vs 0.45x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Olympus E-500 and Sony A7S II along with similar information for a selection of comparators.
|Olympus E-500»||optical||n||2.5||215||fixed||n||1/4000s||2.5||Y||n||Olympus E-500|
|Sony A7S II«||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Olympus E-450« »||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||n||Olympus E-450|
|Olympus E-620« »||optical||n||2.7||230||swivel||n||1/4000s||4.0||Y||Y||Olympus E-620|
|Olympus E-420« »||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||n||Olympus E-420|
|Olympus E-520« »||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||Y||Olympus E-520|
|Olympus E-410« »||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||n||Olympus E-410|
|Olympus E-510« »||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||Y||Olympus E-510|
|Olympus E-330« »||optical||n||2.5||215||tilting||n||1/4000s||3.0||Y||n||Olympus E-330|
|Olympus E-400« »||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||n||Olympus E-400|
|Olympus E-300« »||optical||n||1.8||134||fixed||n||1/4000s||2.5||Y||n||Olympus E-300|
|Panasonic L10« »||optical||n||2.5||207||swivel||n||1/4000s||3.0||Y||n||Panasonic L10|
|Sony A7R IV« »||5760||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A7R IV|
|Sony A7R III« »||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y||Sony A7R III|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7R II|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A7S« »||2400||n||3.0||921||tilting||n||1/8000s||5.0||n||n||Sony A7S|
One difference between the cameras concerns the presence of an on-board flash. The E-500 has one, while the A7S II does not. While the built-in flash of the E-500 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7S II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The E-500 writes its imaging data to Compact Flash or xD Picture cards, while the A7S II uses SDXC or Memory Stick PRO Duo cards. The E-500 features dual card slots, which can be very useful in case a memory card fails. In contrast, the A7S II only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus Evolt E-500 and Sony Alpha 7S II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Olympus E-500»||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-500|
|Sony A7S II«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Olympus E-450« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-450|
|Olympus E-620« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-620|
|Olympus E-420« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-420|
|Olympus E-520« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-520|
|Olympus E-410« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-410|
|Olympus E-510« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-510|
|Olympus E-330« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-330|
|Olympus E-400« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-400|
|Olympus E-300« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-300|
|Panasonic L10« »||Y||-||-||-||-||-||2.0||-||-||-||Panasonic L10|
|Sony A7R IV« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R IV|
|Sony A7R III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7R III|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7S« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S|
It is notable that the A7S II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-500 does not offer wifi capability.
The A7S II is a recent model that features in the current product line-up of Sony. In contrast, the E-500 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the E-500 was succeeded by the Olympus E-510. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Sony websites.
So what is the bottom line? Is the Olympus E-500 better than the Sony A7S II or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Olympus Evolt E-500:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Less heavy: Is lighter (by 148g or 24 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (750 versus 370) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced category (80 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2005).
Arguments in favor of the Sony Alpha 7S II:
- More detail: Has more megapixels (12 vs 8MP), which boosts linear resolution by 25%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.45x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 215k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 2.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Reflects 9 years and 11 months of technical progress since the E-500 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the A7S II is the clear winner of the contest (21 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-500 and the Sony A7S II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the E-500 and the A7S II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Olympus E-500»||76/100||+ +||-||-||-||Sep 2005||599||-||Olympus E-500|
|Sony A7S II«||+||-||4.5/5||5/5||5/5||Sep 2015||2,999||Sony A7S II|
|Olympus E-450« »||-||-||4/5||-||4/5||Mar 2009||499||-||Olympus E-450|
|Olympus E-620« »||88/100||72/100||4.5/5||o||5/5||Feb 2009||699||-||Olympus E-620|
|Olympus E-420« »||85/100||+ +||4/5||o||4.5/5||Mar 2008||599||-||Olympus E-420|
|Olympus E-520« »||87/100||+ +||4.5/5||4/5||4.5/5||May 2008||699||-||Olympus E-520|
|Olympus E-410« »||86/100||+ +||4/5||o||4.5/5||Mar 2007||699||-||Olympus E-410|
|Olympus E-510« »||89/100||+ +||3.5/5||o||4.5/5||Mar 2007||799||-||Olympus E-510|
|Olympus E-330« »||-||+||o||3.5/5||-||Jan 2006||999||-||Olympus E-330|
|Olympus E-400« »||85/100||-||4/5||-||4/5||Sep 2006||699||-||Olympus E-400|
|Olympus E-300« »||-||+||o||o||4.5/5||Sep 2004||799||-||Olympus E-300|
|Panasonic L10« »||85/100||+||3.5/5||o||4/5||Aug 2007||599||-||Panasonic L10|
|Sony A7R IV« »||+||-||-||-||5/5||Jul 2019||3,499||Sony A7R IV|
|Sony A7R III« »||+ +||90/100||4.5/5||5/5||5/5||Oct 2017||3,199||-||Sony A7R III|
|Sony A7R II« »||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A7 II« »||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Sony A7S« »||-||86/100||4.5/5||4.5/5||5/5||Apr 2014||2,499||-||Sony A7S|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 200D vs Olympus E-500
- Canon 350D vs Sony A7S II
- Canon RP vs Olympus E-500
- Canon T6 vs Sony A7S II
- Fujifilm X-A5 vs Olympus E-500
- Fujifilm X-E3 vs Sony A7S II
- Leica V-LUX 5 vs Olympus E-500
- Olympus E-500 vs Panasonic L1
- Olympus E-500 vs Sony A58
- Panasonic G6 vs Sony A7S II
- Sony A7 II vs Sony A7S II
- Sony A77 II vs Sony A7S II
Specifications: Olympus E-500 vs Sony A7S II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-500||Sony A7S II|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Four Thirds lenses||Sony E mount lenses|
|Launch Date||September 2005||September 2015|
|Launch Price||USD 599||USD 2999|
|Sensor Specs||Olympus E-500||Sony A7S II|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.6 x 23.8 mm|
|Sensor Area||224.9 mm2||847.28 mm2|
|Sensor Diagonal||21.6 mm||42.8 mm|
|Sensor Resolution||8 Megapixels||12 Megapixels|
|Image Resolution||3264 x 2448 pixels||4240 x 2832 pixels|
|Pixel Pitch||5.30 μm||8.40 μm|
|Pixel Density||3.55 MP/cm2||1.42 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100-400 ISO||100-102400 ISO|
|ISO Boost||100-1600 ISO||50-409600 ISO|
|Image Processor||TruePic||BIONZ X|
|DXO Sensor Quality (score)||..||85|
|DXO Color Depth (bits)||..||23.6|
|DXO Dynamic Range (EV)||..||13.3|
|DXO Low Light (ISO)||..||2993|
|Screen Specs||Olympus E-500||Sony A7S II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2400k dots|
|LCD Framing||Live View|
|Rear LCD Size||2.5 inch||3.0 inch|
|LCD Resolution||215k dots||1229k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Olympus E-500||Sony A7S II|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||2.5 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||CF or XD cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Olympus E-500||Sony A7S II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Olympus E-500||Sony A7S II|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||750 shots per charge||370 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
130 x 95 x 66 mm
(5.1 x 3.7 x 2.6 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||479 g (16.9 oz)||627 g (22.1 oz)|
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