Olympus E-500 vs E-P3
The Olympus Evolt E-500 and the Olympus PEN E-P3 are two digital cameras that were officially introduced, respectively, in September 2005 and June 2011. The E-500 is a DSLR, while the E-P3 is a mirrorless interchangeable lens camera. Both cameras are equipped with a Four Thirds sensor. The E-500 has a resolution of 8 megapixels, whereas the E-P3 provides 12.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Olympus E-500||Olympus E-P3|
|Digital single lens reflex||Mirrorless system camera|
|Four Thirds lenses||Micro Four Thirds lenses|
|8 MP, Four Thirds Sensor||12.2 MP, Four Thirds Sensor|
|no Video||1080/60i Video|
|ISO 100-400 (100-1600)||ISO 200-12800|
|Optical viewfinder||Viewfinder optional|
|2.5" LCD, 215k dots||3.0" LCD, 614k dots|
|Fixed screen (not touch-sensitive)||Fixed touchscreen|
|2.5 shutter flaps per second||3 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|750 shots per battery charge||330 shots per battery charge|
|130 x 95 x 66 mm, 479 g||122 x 69 x 34 mm, 369 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus Evolt E-500 and the Olympus PEN E-P3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Olympus E-500 and the Olympus E-P3. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The E-P3 can be obtained in three different colors (black, silver, white), while the E-500 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-P3 is considerably smaller (32 percent) than the Olympus E-500. Moreover, the E-P3 is markedly lighter (23 percent) than the E-500. In this context, it is worth noting that neither the E-500 nor the E-P3 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-500) and the Micro Four Thirds Lens Catalog (E-P3). Mirrorless cameras, such as the E-P3, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Olympus E-500»||5.1 in||3.7 in||2.6 in||16.9 oz||750||n||Sep 2005||599||-||Olympus E-500|
|Olympus E-P3«||4.8 in||2.7 in||1.3 in||13.0 oz||330||n||Jun 2011||799||-||Olympus E-P3|
|Olympus E-PL2« »||4.5 in||2.8 in||1.7 in||12.8 oz||280||n||Jan 2011||599||-||Olympus E-PL2|
|Olympus E-PL3« »||4.3 in||2.5 in||1.5 in||11.0 oz||300||n||Jun 2011||599||-||Olympus E-PL3|
|Olympus E-PL1« »||4.5 in||2.8 in||1.7 in||11.8 oz||290||n||Feb 2010||599||-||Olympus E-PL1|
|Olympus E-450« »||5.1 in||3.6 in||2.1 in||15.5 oz||500||n||Mar 2009||499||-||Olympus E-450|
|Olympus E-620« »||5.1 in||3.7 in||2.4 in||18.4 oz||500||n||Feb 2009||699||-||Olympus E-620|
|Olympus E-P1« »||4.8 in||2.8 in||1.4 in||12.5 oz||300||n||Jun 2009||799||-||Olympus E-P1|
|Olympus E-P2« »||4.8 in||2.8 in||1.4 in||12.5 oz||300||n||Nov 2009||799||-||Olympus E-P2|
|Olympus E-420« »||5.1 in||3.6 in||2.1 in||15.5 oz||500||n||Mar 2008||599||-||Olympus E-420|
|Olympus E-520« »||5.4 in||3.6 in||2.7 in||18.9 oz||750||n||May 2008||699||-||Olympus E-520|
|Olympus E-410« »||5.1 in||3.6 in||2.1 in||15.3 oz||500||n||Mar 2007||699||-||Olympus E-410|
|Olympus E-510« »||5.4 in||3.6 in||2.7 in||19.0 oz||750||n||Mar 2007||799||-||Olympus E-510|
|Olympus E-330« »||5.5 in||3.4 in||2.8 in||22.5 oz||750||n||Jan 2006||999||-||Olympus E-330|
|Olympus E-400« »||5.1 in||3.6 in||2.1 in||15.3 oz||500||n||Sep 2006||699||-||Olympus E-400|
|Olympus E-300« »||5.8 in||3.3 in||2.5 in||22.0 oz||750||n||Sep 2004||799||-||Olympus E-300|
|Panasonic L10« »||5.3 in||3.8 in||3.1 in||19.6 oz||450||n||Aug 2007||599||-||Panasonic L10|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-500 was launched at a somewhat lower price (by 25 percent) than the E-P3, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Technology-wise, the E-P3 uses a more advanced image processing engine (TruePic VI) than the E-500 (TruePic), with benefits for noise reduction, color accuracy, and processing speed.
While the two cameras under review share the same sensor size, the E-P3 offers a higher resolution of 12.2 megapixels, compared with 8 MP of the E-500. This megapixels advantage translates into a 24 percent gain in linear resolution. On the other hand, these sensor specs imply that the E-P3 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.29μm versus 5.30μm for the E-500). However, it should be noted that the E-P3 is much more recent (by 5 years and 9 months) than the E-500, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
The resolution advantage of the Olympus E-P3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-P3 for good quality output (200 dots per inch) amounts to 20.2 x 15.1 inch or 51.2 x 38.4 cm, for very good quality (250 dpi) 16.1 x 12.1 inch or 41 x 30.7 cm, and for excellent quality (300 dpi) 13.4 x 10.1 inch or 34.1 x 25.6 cm. The corresponding values for the Olympus E-500 are 16.3 x 12.2 inch or 41.5 x 31.1 cm for good quality, 13.1 x 9.8 inch or 33.2 x 24.9 cm for very good quality, and 10.9 x 8.2 inch or 27.6 x 20.7 cm for excellent quality prints.
The Olympus Evolt E-500 has a native sensitivity range from ISO 100 to ISO 400, which can be extended to ISO 100-1600. The corresponding ISO settings for the Olympus PEN E-P3 are ISO 200 to ISO 12800 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Olympus E-500»||Four Thirds||8.0||3264||2448||-||-||-||-||-||Olympus E-500|
|Olympus E-P3«||Four Thirds||12.2||4032||3024||1080/60i||20.8||10.1||536||51||Olympus E-P3|
|Olympus E-PL2« »||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55||Olympus E-PL2|
|Olympus E-PL3« »||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52||Olympus E-PL3|
|Olympus E-PL1« »||Four Thirds||12.2||4032||3024||720/30p||21.5||10.1||487||54||Olympus E-PL1|
|Olympus E-450« »||Four Thirds||10.0||3648||2736||-||21.5||10.5||512||56||Olympus E-450|
|Olympus E-620« »||Four Thirds||12.2||4032||3024||-||21.3||10.3||536||55||Olympus E-620|
|Olympus E-P1« »||Four Thirds||12.2||4032||3024||720/30p||21.4||10.4||536||55||Olympus E-P1|
|Olympus E-P2« »||Four Thirds||12.2||4032||3024||720/30p||21.5||10.4||505||56||Olympus E-P2|
|Olympus E-420« »||Four Thirds||10.0||3648||2736||-||21.5||10.4||527||56||Olympus E-420|
|Olympus E-520« »||Four Thirds||10.0||3648||2736||-||21.4||10.4||548||55||Olympus E-520|
|Olympus E-410« »||Four Thirds||10.0||3648||2736||-||21.1||10.0||494||51||Olympus E-410|
|Olympus E-510« »||Four Thirds||10.0||3648||2736||-||21.2||10.0||442||52||Olympus E-510|
|Olympus E-330« »||Four Thirds||7.4||3136||2352||-||-||-||-||-||Olympus E-330|
|Olympus E-400« »||Four Thirds||10.0||3648||2736||-||-||-||-||-||Olympus E-400|
|Olympus E-300« »||Four Thirds||8.0||3264||2448||-||-||-||-||-||Olympus E-300|
|Panasonic L10« »||Four Thirds||10.0||3648||2736||-||21.3||10.8||429||55||Panasonic L10|
Many modern cameras are not only capable of taking still images, but can also record movies. The E-P3 indeed provides for movie recording, while the E-500 does not. The highest resolution format that the E-P3 can use is 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the E-500 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the E-P3 relies on live view and the rear LCD for framing. That said, the E-P3 can be equipped with an optional viewfinder – the VF-3. The table below summarizes some of the other core capabilities of the Olympus E-500 and Olympus E-P3 in connection with corresponding information for a sample of similar cameras.
|Olympus E-500»||optical||n||2.5||215||fixed||n||1/4000s||2.5||Y||n||Olympus E-500|
|Olympus E-P3«||-||n||3.0||614||fixed||Y||1/4000s||3.0||Y||Y||Olympus E-P3|
|Olympus E-PL2« »||-||n||3.0||460||fixed||n||1/4000s||3.0||Y||Y||Olympus E-PL2|
|Olympus E-PL3« »||-||n||3.0||460||tilting||n||1/4000s||5.5||n||Y||Olympus E-PL3|
|Olympus E-PL1« »||-||n||2.7||230||fixed||n||1/2000s||3.0||Y||Y||Olympus E-PL1|
|Olympus E-450« »||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||n||Olympus E-450|
|Olympus E-620« »||optical||n||2.7||230||swivel||n||1/4000s||4.0||Y||Y||Olympus E-620|
|Olympus E-P1« »||-||n||3.0||230||fixed||n||1/4000s||3.0||n||Y||Olympus E-P1|
|Olympus E-P2« »||-||n||3.0||230||fixed||n||1/4000s||3.0||n||Y||Olympus E-P2|
|Olympus E-420« »||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||n||Olympus E-420|
|Olympus E-520« »||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||Y||Olympus E-520|
|Olympus E-410« »||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||n||Olympus E-410|
|Olympus E-510« »||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||Y||Olympus E-510|
|Olympus E-330« »||optical||n||2.5||215||tilting||n||1/4000s||3.0||Y||n||Olympus E-330|
|Olympus E-400« »||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||n||Olympus E-400|
|Olympus E-300« »||optical||n||1.8||134||fixed||n||1/4000s||2.5||Y||n||Olympus E-300|
|Panasonic L10« »||optical||n||2.5||207||swivel||n||1/4000s||3.0||Y||n||Panasonic L10|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The E-P3 has a touchscreen, while the E-500 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The E-500 writes its imaging data to Compact Flash or xD Picture cards, while the E-P3 uses SDXC cards. The E-500 features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-P3 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus Evolt E-500 and Olympus PEN E-P3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Olympus E-500»||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-500|
|Olympus E-P3«||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-P3|
|Olympus E-PL2« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-PL2|
|Olympus E-PL3« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-PL3|
|Olympus E-PL1« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-PL1|
|Olympus E-450« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-450|
|Olympus E-620« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-620|
|Olympus E-P1« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-P1|
|Olympus E-P2« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Olympus E-P2|
|Olympus E-420« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-420|
|Olympus E-520« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-520|
|Olympus E-410« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-410|
|Olympus E-510« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-510|
|Olympus E-330« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-330|
|Olympus E-400« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-400|
|Olympus E-300« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-300|
|Panasonic L10« »||Y||-||-||-||-||-||2.0||-||-||-||Panasonic L10|
Both the E-500 and the E-P3 have been discontinued, but can regularly be found used on eBay. The E-500 was replaced by the Olympus E-510, while the E-P3 was followed by the Olympus E-P5. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus website.
So what conclusions can be drawn? Which of the two cameras – the Olympus E-500 or the Olympus E-P3 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Olympus Evolt E-500:
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Longer lasting: Can take more shots (750 versus 330) on a single battery charge.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced segment (25 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2005).
Reasons to prefer the Olympus PEN E-P3:
- More detail: Has more megapixels (12.2 vs 8MP), which boosts linear resolution by 24%.
- Better jpgs: Has a more modern image processing engine (TruePic VI vs TruePic).
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (614k vs 215k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (3 vs 2.5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (122x69mm vs 130x95mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 110g or 23 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More modern: Reflects 5 years and 9 months of technical progress since the E-500 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the E-P3 is the clear winner of the contest (12 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-500 and the Olympus E-P3 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the E-500 and the E-P3 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Olympus E-500»||76/100||+ +||-||-||-||Sep 2005||599||-||Olympus E-500|
|Olympus E-P3«||83/100||74/100||4.5/5||4.5/5||4.5/5||Jun 2011||799||-||Olympus E-P3|
|Olympus E-PL2« »||83/100||71/100||4.5/5||4.5/5||4.5/5||Jan 2011||599||-||Olympus E-PL2|
|Olympus E-PL3« »||+ +||72/100||4.5/5||-||4/5||Jun 2011||599||-||Olympus E-PL3|
|Olympus E-PL1« »||86/100||69/100||4/5||4.5/5||4.5/5||Feb 2010||599||-||Olympus E-PL1|
|Olympus E-450« »||-||-||4/5||-||4/5||Mar 2009||499||-||Olympus E-450|
|Olympus E-620« »||88/100||72/100||4.5/5||o||5/5||Feb 2009||699||-||Olympus E-620|
|Olympus E-P1« »||+||66/100||4/5||4/5||4.5/5||Jun 2009||799||-||Olympus E-P1|
|Olympus E-P2« »||+||69/100||4/5||4.5/5||4.5/5||Nov 2009||799||-||Olympus E-P2|
|Olympus E-420« »||85/100||+ +||4/5||o||4.5/5||Mar 2008||599||-||Olympus E-420|
|Olympus E-520« »||87/100||+ +||4.5/5||4/5||4.5/5||May 2008||699||-||Olympus E-520|
|Olympus E-410« »||86/100||+ +||4/5||o||4.5/5||Mar 2007||699||-||Olympus E-410|
|Olympus E-510« »||89/100||+ +||3.5/5||o||4.5/5||Mar 2007||799||-||Olympus E-510|
|Olympus E-330« »||-||+||o||3.5/5||-||Jan 2006||999||-||Olympus E-330|
|Olympus E-400« »||85/100||-||4/5||-||4/5||Sep 2006||699||-||Olympus E-400|
|Olympus E-300« »||-||+||o||o||4.5/5||Sep 2004||799||-||Olympus E-300|
|Panasonic L10« »||85/100||+||3.5/5||o||4/5||Aug 2007||599||-||Panasonic L10|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1100D vs Olympus E-500
- Canon 1Ds Mark II vs Olympus E-P3
- Canon 30D vs Olympus E-P3
- Canon 5D Mark III vs Olympus E-P3
- Canon XT vs Olympus E-500
- Leica D-LUX 6 vs Olympus E-P3
- Leica S2 vs Olympus E-500
- Nikon D610 vs Olympus E-500
- Nikon P7800 vs Olympus E-P3
- Nikon W150 vs Olympus E-500
- Olympus E-500 vs Sony A5000
- Olympus E-P3 vs Sony RX10 II
Specifications: Olympus E-500 vs Olympus E-P3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-500||Olympus E-P3|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||September 2005||June 2011|
|Launch Price||USD 599||USD 799|
|Sensor Specs||Olympus E-500||Olympus E-P3|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||8 Megapixels||12.2 Megapixels|
|Image Resolution||3264 x 2448 pixels||4032 x 3024 pixels|
|Pixel Pitch||5.30 μm||4.29 μm|
|Pixel Density||3.55 MP/cm2||5.42 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100-400 ISO||200-12800 ISO|
|ISO Boost||100-1600 ISO||no Enhancement|
|Image Processor||TruePic||TruePic VI|
|DXO Sensor Quality (score)||..||51|
|DXO Color Depth (bits)||..||20.8|
|DXO Dynamic Range (EV)||..||10.1|
|DXO Low Light (ISO)||..||536|
|Screen Specs||Olympus E-500||Olympus E-P3|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||95%|
|LCD Framing||Live View|
|Rear LCD Size||2.5 inch||3.0 inch|
|LCD Resolution||215k dots||614k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Olympus E-500||Olympus E-P3|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||2.5 shutter flaps/s||3 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||CF or XD cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Olympus E-500||Olympus E-P3|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Olympus E-500||Olympus E-P3|
|Battery Life (CIPA)||750 shots per charge||330 shots per charge|
130 x 95 x 66 mm
(5.1 x 3.7 x 2.6 in)
122 x 69 x 34 mm
(4.8 x 2.7 x 1.3 in)
|Camera Weight||479 g (16.9 oz)||369 g (13.0 oz)|
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