Olympus E-500 vs E-P2
The Olympus Evolt E-500 and the Olympus PEN E-P2 are two digital cameras that were announced, respectively, in September 2005 and November 2009. The E-500 is a DSLR, while the E-P2 is a mirrorless interchangeable lens camera. Both cameras are equipped with a Four Thirds sensor. The E-500 has a resolution of 8 megapixels, whereas the E-P2 provides 12.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus Evolt E-500 and the Olympus PEN E-P2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Olympus E-500 and the Olympus E-P2 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-P2 can be obtained in three different colors (black, silver, white), while the E-500 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-P2 is considerably smaller (31 percent) than the Olympus E-500. Moreover, the E-P2 is markedly lighter (26 percent) than the E-500. In this context, it is worth noting that neither the E-500 nor the E-P2 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-500) and the Micro Four Thirds Lens Catalog (E-P2). Mirrorless cameras, such as the E-P2, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Olympus E-500||130 mm||95 mm||66 mm||479 g||750||n||Sep 2005||599|
|2.||Olympus E-P2||121 mm||70 mm||36 mm||355 g||300||n||Nov 2009||799|
|3.||Olympus E-P3||122 mm||69 mm||34 mm||369 g||330||n||Jun 2011||799|
|4.||Olympus E-PL2||114 mm||72 mm||42 mm||362 g||280||n||Jan 2011||599|
|5.||Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599|
|6.||Olympus E-450||130 mm||91 mm||53 mm||440 g||500||n||Mar 2009||499|
|7.||Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699|
|8.||Olympus E-P1||121 mm||70 mm||36 mm||355 g||300||n||Jun 2009||799|
|9.||Olympus E-420||130 mm||91 mm||53 mm||440 g||500||n||Mar 2008||599|
|10.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699|
|11.||Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699|
|12.||Olympus E-510||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799|
|13.||Olympus E-330||140 mm||87 mm||72 mm||637 g||750||n||Jan 2006||999|
|14.||Olympus E-400||130 mm||91 mm||53 mm||435 g||500||n||Sep 2006||699|
|15.||Olympus E-300||147 mm||85 mm||64 mm||624 g||750||n||Sep 2004||799|
|16.||Panasonic GH1||124 mm||90 mm||45 mm||385 g||300||n||Mar 2009||899|
|17.||Panasonic L10||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-500 was launched at a somewhat lower price (by 25 percent) than the E-P2, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Technology-wise, the E-P2 uses a more advanced image processing engine (TruePic V) than the E-500 (TruePic), with benefits for noise reduction, color accuracy, and processing speed.
While the two cameras under review share the same sensor size, the E-P2 offers a higher resolution of 12.2 megapixels, compared with 8 MP of the E-500. This megapixels advantage translates into a 24 percent gain in linear resolution. On the other hand, these sensor specs imply that the E-P2 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.29μm versus 5.30μm for the E-500). However, it should be noted that the E-P2 is much more recent (by 4 years and 1 month) than the E-500, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
The resolution advantage of the Olympus E-P2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-P2 for good quality output (200 dots per inch) amounts to 20.2 x 15.1 inches or 51.2 x 38.4 cm, for very good quality (250 dpi) 16.1 x 12.1 inches or 41 x 30.7 cm, and for excellent quality (300 dpi) 13.4 x 10.1 inches or 34.1 x 25.6 cm. The corresponding values for the Olympus E-500 are 16.3 x 12.2 inches or 41.5 x 31.1 cm for good quality, 13.1 x 9.8 inches or 33.2 x 24.9 cm for very good quality, and 10.9 x 8.2 inches or 27.6 x 20.7 cm for excellent quality prints.
The Olympus Evolt E-500 has a native sensitivity range from ISO 100 to ISO 400, which can be extended to ISO 100-1600. The corresponding ISO settings for the Olympus PEN E-P2 are ISO 100 to ISO 6400 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Olympus E-500||Four Thirds||8.0||3264||2448||none||..||..||..||..|
|2.||Olympus E-P2||Four Thirds||12.2||4032||3024||720/30p||21.5||10.4||505||56|
|3.||Olympus E-P3||Four Thirds||12.2||4032||3024||1080/60i||20.8||10.1||536||51|
|4.||Olympus E-PL2||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55|
|5.||Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|6.||Olympus E-450||Four Thirds||10.0||3648||2736||none||21.5||10.5||512||56|
|7.||Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|8.||Olympus E-P1||Four Thirds||12.2||4032||3024||720/30p||21.4||10.4||536||55|
|9.||Olympus E-420||Four Thirds||10.0||3648||2736||none||21.5||10.4||527||56|
|10.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|11.||Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|12.||Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|13.||Olympus E-330||Four Thirds||7.4||3136||2352||none||..||..||..||..|
|14.||Olympus E-400||Four Thirds||10.0||3648||2736||none||..||..||..||..|
|15.||Olympus E-300||Four Thirds||8.0||3264||2448||none||..||..||..||..|
|16.||Panasonic GH1||Four Thirds||12.0||4000||3000||1080/24p||21.6||11.6||772||64|
|17.||Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
Many modern cameras cannot only take still pictures, but also record videos. The E-P2 indeed provides for movie recording, while the E-500 does not. The highest resolution format that the E-P2 can use is 720/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-500 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the E-P2 relies on live view and the rear LCD for framing. That said, the E-P2 can be equipped with an optional viewfinder – the VF-2. The following table reports on some other key feature differences and similarities of the Olympus E-500, the Olympus E-P2, and comparable cameras.
|1.||Olympus E-500||optical||n||2.5 / 215||fixed||n||1/4000s||2.5||Y||n|
|2.||Olympus E-P2||optional||n||3.0 / 230||fixed||n||1/4000s||3.0||n||Y|
|3.||Olympus E-P3||optional||n||3.0 / 614||fixed||Y||1/4000s||3.0||Y||Y|
|4.||Olympus E-PL2||optional||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||Y|
|5.||Olympus E-PL3||optional||n||3.0 / 460||tilting||n||1/4000s||5.5||n||Y|
|6.||Olympus E-450||optical||n||2.7 / 215||fixed||n||1/4000s||3.5||Y||n|
|7.||Olympus E-620||optical||n||2.7 / 230||swivel||n||1/4000s||4.0||Y||Y|
|8.||Olympus E-P1||none||n||3.0 / 230||fixed||n||1/4000s||3.0||n||Y|
|9.||Olympus E-420||optical||n||2.7 / 215||fixed||n||1/4000s||3.5||Y||n|
|10.||Olympus E-520||optical||n||2.7 / 215||fixed||n||1/4000s||3.5||Y||Y|
|11.||Olympus E-410||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||n|
|12.||Olympus E-510||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||Y|
|13.||Olympus E-330||optical||n||2.5 / 215||tilting||n||1/4000s||3.0||Y||n|
|14.||Olympus E-400||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||n|
|15.||Olympus E-300||optical||n||1.8 / 134||fixed||n||1/4000s||2.5||Y||n|
|16.||Panasonic GH1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0||Y||n|
|17.||Panasonic L10||optical||n||2.5 / 207||swivel||n||1/4000s||3.0||Y||n|
One difference between the cameras concerns the presence of an on-board flash. The E-500 has one, while the E-P2 does not. While the built-in flash of the E-500 is not very powerful, it can at times be useful as a fill-in light.
The E-500 writes its imaging data to Compact Flash or xD Picture cards, while the E-P2 uses SDHC cards. The E-500 features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-P2 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus Evolt E-500 and Olympus PEN E-P2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-500||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Olympus E-P2||Y||stereo / -||-||-||mini||2.0||-||-||-|
|3.||Olympus E-P3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|4.||Olympus E-PL2||Y||stereo / -||-||-||mini||2.0||-||-||-|
|5.||Olympus E-PL3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|6.||Olympus E-450||Y||- / -||-||-||-||2.0||-||-||-|
|7.||Olympus E-620||Y||- / -||-||-||-||2.0||-||-||-|
|8.||Olympus E-P1||Y||stereo / -||-||-||mini||2.0||-||-||-|
|9.||Olympus E-420||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Olympus E-520||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Olympus E-410||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Olympus E-510||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Olympus E-330||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Olympus E-400||Y||- / -||-||-||-||2.0||-||-||-|
|15.||Olympus E-300||Y||- / -||-||-||-||2.0||-||-||-|
|16.||Panasonic GH1||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|17.||Panasonic L10||Y||- / -||-||-||-||2.0||-||-||-|
Both the E-500 and the E-P2 have been discontinued, but can regularly be found used on eBay. The E-500 was replaced by the Olympus E-510, while the E-P2 was followed by the Olympus E-P3. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus website.
So what conclusions can be drawn? Which of the two cameras – the Olympus E-500 or the Olympus E-P2 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Olympus Evolt E-500:
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Longer lasting: Can take more shots (750 versus 300) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced segment (25 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2005).
Reasons to prefer the Olympus PEN E-P2:
- More detail: Has more megapixels (12.2 vs 8MP), which boosts linear resolution by 24%.
- Better jpgs: Has a more modern image processing engine (TruePic V vs TruePic).
- Broader imaging potential: Can capture not only stills but also 720/30p video.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- Faster burst: Shoots at higher frequency (3 vs 2.5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (121x70mm vs 130x95mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 124g or 26 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More modern: Reflects 4 years and 1 month of technical progress since the E-500 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the E-P2 is the clear winner of the contest (10 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-500 and the Olympus E-P2 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the E-500 and the E-P2 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-500||..||76/100||..||+ +||..||..||Sep 2005||599|
|2.||Olympus E-P2||3/5||+||..||69/100||4/5||4.5/5||Nov 2009||799|
|3.||Olympus E-P3||..||83/100||..||74/100||4.5/5||4.5/5||Jun 2011||799|
|4.||Olympus E-PL2||3/5||83/100||..||71/100||4.5/5||4.5/5||Jan 2011||599|
|5.||Olympus E-PL3||3/5||+ +||..||72/100||4.5/5||4/5||Jun 2011||599|
|6.||Olympus E-450||..||..||..||..||4/5||4/5||Mar 2009||499|
|7.||Olympus E-620||3/5||88/100||..||72/100||4.5/5||5/5||Feb 2009||699|
|8.||Olympus E-P1||..||+||..||66/100||4/5||4.5/5||Jun 2009||799|
|9.||Olympus E-420||..||85/100||..||+ +||4/5||4.5/5||Mar 2008||599|
|10.||Olympus E-520||..||87/100||..||+ +||4.5/5||4.5/5||May 2008||699|
|11.||Olympus E-410||..||86/100||..||+ +||4/5||4.5/5||Mar 2007||699|
|12.||Olympus E-510||..||89/100||..||+ +||3.5/5||4.5/5||Mar 2007||799|
|13.||Olympus E-330||..||..||..||+||o||..||Jan 2006||999|
|14.||Olympus E-400||..||85/100||..||..||4/5||4/5||Sep 2006||699|
|15.||Olympus E-300||..||..||..||+||o||4.5/5||Sep 2004||799|
|16.||Panasonic GH1||..||+ +||..||72/100||4.5/5||4.5/5||Mar 2009||899|
|17.||Panasonic L10||..||85/100||..||+||3.5/5||4/5||Aug 2007||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 10D vs Olympus E-P2
- Canon 600D vs Olympus E-500
- Canon G15 vs Olympus E-500
- Canon SX50 vs Olympus E-P2
- Fujifilm GFX 100 vs Olympus E-500
- Fujifilm X-T100 vs Olympus E-500
- Hasselblad X1D vs Olympus E-500
- Leica M-E Typ 240 vs Olympus E-P2
- Nikon P900 vs Olympus E-P2
- Olympus E-500 vs Sony RX100 VII
- Olympus E-M10 vs Olympus E-P2
- Olympus E-P2 vs Sony A7R III
Specifications: Olympus E-500 vs Olympus E-P2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-500||Olympus E-P2|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Four Thirds lenses||Micro Four Thirds lenses|
|Launch Date||September 2005||November 2009|
|Launch Price||USD 599||USD 799|
|Sensor Specs||Olympus E-500||Olympus E-P2|
|Sensor Format||Four Thirds Sensor||Four Thirds Sensor|
|Sensor Size||17.3 x 13.0 mm||17.3 x 13.0 mm|
|Sensor Area||224.9 mm2||224.9 mm2|
|Sensor Diagonal||21.6 mm||21.6 mm|
|Sensor Resolution||8 Megapixels||12.2 Megapixels|
|Image Resolution||3264 x 2448 pixels||4032 x 3024 pixels|
|Pixel Pitch||5.30 μm||4.29 μm|
|Pixel Density||3.55 MP/cm2||5.42 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||720/30p Video|
|ISO Setting||100 - 400 ISO||100 - 6,400 ISO|
|ISO Boost||100 - 1,600 ISO||no Enhancement|
|Image Processor||TruePic||TruePic V|
|DXO Sensor Quality (score)||..||56|
|DXO Color Depth (bits)||..||21.5|
|DXO Dynamic Range (EV)||..||10.4|
|DXO Low Light (ISO)||..||505|
|Screen Specs||Olympus E-500||Olympus E-P2|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||95%|
|LCD Framing||Live View|
|Rear LCD Size||2.5inch||3.0inch|
|LCD Resolution||215k dots||230k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Olympus E-500||Olympus E-P2|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||2.5 shutter flaps/s||3 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||CF or XD cards||SDHC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Olympus E-500||Olympus E-P2|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Olympus E-500||Olympus E-P2|
|Battery Life (CIPA)||750 shots per charge||300 shots per charge|
130 x 95 x 66 mm
(5.1 x 3.7 x 2.6 in)
121 x 70 x 36 mm
(4.8 x 2.8 x 1.4 in)
|Camera Weight||479 g (16.9 oz)||355 g (12.5 oz)|
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