Olympus E-500 vs Nikon D750
The Olympus Evolt E-500 and the Nikon D750 are two digital cameras that were officially introduced, respectively, in September 2005 and September 2014. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a Four Thirds (E-500) and a full frame (D750) sensor. The Olympus has a resolution of 8 megapixels, whereas the Nikon provides 24.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus Evolt E-500 and the Nikon D750? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Olympus E-500 and the Nikon D750. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D750 is notably larger (29 percent) than the Olympus E-500. Moreover, the D750 is substantially heavier (57 percent) than the E-500. It is noteworthy in this context that the D750 is splash and dust-proof, while the E-500 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-500) and the Nikon Lens Catalog (D750).
Concerning battery life, the E-500 gets 750 shots out of its Olympus BLM-1 battery, while the D750 can take 1230 images on a single charge of its Nikon EN-EL15 power pack.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-500 | 130 mm | 95 mm | 66 mm | 479 g | 750 | n | Sep 2005 | 599 | ebay.com | |
2. | Nikon D750 | 141 mm | 113 mm | 78 mm | 750 g | 1230 | Y | Sep 2014 | 2,299 | ebay.com | |
3. | Nikon D780 | 144 mm | 116 mm | 76 mm | 840 g | 2260 | Y | Jan 2020 | 2,299 | amazon.com | |
4. | Nikon Df | 144 mm | 110 mm | 67 mm | 760 g | 1400 | Y | Nov 2013 | 2,749 | ebay.com | |
5. | Nikon D610 | 141 mm | 113 mm | 82 mm | 850 g | 900 | Y | Oct 2013 | 1,999 | ebay.com | |
6. | Nikon D600 | 141 mm | 113 mm | 82 mm | 850 g | 900 | Y | Sep 2012 | 2,099 | ebay.com | |
7. | Nikon D700 | 147 mm | 123 mm | 77 mm | 1074 g | 1000 | Y | Jul 2008 | 2,999 | ebay.com | |
8. | Olympus E-450 | 130 mm | 91 mm | 53 mm | 440 g | 500 | n | Mar 2009 | 499 | ebay.com | |
9. | Olympus E-620 | 130 mm | 94 mm | 60 mm | 521 g | 500 | n | Feb 2009 | 699 | ebay.com | |
10. | Olympus E-420 | 130 mm | 91 mm | 53 mm | 440 g | 500 | n | Mar 2008 | 599 | ebay.com | |
11. | Olympus E-520 | 136 mm | 92 mm | 68 mm | 535 g | 750 | n | May 2008 | 699 | ebay.com | |
12. | Olympus E-410 | 130 mm | 91 mm | 53 mm | 435 g | 500 | n | Mar 2007 | 699 | ebay.com | |
13. | Olympus E-510 | 136 mm | 92 mm | 68 mm | 538 g | 750 | n | Mar 2007 | 799 | ebay.com | |
14. | Olympus E-330 | 140 mm | 87 mm | 72 mm | 637 g | 750 | n | Jan 2006 | 999 | ebay.com | |
15. | Olympus E-400 | 130 mm | 91 mm | 53 mm | 435 g | 500 | n | Sep 2006 | 699 | ebay.com | |
16. | Olympus E-300 | 147 mm | 85 mm | 64 mm | 624 g | 750 | n | Sep 2004 | 799 | ebay.com | |
17. | Panasonic L10 | 135 mm | 96 mm | 78 mm | 556 g | 450 | n | Aug 2007 | 599 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-500 was launched at a markedly lower price (by 74 percent) than the D750, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-500 features a Four Thirds sensor and the Nikon D750 a full frame sensor. The sensor area in the D750 is 283 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the E-500 has a native 4:3 aspect ratio, while the one in the D750 offers a 3:2 aspect.
With 24.2MP, the D750 offers a higher resolution than the E-500 (8MP), but the D750 nevertheless has larger individual pixels (pixel pitch of 5.97μm versus 5.30μm for the E-500) due to its larger sensor. Moreover, the D750 is a much more recent model (by 8 years and 11 months) than the E-500, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Nikon D750 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D750 for good quality output (200 dots per inch) amounts to 30.1 x 20.1 inches or 76.4 x 51 cm, for very good quality (250 dpi) 24.1 x 16.1 inches or 61.1 x 40.8 cm, and for excellent quality (300 dpi) 20.1 x 13.4 inches or 50.9 x 34 cm. The corresponding values for the Olympus E-500 are 16.3 x 12.2 inches or 41.5 x 31.1 cm for good quality, 13.1 x 9.8 inches or 33.2 x 24.9 cm for very good quality, and 10.9 x 8.2 inches or 27.6 x 20.7 cm for excellent quality prints.
The Olympus Evolt E-500 has a native sensitivity range from ISO 100 to ISO 400, which can be extended to ISO 100-1600. The corresponding ISO settings for the Nikon D750 are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-51200.
In terms of underlying technology, the E-500 is build around a CCD sensor, while the D750 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-500 | Four Thirds | 8.0 | 3264 | 2448 | none | 20.7 | 10.3 | 45 | 51 | |
2. | Nikon D750 | Full Frame | 24.2 | 6016 | 4016 | 1080/60p | 24.8 | 14.5 | 2956 | 93 | |
3. | Nikon D780 | Full Frame | 24.3 | 6048 | 4024 | 4K/30p | 25.3 | 14.3 | 2877 | 95 | |
4. | Nikon Df | Full Frame | 16.2 | 4928 | 3280 | none | 24.6 | 13.1 | 3279 | 89 | |
5. | Nikon D610 | Full Frame | 24.2 | 6016 | 4016 | 1080/30p | 25.1 | 14.4 | 2925 | 94 | |
6. | Nikon D600 | Full Frame | 24.2 | 6016 | 4016 | 1080/30p | 25.1 | 14.2 | 2980 | 94 | |
7. | Nikon D700 | Full Frame | 12.1 | 4256 | 2832 | none | 23.5 | 12.2 | 2303 | 80 | |
8. | Olympus E-450 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.5 | 10.5 | 512 | 56 | |
9. | Olympus E-620 | Four Thirds | 12.2 | 4032 | 3024 | none | 21.3 | 10.3 | 536 | 55 | |
10. | Olympus E-420 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.5 | 10.4 | 527 | 56 | |
11. | Olympus E-520 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.4 | 10.4 | 548 | 55 | |
12. | Olympus E-410 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.1 | 10.0 | 494 | 51 | |
13. | Olympus E-510 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.2 | 10.0 | 442 | 52 | |
14. | Olympus E-330 | Four Thirds | 7.4 | 3136 | 2352 | none | 20.8 | 10.4 | 73 | 52 | |
15. | Olympus E-400 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.0 | 10.6 | 127 | 53 | |
16. | Olympus E-300 | Four Thirds | 8.0 | 3264 | 2448 | none | 20.4 | 10.1 | -40 | 48 | |
17. | Panasonic L10 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.3 | 10.8 | 429 | 55 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. The D750 indeed provides for movie recording, while the E-500 does not. The highest resolution format that the D750 can use is 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. The E-500 and the D750 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the D750 offers a wider field of view (100%) than the one in the E-500 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the D750 has a higher magnification (0.70x vs 0.45x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Olympus E-500, the Nikon D750, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-500 | optical | n | 2.5 / 215 | fixed | n | 1/4000s | 2.5/s | Y | n | |
2. | Nikon D750 | optical | Y | 3.2 / 1229 | tilting | n | 1/4000s | 6.0/s | Y | n | |
3. | Nikon D780 | optical | Y | 3.2 / 2359 | tilting | Y | 1/8000s | 12.0/s | n | n | |
4. | Nikon Df | optical | Y | 3.2 / 921 | fixed | n | 1/4000s | 5.5/s | n | n | |
5. | Nikon D610 | optical | Y | 3.2 / 921 | fixed | n | 1/4000s | 6.0/s | Y | n | |
6. | Nikon D600 | optical | Y | 3.0 / 921 | fixed | n | 1/4000s | 5.5/s | Y | n | |
7. | Nikon D700 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 8.0/s | Y | n | |
8. | Olympus E-450 | optical | n | 2.7 / 215 | fixed | n | 1/4000s | 3.5/s | Y | n | |
9. | Olympus E-620 | optical | n | 2.7 / 230 | swivel | n | 1/4000s | 4.0/s | Y | Y | |
10. | Olympus E-420 | optical | n | 2.7 / 215 | fixed | n | 1/4000s | 3.5/s | Y | n | |
11. | Olympus E-520 | optical | n | 2.7 / 215 | fixed | n | 1/4000s | 3.5/s | Y | Y | |
12. | Olympus E-410 | optical | n | 2.5 / 215 | fixed | n | 1/4000s | 3.0/s | Y | n | |
13. | Olympus E-510 | optical | n | 2.5 / 215 | fixed | n | 1/4000s | 3.0/s | Y | Y | |
14. | Olympus E-330 | optical | n | 2.5 / 215 | tilting | n | 1/4000s | 3.0/s | Y | n | |
15. | Olympus E-400 | optical | n | 2.5 / 215 | fixed | n | 1/4000s | 3.0/s | Y | n | |
16. | Olympus E-300 | optical | n | 1.8 / 134 | fixed | n | 1/4000s | 2.5/s | Y | n | |
17. | Panasonic L10 | optical | n | 2.5 / 207 | swivel | n | 1/4000s | 3.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the D750, but is missing on the E-500 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Nikon D750 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-500 writes its imaging data to Compact Flash or xD Picture cards, while the D750 uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus Evolt E-500 and Nikon D750 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-500 | Y | - / - | - | - | - | 2.0 | - | - | - | |
2. | Nikon D750 | Y | stereo / mono | Y | Y | mini | 2.0 | Y | - | - | |
3. | Nikon D780 | Y | stereo / mono | Y | Y | mini | 3.1 | Y | - | Y | |
4. | Nikon Df | Y | - / - | - | - | mini | 2.0 | - | - | - | |
5. | Nikon D610 | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
6. | Nikon D600 | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
7. | Nikon D700 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
8. | Olympus E-450 | Y | - / - | - | - | - | 2.0 | - | - | - | |
9. | Olympus E-620 | Y | - / - | - | - | - | 2.0 | - | - | - | |
10. | Olympus E-420 | Y | - / - | - | - | - | 2.0 | - | - | - | |
11. | Olympus E-520 | Y | - / - | - | - | - | 2.0 | - | - | - | |
12. | Olympus E-410 | Y | - / - | - | - | - | 2.0 | - | - | - | |
13. | Olympus E-510 | Y | - / - | - | - | - | 2.0 | - | - | - | |
14. | Olympus E-330 | Y | - / - | - | - | - | 2.0 | - | - | - | |
15. | Olympus E-400 | Y | - / - | - | - | - | 2.0 | - | - | - | |
16. | Olympus E-300 | Y | - / - | - | - | - | 2.0 | - | - | - | |
17. | Panasonic L10 | Y | - / - | - | - | - | 2.0 | - | - | - |
It is notable that the D750 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-500 does not provide wifi capability.
Studio photographers will appreciate that the Nikon D750 (unlike the E-500) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the E-500 and the D750 have been discontinued, but can regularly be found used on ebay. The E-500 was replaced by the Olympus E-510, while the D750 was followed by the Nikon D780. Further information on the features and operation of the E-500 and D750 can be found, respectively, in the Olympus E-500 Manual (free pdf) or the online Nikon D750 Manual.
Review summary
So what conclusions can be drawn? Which of the two cameras – the Olympus E-500 or the Nikon D750 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Olympus Evolt E-500:
- More compact: Is smaller (130x95mm vs 141x113mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 271g or 36 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (74 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2005).
Arguments in favor of the Nikon D750:
- More detail: Has more megapixels (24.2 vs 8MP), which boosts linear resolution by 77%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.45x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 215k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (6 vs 2.5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (1230 versus 750) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More modern: Reflects 8 years and 11 months of technical progress since the E-500 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the D750 is the clear winner of the contest (19 : 4 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-500 and the Nikon D750 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-500 or the D750. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-500 | .. | 76/100 | .. | + + | .. | .. | Sep 2005 | 599 | ebay.com | |
2. | Nikon D750 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 4.5/5 | Sep 2014 | 2,299 | ebay.com | |
3. | Nikon D780 | 5/5 | .. | 5/5 | 87/100 | 4.5/5 | 4.5/5 | Jan 2020 | 2,299 | amazon.com | |
4. | Nikon Df | 4/5 | .. | .. | 81/100 | 4/5 | 4/5 | Nov 2013 | 2,749 | ebay.com | |
5. | Nikon D610 | 4/5 | + + | .. | 87/100 | 4.5/5 | 4.5/5 | Oct 2013 | 1,999 | ebay.com | |
6. | Nikon D600 | 4/5 | + + | .. | 87/100 | 5/5 | 4.5/5 | Sep 2012 | 2,099 | ebay.com | |
7. | Nikon D700 | .. | 89/100 | .. | + + | 4.5/5 | 4.5/5 | Jul 2008 | 2,999 | ebay.com | |
8. | Olympus E-450 | .. | .. | .. | .. | 4/5 | 4/5 | Mar 2009 | 499 | ebay.com | |
9. | Olympus E-620 | 3/5 | 88/100 | .. | 72/100 | 4.5/5 | 5/5 | Feb 2009 | 699 | ebay.com | |
10. | Olympus E-420 | .. | 85/100 | .. | + + | 4/5 | 4.5/5 | Mar 2008 | 599 | ebay.com | |
11. | Olympus E-520 | .. | 87/100 | .. | + + | 4.5/5 | 4.5/5 | May 2008 | 699 | ebay.com | |
12. | Olympus E-410 | .. | 86/100 | .. | + + | 4/5 | 4.5/5 | Mar 2007 | 699 | ebay.com | |
13. | Olympus E-510 | .. | 89/100 | .. | + + | 3.5/5 | 4.5/5 | Mar 2007 | 799 | ebay.com | |
14. | Olympus E-330 | .. | .. | .. | + | o | .. | Jan 2006 | 999 | ebay.com | |
15. | Olympus E-400 | .. | 85/100 | .. | .. | 4/5 | 4/5 | Sep 2006 | 699 | ebay.com | |
16. | Olympus E-300 | .. | .. | .. | + | o | 4.5/5 | Sep 2004 | 799 | ebay.com | |
17. | Panasonic L10 | .. | 85/100 | .. | + | 3.5/5 | 4/5 | Aug 2007 | 599 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 5D vs Nikon D750
- Leica T vs Olympus E-500
- Leica X Typ 113 vs Olympus E-500
- Nikon D500 vs Nikon D750
- Nikon D610 vs Olympus E-500
- Nikon D750 vs Olympus E-PL2
- Nikon D750 vs Olympus E-PL6
- Nikon D750 vs Panasonic GH4
- Nikon D750 vs Panasonic GM5
- Nikon W300 vs Olympus E-500
- Olympus E-500 vs Panasonic S1
- Olympus E-500 vs Sony RX1
Specifications: Olympus E-500 vs Nikon D750
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Olympus E-500 | Nikon D750 |
---|---|---|
Camera Type | Digital single lens reflex | Digital single lens reflex |
Camera Lens | Four Thirds lenses | Nikon F mount lenses |
Launch Date | September 2005 | September 2014 |
Launch Price | USD 599 | USD 2,299 |
Sensor Specs | Olympus E-500 | Nikon D750 |
Sensor Technology | CCD | CMOS |
Sensor Format | Four Thirds Sensor | Full Frame Sensor |
Sensor Size | 17.3 x 13.0 mm | 35.9 x 24.0 mm |
Sensor Area | 224.9 mm2 | 861.6 mm2 |
Sensor Diagonal | 21.6 mm | 43.2 mm |
Crop Factor | 2.0x | 1.0x |
Sensor Resolution | 8 Megapixels | 24.2 Megapixels |
Image Resolution | 3264 x 2448 pixels | 6016 x 4016 pixels |
Pixel Pitch | 5.30 μm | 5.97 μm |
Pixel Density | 3.55 MP/cm2 | 2.80 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | no Video | 1080/60p Video |
ISO Setting | 100 - 400 ISO | 100 - 12,800 ISO |
ISO Boost | 100 - 1,600 ISO | 50 - 51,200 ISO |
Image Processor | TruePic | EXPEED 4 |
DXO Sensor Quality (score) | .. | 93 |
DXO Color Depth (bits) | .. | 24.8 |
DXO Dynamic Range (EV) | .. | 14.5 |
DXO Low Light (ISO) | .. | 2956 |
Screen Specs | Olympus E-500 | Nikon D750 |
Viewfinder Type | Optical viewfinder | Optical viewfinder |
Viewfinder Field of View | 95% | 100% |
Viewfinder Magnification | 0.45x | 0.70x |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | |
Rear LCD Size | 2.5inch | 3.2inch |
LCD Resolution | 215k dots | 1229k dots |
LCD Attachment | Fixed screen | Tilting screen |
Shooting Specs | Olympus E-500 | Nikon D750 |
Focus System | Phase-detect AF | Phase-detect AF |
Continuous Shooting | 2.5 shutter flaps/s | 6 shutter flaps/s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | CF or XD cards | SDXC cards |
Single or Dual Card Slots | Dual card slots | Dual card slots |
Connectivity Specs | Olympus E-500 | Nikon D750 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | no HDMI | mini HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | no Wifi | Wifi built-in |
Body Specs | Olympus E-500 | Nikon D750 |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Olympus BLM-1 | Nikon EN-EL15 |
Battery Life (CIPA) | 750 shots per charge | 1230 shots per charge |
Body Dimensions |
130 x 95 x 66 mm (5.1 x 3.7 x 2.6 in) |
141 x 113 x 78 mm (5.6 x 4.4 x 3.1 in) |
Camera Weight | 479 g (16.9 oz) | 750 g (26.5 oz) |
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