Olympus E-5 vs Sony NEX-5R
The Olympus E-5 and the Sony Alpha NEX-5R are two digital cameras that were revealed to the public, respectively, in September 2010 and August 2012. The E-5 is a DSLR, while the NEX-5R is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (E-5) and an APS-C (NEX-5R) sensor. The Olympus has a resolution of 12.2 megapixels, whereas the Sony provides 16 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-5 and the Sony Alpha NEX-5R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Olympus E-5 and the Sony NEX-5R is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The NEX-5R can be obtained in two different colors (black, silver), while the E-5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-5R is considerably smaller (61 percent) than the Olympus E-5. Moreover, the NEX-5R is substantially lighter (68 percent) than the E-5. It is worth mentioning in this context that the E-5 is splash and dust resistant, while the NEX-5R does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-5) and the Sony E-Mount Lens Catalog (NEX-5R). Mirrorless cameras, such as the NEX-5R, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Olympus E-5||142 mm||117 mm||75 mm||873 g||750||Y||Sep 2010||1,699||ebay.com|
|2.||Sony NEX-5R||111 mm||59 mm||39 mm||276 g||330||n||Aug 2012||749||ebay.com|
|3.||Olympus E-PL1||115 mm||72 mm||42 mm||334 g||290||n||Feb 2010||599||ebay.com|
|4.||Olympus E-600||130 mm||94 mm||60 mm||535 g||500||n||Aug 2009||449||ebay.com|
|5.||Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699||ebay.com|
|6.||Olympus E-P1||121 mm||70 mm||36 mm||355 g||300||n||Jun 2009||799||ebay.com|
|7.||Olympus E-P2||121 mm||70 mm||36 mm||355 g||300||n||Nov 2009||799||ebay.com|
|8.||Olympus E-30||142 mm||108 mm||75 mm||701 g||750||n||Nov 2008||1,299||ebay.com|
|9.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699||ebay.com|
|10.||Olympus E-3||142 mm||116 mm||75 mm||876 g||750||Y||Oct 2007||1,699||ebay.com|
|11.||Olympus E-510||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799||ebay.com|
|12.||Olympus E-1||141 mm||104 mm||81 mm||738 g||750||Y||Jun 2003||1,699||ebay.com|
|13.||Ricoh GR||117 mm||61 mm||35 mm||245 g||290||n||Apr 2013||799||ebay.com|
|14.||Sony NEX-3N||110 mm||62 mm||35 mm||269 g||480||n||Feb 2013||499||ebay.com|
|15.||Sony NEX-5T||111 mm||59 mm||39 mm||276 g||330||n||Aug 2013||699||ebay.com|
|16.||Sony NEX-5N||111 mm||59 mm||38 mm||269 g||460||n||Aug 2011||699||ebay.com|
|17.||Sony NEX-3||117 mm||62 mm||33 mm||297 g||330||n||May 2010||599||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The NEX-5R was launched at a markedly lower price (by 56 percent) than the E-5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-5 features a Four Thirds sensor and the Sony NEX-5R an APS-C sensor. The sensor area in the NEX-5R is 62 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-5 has a native 4:3 aspect ratio, while the one in the NEX-5R offers a 3:2 aspect.
With 16MP, the NEX-5R offers a higher resolution than the E-5 (12.2MP), but the NEX-5R nevertheless has larger individual pixels (pixel pitch of 4.78μm versus 4.29μm for the E-5) due to its larger sensor. Moreover, the NEX-5R is a somewhat more recent model (by 1 year and 11 months) than the E-5, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony NEX-5R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-5R for good quality output (200 dots per inch) amounts to 24.6 x 16.3 inches or 62.4 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inches or 49.9 x 33.2 cm, and for excellent quality (300 dpi) 16.4 x 10.9 inches or 41.6 x 27.6 cm. The corresponding values for the Olympus E-5 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.
The Olympus E-5 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Sony Alpha NEX-5R are ISO 100 to ISO 25600 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the NEX-5R offers substantially better image quality than the E-5 (overall score 22 points higher). The advantage is based on 2.1 bits higher color depth, 2.6 EV in additional dynamic range, and 0.8 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Olympus E-5||Four Thirds||12.2||4032||3024||720/30p||21.6||10.5||519||56|
|3.||Olympus E-PL1||Four Thirds||12.2||4032||3024||720/30p||21.5||10.1||487||54|
|4.||Olympus E-600||Four Thirds||12.2||4032||3024||none||21.5||10.3||541||55|
|5.||Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|6.||Olympus E-P1||Four Thirds||12.2||4032||3024||720/30p||21.4||10.4||536||55|
|7.||Olympus E-P2||Four Thirds||12.2||4032||3024||720/30p||21.5||10.4||505||56|
|8.||Olympus E-30||Four Thirds||12.2||4032||3024||none||21.3||10.4||530||55|
|9.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|10.||Olympus E-3||Four Thirds||10.0||3648||2736||none||21.6||10.5||571||56|
|11.||Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|12.||Olympus E-1||Four Thirds||4.9||2560||1920||none||20.0||9.7||-145||44|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the NEX-5R provides a better video resolution than the E-5. It can shoot movie footage at 1080/60i, while the Olympus is limited to 720/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-5 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the NEX-5R relies on live view and the rear LCD for framing. That said, the NEX-5R can be equipped with an optional viewfinder – the FDA-EV1S. The table below summarizes some of the other core capabilities of the Olympus E-5 and Sony NEX-5R in connection with corresponding information for a sample of similar cameras.
|1.||Olympus E-5||optical||Y||3.0 / 920||swivel||n||1/8000s||5.0/s||Y||Y|
|2.||Sony NEX-5R||optional||n||3.0 / 920||tilting||Y||1/4000s||10.0/s||n||n|
|3.||Olympus E-PL1||optional||n||2.7 / 230||fixed||n||1/2000s||3.0/s||Y||Y|
|4.||Olympus E-600||optical||n||2.7 / 230||swivel||n||1/4000s||4.0/s||Y||Y|
|5.||Olympus E-620||optical||n||2.7 / 230||swivel||n||1/4000s||4.0/s||Y||Y|
|6.||Olympus E-P1||none||n||3.0 / 230||fixed||n||1/4000s||3.0/s||n||Y|
|7.||Olympus E-P2||optional||n||3.0 / 230||fixed||n||1/4000s||3.0/s||n||Y|
|8.||Olympus E-30||optical||Y||2.7 / 230||swivel||n||1/8000s||5.0/s||Y||Y|
|9.||Olympus E-520||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||Y|
|10.||Olympus E-3||optical||Y||2.5 / 230||swivel||n||1/8000s||5.0/s||Y||Y|
|11.||Olympus E-510||optical||n||2.5 / 215||fixed||n||1/4000s||3.0/s||Y||Y|
|12.||Olympus E-1||optical||Y||1.8 / 134||fixed||n||1/4000s||3.0/s||n||n|
|13.||Ricoh GR||optional||n||3.0 / 1230||fixed||n||1/4000s||4.0/s||Y||n|
|14.||Sony NEX-3N||optional||n||3.0 / 460||tilting||n||1/4000s||4.0/s||Y||n|
|15.||Sony NEX-5T||optional||n||3.0 / 922||tilting||Y||1/4000s||10.0/s||n||n|
|16.||Sony NEX-5N||optional||n||3.0 / 920||tilting||Y||1/4000s||10.0/s||n||n|
|17.||Sony NEX-3||optional||n||3.0 / 920||tilting||n||1/4000s||7.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The E-5 has one, while the NEX-5R does not. While the built-in flash of the E-5 is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The E-5 writes its imaging data to Compact Flash or xD Picture cards, while the NEX-5R uses SDXC or Memory Stick PRO Duo cards. The E-5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the NEX-5R only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-5 and Sony Alpha NEX-5R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-5||Y||stereo / -||-||-||mini||2.0||-||-||-|
|2.||Sony NEX-5R||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|3.||Olympus E-PL1||Y||stereo / -||-||-||mini||2.0||-||-||-|
|4.||Olympus E-600||Y||- / -||-||-||-||2.0||-||-||-|
|5.||Olympus E-620||Y||- / -||-||-||-||2.0||-||-||-|
|6.||Olympus E-P1||Y||stereo / -||-||-||mini||2.0||-||-||-|
|7.||Olympus E-P2||Y||stereo / -||-||-||mini||2.0||-||-||-|
|8.||Olympus E-30||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Olympus E-520||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Olympus E-3||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Olympus E-510||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Olympus E-1||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Ricoh GR||Y||mono / mono||-||-||micro||2.0||-||-||-|
|14.||Sony NEX-3N||-||stereo / mono||-||-||micro||2.0||-||-||-|
|15.||Sony NEX-5T||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|16.||Sony NEX-5N||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony NEX-3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the NEX-5R offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-5 does not provide wifi capability.
Studio photographers will appreciate that the Olympus E-5 (unlike the NEX-5R) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the E-5 and the NEX-5R have been discontinued, but can regularly be found used on ebay. The NEX-5R was replaced by the Sony NEX-5T, while the E-5 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Sony websites.
So how do things add up? Is there a clear favorite between the Olympus E-5 and the Sony NEX-5R? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Olympus E-5:
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Can take more shots (750 versus 330) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been on the market for longer (launched in September 2010).
Reasons to prefer the Sony Alpha NEX-5R:
- More detail: Has more megapixels (16 vs 12.2MP), which boosts linear resolution by 17%.
- Better image quality: Scores substantially higher (22 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.1 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.6 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.8 stops ISO advantage).
- Better video: Provides higher definition movie capture (1080/60i vs 720/30p).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (111x59mm vs 142x117mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 597g or 68 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced into a lower priced category (56 percent cheaper at launch).
- More modern: Was introduced somewhat (1 year and 11 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the NEX-5R emerges as the winner of the match-up (14 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-5 and the Sony NEX-5R place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the E-5 and the NEX-5R in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-5||4/5||..||..||75/100||4/5||4.5/5||Sep 2010||1,699||ebay.com|
|2.||Sony NEX-5R||..||..||..||..||4.5/5||4.5/5||Aug 2012||749||ebay.com|
|3.||Olympus E-PL1||..||86/100||..||69/100||4/5||4.5/5||Feb 2010||599||ebay.com|
|4.||Olympus E-600||..||..||..||..||..||4.5/5||Aug 2009||449||ebay.com|
|5.||Olympus E-620||3/5||88/100||..||72/100||4.5/5||5/5||Feb 2009||699||ebay.com|
|6.||Olympus E-P1||..||+||..||66/100||4/5||4.5/5||Jun 2009||799||ebay.com|
|7.||Olympus E-P2||3/5||+||..||69/100||4/5||4.5/5||Nov 2009||799||ebay.com|
|8.||Olympus E-30||..||..||..||71/100||4.5/5||4/5||Nov 2008||1,299||ebay.com|
|9.||Olympus E-520||..||87/100||..||+ +||4.5/5||4.5/5||May 2008||699||ebay.com|
|10.||Olympus E-3||..||88/100||..||+ +||o||4/5||Oct 2007||1,699||ebay.com|
|11.||Olympus E-510||..||89/100||..||+ +||3.5/5||4.5/5||Mar 2007||799||ebay.com|
|12.||Olympus E-1||..||..||..||+||o||..||Jun 2003||1,699||ebay.com|
|13.||Ricoh GR||5/5||..||..||79/100||4.5/5||4.5/5||Apr 2013||799||ebay.com|
|14.||Sony NEX-3N||3/5||..||..||..||4.5/5||4.5/5||Feb 2013||499||ebay.com|
|15.||Sony NEX-5T||..||..||..||..||4.5/5||4.5/5||Aug 2013||699||ebay.com|
|16.||Sony NEX-5N||3/5||+ +||..||79/100||4.5/5||4.5/5||Aug 2011||699||ebay.com|
|17.||Sony NEX-3||..||..||..||70/100||4.5/5||4/5||May 2010||599||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1Ds Mark III vs Olympus E-5
- Canon G5 X vs Olympus E-5
- Canon SX50 vs Sony NEX-5R
- Canon XC10 vs Sony NEX-5R
- Fujifilm X-M1 vs Olympus E-5
- Leica D-LUX 7 vs Sony NEX-5R
- Leica M9 vs Olympus E-5
- Nikon D40X vs Olympus E-5
- Nikon W300 vs Olympus E-5
- Panasonic GM5 vs Sony NEX-5R
- Panasonic LX7 vs Sony NEX-5R
- Sony A6000 vs Sony NEX-5R
Specifications: Olympus E-5 vs Sony NEX-5R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-5||Sony NEX-5R|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Four Thirds lenses||Sony E mount lenses|
|Launch Date||September 2010||August 2012|
|Launch Price||USD 1,699||USD 749|
|Sensor Specs||Olympus E-5||Sony NEX-5R|
|Sensor Format||Four Thirds Sensor||APS-C Sensor|
|Sensor Size||17.3 x 13.0 mm||23.4 x 15.6 mm|
|Sensor Area||224.9 mm2||365.04 mm2|
|Sensor Diagonal||21.6 mm||28.1 mm|
|Sensor Resolution||12.2 Megapixels||16 Megapixels|
|Image Resolution||4032 x 3024 pixels||4912 x 3264 pixels|
|Pixel Pitch||4.29 μm||4.78 μm|
|Pixel Density||5.42 MP/cm2||4.39 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||720/30p Video||1080/60i Video|
|ISO Setting||100 - 6,400 ISO||100 - 25,600 ISO|
|Image Processor||TruePic V+||BIONZ|
|DXO Sensor Quality (score)||56||78|
|DXO Color Depth (bits)||21.6||23.7|
|DXO Dynamic Range (EV)||10.5||13.1|
|DXO Low Light (ISO)||519||910|
|Screen Specs||Olympus E-5||Sony NEX-5R|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||920k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Olympus E-5||Sony NEX-5R|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||5 shutter flaps/s||10 shutter flaps/s|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||CF or XD cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Olympus E-5||Sony NEX-5R|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Olympus E-5||Sony NEX-5R|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||750 shots per charge||330 shots per charge|
142 x 117 x 75 mm
(5.6 x 4.6 x 3.0 in)
111 x 59 x 39 mm
(4.4 x 2.3 x 1.5 in)
|Camera Weight||873 g (30.8 oz)||276 g (9.7 oz)|
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