Olympus E-5 vs Sony HX95
The Olympus E-5 and the Sony Cyber-shot DSC-HX95 are two digital cameras that were announced, respectively, in September 2010 and August 2018. The E-5 is a DSLR, while the HX95 is a fixed lens compact. The cameras are based on a Four Thirds (E-5) and a 1/2.3-inch (HX95) sensor. The Olympus has a resolution of 12.2 megapixels, whereas the Sony provides 18 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-5 and the Sony Cyber-shot DSC-HX95? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Olympus E-5 and the Sony HX95 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony HX95 is considerably smaller (64 percent) than the Olympus E-5. It is worth mentioning in this context that the E-5 is splash and dust resistant, while the HX95 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the HX95 has a lens built in, whereas the E-5 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-5 and their specifications in the Four Thirds Lens Catalog.
Concerning battery life, the E-5 gets 750 shots out of its BLM-5 battery, while the HX95 can take 370 images on a single charge of its NP-BX1 power pack. The power pack in the HX95 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Olympus E-5||142 mm||117 mm||75 mm||873 g||750||Y||Sep 2010||1,699||ebay.com|
|2.||Sony HX95||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||429||amazon.com|
|3.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529||amazon.com|
|4.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399||ebay.com|
|5.||Olympus E-P3||122 mm||69 mm||34 mm||369 g||330||n||Jun 2011||799||ebay.com|
|6.||Olympus E-PL2||114 mm||72 mm||42 mm||362 g||280||n||Jan 2011||599||ebay.com|
|7.||Olympus E-PL3||110 mm||64 mm||37 mm||313 g||300||n||Jun 2011||599||ebay.com|
|8.||Olympus E-PM1||110 mm||64 mm||34 mm||265 g||330||n||Jun 2011||499||ebay.com|
|9.||Olympus E-450||130 mm||91 mm||53 mm||440 g||500||n||Mar 2009||499||ebay.com|
|10.||Olympus E-600||130 mm||94 mm||60 mm||535 g||500||n||Aug 2009||449||ebay.com|
|11.||Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699||ebay.com|
|12.||Olympus E-3||142 mm||116 mm||75 mm||876 g||750||Y||Oct 2007||1,699||ebay.com|
|13.||Sony ZV-1F||106 mm||60 mm||46 mm||256 g||360||n||Oct 2022||499||amazon.com|
|14.||Sony HX99||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449||amazon.com|
|15.||Sony WX800||102 mm||58 mm||36 mm||233 g||370||n||Oct 2018||399||ebay.com|
|16.||Sony HX90V||102 mm||58 mm||36 mm||245 g||360||n||Apr 2015||429||ebay.com|
|17.||Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The HX95 was launched at a lower price than the E-5, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-5 features a Four Thirds sensor and the Sony HX95 a 1/2.3-inch sensor. The sensor area in the HX95 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the HX95 offers a higher resolution of 18 megapixels, compared with 12.2 MP of the E-5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.25μm versus 4.29μm for the E-5). However, it should be noted that the HX95 is much more recent (by 7 years and 11 months) than the E-5, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the HX95 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony HX95 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the HX95 for good quality output (200 dots per inch) amounts to 24.5 x 18.4 inches or 62.2 x 46.6 cm, for very good quality (250 dpi) 19.6 x 14.7 inches or 49.7 x 37.3 cm, and for excellent quality (300 dpi) 16.3 x 12.2 inches or 41.5 x 31.1 cm. The corresponding values for the Olympus E-5 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.
The Olympus E-5 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Sony Cyber-shot DSC-HX95 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Olympus E-5||Four Thirds||12.2||4032||3024||720/30p||21.6||10.5||519||56|
|3.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|5.||Olympus E-P3||Four Thirds||12.2||4032||3024||1080/60i||20.8||10.1||536||51|
|6.||Olympus E-PL2||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55|
|7.||Olympus E-PL3||Four Thirds||12.2||4032||3024||1080/60i||20.9||10.3||499||52|
|8.||Olympus E-PM1||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52|
|9.||Olympus E-450||Four Thirds||10.0||3648||2736||none||21.5||10.5||512||56|
|10.||Olympus E-600||Four Thirds||12.2||4032||3024||none||21.5||10.3||541||55|
|11.||Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|12.||Olympus E-3||Four Thirds||10.0||3648||2736||none||21.6||10.5||571||56|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the HX95 provides a better video resolution than the E-5. It can shoot movie footage at 4K/30p, while the Olympus is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the HX95 has an electronic viewfinder (638k dots), while the E-5 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Olympus E-5 and Sony HX95 along with similar information for a selection of comparators.
|1.||Olympus E-5||optical||Y||3.0 / 920||swivel||n||1/8000s||5.0/s||Y||Y|
|2.||Sony HX95||638||n||3.0 / 922||tilting||n||1/2000s||10.0/s||Y||Y|
|3.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2/s||Y||Y|
|4.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3/s||Y||n|
|5.||Olympus E-P3||optional||n||3.0 / 614||fixed||Y||1/4000s||3.0/s||Y||Y|
|6.||Olympus E-PL2||optional||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||Y|
|7.||Olympus E-PL3||optional||n||3.0 / 460||tilting||n||1/4000s||5.5/s||n||Y|
|8.||Olympus E-PM1||optional||n||3.0 / 460||fixed||n||1/4000s||5.5/s||n||Y|
|9.||Olympus E-450||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||n|
|10.||Olympus E-600||optical||n||2.7 / 230||swivel||n||1/4000s||4.0/s||Y||Y|
|11.||Olympus E-620||optical||n||2.7 / 230||swivel||n||1/4000s||4.0/s||Y||Y|
|12.||Olympus E-3||optical||Y||2.5 / 230||swivel||n||1/8000s||5.0/s||Y||Y|
|13.||Sony ZV-1F||none||n||3.0 / 922||swivel||Y||1/2000s||16.0/s||n||n|
|14.||Sony HX99||638||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|15.||Sony WX800||none||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|16.||Sony HX90V||638||n||3.0 / 921||tilting||n||1/2000s||10.0/s||Y||Y|
|17.||Sony A77||2359||Y||3.0 / 921||full-flex||n||1/8000s||12.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the E-5, but is missing on the HX95 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The E-5 writes its imaging data to Compact Flash or xD Picture cards, while the HX95 uses SDXC or Memory Stick PRO Duo cards. The E-5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the HX95 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-5 and Sony Cyber-shot DSC-HX95 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-5||Y||stereo / -||-||-||mini||2.0||-||-||-|
|2.||Sony HX95||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|3.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|4.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|5.||Olympus E-P3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|6.||Olympus E-PL2||Y||stereo / -||-||-||mini||2.0||-||-||-|
|7.||Olympus E-PL3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|8.||Olympus E-PM1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Olympus E-450||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Olympus E-600||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Olympus E-620||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Olympus E-3||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Sony ZV-1F||-||stereo / mono||Y||-||-||3.0||Y||-||Y|
|14.||Sony HX99||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|15.||Sony WX800||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony HX90V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony A77||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the E-5 has a hotshoe, while the HX95 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Olympus E-5 (unlike the HX95) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The HX95 is a recent model that features in the current product line-up of Sony. In contrast, the E-5 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the E-5 from Olympus. Further information on the features and operation of the E-5 and HX95 can be found, respectively, in the Olympus E-5 Manual (free pdf) or the online Sony HX95 Manual.
So what conclusions can be drawn? Is there a clear favorite between the Olympus E-5 and the Sony HX95? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Olympus E-5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (750 versus 370) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in September 2010).
Advantages of the Sony Cyber-shot DSC-HX95:
- More detail: Has more megapixels (18 vs 12.2MP), which boosts linear resolution by 21%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 720/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with an integrated lens, while the E-5 requires a separate lens.
- More compact: Is smaller (102x58mm vs 142x117mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the E-5).
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 7 years and 11 months of technical progress since the E-5 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the E-5 emerges as the winner of the contest (16 : 14 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-5 and the Sony HX95 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the E-5 and the HX95 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-5||4/5||..||..||75/100||4/5||4.5/5||Sep 2010||1,699||ebay.com|
|2.||Sony HX95||..||..||..||..||..||..||Aug 2018||429||amazon.com|
|3.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529||amazon.com|
|4.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399||ebay.com|
|5.||Olympus E-P3||..||83/100||..||74/100||4.5/5||4.5/5||Jun 2011||799||ebay.com|
|6.||Olympus E-PL2||3/5||83/100||..||71/100||4.5/5||4.5/5||Jan 2011||599||ebay.com|
|7.||Olympus E-PL3||3/5||+ +||..||72/100||4.5/5||4/5||Jun 2011||599||ebay.com|
|8.||Olympus E-PM1||..||86/100||..||71/100||4.5/5||4.5/5||Jun 2011||499||ebay.com|
|9.||Olympus E-450||..||..||..||..||4/5||4/5||Mar 2009||499||ebay.com|
|10.||Olympus E-600||..||..||..||..||..||4.5/5||Aug 2009||449||ebay.com|
|11.||Olympus E-620||3/5||88/100||..||72/100||4.5/5||5/5||Feb 2009||699||ebay.com|
|12.||Olympus E-3||..||88/100||..||+ +||o||4/5||Oct 2007||1,699||ebay.com|
|13.||Sony ZV-1F||..||..||..||78/100||..||..||Oct 2022||499||amazon.com|
|14.||Sony HX99||..||..||..||..||4/5||4.5/5||Aug 2018||449||amazon.com|
|15.||Sony WX800||..||..||..||..||..||..||Oct 2018||399||ebay.com|
|16.||Sony HX90V||4/5||+ +||..||..||4/5||4.5/5||Apr 2015||429||ebay.com|
|17.||Sony A77||5/5||91/100||..||81/100||..||5/5||Aug 2011||1,399||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon G7 X Mark III vs Olympus E-5
- Fujifilm X-E3 vs Sony HX95
- Leica D-LUX Typ 109 vs Olympus E-5
- Nikon B600 vs Olympus E-5
- Nikon D5600 vs Sony HX95
- Nikon D850 vs Olympus E-5
- Olympus E-5 vs Olympus E-P2
- Olympus E-5 vs Sony HX80
- Olympus E-620 vs Sony HX95
- Panasonic GF1 vs Sony HX95
- Sony A3000 vs Sony HX95
- Sony A7R vs Sony HX95
Specifications: Olympus E-5 vs Sony HX95
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-5||Sony HX95|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Four Thirds lenses||24-720mm f/3.5-6.4|
|Launch Date||September 2010||August 2018|
|Launch Price||USD 1,699||USD 429|
|Sensor Specs||Olympus E-5||Sony HX95|
|Sensor Format||Four Thirds Sensor||1/2.3" Sensor|
|Sensor Size||17.3 x 13.0 mm||6.17 x 4.55 mm|
|Sensor Area||224.9 mm2||28.0735 mm2|
|Sensor Diagonal||21.6 mm||7.7 mm|
|Sensor Resolution||12.2 Megapixels||18 Megapixels|
|Image Resolution||4032 x 3024 pixels||4896 x 3672 pixels|
|Pixel Pitch||4.29 μm||1.25 μm|
|Pixel Density||5.42 MP/cm2||64.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||720/30p Video||4K/30p Video|
|ISO Setting||100 - 6,400 ISO||80 - 3,200 ISO|
|ISO Boost||no Enhancement||80 - 6,400 ISO|
|Image Processor||TruePic V+||BIONZ X|
|DXO Sensor Quality (score)||56||..|
|DXO Color Depth (bits)||21.6||..|
|DXO Dynamic Range (EV)||10.5||..|
|DXO Low Light (ISO)||519||..|
|Screen Specs||Olympus E-5||Sony HX95|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||638k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||922k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Olympus E-5||Sony HX95|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||5 shutter flaps/s||10 shutter flaps/s|
|Image Stabilization||In-body stabilization||Lens-based stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||CF or XD cards||MS or SDXC cards|
|Single or Dual Card Slots||Dual card slots||Single card slot|
|Connectivity Specs||Olympus E-5||Sony HX95|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Olympus E-5||Sony HX95|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||750 shots per charge||370 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
142 x 117 x 75 mm
(5.6 x 4.6 x 3.0 in)
102 x 58 x 36 mm
(4.0 x 2.3 x 1.4 in)
|Camera Weight||873 g (30.8 oz)||242 g (8.5 oz)|
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