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Olympus E-5 vs Panasonic G7

The Olympus E-5 and the Panasonic Lumix DMC-G7 are two digital cameras that were officially introduced, respectively, in September 2010 and May 2015. The E-5 is a DSLR, while the G7 is a mirrorless interchangeable lens camera. Both cameras are equipped with a Four Thirds sensor. The Olympus has a resolution of 12.2 megapixels, whereas the Panasonic provides 15.8 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Olympus E-5
versus
Panasonic G7
Olympus E-5   Panasonic G7
Digital single lens reflex Mirrorless system camera
Four Thirds lenses Micro Four Thirds lenses
12.2 MP – Four Thirds sensor 15.8 MP – Four Thirds sensor
720/30p Video 4K/30p Video
ISO 100-6,400 ISO 160-25,600
Optical viewfinder Electronic viewfinder (2360k dots)
3.0" LCD – 920k dots 3.0" LCD – 1040k dots
Swivel screen (not touch-sensitive) Swivel touchscreen
5 shutter flaps per second 7 shutter flaps per second
In-body stabilizationLens stabilization only
Weathersealed bodynot weather sealed
750 shots per battery charge350 shots per battery charge
142 x 117 x 75 mm, 873 g 125 x 86 x 77 mm, 410 g
Olympus E-5:
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Panasonic G7:
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Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-5 and the Panasonic Lumix DMC-G7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Olympus E-5 and the Panasonic G7. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.

The G7 can be obtained in two different colors (black, silver), while the E-5 is only available in black.

Size Olympus E-5 vs Panasonic G7
Compare E-5 versus G7 top
Comparison E-5 or G7 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G7 is considerably smaller (35 percent) than the Olympus E-5. Moreover, the G7 is substantially lighter (53 percent) than the E-5. It is worth mentioning in this context that the E-5 is splash and dust resistant, while the G7 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-5) and the Micro Four Thirds Lens Catalog (G7). Mirrorless cameras, such as the G7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the E-5 gets 750 shots out of its BLM-5 battery, while the G7 can take 350 images on a single charge of its DMW-BLC12 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

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Body Specifications
    Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
Weather
Sealing
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Olympus E-5 142 mm 117 mm 75 mm 873 g 750 Y Sep 2010 1,699i
2.
 
Panasonic G7 125 mm 86 mm 77 mm 410 g 350 n May 2015 649i
3.
 
Olympus E-PL1 115 mm 72 mm 42 mm 334 g 290 n Feb 2010 599i
4.
 
Olympus E-600 130 mm 94 mm 60 mm 535 g 500 n Aug 2009 449i
5.
 
Olympus E-620 130 mm 94 mm 60 mm 521 g 500 n Feb 2009 699i
6.
 
Olympus E-P1 121 mm 70 mm 36 mm 355 g 300 n Jun 2009 799i
7.
 
Olympus E-P2 121 mm 70 mm 36 mm 355 g 300 n Nov 2009 799i
8.
 
Olympus E-30 142 mm 108 mm 75 mm 701 g 750 n Nov 2008 1,299i
9.
 
Olympus E-520 136 mm 92 mm 68 mm 535 g 750 n May 2008 699i
10.
 
Olympus E-3 142 mm 116 mm 75 mm 876 g 750 Y Oct 2007 1,699i
11.
 
Olympus E-510 136 mm 92 mm 68 mm 538 g 750 n Mar 2007 799i
12.
 
Olympus E-1 141 mm 104 mm 81 mm 738 g 750 Y Jun 2003 1,699i
13.
 
Panasonic GM5 99 mm 60 mm 36 mm 211 g 220 n Sep 2014 749i
14.
 
Panasonic G6 122 mm 85 mm 71 mm 390 g 340 n Apr 2013 599i
15.
 
Panasonic GM1 99 mm 55 mm 30 mm 204 g 230 n Oct 2013 749i
16.
 
Panasonic G5 120 mm 83 mm 71 mm 396 g 320 n Jul 2012 599i
17.
 
Panasonic GH2 124 mm 90 mm 76 mm 442 g 330 n Sep 2010 899i
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G7 was launched at a markedly lower price (by 62 percent) than the E-5, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

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Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

In terms of underlying technology, both cameras are build around CMOS sensors.

Olympus E-5 and Panasonic G7 sensor measures

While the two cameras under review share the same sensor size, the G7 offers a higher resolution of 15.8 megapixels, compared with 12.2 MP of the E-5. This megapixels advantage translates into a 14 percent gain in linear resolution. On the other hand, these sensor specs imply that the G7 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.77μm versus 4.29μm for the E-5). However, it should be noted that the G7 is much more recent (by 4 years and 8 months) than the E-5, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.

The resolution advantage of the Panasonic G7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G7 for good quality output (200 dots per inch) amounts to 23 x 17.2 inches or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inches or 38.9 x 29.2 cm. The corresponding values for the Olympus E-5 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.

The Olympus E-5 has a native sensitivity range from ISO 100 to ISO 6400. The corresponding ISO settings for the Panasonic Lumix DMC-G7 are ISO 160 to ISO 25600 (no boost).

E-5 versus G7 MP

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

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Sensor Characteristics
    Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
1.
 
Olympus E-5 Four Thirds 12.2 4032 3024720/30p21.610.551956
2.
 
Panasonic G7 Four Thirds 15.8 4592 34484K/30p22.812.490471
3.
 
Olympus E-PL1 Four Thirds 12.2 4032 3024720/30p21.510.148754
4.
 
Olympus E-600 Four Thirds 12.2 4032 3024none21.510.354155
5.
 
Olympus E-620 Four Thirds 12.2 4032 3024none21.310.353655
6.
 
Olympus E-P1 Four Thirds 12.2 4032 3024720/30p21.410.453655
7.
 
Olympus E-P2 Four Thirds 12.2 4032 3024720/30p21.510.450556
8.
 
Olympus E-30 Four Thirds 12.2 4032 3024none21.310.453055
9.
 
Olympus E-520 Four Thirds 10.0 3648 2736none21.410.454855
10.
 
Olympus E-3 Four Thirds 10.0 3648 2736none21.610.557156
11.
 
Olympus E-510 Four Thirds 10.0 3648 2736none21.210.044252
12.
 
Olympus E-1 Four Thirds 4.9 2560 1920none20.09.7-14544
13.
 
Panasonic GM5 Four Thirds 15.8 4592 34481080/60p22.111.772166
14.
 
Panasonic G6 Four Thirds 15.9 4608 34561080/60p21.311.563961
15.
 
Panasonic GM1 Four Thirds 15.8 4592 34481080/60i22.311.766066
16.
 
Panasonic G5 Four Thirds 15.9 4608 34561080/60p22.311.964366
17.
 
Panasonic GH2 Four Thirds 15.9 4608 34561080/60i21.211.365560
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G7 provides a better video resolution than the E-5. It can shoot movie footage at 4K/30p, while the Olympus is limited to 720/30p.

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Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the G7 has an electronic viewfinder (2360k dots), while the E-5 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the G7 has a higher magnification than the one of the E-5 (0.70x vs 0.58x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Olympus E-5 and Panasonic G7 along with similar information for a selection of comparators.

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Core Features
    Camera
Model
Viewfinder
(Type or
000 dots)
Control
Panel
(yes/no)
LCD
Specifications
(inch/000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Max
Shutter
Speed *
Max
Shutter
Flaps *
Built-in
Flash
(yes/no)
Built-in
Image
Stab
1.
 
Olympus E-5optical Y3.0 / 920 swivel n 1/8000s 5.0/s Y Y
2.
 
Panasonic G72360 n3.0 / 1040 swivel Y 1/4000s 7.0/s Y n
3.
 
Olympus E-PL1optional n2.7 / 230 fixed n 1/2000s 3.0/s Y Y
4.
 
Olympus E-600optical n2.7 / 230 swivel n 1/4000s 4.0/s Y Y
5.
 
Olympus E-620optical n2.7 / 230 swivel n 1/4000s 4.0/s Y Y
6.
 
Olympus E-P1none n3.0 / 230 fixed n 1/4000s 3.0/s n Y
7.
 
Olympus E-P2optional n3.0 / 230 fixed n 1/4000s 3.0/s n Y
8.
 
Olympus E-30optical Y2.7 / 230 swivel n 1/8000s 5.0/s Y Y
9.
 
Olympus E-520optical n2.7 / 215 fixed n 1/4000s 3.5/s Y Y
10.
 
Olympus E-3optical Y2.5 / 230 swivel n 1/8000s 5.0/s Y Y
11.
 
Olympus E-510optical n2.5 / 215 fixed n 1/4000s 3.0/s Y Y
12.
 
Olympus E-1optical Y1.8 / 134 fixed n 1/4000s 3.0/s n n
13.
 
Panasonic GM51166 n3.0 / 921 fixed Y 1/500s 5.8/s n n
14.
 
Panasonic G61440 n3.0 / 1036 swivel Y 1/4000s 7.0/s Y n
15.
 
Panasonic GM1none n3.0 / 1036 fixed Y 1/500s 5.0/s Y n
16.
 
Panasonic G51440 n3.0 / 920 swivel Y 1/4000s 6.0/s Y n
17.
 
Panasonic GH21534 n3.0 / 460 swivel n 1/4000s 3.0/s Y n
Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the E-5, but is missing on the G7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic G7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The E-5 writes its imaging data to Compact Flash or xD Picture cards, while the G7 uses SDXC cards. The E-5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the G7 only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-5 and Panasonic Lumix DMC-G7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

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Input-Output Connections
    Camera
Model
Hotshoe
Port
Internal
Mic / Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
1.
 
Olympus E-5Ystereo / ---mini2.0---
2.
 
Panasonic G7Ystereo / monoY-micro2.0Y--
3.
 
Olympus E-PL1Ystereo / ---mini2.0---
4.
 
Olympus E-600Y- / ----2.0---
5.
 
Olympus E-620Y- / ----2.0---
6.
 
Olympus E-P1Ystereo / ---mini2.0---
7.
 
Olympus E-P2Ystereo / ---mini2.0---
8.
 
Olympus E-30Y- / ----2.0---
9.
 
Olympus E-520Y- / ----2.0---
10.
 
Olympus E-3Y- / ----2.0---
11.
 
Olympus E-510Y- / ----2.0---
12.
 
Olympus E-1Y- / ----2.0---
13.
 
Panasonic GM5Ystereo / mono--micro2.0Y--
14.
 
Panasonic G6Ystereo / monoY-mini2.0YY-
15.
 
Panasonic GM1-stereo / mono--micro2.0Y--
16.
 
Panasonic G5Ystereo / mono--mini2.0---
17.
 
Panasonic GH2Ystereo / monoY-mini2.0---

It is notable that the G7 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-5 does not provide wifi capability.

Studio photographers will appreciate that the Olympus E-5 (unlike the G7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the E-5 and the G7 have been discontinued, but can regularly be found used on eBay. The G7 was replaced by the Panasonic G85, while the E-5 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Panasonic websites.

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Review summary

So how do things add up? Is there a clear favorite between the Olympus E-5 and the Panasonic G7? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

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Advantages of the Olympus E-5:

  • Brighter framing: Features an optical viewfinder for clear, lag-free composition.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
  • Longer lasting: Can take more shots (750 versus 350) on a single battery charge.
  • Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
  • Sharper images: Has hand-shake reducing image stabilization built-in.
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
  • More heavily discounted: Has been available for much longer (launched in September 2010).

ilogo

Arguments in favor of the Panasonic Lumix DMC-G7:

  • More detail: Has more megapixels (15.8 vs 12.2MP), which boosts linear resolution by 14%.
  • Better video: Provides higher definition movie capture (4K/30p vs 720/30p).
  • Better sound: Can connect to an external microphone for higher quality sound recording.
  • More framing info: Has an electronic viewfinder that displays shooting data.
  • Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.58x).
  • More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
  • Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
  • Faster burst: Shoots at higher frequency (7 vs 5 flaps/sec) to capture the decisive moment.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
  • More compact: Is smaller (125x86mm vs 142x117mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 463g or 53 percent) and is thus easier to take along.
  • More legacy lens friendly: Can use many non-native lenses via adapters.
  • Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
  • More affordable: Was introduced into a lower priced category (62 percent cheaper at launch).
  • More modern: Reflects 4 years and 8 months of technical progress since the E-5 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the G7 is the clear winner of the contest (16 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

E-5 09:16 G7

How about other alternatives? Do the specifications of the Olympus E-5 and the Panasonic G7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the E-5 and the G7 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

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Expert Camera Reviews
     Camera 
 Model 
 AP 
 score 
 CL 
 score 
 DCW 
 score 
 DPR 
 score 
 EPZ 
 score 
 PB 
 score 
Camera
Launch
Launch
Price (USD)
Street
Price
1.
 
Olympus E-54/5....75/1004/54.5/5 Sep 2010 1,699i
2.
 
Panasonic G74/5+ +..80/1005/54.5/5 May 2015 649i
3.
 
Olympus E-PL1..86/100..69/1004/54.5/5 Feb 2010 599i
4.
 
Olympus E-600..........4.5/5 Aug 2009 449i
5.
 
Olympus E-6203/588/100..72/1004.5/55/5 Feb 2009 699i
6.
 
Olympus E-P1..+..66/1004/54.5/5 Jun 2009 799i
7.
 
Olympus E-P23/5+..69/1004/54.5/5 Nov 2009 799i
8.
 
Olympus E-30......71/1004.5/54/5 Nov 2008 1,299i
9.
 
Olympus E-520..87/100..+ +4.5/54.5/5 May 2008 699i
10.
 
Olympus E-3..88/100..+ +o4/5 Oct 2007 1,699i
11.
 
Olympus E-510..89/100..+ +3.5/54.5/5 Mar 2007 799i
12.
 
Olympus E-1......+o.. Jun 2003 1,699i
13.
 
Panasonic GM53.5/5+..77/1005/54.5/5 Sep 2014 749i
14.
 
Panasonic G64/5+ +....5/54.5/5 Apr 2013 599i
15.
 
Panasonic GM13/5+..78/1005/54.5/5 Oct 2013 749i
16.
 
Panasonic G53/5+ +....4.5/54.5/5 Jul 2012 599i
17.
 
Panasonic GH25/5+ +..79/1004.5/55/5 Sep 2010 899i
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

Olympus E-5:
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Panasonic G7:
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Other camera comparisons

Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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    Specifications: Olympus E-5 vs Panasonic G7

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Olympus E-5 Panasonic G7
    Camera Type Digital single lens reflex Mirrorless system camera
    Camera Lens Four Thirds lenses Micro Four Thirds lenses
    Launch Date September 2010 May 2015
    Launch Price USD 1,699 USD 649
    Sensor Specs Olympus E-5 Panasonic G7
    Sensor Technology CMOS CMOS
    Sensor Format Four Thirds Sensor Four Thirds Sensor
    Sensor Size 17.3 x 13.0 mm 17.3 x 13.0 mm
    Sensor Area 224.9 mm2 224.9 mm2
    Sensor Diagonal 21.6 mm 21.6 mm
    Crop Factor 2.0x 2.0x
    Sensor Resolution 12.2 Megapixels 15.8 Megapixels
    Image Resolution 4032 x 3024 pixels 4592 x 3448 pixels
    Pixel Pitch 4.29 μm 3.77 μm
    Pixel Density 5.42 MP/cm2 7.04 MP/cm2
    Moiré control Anti-Alias filter Anti-Alias filter
    Movie Capability 720/30p Video 4K/30p Video
    ISO Setting 100 - 6,400 ISO 160 - 25,600 ISO
    Image Processor TruePic V+ Venus
    DXO Sensor Quality (score) 56 ..
    DXO Color Depth (bits) 21.6 ..
    DXO Dynamic Range (EV) 10.5 ..
    DXO Low Light (ISO) 519 ..
    Screen Specs Olympus E-5 Panasonic G7
    Viewfinder Type Optical viewfinder Electronic viewfinder
    Viewfinder Field of View 100% 100%
    Viewfinder Magnification 0.58x 0.70x
    Viewfinder Resolution 2360k dots
    Top-Level Screen Control Panel no Top Display
    LCD Framing Live View Live View
    Rear LCD Size 3.0inch 3.0inch
    LCD Resolution 920k dots 1040k dots
    LCD Attachment Swivel screen Swivel screen
    Touch Input no Touchscreen Touchscreen
    Shooting Specs Olympus E-5 Panasonic G7
    Focus System Phase-detect AF Contrast-detect AF
    Manual Focusing Aidno Peaking FeatureFocus Peaking
    Max Shutter Speed (mechanical) 1/8000s 1/4000s
    Continuous Shooting 5 shutter flaps/s 7 shutter flaps/s
    Electronic Shutterno E-Shutterup to 1/16000s
    Time-Lapse Photographyno IntervalometerIntervalometer built-in
    Image StabilizationIn-body stabilizationLens stabilization only
    Fill Flash Built-in Flash Built-in Flash
    Storage Medium CF or XD cards SDXC cards
    Second Storage Option Dual card slots Single card slot
    Connectivity Specs Olympus E-5 Panasonic G7
    External Flash Hotshoe Hotshoe
    Studio Flash PC Sync socket no PC Sync
    USB Connector USB 2.0 USB 2.0
    HDMI Port mini HDMI micro HDMI
    Microphone Port no MIC socket External MIC port
    Wifi Support no Wifi Wifi built-in
    Body Specs Olympus E-5 Panasonic G7
    Environmental SealingWeathersealed bodynot weather sealed
    Battery Type BLM-5 DMW-BLC12
    Battery Life (CIPA)750 shots per charge350 shots per charge
    Body Dimensions 142 x 117 x 75 mm
    (5.6 x 4.6 x 3.0 in)
    125 x 86 x 77 mm
    (4.9 x 3.4 x 3.0 in)
    Camera Weight 873 g (30.8 oz) 410 g (14.5 oz)
    Olympus E-5:
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    Panasonic G7:
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