Olympus E-450 vs Panasonic S1H
The Olympus E-450 and the Panasonic Lumix DC-S1H are two digital cameras that were revealed to the public, respectively, in March 2009 and May 2019. The E-450 is a DSLR, while the S1H is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (E-450) and a full frame (S1H) sensor. The Olympus has a resolution of 10 megapixels, whereas the Panasonic provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-450 and the Panasonic Lumix DC-S1H? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Olympus E-450 and the Panasonic S1H is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S1H is considerably larger (46 percent) than the Olympus E-450. Moreover, the S1H is substantially heavier (139 percent) than the E-450. It is noteworthy in this context that the S1H is splash and dust-proof, while the E-450 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the E-450 gets 500 shots out of its BLS-1 battery, while the S1H can take 400 images on a single charge of its DMW-BLJ31 power pack. The power pack in the S1H can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Olympus E-450||130 mm||91 mm||53 mm||440 g||500||n||Mar 2009||499|
|2.||Panasonic S1H||151 mm||114 mm||110 mm||1052 g||400||Y||May 2019||3,999|
|3.||Canon G12||112 mm||76 mm||48 mm||401 g||370||n||Sep 2010||499|
|4.||Leica SL2-S||146 mm||107 mm||83 mm||931 g||510||Y||Dec 2020||4,895|
|5.||Nikon D3000||126 mm||97 mm||64 mm||536 g||500||n||Jul 2009||599|
|6.||Olympus E-PL2||114 mm||72 mm||42 mm||362 g||280||n||Jan 2011||599|
|7.||Olympus E-600||130 mm||94 mm||60 mm||535 g||500||n||Aug 2009||449|
|8.||Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699|
|9.||Olympus E-420||130 mm||91 mm||53 mm||440 g||500||n||Mar 2008||599|
|10.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699|
|11.||Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699|
|12.||Panasonic S5||133 mm||98 mm||82 mm||714 g||440||Y||Sep 2020||1,999|
|13.||Panasonic S1||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499|
|14.||Panasonic S1R||149 mm||110 mm||97 mm||1016 g||380||Y||Feb 2019||3,699|
|15.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499|
|16.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599|
|17.||Sigma fp||113 mm||70 mm||45 mm||422 g||280||Y||Jul 2019||1,899|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-450 was launched at a markedly lower price (by 88 percent) than the S1H, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-450 features a Four Thirds sensor and the Panasonic S1H a full frame sensor. The sensor area in the S1H is 276 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the E-450 has a native 4:3 aspect ratio, while the one in the S1H offers a 3:2 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 24MP, the S1H offers a higher resolution than the E-450 (10MP), but the S1H nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 4.74μm for the E-450) due to its larger sensor. Moreover, the S1H is a much more recent model (by 10 years and 2 months) than the E-450, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Panasonic S1H implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S1H for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-450 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
Unlike the E-450, the S1H has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Olympus E-450 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Panasonic Lumix DC-S1H are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Olympus E-450||Four Thirds||10.0||3648||2736||none||21.5||10.5||512||56|
|2.||Panasonic S1H||Full Frame||24.0||6000||4000||6K/30p||25.2||14.2||2805||94|
|4.||Leica SL2-S||Full Frame||24.0||6000||4000||4K/60p||25.2||14.1||3504||95|
|6.||Olympus E-PL2||Four Thirds||12.2||4032||3024||720/30p||21.4||10.2||573||55|
|7.||Olympus E-600||Four Thirds||12.2||4032||3024||none||21.5||10.3||541||55|
|8.||Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|9.||Olympus E-420||Four Thirds||10.0||3648||2736||none||21.5||10.4||527||56|
|10.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|11.||Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|12.||Panasonic S5||Full Frame||24.0||6000||4000||4K/60p||25.1||14.5||2697||94|
|13.||Panasonic S1||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95|
|14.||Panasonic S1R||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100|
|15.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|16.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|17.||Sigma fp||Full Frame||24.0||6000||4000||4K/30p||25.2||14.2||2829||94|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The S1H indeed provides for movie recording, while the E-450 does not. The highest resolution format that the S1H can use is 6K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the S1H has an electronic viewfinder (5760k dots), while the E-450 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the S1H offers a wider field of view (100%) than the one in the E-450 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the S1H has a higher magnification (0.78x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Olympus E-450 and Panasonic S1H along with similar information for a selection of comparators.
|1.||Olympus E-450||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||n|
|2.||Panasonic S1H||5760||Y||3.2 / 2330||swivel||Y||1/8000s||9.0/s||n||Y|
|3.||Canon G12||optical||n||2.8 / 461||swivel||n||1/4000s||1.1/s||Y||Y|
|4.||Leica SL2-S||5760||Y||3.2 / 2100||fixed||Y||1/8000s||20.0/s||n||Y|
|5.||Nikon D3000||optical||n||3.0 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|6.||Olympus E-PL2||optional||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||Y|
|7.||Olympus E-600||optical||n||2.7 / 230||swivel||n||1/4000s||4.0/s||Y||Y|
|8.||Olympus E-620||optical||n||2.7 / 230||swivel||n||1/4000s||4.0/s||Y||Y|
|9.||Olympus E-420||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||n|
|10.||Olympus E-520||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||Y|
|11.||Olympus E-410||optical||n||2.5 / 215||fixed||n||1/4000s||3.0/s||Y||n|
|12.||Panasonic S5||2360||n||3.0 / 1840||swivel||Y||1/8000s||7.0/s||n||Y|
|13.||Panasonic S1||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|14.||Panasonic S1R||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0/s||n||Y|
|15.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6/s||Y||n|
|16.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6/s||Y||n|
|17.||Sigma fp||optional||n||3.2 / 2100||fixed||Y||1/8000s||12.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The E-450 has one, while the S1H does not. While the built-in flash of the E-450 is not very powerful, it can at times be useful as a fill-in light.The S1H has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the E-450 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the S1H is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic S1H has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-450 writes its imaging data to Compact Flash or xD Picture cards, while the S1H uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-450 and Panasonic Lumix DC-S1H and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-450||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Panasonic S1H||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|3.||Canon G12||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|4.||Leica SL2-S||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|5.||Nikon D3000||Y||- / -||-||-||-||2.0||-||-||-|
|6.||Olympus E-PL2||Y||stereo / -||-||-||mini||2.0||-||-||-|
|7.||Olympus E-600||Y||- / -||-||-||-||2.0||-||-||-|
|8.||Olympus E-620||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Olympus E-420||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Olympus E-520||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Olympus E-410||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Panasonic S5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|13.||Panasonic S1||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|14.||Panasonic S1R||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|15.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|16.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sigma fp||Y||stereo / mono||Y||-||micro||3.1||-||-||-|
It is notable that the S1H offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-450 does not provide wifi capability.
Studio photographers will appreciate that the Panasonic S1H (unlike the E-450) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The S1H is a recent model that features in the current product line-up of Panasonic. In contrast, the E-450 has been discontinued (but can be found pre-owned on eBay). There has not been a direct replacement model for the E-450 from Olympus. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Panasonic websites.
So how do things add up? Is there a clear favorite between the Olympus E-450 and the Panasonic S1H? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Olympus E-450:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More compact: Is smaller (130x91mm vs 151x114mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 612g or 58 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (500 versus 400) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (88 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in March 2009).
Advantages of the Panasonic Lumix DC-S1H:
- More detail: Has more megapixels (24 vs 10MP), which boosts linear resolution by 58%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can capture not only stills but also 6K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.46x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2330k vs 215k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (9 vs 3.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More modern: Reflects 10 years and 2 months of technical progress since the E-450 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the S1H is the clear winner of the contest (29 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-450 and the Panasonic S1H place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-450 or the S1H. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-450||..||..||..||..||4/5||4/5||Mar 2009||499|
|2.||Panasonic S1H||..||..||4/5||90/100||..||..||May 2019||3,999|
|3.||Canon G12||4/5||+||..||73/100||4.5/5||4.5/5||Sep 2010||499|
|4.||Leica SL2-S||4/5||..||4/5||..||4.5/5||4.5/5||Dec 2020||4,895|
|5.||Nikon D3000||..||+||..||72/100||4/5||4.5/5||Jul 2009||599|
|6.||Olympus E-PL2||3/5||83/100||..||71/100||4.5/5||4.5/5||Jan 2011||599|
|7.||Olympus E-600||..||..||..||..||..||4.5/5||Aug 2009||449|
|8.||Olympus E-620||3/5||88/100||..||72/100||4.5/5||5/5||Feb 2009||699|
|9.||Olympus E-420||..||85/100||..||+ +||4/5||4.5/5||Mar 2008||599|
|10.||Olympus E-520||..||87/100||..||+ +||4.5/5||4.5/5||May 2008||699|
|11.||Olympus E-410||..||86/100||..||+ +||4/5||4.5/5||Mar 2007||699|
|12.||Panasonic S5||4.5/5||+ +||4.5/5||88/100||4.5/5||4.5/5||Sep 2020||1,999|
|13.||Panasonic S1||4.5/5||+ +||4.5/5||88/100||4.5/5||4/5||Feb 2019||2,499|
|14.||Panasonic S1R||4.5/5||..||4.6/5||89/100||4.5/5||4.5/5||Feb 2019||3,699|
|15.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499|
|16.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599|
|17.||Sigma fp||4/5||..||4/5||..||4/5||4.5/5||Jul 2019||1,899|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D X Mark II vs Panasonic S1H
- Canon 450D vs Panasonic S1H
- Canon M50 vs Olympus E-450
- Canon SL2 vs Panasonic S1H
- Nikon D2X vs Olympus E-450
- Olympus E-420 vs Olympus E-450
- Olympus E-450 vs Panasonic TZ95
- Olympus E-450 vs Sony A7S II
- Olympus E-450 vs Sony NEX-3
- Panasonic S1H vs Pentax K-3
- Panasonic S1H vs Pentax K-70
- Panasonic S1H vs Zeiss ZX1
Specifications: Olympus E-450 vs Panasonic S1H
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-450||Panasonic S1H|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Four Thirds lenses||Leica L mount lenses|
|Launch Date||March 2009||May 2019|
|Launch Price||USD 499||USD 3,999|
|Sensor Specs||Olympus E-450||Panasonic S1H|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.6 x 23.8 mm|
|Sensor Area||224.9 mm2||847.28 mm2|
|Sensor Diagonal||21.6 mm||42.8 mm|
|Sensor Resolution||10 Megapixels||24 Megapixels|
|Image Resolution||3648 x 2736 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.74 μm||5.94 μm|
|Pixel Density||4.44 MP/cm2||2.83 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||6K/30p Video|
|ISO Setting||100 - 1,600 ISO||100 - 51,200 ISO|
|ISO Boost||no Enhancement||50 - 204,800 ISO|
|Image Processor||TruePic III+||Venus|
|DXO Sensor Quality (score)||56||..|
|DXO Color Depth (bits)||21.5||..|
|DXO Dynamic Range (EV)||10.5||..|
|DXO Low Light (ISO)||512||..|
|Screen Specs||Olympus E-450||Panasonic S1H|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||5760k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.7inch||3.2inch|
|LCD Resolution||215k dots||2330k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Olympus E-450||Panasonic S1H|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||3.5 shutter flaps/s||9 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||CF or XD cards||SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|Connectivity Specs||Olympus E-450||Panasonic S1H|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||no HDMI||full HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Olympus E-450||Panasonic S1H|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||500 shots per charge||400 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
130 x 91 x 53 mm
(5.1 x 3.6 x 2.1 in)
151 x 114 x 110 mm
(5.9 x 4.5 x 4.3 in)
|Camera Weight||440 g (15.5 oz)||1052 g (37.1 oz)|
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