Olympus E-410 vs Sony A7R II
The Olympus E-410 and the Sony Alpha A7R II are two digital cameras that were announced, respectively, in March 2007 and June 2015. The E-410 is a DSLR, while the A7R II is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (E-410) and a full frame (A7R II) sensor. The Olympus has a resolution of 10 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-410 and the Sony Alpha A7R II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Olympus E-410 and the Sony A7R II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R II is somewhat larger (3 percent) than the Olympus E-410. Moreover, the A7R II is substantially heavier (44 percent) than the E-410. It is noteworthy in this context that the A7R II is splash and dust-proof, while the E-410 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-410) and the Sony FE Lens Catalog (A7R II). Mirrorless cameras, such as the A7R II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the E-410 gets 500 shots out of its BLS-1 battery, while the A7R II can take 290 images on a single charge of its NP-FW50 power pack. The power pack in the A7R II can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699|
|2.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|3.||Canon XSi||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799|
|4.||Olympus E-P3||122 mm||69 mm||34 mm||369 g||330||n||Jun 2011||799|
|5.||Olympus E-450||130 mm||91 mm||53 mm||440 g||500||n||Mar 2009||499|
|6.||Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699|
|7.||Olympus E-420||130 mm||91 mm||53 mm||440 g||500||n||Mar 2008||599|
|8.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699|
|9.||Olympus E-510||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799|
|10.||Olympus E-400||130 mm||91 mm||53 mm||435 g||500||n||Sep 2006||699|
|11.||Panasonic G1||124 mm||84 mm||45 mm||360 g||410||n||Sep 2008||599|
|12.||Panasonic L10||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599|
|13.||Sony A1||129 mm||97 mm||81 mm||737 g||530||Y||Jan 2021||6,499|
|14.||Sony A7S III||127 mm||97 mm||81 mm||699 g||600||Y||Jul 2020||3,499|
|15.||Sony A7R IV||129 mm||96 mm||78 mm||665 g||670||Y||Jul 2019||3,499|
|16.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199|
|17.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-410 was launched at a markedly lower price (by 78 percent) than the A7R II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-410 features a Four Thirds sensor and the Sony A7R II a full frame sensor. The sensor area in the A7R II is 283 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the E-410 has a native 4:3 aspect ratio, while the one in the A7R II offers a 3:2 aspect.
With 42.2MP, the A7R II offers a higher resolution than the E-410 (10MP), but the A7R II has smaller individual pixels (pixel pitch of 4.52μm versus 4.74μm for the E-410). Yet, the A7R II is a much more recent model (by 8 years and 3 months) than the E-410, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the A7R II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7R II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Olympus E-410 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The A7R II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Olympus E-410 has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Sony Alpha A7R II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-102400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A7R II offers substantially better image quality than the E-410 (overall score 47 points higher). The advantage is based on 4.9 bits higher color depth, 3.9 EV in additional dynamic range, and 2.8 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|1.||Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|2.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|4.||Olympus E-P3||Four Thirds||12.2||4032||3024||1080/60i||20.8||10.1||536||51|
|5.||Olympus E-450||Four Thirds||10.0||3648||2736||none||21.5||10.5||512||56|
|6.||Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|7.||Olympus E-420||Four Thirds||10.0||3648||2736||none||21.5||10.4||527||56|
|8.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|9.||Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|10.||Olympus E-400||Four Thirds||10.0||3648||2736||none||..||..||..||..|
|11.||Panasonic G1||Four Thirds||12.0||4000||3000||none||21.1||10.3||463||53|
|12.||Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
|13.||Sony A1||Full Frame||49.8||8640||5760||8k/30p||25.9||14.5||3163||98|
|14.||Sony A7S III||Full Frame||12.0||4240||2832||4K/120p||23.7||13.9||2520||86|
|15.||Sony A7R IV||Full Frame||60.2||9504||6336||4K/30p||26.0||14.8||3344||99|
|16.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|17.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
Many modern cameras cannot only take still pictures, but also record videos. The A7R II indeed provides for movie recording, while the E-410 does not. The highest resolution format that the A7R II can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7R II has an electronic viewfinder (2400k dots), while the E-410 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A7R II offers a wider field of view (100%) than the one in the E-410 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A7R II has a higher magnification (0.78x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Olympus E-410, the Sony A7R II, and comparable cameras.
|1.||Olympus E-410||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||n|
|2.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0||n||Y|
|3.||Canon XSi||optical||n||3.0 / 230||fixed||n||1/4000s||3.5||Y||n|
|4.||Olympus E-P3||optional||n||3.0 / 614||fixed||Y||1/4000s||3.0||Y||Y|
|5.||Olympus E-450||optical||n||2.7 / 215||fixed||n||1/4000s||3.5||Y||n|
|6.||Olympus E-620||optical||n||2.7 / 230||swivel||n||1/4000s||4.0||Y||Y|
|7.||Olympus E-420||optical||n||2.7 / 215||fixed||n||1/4000s||3.5||Y||n|
|8.||Olympus E-520||optical||n||2.7 / 215||fixed||n||1/4000s||3.5||Y||Y|
|9.||Olympus E-510||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||Y|
|10.||Olympus E-400||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||n|
|11.||Panasonic G1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0||Y||n|
|12.||Panasonic L10||optical||n||2.5 / 207||swivel||n||1/4000s||3.0||Y||n|
|13.||Sony A1||9437||n||3.0 / 1440||tilting||Y||1/8000s||10.0||n||Y|
|14.||Sony A7S III||9440||n||3.0 / 1440||swivel||Y||1/8000s||10.0||n||Y|
|15.||Sony A7R IV||5760||n||3.0 / 1440||tilting||Y||1/8000s||10.0||n||Y|
|16.||Sony A7R III||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0||n||Y|
|17.||Sony A7S II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0||n||Y|
One difference between the cameras concerns the presence of an on-board flash. The E-410 has one, while the A7R II does not. While the built-in flash of the E-410 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7R II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The E-410 writes its imaging data to Compact Flash or xD Picture cards, while the A7R II uses SDXC or Memory Stick PRO Duo cards. The E-410 features dual card slots, which can be very useful in case a memory card fails. In contrast, the A7R II only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-410 and Sony Alpha A7R II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Olympus E-410||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|3.||Canon XSi||Y||- / -||-||-||mini||2.0||-||-||-|
|4.||Olympus E-P3||Y||stereo / -||-||-||mini||2.0||-||-||-|
|5.||Olympus E-450||Y||- / -||-||-||-||2.0||-||-||-|
|6.||Olympus E-620||Y||- / -||-||-||-||2.0||-||-||-|
|7.||Olympus E-420||Y||- / -||-||-||-||2.0||-||-||-|
|8.||Olympus E-520||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Olympus E-510||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Olympus E-400||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Panasonic G1||Y||- / -||-||-||mini||2.0||-||-||-|
|12.||Panasonic L10||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Sony A1||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|14.||Sony A7S III||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|15.||Sony A7R IV||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|16.||Sony A7R III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|17.||Sony A7S II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7R II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-410 does not provide wifi capability.
Both the E-410 and the A7R II have been discontinued, but can regularly be found used on eBay. The E-410 was replaced by the Olympus E-420, while the A7R II was followed by the Sony Alpha A7R III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Olympus and Sony websites.
So how do things add up? Which of the two cameras – the Olympus E-410 or the Sony A7R II – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Olympus E-410:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Less heavy: Is lighter (by 190g or 30 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (500 versus 290) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced category (78 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in March 2007).
Arguments in favor of the Sony Alpha A7R II:
- More detail: Has more megapixels (42.2 vs 10MP), which boosts linear resolution by 110%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (47 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (4.9 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (3.9 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.8 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.46x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 215k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Reflects 8 years and 3 months of technical progress since the E-410 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A7R II is the clear winner of the contest (24 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-410 and the Sony A7R II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the E-410 or the A7R II perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Olympus E-410||..||86/100||..||+ +||4/5||4.5/5||Mar 2007||699|
|2.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199|
|3.||Canon XSi||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799|
|4.||Olympus E-P3||..||83/100||..||74/100||4.5/5||4.5/5||Jun 2011||799|
|5.||Olympus E-450||..||..||..||..||4/5||4/5||Mar 2009||499|
|6.||Olympus E-620||3/5||88/100||..||72/100||4.5/5||5/5||Feb 2009||699|
|7.||Olympus E-420||..||85/100||..||+ +||4/5||4.5/5||Mar 2008||599|
|8.||Olympus E-520||..||87/100||..||+ +||4.5/5||4.5/5||May 2008||699|
|9.||Olympus E-510||..||89/100||..||+ +||3.5/5||4.5/5||Mar 2007||799|
|10.||Olympus E-400||..||85/100||..||..||4/5||4/5||Sep 2006||699|
|11.||Panasonic G1||..||+ +||..||70/100||4/5||4.5/5||Sep 2008||599|
|12.||Panasonic L10||..||85/100||..||+||3.5/5||4/5||Aug 2007||599|
|13.||Sony A1||5/5||o||4.5/5||93/100||4.5/5||5/5||Jan 2021||6,499|
|14.||Sony A7S III||..||+ +||5/5||91/100||4.5/5||5/5||Jul 2020||3,499|
|15.||Sony A7R IV||5/5||+||4.5/5||91/100||4.5/5||5/5||Jul 2019||3,499|
|16.||Sony A7R III||..||+ +||4/5||90/100||4.5/5||5/5||Oct 2017||3,199|
|17.||Sony A7S II||5/5||+||..||..||4.5/5||5/5||Sep 2015||2,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 700D vs Olympus E-410
- Canon SL2 vs Olympus E-410
- Canon T100 vs Sony A7R II
- Canon XS vs Olympus E-410
- Epson R-D1 vs Sony A7R II
- Fujifilm X-A5 vs Olympus E-410
- Nikon D750 vs Olympus E-410
- Nikon Z6 vs Olympus E-410
- Olympus E-M5 III vs Sony A7R II
- Panasonic ZS200 vs Sony A7R II
- Sony A7R II vs Sony A9 II
- Sony A7R II vs Sony NEX-3
Specifications: Olympus E-410 vs Sony A7R II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Olympus E-410||Sony A7R II|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Four Thirds lenses||Sony E mount lenses|
|Launch Date||March 2007||June 2015|
|Launch Price||USD 699||USD 3,199|
|Sensor Specs||Olympus E-410||Sony A7R II|
|Sensor Format||Four Thirds Sensor||Full Frame Sensor|
|Sensor Size||17.3 x 13.0 mm||35.9 x 24.0 mm|
|Sensor Area||224.9 mm2||861.6 mm2|
|Sensor Diagonal||21.6 mm||43.2 mm|
|Sensor Resolution||10 Megapixels||42.2 Megapixels|
|Image Resolution||3648 x 2736 pixels||7952 x 5304 pixels|
|Pixel Pitch||4.74 μm||4.52 μm|
|Pixel Density||4.44 MP/cm2||4.90 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100 - 1,600 ISO||100 - 25,600 ISO|
|ISO Boost||no Enhancement||50 - 102,400 ISO|
|Image Processor||TruePic III||BIONZ X|
|DXO Sensor Quality (score)||51||98|
|DXO Color Depth (bits)||21.1||26.0|
|DXO Dynamic Range (EV)||10.0||13.9|
|DXO Low Light (ISO)||494||3434|
|Screen Specs||Olympus E-410||Sony A7R II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.5inch||3.0inch|
|LCD Resolution||215k dots||1229k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Olympus E-410||Sony A7R II|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||3 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||CF or XD cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Olympus E-410||Sony A7R II|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Olympus E-410||Sony A7R II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||500 shots per charge||290 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
130 x 91 x 53 mm
(5.1 x 3.6 x 2.1 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||435 g (15.3 oz)||625 g (22.0 oz)|
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