Olympus E-300 versus Nikon D5600
The Olympus Evolt E-300 and the Nikon D5600 are two digital cameras that were officially introduced, respectively, in September 2004 and November 2016. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a Four Thirds (E-300) and an APS-C sensor. The Olympus has a resolution of 8 megapixel, whereas the Nikon provides 24 MP.
The physical size and weight of the Olympus E-300 and the Nikon D5600 are illustrated in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the E-300 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D5600 is somewhat smaller (4 percent) than the Olympus E-300. Moreover, the D5600 is markedly lighter (25 percent) than the E-300. In this context, it is worth noting that neither the E-300 nor the D5600 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Four Thirds Lens Catalog (E-300) and the Nikon Lens Catalog (D5600).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Olympus E-300 (⇒ rgt)||147 mm||85 mm||64 mm||624 g||750||no||2004||799||discont.||check|
|Nikon D5600 (⇒ lft)||124 mm||97 mm||70 mm||465 g||970||no||2016||699||latest||check|
|Canon T6i (⇒ lft | rgt)||132 mm||101 mm||78 mm||555 g||440||no||2015||749||discont.||check|
|Canon T6s (⇒ lft | rgt)||132 mm||101 mm||78 mm||565 g||440||no||2015||849||discont.||check|
|Canon XT (⇒ lft | rgt)||127 mm||94 mm||64 mm||540 g||400||no||2005||899||discont.||check|
|Leica Digilux 3 (⇒ lft | rgt)||146 mm||87 mm||77 mm||606 g||750||no||2006||1,499||discont.||check|
|Nikon D3300 (⇒ lft | rgt)||124 mm||98 mm||76 mm||430 g||700||no||2014||499||discont.||check|
|Nikon D3200 (⇒ lft | rgt)||125 mm||96 mm||77 mm||505 g||540||no||2012||599||discont.||check|
|Nikon D5200 (⇒ lft | rgt)||129 mm||98 mm||78 mm||555 g||500||no||2012||749||discont.||check|
|Olympus E-520 (⇒ lft | rgt)||136 mm||92 mm||68 mm||535 g||750||no||2008||699||discont.||check|
|Olympus E-410 (⇒ lft | rgt)||130 mm||91 mm||53 mm||435 g||500||no||2007||699||discont.||check|
|Olympus E-510 (⇒ lft | rgt)||136 mm||92 mm||68 mm||538 g||750||no||2007||799||discont.||check|
|Olympus E-330 (⇒ lft | rgt)||140 mm||87 mm||72 mm||637 g||750||no||2006||999||discont.||check|
|Olympus E-400 (⇒ lft | rgt)||130 mm||91 mm||53 mm||435 g||500||no||2006||699||discont.||check|
|Olympus E-500 (⇒ lft | rgt)||130 mm||95 mm||66 mm||479 g||750||no||2005||599||discont.||check|
|Olympus E-1 (⇒ lft | rgt)||141 mm||104 mm||81 mm||738 g||750||YES||2003||1,699||discont.||check|
|Panasonic L1 (⇒ lft | rgt)||146 mm||87 mm||64 mm||606 g||750||no||2006||999||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D5600 was launched at a somewhat lower price (by 13 percent) than the E-300, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Olympus E-300 features a Four Thirds sensor and the Nikon D5600 an APS-C sensor. The sensor area in the D5600 is 63 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-300 has a native 4:3 aspect ratio, while the one in the D5600 offers a 3:2 aspect.
With 24MP, the D5600 offers a higher resolution than the E-300 (8MP), but the D5600 has smaller individual pixels (pixel pitch of 3.91μm versus 5.30μm for the E-300). Yet, the D5600 is a much more recent model (by 12 years and 1 month) than the E-300, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the D5600 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
For most cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Olympus E-300 (⇒ rgt)||Four Thirds||8.0||3264||2448||no||-||-||-||-|
|Nikon D5600 (⇒ lft)||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1306||84|
|Canon T6i (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71|
|Canon T6s (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70|
|Canon XT (⇒ lft | rgt)||APS-C||8.0||3456||2304||no||21.8||10.8||637||60|
|Leica Digilux 3 (⇒ lft | rgt)||Four Thirds||7.4||3136||2352||no||-||-||-||-|
|Nikon D3300 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||24.3||12.8||1385||82|
|Nikon D3200 (⇒ lft | rgt)||APS-C||24.1||6016||4000||1080/30p||24.1||13.2||1131||81|
|Nikon D5200 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60i||24.2||13.9||1284||84|
|Olympus E-520 (⇒ lft | rgt)||Four Thirds||10.0||3648||2736||no||21.4||10.4||548||55|
|Olympus E-410 (⇒ lft | rgt)||Four Thirds||10.0||3648||2736||no||21.1||10.0||494||51|
|Olympus E-510 (⇒ lft | rgt)||Four Thirds||10.0||3648||2736||no||21.2||10.0||442||52|
|Olympus E-330 (⇒ lft | rgt)||Four Thirds||7.4||3136||2352||no||-||-||-||-|
|Olympus E-400 (⇒ lft | rgt)||Four Thirds||10.0||3648||2736||no||-||-||-||-|
|Olympus E-500 (⇒ lft | rgt)||Four Thirds||8.0||3264||2448||no||-||-||-||-|
|Olympus E-1 (⇒ lft | rgt)||Four Thirds||4.9||2560||1920||no||-||-||-||-|
|Panasonic L1 (⇒ lft | rgt)||Four Thirds||7.4||3136||2352||no||-||-||-||-|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The D5600 indeed provides for movie recording, while the E-300 does not. The highest resolution format that the D5600 can use is 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The E-300 and the D5600 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The following table reports on some other key feature differences and similarities of the Olympus E-300, the Nikon D5600, and comparable cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Olympus E-300 (⇒ rgt)||optical||no||1.8||134||fixed||no||4000||2.5||11||no|
|Nikon D5600 (⇒ lft)||optical||no||3.2||1037||swivel||YES||4000||5.0||12||no|
|Canon T6i (⇒ lft | rgt)||optical||no||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon T6s (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||5.0||12||no|
|Canon XT (⇒ lft | rgt)||optical||no||1.8||115||fixed||no||4000||3.0||13||no|
|Leica Digilux 3 (⇒ lft | rgt)||optical||no||2.5||207||fixed||no||4000||3.0||13||no|
|Nikon D3300 (⇒ lft | rgt)||optical||no||3.0||921||fixed||no||4000||5.0||12||no|
|Nikon D3200 (⇒ lft | rgt)||optical||no||3.0||921||fixed||no||4000||4.0||12||no|
|Nikon D5200 (⇒ lft | rgt)||optical||no||3.0||921||swivel||no||4000||5.0||12||no|
|Olympus E-520 (⇒ lft | rgt)||optical||no||2.7||215||fixed||no||4000||3.5||12||YES|
|Olympus E-410 (⇒ lft | rgt)||optical||no||2.5||215||fixed||no||4000||3.0||10||no|
|Olympus E-510 (⇒ lft | rgt)||optical||no||2.5||215||fixed||no||4000||3.0||12||YES|
|Olympus E-330 (⇒ lft | rgt)||optical||no||2.5||215||tilting||no||4000||3.0||13||no|
|Olympus E-400 (⇒ lft | rgt)||optical||no||2.5||215||fixed||no||4000||3.0||10||no|
|Olympus E-500 (⇒ lft | rgt)||optical||no||2.5||215||fixed||no||4000||2.5||13||no|
|Olympus E-1 (⇒ lft | rgt)||optical||YES||1.8||134||fixed||no||4000||3.0||no||no|
|Panasonic L1 (⇒ lft | rgt)||optical||no||2.5||207||fixed||no||4000||3.0||13||no|
The D5600 is a current model that online retailers, such as amazon, will have in stock. In contrast, the E-300 has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the E-300 was succeeded by the Olympus E-330.
So how do things add up? Which of the two cameras – the Olympus E-300 or the Nikon D5600 – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Olympus Evolt E-300:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More heavily discounted: Has been available for much longer (launched in September 2004).
Arguments in favor of the Nikon D5600:
- More detail: Has more megapixels (24 vs 8MP), which boosts linear resolution by 77%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Larger screen: Has a bigger rear LCD (3.2" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 134k dots).
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (5 vs 2.5 flaps/sec) to capture the decisive moment.
- Less heavy: Has a lower weight (by 159g or 25 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (970 versus 750) out of a single battery charge.
- More affordable: Was released into a lower priced segment (13 percent cheaper at launch).
- More modern: Reflects 12 years and 1 month of technical progress since the E-300 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the D5600 is the clear winner of the contest (13 : 2 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the E-300 or the D5600 handle or perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is where reviews by experts come in. The table below summarizes the assessments of some of the best known camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Olympus E-300 (⇒ rgt)||-||Rec||reviewed||reviewed||4.5/5||2004||799||discont.||check|
|Nikon D5600 (⇒ lft)||-||79/100 Silver||4.5/5||4.5/5||4/5||2016||699||latest||check|
|Canon T6i (⇒ lft | rgt)||-||75/100||4.5/5||4.5/5||4.5/5||2015||749||discont.||check|
|Canon T6s (⇒ lft | rgt)||Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2015||849||discont.||check|
|Canon XT (⇒ lft | rgt)||80/100||HiRec||reviewed||reviewed||-||2005||899||discont.||check|
|Leica Digilux 3 (⇒ lft | rgt)||-||-||-||-||-||2006||1,499||discont.||check|
|Nikon D3300 (⇒ lft | rgt)||Rec||77/100 Silver||4.5/5||4.5/5||4.5/5||2014||499||discont.||check|
|Nikon D3200 (⇒ lft | rgt)||HiRec||73/100 Silver||4.5/5||4.5/5||4.5/5||2012||599||discont.||check|
|Nikon D5200 (⇒ lft | rgt)||HiRec||79/100 Silver||4.5/5||4.5/5||4.5/5||2012||749||discont.||check|
|Olympus E-520 (⇒ lft | rgt)||87/100||HiRec||4.5/5||4/5||4.5/5||2008||699||discont.||check|
|Olympus E-410 (⇒ lft | rgt)||86/100||HiRec||4/5||reviewed||4.5/5||2007||699||discont.||check|
|Olympus E-510 (⇒ lft | rgt)||89/100||HiRec||3.5/5||reviewed||4.5/5||2007||799||discont.||check|
|Olympus E-330 (⇒ lft | rgt)||-||Rec||reviewed||3.5/5||-||2006||999||discont.||check|
|Olympus E-400 (⇒ lft | rgt)||85/100||-||4/5||-||4/5||2006||699||discont.||check|
|Olympus E-500 (⇒ lft | rgt)||76/100||HiRec||-||-||-||2005||599||discont.||check|
|Olympus E-1 (⇒ lft | rgt)||-||Rec||reviewed||reviewed||-||2003||1,699||discont.||check|
|Panasonic L1 (⇒ lft | rgt)||85/100||Rec||-||reviewed||3.5/5||2006||999||discont.||check|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. If you cannot find the camera you are interested in, please send me an email, and I will try to add information on that model to the database.
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