Olympus E-3 vs Sony RX1R II

The Olympus E-3 and the Sony Cyber-shot DSC-RX1R II are two digital cameras that were officially introduced, respectively, in October 2007 and October 2015. The E-3 is a DSLR, while the RX1R II is a fixed lens compact. The cameras are based on a Four Thirds (E-3) and a full frame (RX1R II) sensor. The Olympus has a resolution of 10 megapixels, whereas the Sony provides 42.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-3		Sony RX1R II
Digital single lens reflex		Fixed lens compact camera
Four Thirds lenses		35mm f/2.0
10 MP – Four Thirds sensor		42.2 MP – Full Frame sensor
no Video		1080/60p Video
ISO 100-3,200		ISO 100-25,600 (50 - 102,400)
Optical viewfinder		Electronic viewfinder (2360k dots)
2.5" LCD – 230k dots		3.0" LCD – 1229k dots
Swivel screen (not touch-sensitive)		Tilting screen (no touchscreen)
5 shutter flaps per second		5 shutter flaps per second
In-body stabilization		no shake reduction
Weathersealed body		not weather sealed
750 shots per battery charge		220 shots per battery charge
142 x 116 x 75 mm, 876 g		113 x 65 x 72 mm, 507 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-3 and the Sony Cyber-shot DSC-RX1R II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Olympus E-3 and the Sony RX1R II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX1R II is considerably smaller (55 percent) than the Olympus E-3. It is worth mentioning in this context that the E-3 is splash and dust resistant, while the RX1R II does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX1R II has a lens built in, whereas the E-3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-3 and their specifications in the Four Thirds Lens Catalog.

Concerning battery life, the E-3 gets 750 shots out of its Olympus BLM-1 battery, while the RX1R II can take 220 images on a single charge of its Sony NP-BX1 power pack. The power pack in the RX1R II can be charged via the USB port, which can be very convenient when travelling.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-3	142 mm	116 mm	75 mm	876 g	750	Y	Oct 2007	1,699	ebay.com
2.		Sony RX1R II	113 mm	65 mm	72 mm	507 g	220	n	Oct 2015	3,299	ebay.com
3.		Canon 5DS	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	3,699	ebay.com
4.		Nikon D300	147 mm	114 mm	74 mm	925 g	1000	Y	Aug 2007	1,799	ebay.com
5.		Olympus E-5	142 mm	117 mm	75 mm	873 g	750	Y	Sep 2010	1,699	ebay.com
6.		Olympus E-600	130 mm	94 mm	60 mm	535 g	500	n	Aug 2009	449	ebay.com
7.		Olympus E-620	130 mm	94 mm	60 mm	521 g	500	n	Feb 2009	699	ebay.com
8.		Olympus E-30	142 mm	108 mm	75 mm	701 g	750	n	Nov 2008	1,299	ebay.com
9.		Olympus E-420	130 mm	91 mm	53 mm	440 g	500	n	Mar 2008	599	ebay.com
10.		Olympus E-520	136 mm	92 mm	68 mm	535 g	750	n	May 2008	699	ebay.com
11.		Olympus E-410	130 mm	91 mm	53 mm	435 g	500	n	Mar 2007	699	ebay.com
12.		Olympus E-510	136 mm	92 mm	68 mm	538 g	750	n	Mar 2007	799	ebay.com
13.		Olympus E-1	141 mm	104 mm	81 mm	738 g	750	Y	Jun 2003	1,699	ebay.com
14.		Sony RX100 IV	102 mm	58 mm	41 mm	298 g	280	n	Jun 2015	999	ebay.com
15.		Sony H300	128 mm	89 mm	92 mm	590 g	350	n	Feb 2014	219	ebay.com
16.		Sony RX1R	113 mm	65 mm	70 mm	482 g	270	n	Jun 2013	2,799	ebay.com
17.		Sony RX1	113 mm	65 mm	70 mm	482 g	270	n	Sep 2012	2,799	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Olympus E-3 features a Four Thirds sensor and the Sony RX1R II a full frame sensor. The sensor area in the RX1R II is 280 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the E-3 has a native 4:3 aspect ratio, while the one in the RX1R II offers a 3:2 aspect.

With 42.2MP, the RX1R II offers a higher resolution than the E-3 (10MP), but the RX1R II has smaller individual pixels (pixel pitch of 4.50μm versus 4.74μm for the E-3). Yet, the RX1R II is a much more recent model (by 8 years) than the E-3, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the RX1R II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Sony RX1R II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX1R II for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Olympus E-3 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

The Olympus E-3 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Sony Cyber-shot DSC-RX1R II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-102400.

In terms of underlying technology, the E-3 is build around a CMOS sensor, while the RX1R II uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the RX1R II offers substantially better image quality than the E-3 (overall score 41 points higher). The advantage is based on 4.2 bits higher color depth, 3.4 EV in additional dynamic range, and 2.5 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-3	Four Thirds	10.0	3648	2736	none	21.6	10.5	571	56
2.		Sony RX1R II	Full Frame	42.2	7952	5304	1080/60p	25.8	13.9	3204	97
3.		Canon 5DS	Full Frame	50.3	8688	5792	1080/30p	24.7	12.4	2381	87
4.		Nikon D300	APS-C	12.2	4288	2848	none	22.1	12.0	679	67
5.		Olympus E-5	Four Thirds	12.2	4032	3024	720/30p	21.6	10.5	519	56
6.		Olympus E-600	Four Thirds	12.2	4032	3024	none	21.5	10.3	541	55
7.		Olympus E-620	Four Thirds	12.2	4032	3024	none	21.3	10.3	536	55
8.		Olympus E-30	Four Thirds	12.2	4032	3024	none	21.3	10.4	530	55
9.		Olympus E-420	Four Thirds	10.0	3648	2736	none	21.5	10.4	527	56
10.		Olympus E-520	Four Thirds	10.0	3648	2736	none	21.4	10.4	548	55
11.		Olympus E-410	Four Thirds	10.0	3648	2736	none	21.1	10.0	494	51
12.		Olympus E-510	Four Thirds	10.0	3648	2736	none	21.2	10.0	442	52
13.		Olympus E-1	Four Thirds	4.9	2560	1920	none	20.0	9.7	-145	44
14.		Sony RX100 IV	1-inch	20.0	5472	3648	4K/30p	22.8	12.6	591	70
15.		Sony H300	1/2.3	19.9	5152	3864	720/30p	20.1	11.4	630	45
16.		Sony RX1R	Full Frame	24.0	6000	4000	1080/60p	25.0	13.6	2537	91
17.		Sony RX1	Full Frame	24.0	6000	4000	1080/60p	25.1	14.3	2534	93
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras cannot only take still pictures, but also record videos. The RX1R II indeed provides for movie recording, while the E-3 does not. The highest resolution format that the RX1R II can use is 1080/60p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the RX1R II has an electronic viewfinder (2360k dots), while the E-3 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the RX1R II has a higher magnification than the one of the E-3 (0.74x vs 0.58x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Olympus E-3 and Sony RX1R II along with similar information for a selection of comparators.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-3	optical	Y	2.5 / 230	swivel	n	1/8000s	5.0/s	Y	Y
2.		Sony RX1R II	2360	n	3.0 / 1229	tilting	n	1/4000s	5.0/s	n	n
3.		Canon 5DS	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
4.		Nikon D300	optical	Y	3.0 / 922	fixed	n	1/8000s	6.0/s	Y	n
5.		Olympus E-5	optical	Y	3.0 / 920	swivel	n	1/8000s	5.0/s	Y	Y
6.		Olympus E-600	optical	n	2.7 / 230	swivel	n	1/4000s	4.0/s	Y	Y
7.		Olympus E-620	optical	n	2.7 / 230	swivel	n	1/4000s	4.0/s	Y	Y
8.		Olympus E-30	optical	Y	2.7 / 230	swivel	n	1/8000s	5.0/s	Y	Y
9.		Olympus E-420	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	n
10.		Olympus E-520	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	Y
11.		Olympus E-410	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	n
12.		Olympus E-510	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	Y
13.		Olympus E-1	optical	Y	1.8 / 134	fixed	n	1/4000s	3.0/s	n	n
14.		Sony RX100 IV	2359	n	3.0 / 1228	tilting	n	1/2000s	16.0/s	Y	Y
15.		Sony H300	none	n	3.0 / 460	fixed	n	1/1500s	0.8/s	Y	Y
16.		Sony RX1R	optional	n	3.0 / 1229	fixed	n	1/4000s	5.0/s	Y	n
17.		Sony RX1	optional	n	3.0 / 1229	fixed	n	1/4000s	5.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The E-3 has one, while the RX1R II does not. While the built-in flash of the E-3 is not very powerful, it can at times be useful as a fill-in light.

The E-3 writes its imaging data to Compact Flash or xD Picture cards, while the RX1R II uses SDXC or Memory Stick PRO Duo cards. The E-3 features dual card slots, which can be very useful in case a memory card fails. In contrast, the RX1R II only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-3 and Sony Cyber-shot DSC-RX1R II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-3	Y	- / -	-	-	-	2.0	-	-	-
2.		Sony RX1R II	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
3.		Canon 5DS	Y	mono / mono	Y	-	mini	3.0	-	-	-
4.		Nikon D300	Y	- / -	-	-	mini	2.0	-	-	-
5.		Olympus E-5	Y	stereo / -	-	-	mini	2.0	-	-	-
6.		Olympus E-600	Y	- / -	-	-	-	2.0	-	-	-
7.		Olympus E-620	Y	- / -	-	-	-	2.0	-	-	-
8.		Olympus E-30	Y	- / -	-	-	-	2.0	-	-	-
9.		Olympus E-420	Y	- / -	-	-	-	2.0	-	-	-
10.		Olympus E-520	Y	- / -	-	-	-	2.0	-	-	-
11.		Olympus E-410	Y	- / -	-	-	-	2.0	-	-	-
12.		Olympus E-510	Y	- / -	-	-	-	2.0	-	-	-
13.		Olympus E-1	Y	- / -	-	-	-	2.0	-	-	-
14.		Sony RX100 IV	-	stereo / mono	-	-	micro	2.0	Y	Y	-
15.		Sony H300	-	mono / mono	-	-	micro	2.0	Y	-	-
16.		Sony RX1R	Y	stereo / mono	Y	-	mini	2.0	-	-	-
17.		Sony RX1	Y	stereo / mono	Y	-	mini	2.0	-	-	-

It is notable that the RX1R II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-3 does not provide wifi capability.

Studio photographers will appreciate that the Olympus E-3 (unlike the RX1R II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the E-3 and the RX1R II have been discontinued, but can regularly be found used on ebay. The E-3 was replaced by the Olympus E-5, while the RX1R II does not have a direct successor. Further information on the features and operation of the E-3 and RX1R II can be found, respectively, in the Olympus E-3 Manual (free pdf) or the online Sony RX1R II Manual.

Review summary

So what is the bottom line? Which of the two cameras – the Olympus E-3 or the Sony RX1R II – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Advantages of the Olympus E-3:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• More flexible: Can take a variety of interchangeable lenses, including specialty optics.
• Longer lasting: Can take more shots (750 versus 220) on a single battery charge.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More heavily discounted: Has been available for much longer (launched in October 2007).

Arguments in favor of the Sony Cyber-shot DSC-RX1R II:

• More detail: Has more megapixels (42.2 vs 10MP), which boosts linear resolution by 110%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Scores substantially higher (41 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (4.2 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (3.4 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (2.5 stops ISO advantage).
• Broader imaging potential: Can capture not only stills but also 1080/60p video.
• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.58x).
• Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1229k vs 230k dots).
• Ready to shoot: Comes with an integrated lens, while the E-3 requires a separate lens.
• More compact: Is smaller (113x65mm vs 142x116mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the E-3).
• Easier travel charging: Can be conveniently charged via its USB port.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More modern: Reflects 8 years of technical progress since the E-3 launch.

If the count of relative strengths (bullet points above) is taken as a measure, the RX1R II is the clear winner of the contest (18 : 14 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-3 and the Sony RX1R II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-3 or the RX1R II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-3	..	88/100	..	+ +	o	4/5	Oct 2007	1,699	ebay.com
2.		Sony RX1R II	5/5	..	..	82/100	..	4.5/5	Oct 2015	3,299	ebay.com
3.		Canon 5DS	..	+	..	83/100	4.5/5	4.5/5	Feb 2015	3,699	ebay.com
4.		Nikon D300	..	+ +	..	+ +	5/5	4.5/5	Aug 2007	1,799	ebay.com
5.		Olympus E-5	4/5	..	..	75/100	4/5	4.5/5	Sep 2010	1,699	ebay.com
6.		Olympus E-600	..	..	..	..	..	4.5/5	Aug 2009	449	ebay.com
7.		Olympus E-620	3/5	88/100	..	72/100	4.5/5	5/5	Feb 2009	699	ebay.com
8.		Olympus E-30	..	..	..	71/100	4.5/5	4/5	Nov 2008	1,299	ebay.com
9.		Olympus E-420	..	85/100	..	+ +	4/5	4.5/5	Mar 2008	599	ebay.com
10.		Olympus E-520	..	87/100	..	+ +	4.5/5	4.5/5	May 2008	699	ebay.com
11.		Olympus E-410	..	86/100	..	+ +	4/5	4.5/5	Mar 2007	699	ebay.com
12.		Olympus E-510	..	89/100	..	+ +	3.5/5	4.5/5	Mar 2007	799	ebay.com
13.		Olympus E-1	..	..	..	+	o	..	Jun 2003	1,699	ebay.com
14.		Sony RX100 IV	4.5/5	+ +	..	85/100	4/5	4.5/5	Jun 2015	999	ebay.com
15.		Sony H300	..	+	..	..	4.5/5	4/5	Feb 2014	219	ebay.com
16.		Sony RX1R	5/5	..	..	..	4/5	4.5/5	Jun 2013	2,799	ebay.com
17.		Sony RX1	5/5	..	..	79/100	4/5	4.5/5	Sep 2012	2,799	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

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