Olympus E-3 vs Sony H300
The Olympus E-3 and the Sony Cyber-shot DSC-H300 are two digital cameras that were revealed to the public, respectively, in October 2007 and February 2014. The E-3 is a DSLR, while the H300 is a fixed lens compact. The cameras are based on a Four Thirds (E-3) and a 1/2.3-inch (H300) sensor. The Olympus has a resolution of 10 megapixels, whereas the Sony provides 19.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-3 and the Sony Cyber-shot DSC-H300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Olympus E-3 and the Sony H300 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony H300 is considerably smaller (31 percent) than the Olympus E-3. It is worth mentioning in this context that the E-3 is splash and dust resistant, while the H300 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the H300 has a lens built in, whereas the E-3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-3 and their specifications in the Four Thirds Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-3 | 142 mm | 116 mm | 75 mm | 876 g | 750 | Y | Oct 2007 | 1,699 | ebay.com | |
2. | Sony H300 | 128 mm | 89 mm | 92 mm | 590 g | 350 | n | Feb 2014 | 219 | ebay.com | |
3. | Canon SX610 | 105 mm | 61 mm | 27 mm | 191 g | 270 | n | Jan 2015 | 249 | ebay.com | |
4. | Nikon D300 | 147 mm | 114 mm | 74 mm | 925 g | 1000 | Y | Aug 2007 | 1,799 | ebay.com | |
5. | Olympus E-1 | 141 mm | 104 mm | 81 mm | 738 g | 750 | Y | Jun 2003 | 1,699 | ebay.com | |
6. | Olympus E-5 | 142 mm | 117 mm | 75 mm | 873 g | 750 | Y | Sep 2010 | 1,699 | ebay.com | |
7. | Olympus E-30 | 142 mm | 108 mm | 75 mm | 701 g | 750 | n | Nov 2008 | 1,299 | ebay.com | |
8. | Olympus E-410 | 130 mm | 91 mm | 53 mm | 435 g | 500 | n | Mar 2007 | 699 | ebay.com | |
9. | Olympus E-420 | 130 mm | 91 mm | 53 mm | 440 g | 500 | n | Mar 2008 | 599 | ebay.com | |
10. | Olympus E-510 | 136 mm | 92 mm | 68 mm | 538 g | 750 | n | Mar 2007 | 799 | ebay.com | |
11. | Olympus E-520 | 136 mm | 92 mm | 68 mm | 535 g | 750 | n | May 2008 | 699 | ebay.com | |
12. | Olympus E-600 | 130 mm | 94 mm | 60 mm | 535 g | 500 | n | Aug 2009 | 449 | ebay.com | |
13. | Olympus E-620 | 130 mm | 94 mm | 60 mm | 521 g | 500 | n | Feb 2009 | 699 | ebay.com | |
14. | Sony H200 | 123 mm | 83 mm | 87 mm | 530 g | 240 | n | Jan 2013 | 249 | ebay.com | |
15. | Sony H400 | 130 mm | 95 mm | 122 mm | 628 g | 300 | n | Feb 2014 | 319 | ebay.com | |
16. | Sony HX90V | 102 mm | 58 mm | 36 mm | 245 g | 360 | n | Apr 2015 | 429 | ebay.com | |
17. | Sony HX400V | 130 mm | 93 mm | 103 mm | 660 g | 300 | n | Feb 2014 | 499 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The H300 was launched at a lower price than the E-3, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Olympus E-3 features a Four Thirds sensor and the Sony H300 a 1/2.3-inch sensor. The sensor area in the H300 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 5.6. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the H300 offers a higher resolution of 19.9 megapixels, compared with 10 MP of the E-3. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.19μm versus 4.74μm for the E-3). However, it should be noted that the H300 is much more recent (by 6 years and 4 months) than the E-3, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the H300 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony H300 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the H300 for good quality output (200 dots per inch) amounts to 25.8 x 19.3 inches or 65.4 x 49.1 cm, for very good quality (250 dpi) 20.6 x 15.5 inches or 52.3 x 39.3 cm, and for excellent quality (300 dpi) 17.2 x 12.9 inches or 43.6 x 32.7 cm. The corresponding values for the Olympus E-3 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Olympus E-3 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Sony Cyber-shot DSC-H300 are ISO 80 to ISO 3200 (no boost).
In terms of underlying technology, the E-3 is build around a CMOS sensor, while the H300 uses a CCD imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-3 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.6 | 10.5 | 571 | 56 | |
2. | Sony H300 | 1/2.3 | 19.9 | 5152 | 3864 | 720/30p | 20.1 | 11.4 | 630 | 45 | |
3. | Canon SX610 | 1/2.3 | 20.2 | 5184 | 3888 | 1080/30p | 20.2 | 11.6 | 712 | 47 | |
4. | Nikon D300 | APS-C | 12.2 | 4288 | 2848 | none | 22.1 | 12.0 | 679 | 67 | |
5. | Olympus E-1 | Four Thirds | 4.9 | 2560 | 1920 | none | 20.0 | 9.7 | -145 | 44 | |
6. | Olympus E-5 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.6 | 10.5 | 519 | 56 | |
7. | Olympus E-30 | Four Thirds | 12.2 | 4032 | 3024 | none | 21.3 | 10.4 | 530 | 55 | |
8. | Olympus E-410 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.1 | 10.0 | 494 | 51 | |
9. | Olympus E-420 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.5 | 10.4 | 527 | 56 | |
10. | Olympus E-510 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.2 | 10.0 | 442 | 52 | |
11. | Olympus E-520 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.4 | 10.4 | 548 | 55 | |
12. | Olympus E-600 | Four Thirds | 12.2 | 4032 | 3024 | none | 21.5 | 10.3 | 541 | 55 | |
13. | Olympus E-620 | Four Thirds | 12.2 | 4032 | 3024 | none | 21.3 | 10.3 | 536 | 55 | |
14. | Sony H200 | 1/2.3 | 15.2 | 5184 | 2930 | 720/30p | 19.9 | 11.2 | 529 | 44 | |
15. | Sony H400 | 1/2.3 | 19.9 | 5152 | 3864 | 720/30p | 20.1 | 11.4 | 630 | 45 | |
16. | Sony HX90V | 1/2.3 | 18.0 | 4896 | 3672 | 1080/60p | 20.2 | 11.6 | 738 | 47 | |
17. | Sony HX400V | 1/2.3 | 20.2 | 5184 | 3888 | 1080/60p | 20.1 | 11.4 | 629 | 45 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The H300 indeed provides for movie recording, while the E-3 does not. The highest resolution format that the H300 can use is 720/30p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-3 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the H300 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Olympus E-3 and Sony H300 along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-3 | optical | Y | 2.5 / 230 | swivel | n | 1/8000s | 5.0/s | Y | Y | |
2. | Sony H300 | none | n | 3.0 / 460 | fixed | n | 1/1500s | 0.8/s | Y | Y | |
3. | Canon SX610 | none | n | 3.0 / 922 | fixed | n | 1/2000s | 2.5/s | Y | Y | |
4. | Nikon D300 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 6.0/s | Y | n | |
5. | Olympus E-1 | optical | Y | 1.8 / 134 | fixed | n | 1/4000s | 3.0/s | n | n | |
6. | Olympus E-5 | optical | Y | 3.0 / 920 | swivel | n | 1/8000s | 5.0/s | Y | Y | |
7. | Olympus E-30 | optical | Y | 2.7 / 230 | swivel | n | 1/8000s | 5.0/s | Y | Y | |
8. | Olympus E-410 | optical | n | 2.5 / 215 | fixed | n | 1/4000s | 3.0/s | Y | n | |
9. | Olympus E-420 | optical | n | 2.7 / 215 | fixed | n | 1/4000s | 3.5/s | Y | n | |
10. | Olympus E-510 | optical | n | 2.5 / 215 | fixed | n | 1/4000s | 3.0/s | Y | Y | |
11. | Olympus E-520 | optical | n | 2.7 / 215 | fixed | n | 1/4000s | 3.5/s | Y | Y | |
12. | Olympus E-600 | optical | n | 2.7 / 230 | swivel | n | 1/4000s | 4.0/s | Y | Y | |
13. | Olympus E-620 | optical | n | 2.7 / 230 | swivel | n | 1/4000s | 4.0/s | Y | Y | |
14. | Sony H200 | none | n | 3.0 / 460 | fixed | n | 1/1500s | 0.8/s | Y | Y | |
15. | Sony H400 | 210 | n | 3.0 / 460 | fixed | n | 1/2000s | 0.7/s | Y | Y | |
16. | Sony HX90V | 638 | n | 3.0 / 921 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
17. | Sony HX400V | 210 | n | 3.0 / 921 | tilting | n | 1/4000s | 10.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the E-3, but is missing on the H300 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The E-3 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the H300 does not have a selfie-screen.The E-3 writes its imaging data to Compact Flash or xD Picture cards, while the H300 uses SDXC or Memory Stick PRO Duo cards. The E-3 features dual card slots, which can be very useful in case a memory card fails. In contrast, the H300 only has one slot.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-3 and Sony Cyber-shot DSC-H300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-3 | Y | - / - | - | - | - | 2.0 | - | - | - | |
2. | Sony H300 | - | mono / mono | - | - | micro | 2.0 | Y | - | - | |
3. | Canon SX610 | - | - / - | - | - | micro | 2.0 | Y | Y | - | |
4. | Nikon D300 | Y | - / - | - | - | mini | 2.0 | - | - | - | |
5. | Olympus E-1 | Y | - / - | - | - | - | 2.0 | - | - | - | |
6. | Olympus E-5 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
7. | Olympus E-30 | Y | - / - | - | - | - | 2.0 | - | - | - | |
8. | Olympus E-410 | Y | - / - | - | - | - | 2.0 | - | - | - | |
9. | Olympus E-420 | Y | - / - | - | - | - | 2.0 | - | - | - | |
10. | Olympus E-510 | Y | - / - | - | - | - | 2.0 | - | - | - | |
11. | Olympus E-520 | Y | - / - | - | - | - | 2.0 | - | - | - | |
12. | Olympus E-600 | Y | - / - | - | - | - | 2.0 | - | - | - | |
13. | Olympus E-620 | Y | - / - | - | - | - | 2.0 | - | - | - | |
14. | Sony H200 | - | mono / mono | - | - | - | 2.0 | - | - | - | |
15. | Sony H400 | - | mono / mono | - | - | micro | 2.0 | Y | - | - | |
16. | Sony HX90V | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
17. | Sony HX400V | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the E-3 has a hotshoe, while the H300 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Olympus E-3 (unlike the H300) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the E-3 and the H300 have been discontinued, but can regularly be found used on ebay. The E-3 was replaced by the Olympus E-5, while the H300 does not have a direct successor. Further information on the features and operation of the E-3 and H300 can be found, respectively, in the Olympus E-3 Manual (free pdf) or the online Sony H300 Manual.
Review summary
So what is the bottom line? Which of the two cameras – the Olympus E-3 or the Sony H300 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Olympus E-3:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/1500s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 0.8 flaps/sec) to capture the decisive moment.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (750 versus 350) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in October 2007).
Arguments in favor of the Sony Cyber-shot DSC-H300:
- More detail: Has more megapixels (19.9 vs 10MP), which boosts linear resolution by 41%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can capture not only stills but also 720/30p video.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (460k vs 230k dots).
- Ready to shoot: Comes with an integrated lens, while the E-3 requires a separate lens.
- More compact: Is smaller (128x89mm vs 142x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the E-3).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 6 years and 4 months of technical progress since the E-3 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the E-3 is the clear winner of the match-up (18 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-3 and the Sony H300 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-3 or the H300. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-3 | .. | 88/100 | .. | + + | o | 4/5 | Oct 2007 | 1,699 | ebay.com | |
2. | Sony H300 | .. | + | .. | .. | 4.5/5 | 4/5 | Feb 2014 | 219 | ebay.com | |
3. | Canon SX610 | .. | .. | .. | .. | 4/5 | 4/5 | Jan 2015 | 249 | ebay.com | |
4. | Nikon D300 | .. | + + | .. | + + | 5/5 | 4.5/5 | Aug 2007 | 1,799 | ebay.com | |
5. | Olympus E-1 | .. | .. | .. | + | o | .. | Jun 2003 | 1,699 | ebay.com | |
6. | Olympus E-5 | 4/5 | .. | .. | 75/100 | 4/5 | 4.5/5 | Sep 2010 | 1,699 | ebay.com | |
7. | Olympus E-30 | .. | .. | .. | 71/100 | 4.5/5 | 4/5 | Nov 2008 | 1,299 | ebay.com | |
8. | Olympus E-410 | .. | 86/100 | .. | + + | 4/5 | 4.5/5 | Mar 2007 | 699 | ebay.com | |
9. | Olympus E-420 | .. | 85/100 | .. | + + | 4/5 | 4.5/5 | Mar 2008 | 599 | ebay.com | |
10. | Olympus E-510 | .. | 89/100 | .. | + + | 3.5/5 | 4.5/5 | Mar 2007 | 799 | ebay.com | |
11. | Olympus E-520 | .. | 87/100 | .. | + + | 4.5/5 | 4.5/5 | May 2008 | 699 | ebay.com | |
12. | Olympus E-600 | .. | .. | .. | .. | .. | 4.5/5 | Aug 2009 | 449 | ebay.com | |
13. | Olympus E-620 | 3/5 | 88/100 | .. | 72/100 | 4.5/5 | 5/5 | Feb 2009 | 699 | ebay.com | |
14. | Sony H200 | .. | .. | .. | .. | 3.5/5 | 3.5/5 | Jan 2013 | 249 | ebay.com | |
15. | Sony H400 | .. | o | .. | .. | 3.5/5 | 3.5/5 | Feb 2014 | 319 | ebay.com | |
16. | Sony HX90V | 4/5 | + + | .. | .. | 4/5 | 4.5/5 | Apr 2015 | 429 | ebay.com | |
17. | Sony HX400V | 4/5 | + + | .. | .. | 4/5 | 4/5 | Feb 2014 | 499 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 40D vs Olympus E-3
- Canon G3 X vs Sony H300
- Canon SX430 vs Sony H300
- Canon XSi vs Olympus E-3
- Fujifilm X-A2 vs Sony H300
- Leica M Typ 262 vs Sony H300
- Nikon 1 J5 vs Olympus E-3
- Nikon 1 V1 vs Sony H300
- Olympus E-3 vs Panasonic TS7
- Olympus E-3 vs Sony A99
- Olympus E-3 vs Sony RX10 III
- Olympus E-520 vs Sony H300
Specifications: Olympus E-3 vs Sony H300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Olympus E-3 | Sony H300 |
---|---|---|
Camera Type | Digital single lens reflex | Fixed lens compact camera |
Camera Lens | Four Thirds lenses | 25-875mm f/3.4-6.5 |
Launch Date | October 2007 | February 2014 |
Launch Price | USD 1,699 | USD 219 |
Sensor Specs | Olympus E-3 | Sony H300 |
Sensor Technology | CMOS | CCD |
Sensor Format | Four Thirds Sensor | 1/2.3" Sensor |
Sensor Size | 17.3 x 13.0 mm | 6.17 x 4.55 mm |
Sensor Area | 224.9 mm2 | 28.0735 mm2 |
Sensor Diagonal | 21.6 mm | 7.7 mm |
Crop Factor | 2.0x | 5.6x |
Sensor Resolution | 10 Megapixels | 19.9 Megapixels |
Image Resolution | 3648 x 2736 pixels | 5152 x 3864 pixels |
Pixel Pitch | 4.74 μm | 1.19 μm |
Pixel Density | 4.44 MP/cm2 | 70.91 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | no Video | 720/30p Video |
ISO Setting | 100 - 3,200 ISO | 80 - 3,200 ISO |
Image Processor | TruePic III | BIONZ |
DXO Sensor Quality (score) | 56 | .. |
DXO Color Depth (bits) | 21.6 | .. |
DXO Dynamic Range (EV) | 10.5 | .. |
DXO Low Light (ISO) | 571 | .. |
Screen Specs | Olympus E-3 | Sony H300 |
Viewfinder Type | Optical viewfinder | no viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.58x | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | Live View |
Rear LCD Size | 2.5inch | 3.0inch |
LCD Resolution | 230k dots | 460k dots |
LCD Attachment | Swivel screen | Fixed screen |
Shooting Specs | Olympus E-3 | Sony H300 |
Focus System | Phase-detect AF | Contrast-detect AF |
Continuous Shooting | 5 shutter flaps/s | 0.8 shutter flaps/s |
Image Stabilization | In-body stabilization | Lens-based stabilization |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | CF or XD cards | MS or SDXC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
Connectivity Specs | Olympus E-3 | Sony H300 |
External Flash | Hotshoe | no Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | no HDMI | micro HDMI |
Wifi Support | no Wifi | Wifi built-in |
Body Specs | Olympus E-3 | Sony H300 |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | Olympus BLM-1 | Sony 4xAA |
Battery Life (CIPA) | 750 shots per charge | 350 shots per charge |
Body Dimensions |
142 x 116 x 75 mm (5.6 x 4.6 x 3.0 in) |
128 x 89 x 92 mm (5.0 x 3.5 x 3.6 in) |
Camera Weight | 876 g (30.9 oz) | 590 g (20.8 oz) |
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