Olympus E-3 vs Sony A7S

The Olympus E-3 and the Sony Alpha A7S are two professional cameras that were officially introduced, respectively, in October 2007 and April 2014. The E-3 is a DSLR, while the A7S is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (E-3) and a full frame (A7S) sensor. The Olympus has a resolution of 10 megapixels, whereas the Sony provides 12 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-3		Sony A7S
Digital single lens reflex		Mirrorless system camera
Four Thirds lenses		Sony E mount lenses
10 MP – Four Thirds sensor		12 MP – Full Frame sensor
no Video		1080/60p Video
ISO 100-3,200		ISO 100-102,400 (50 - 409,600)
Optical viewfinder		Electronic viewfinder (2400k dots)
2.5" LCD – 230k dots		3.0" LCD – 921k dots
Swivel screen (not touch-sensitive)		Tilting screen (no touchscreen)
5 shutter flaps per second		5 shutter flaps per second
In-body stabilization		Lens stabilization only
Weathersealed body		Weathersealed body
750 shots per battery charge		380 shots per battery charge
142 x 116 x 75 mm, 876 g		127 x 94 x 48 mm, 489 g

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Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-3 and the Sony Alpha A7S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Olympus E-3 and the Sony A7S are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7S is notably smaller (28 percent) than the Olympus E-3. Moreover, the A7S is substantially lighter (44 percent) than the E-3. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-3) and the Sony FE Lens Catalog (A7S). Mirrorless cameras, such as the A7S, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the E-3 gets 750 shots out of its Olympus BLM-1 battery, while the A7S can take 380 images on a single charge of its Sony NP-FW50 power pack. The power pack in the A7S can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-3	142 mm	116 mm	75 mm	876 g	750	Y	Oct 2007	1,699	ebay.com
2.		Sony A7S	127 mm	94 mm	48 mm	489 g	380	Y	Apr 2014	2,499	ebay.com
3.		Nikon Df	144 mm	110 mm	67 mm	760 g	1400	Y	Nov 2013	2,749	ebay.com
4.		Nikon D300	147 mm	114 mm	74 mm	925 g	1000	Y	Aug 2007	1,799	ebay.com
5.		Olympus E-5	142 mm	117 mm	75 mm	873 g	750	Y	Sep 2010	1,699	ebay.com
6.		Olympus E-600	130 mm	94 mm	60 mm	535 g	500	n	Aug 2009	449	ebay.com
7.		Olympus E-620	130 mm	94 mm	60 mm	521 g	500	n	Feb 2009	699	ebay.com
8.		Olympus E-30	142 mm	108 mm	75 mm	701 g	750	n	Nov 2008	1,299	ebay.com
9.		Olympus E-420	130 mm	91 mm	53 mm	440 g	500	n	Mar 2008	599	ebay.com
10.		Olympus E-520	136 mm	92 mm	68 mm	535 g	750	n	May 2008	699	ebay.com
11.		Olympus E-410	130 mm	91 mm	53 mm	435 g	500	n	Mar 2007	699	ebay.com
12.		Olympus E-510	136 mm	92 mm	68 mm	538 g	750	n	Mar 2007	799	ebay.com
13.		Olympus E-1	141 mm	104 mm	81 mm	738 g	750	Y	Jun 2003	1,699	ebay.com
14.		Sony ZV-E1	121 mm	72 mm	54 mm	483 g	570	Y	Mar 2023	2,199	amazon.com
15.		Sony A7S II	127 mm	96 mm	60 mm	627 g	370	Y	Sep 2015	2,999	ebay.com
16.		Sony A7	127 mm	94 mm	48 mm	474 g	340	Y	Oct 2013	1,699	ebay.com
17.		Sony A7R	127 mm	94 mm	48 mm	465 g	340	Y	Oct 2013	2,299	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-3 was launched at a markedly lower price (by 32 percent) than the A7S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Olympus E-3 features a Four Thirds sensor and the Sony A7S a full frame sensor. The sensor area in the A7S is 280 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the E-3 has a native 4:3 aspect ratio, while the one in the A7S offers a 3:2 aspect.

With 12MP, the A7S offers a higher resolution than the E-3 (10MP), but the A7S nevertheless has larger individual pixels (pixel pitch of 8.45μm versus 4.74μm for the E-3) due to its larger sensor. Moreover, the A7S is a much more recent model (by 6 years and 5 months) than the E-3, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony A7S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7S for good quality output (200 dots per inch) amounts to 21.2 x 14.2 inches or 53.8 x 36 cm, for very good quality (250 dpi) 17 x 11.3 inches or 43.1 x 28.8 cm, and for excellent quality (300 dpi) 14.1 x 9.4 inches or 35.9 x 24 cm. The corresponding values for the Olympus E-3 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

The Olympus E-3 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Sony Alpha A7S are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-409600.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A7S offers substantially better image quality than the E-3 (overall score 31 points higher). The advantage is based on 2.3 bits higher color depth, 2.7 EV in additional dynamic range, and 2.7 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-3	Four Thirds	10.0	3648	2736	none	21.6	10.5	571	56
2.		Sony A7S	Full Frame	12.0	4240	2832	1080/60p	23.9	13.2	3702	87
3.		Nikon Df	Full Frame	16.2	4928	3280	none	24.6	13.1	3279	89
4.		Nikon D300	APS-C	12.2	4288	2848	none	22.1	12.0	679	67
5.		Olympus E-5	Four Thirds	12.2	4032	3024	720/30p	21.6	10.5	519	56
6.		Olympus E-600	Four Thirds	12.2	4032	3024	none	21.5	10.3	541	55
7.		Olympus E-620	Four Thirds	12.2	4032	3024	none	21.3	10.3	536	55
8.		Olympus E-30	Four Thirds	12.2	4032	3024	none	21.3	10.4	530	55
9.		Olympus E-420	Four Thirds	10.0	3648	2736	none	21.5	10.4	527	56
10.		Olympus E-520	Four Thirds	10.0	3648	2736	none	21.4	10.4	548	55
11.		Olympus E-410	Four Thirds	10.0	3648	2736	none	21.1	10.0	494	51
12.		Olympus E-510	Four Thirds	10.0	3648	2736	none	21.2	10.0	442	52
13.		Olympus E-1	Four Thirds	4.9	2560	1920	none	20.0	9.7	-145	44
14.		Sony ZV-E1	Full Frame	12.0	4240	2832	4K/60p	25.4	14.6	3181	96
15.		Sony A7S II	Full Frame	12.0	4240	2832	4K/30p	23.6	13.3	2993	85
16.		Sony A7	Full Frame	24.0	6000	4000	1080/60p	24.8	14.2	2248	90
17.		Sony A7R	Full Frame	36.2	7360	4912	1080/60p	25.6	14.1	2746	95
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The A7S indeed provides for movie recording, while the E-3 does not. The highest resolution format that the A7S can use is 1080/60p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7S has an electronic viewfinder (2400k dots), while the E-3 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A7S has a higher magnification than the one of the E-3 (0.71x vs 0.58x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Olympus E-3 and Sony A7S in connection with corresponding information for a sample of similar cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-3	optical	Y	2.5 / 230	swivel	n	1/8000s	5.0/s	Y	Y
2.		Sony A7S	2400	n	3.0 / 921	tilting	n	1/8000s	5.0/s	n	n
3.		Nikon Df	optical	Y	3.2 / 921	fixed	n	1/4000s	5.5/s	n	n
4.		Nikon D300	optical	Y	3.0 / 922	fixed	n	1/8000s	6.0/s	Y	n
5.		Olympus E-5	optical	Y	3.0 / 920	swivel	n	1/8000s	5.0/s	Y	Y
6.		Olympus E-600	optical	n	2.7 / 230	swivel	n	1/4000s	4.0/s	Y	Y
7.		Olympus E-620	optical	n	2.7 / 230	swivel	n	1/4000s	4.0/s	Y	Y
8.		Olympus E-30	optical	Y	2.7 / 230	swivel	n	1/8000s	5.0/s	Y	Y
9.		Olympus E-420	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	n
10.		Olympus E-520	optical	n	2.7 / 215	fixed	n	1/4000s	3.5/s	Y	Y
11.		Olympus E-410	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	n
12.		Olympus E-510	optical	n	2.5 / 215	fixed	n	1/4000s	3.0/s	Y	Y
13.		Olympus E-1	optical	Y	1.8 / 134	fixed	n	1/4000s	3.0/s	n	n
14.		Sony ZV-E1	none	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
15.		Sony A7S II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
16.		Sony A7	2400	n	3.0 / 1230	tilting	n	1/8000s	5.0/s	n	n
17.		Sony A7R	2400	n	3.0 / 1230	tilting	n	1/8000s	4.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The E-3 has one, while the A7S does not. While the built-in flash of the E-3 is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The E-3 writes its imaging data to Compact Flash or xD Picture cards, while the A7S uses SDXC or Memory Stick PRO Duo cards. The E-3 features dual card slots, which can be very useful in case a memory card fails. In contrast, the A7S only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-3 and Sony Alpha A7S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-3	Y	- / -	-	-	-	2.0	-	-	-
2.		Sony A7S	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
3.		Nikon Df	Y	- / -	-	-	mini	2.0	-	-	-
4.		Nikon D300	Y	- / -	-	-	mini	2.0	-	-	-
5.		Olympus E-5	Y	stereo / -	-	-	mini	2.0	-	-	-
6.		Olympus E-600	Y	- / -	-	-	-	2.0	-	-	-
7.		Olympus E-620	Y	- / -	-	-	-	2.0	-	-	-
8.		Olympus E-30	Y	- / -	-	-	-	2.0	-	-	-
9.		Olympus E-420	Y	- / -	-	-	-	2.0	-	-	-
10.		Olympus E-520	Y	- / -	-	-	-	2.0	-	-	-
11.		Olympus E-410	Y	- / -	-	-	-	2.0	-	-	-
12.		Olympus E-510	Y	- / -	-	-	-	2.0	-	-	-
13.		Olympus E-1	Y	- / -	-	-	-	2.0	-	-	-
14.		Sony ZV-E1	Y	stereo / mono	Y	Y	micro	3.2	Y	-	Y
15.		Sony A7S II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
16.		Sony A7	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
17.		Sony A7R	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-

It is notable that the A7S offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-3 does not provide wifi capability.

Studio photographers will appreciate that the Olympus E-3 (unlike the A7S) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the E-3 and the A7S have been discontinued, but can regularly be found used on ebay. The E-3 was replaced by the Olympus E-5, while the A7S was followed by the Sony A7S II. Further information on the features and operation of the E-3 and A7S can be found, respectively, in the Olympus E-3 Manual (free pdf) or the online Sony A7S Manual.

Review summary

So what is the bottom line? Which of the two cameras – the Olympus E-3 or the Sony A7S – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.

Reasons to prefer the Olympus E-3:

• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Longer lasting: Can take more shots (750 versus 380) on a single battery charge.
• Sharper images: Has hand-shake reducing image stabilization built-in.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More affordable: Was introduced into a lower priced category (32 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in October 2007).

Advantages of the Sony Alpha A7S:

• More detail: Has more megapixels (12 vs 10MP), which boosts linear resolution by 12%.
• Better image quality: Scores substantially higher (31 points) in the DXO overall evaluation.
• Richer colors: Generates noticeably more natural colors (2.3 bits more color depth).
• More dynamic range: Captures a broader range of light and dark details (2.7 EV of extra DR).
• Better low-light sensitivity: Can shoot in dim conditions (2.7 stops ISO advantage).
• Broader imaging potential: Can capture not only stills but also 1080/60p video.
• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.58x).
• Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (921k vs 230k dots).
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More compact: Is smaller (127x94mm vs 142x116mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 387g or 44 percent) and is thus easier to take along.
• Easier travel charging: Can be conveniently charged via its USB port.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More modern: Reflects 6 years and 5 months of technical progress since the E-3 launch.

If the number of relative strengths (bullet points above) is taken as a guide, the A7S is the clear winner of the contest (18 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-3 and the Sony A7S place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the E-3 or the A7S perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-3	..	88/100	..	+ +	o	4/5	Oct 2007	1,699	ebay.com
2.		Sony A7S	4/5	..	..	86/100	4.5/5	5/5	Apr 2014	2,499	ebay.com
3.		Nikon Df	4/5	..	..	81/100	4/5	4/5	Nov 2013	2,749	ebay.com
4.		Nikon D300	..	+ +	..	+ +	5/5	4.5/5	Aug 2007	1,799	ebay.com
5.		Olympus E-5	4/5	..	..	75/100	4/5	4.5/5	Sep 2010	1,699	ebay.com
6.		Olympus E-600	..	..	..	..	..	4.5/5	Aug 2009	449	ebay.com
7.		Olympus E-620	3/5	88/100	..	72/100	4.5/5	5/5	Feb 2009	699	ebay.com
8.		Olympus E-30	..	..	..	71/100	4.5/5	4/5	Nov 2008	1,299	ebay.com
9.		Olympus E-420	..	85/100	..	+ +	4/5	4.5/5	Mar 2008	599	ebay.com
10.		Olympus E-520	..	87/100	..	+ +	4.5/5	4.5/5	May 2008	699	ebay.com
11.		Olympus E-410	..	86/100	..	+ +	4/5	4.5/5	Mar 2007	699	ebay.com
12.		Olympus E-510	..	89/100	..	+ +	3.5/5	4.5/5	Mar 2007	799	ebay.com
13.		Olympus E-1	..	..	..	+	o	..	Jun 2003	1,699	ebay.com
14.		Sony ZV-E1	..	+	4/5	..	..	4.5/5	Mar 2023	2,199	amazon.com
15.		Sony A7S II	5/5	+	..	..	4.5/5	5/5	Sep 2015	2,999	ebay.com
16.		Sony A7	5/5	+ +	..	80/100	5/5	5/5	Oct 2013	1,699	ebay.com
17.		Sony A7R	5/5	+ +	..	82/100	4.5/5	5/5	Oct 2013	2,299	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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