Olympus E-1 vs Sony A7S II

The Olympus E-1 and the Sony Alpha 7S II are two professional cameras that were announced, respectively, in June 2003 and September 2015. The E-1 is a DSLR, while the A7S II is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (E-1) and a full frame (A7S II) sensor. The Olympus has a resolution of 4.9 megapixels, whereas the Sony provides 12 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Olympus E-1		Sony A7S II
Digital single lens reflex		Mirrorless system camera
Four Thirds lenses		Sony E mount lenses
4.9 MP – Four Thirds sensor		12 MP – Full Frame sensor
no Video		4K/30p Video
ISO 100-800 (100 - 3,200)		ISO 100-102,400 (50 - 409,600)
Optical viewfinder		Electronic viewfinder (2400k dots)
1.8" LCD – 134k dots		3.0" LCD – 1229k dots
Fixed screen (not touch-sensitive)		Tilting screen (no touchscreen)
3 shutter flaps per second		5 shutter flaps per second
Lens stabilization only		In-body stabilization
Weathersealed body		Weathersealed body
750 shots per battery charge		370 shots per battery charge
141 x 104 x 81 mm, 738 g		127 x 96 x 60 mm, 627 g

Check E-1 offers at
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Check A7S II offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-1 and the Sony Alpha 7S II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Olympus E-1 and the Sony A7S II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7S II is notably smaller (17 percent) than the Olympus E-1. Moreover, the A7S II is markedly lighter (15 percent) than the E-1. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-1) and the Sony FE Lens Catalog (A7S II). Mirrorless cameras, such as the A7S II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the E-1 gets 750 shots out of its Olympus BLM-1 battery, while the A7S II can take 370 images on a single charge of its Sony NP-FW50 power pack. The power pack in the A7S II can be charged via the USB port, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-1	141 mm	104 mm	81 mm	738 g	750	Y	Jun 2003	1,699	ebay.com
2.		Sony A7S II	127 mm	96 mm	60 mm	627 g	370	Y	Sep 2015	2,999	ebay.com
3.		Canon 6D Mark II	144 mm	111 mm	75 mm	765 g	1200	Y	Jun 2017	1,999	amazon.com
4.		Canon 7D	148 mm	111 mm	74 mm	860 g	800	Y	Sep 2009	1,699	ebay.com
5.		Leica Digilux 3	146 mm	87 mm	77 mm	606 g	750	n	Sep 2006	1,499	ebay.com
6.		Nikon D500	147 mm	115 mm	81 mm	860 g	1240	Y	Jan 2016	1,999	ebay.com
7.		Nikon D610	141 mm	113 mm	82 mm	850 g	900	Y	Oct 2013	1,999	ebay.com
8.		Nikon D7000	132 mm	105 mm	77 mm	780 g	1050	Y	Sep 2010	1,499	ebay.com
9.		Olympus E-3	142 mm	116 mm	75 mm	876 g	750	Y	Oct 2007	1,699	ebay.com
10.		Olympus E-5	142 mm	117 mm	75 mm	873 g	750	Y	Sep 2010	1,699	ebay.com
11.		Olympus E-300	147 mm	85 mm	64 mm	624 g	750	n	Sep 2004	799	ebay.com
12.		Olympus E-330	140 mm	87 mm	72 mm	637 g	750	n	Jan 2006	999	ebay.com
13.		Sony A7 IV	131 mm	96 mm	80 mm	659 g	580	Y	Oct 2021	2,499	amazon.com
14.		Sony A7R II	127 mm	96 mm	60 mm	625 g	290	Y	Jun 2015	3,199	ebay.com
15.		Sony A7R IV	129 mm	96 mm	78 mm	665 g	670	Y	Jul 2019	3,499	ebay.com
16.		Sony A7S	127 mm	94 mm	48 mm	489 g	380	Y	Apr 2014	2,499	ebay.com
17.		Sony A7S III	127 mm	97 mm	81 mm	699 g	600	Y	Jul 2020	3,499	amazon.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
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The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-1 was launched at a markedly lower price (by 43 percent) than the A7S II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Olympus E-1 features a Four Thirds sensor and the Sony A7S II a full frame sensor. The sensor area in the A7S II is 276 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.0. The sensor in the E-1 has a native 4:3 aspect ratio, while the one in the A7S II offers a 3:2 aspect.

With 12MP, the A7S II offers a higher resolution than the E-1 (4.9MP), but the A7S II nevertheless has larger individual pixels (pixel pitch of 8.40μm versus 6.78μm for the E-1) due to its larger sensor. Moreover, the A7S II is a much more recent model (by 12 years and 2 months) than the E-1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units.

The resolution advantage of the Sony A7S II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7S II for good quality output (200 dots per inch) amounts to 21.2 x 14.2 inches or 53.8 x 36 cm, for very good quality (250 dpi) 17 x 11.3 inches or 43.1 x 28.8 cm, and for excellent quality (300 dpi) 14.1 x 9.4 inches or 35.9 x 24 cm. The corresponding values for the Olympus E-1 are 12.8 x 9.6 inches or 32.5 x 24.4 cm for good quality, 10.2 x 7.7 inches or 26 x 19.5 cm for very good quality, and 8.5 x 6.4 inches or 21.7 x 16.3 cm for excellent quality prints.

The Olympus E-1 has a native sensitivity range from ISO 100 to ISO 800, which can be extended to ISO 100-3200. The corresponding ISO settings for the Sony Alpha 7S II are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-409600.

In terms of underlying technology, the E-1 is build around a CCD sensor, while the A7S II uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Olympus E-1	Four Thirds	4.9	2560	1920	none	20.0	9.7	-145	44
2.		Sony A7S II	Full Frame	12.0	4240	2832	4K/30p	23.6	13.3	2993	85
3.		Canon 6D Mark II	Full Frame	26.0	6240	4160	1080/60p	24.4	11.9	2862	85
4.		Canon 7D	APS-C	17.9	5184	3456	1080/30p	22.0	11.7	854	66
5.		Leica Digilux 3	Four Thirds	7.4	3136	2352	none	21.0	10.6	127	53
6.		Nikon D500	APS-C	20.7	5568	3712	4K/30p	24.0	14.0	1324	83
7.		Nikon D610	Full Frame	24.2	6016	4016	1080/30p	25.1	14.4	2925	94
8.		Nikon D7000	APS-C	16.1	4928	3264	1080/24p	23.5	13.9	1167	80
9.		Olympus E-3	Four Thirds	10.0	3648	2736	none	21.6	10.5	571	56
10.		Olympus E-5	Four Thirds	12.2	4032	3024	720/30p	21.6	10.5	519	56
11.		Olympus E-300	Four Thirds	8.0	3264	2448	none	20.4	10.1	-40	48
12.		Olympus E-330	Four Thirds	7.4	3136	2352	none	20.8	10.4	73	52
13.		Sony A7 IV	Full Frame	32.7	7008	4672	4K/60p	25.4	14.7	3379	97
14.		Sony A7R II	Full Frame	42.2	7952	5304	4K/30p	26.0	13.9	3434	98
15.		Sony A7R IV	Full Frame	60.2	9504	6336	4K/30p	26.0	14.8	3344	99
16.		Sony A7S	Full Frame	12.0	4240	2832	1080/60p	23.9	13.2	3702	87
17.		Sony A7S III	Full Frame	12.0	4240	2832	4K/120p	23.7	13.9	2520	86
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The A7S II indeed provides for movie recording, while the E-1 does not. The highest resolution format that the A7S II can use is 4K/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A7S II has an electronic viewfinder (2400k dots), while the E-1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the A7S II has a higher magnification than the one of the E-1 (0.78x vs 0.48x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Olympus E-1 and Sony A7S II in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Olympus E-1	optical	Y	1.8 / 134	fixed	n	1/4000s	3.0/s	n	n
2.		Sony A7S II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
3.		Canon 6D Mark II	optical	Y	3.0 / 1040	swivel	Y	1/4000s	6.5/s	n	n
4.		Canon 7D	optical	Y	3.0 / 920	fixed	n	1/8000s	8.0/s	Y	n
5.		Leica Digilux 3	optical	n	2.5 / 207	fixed	n	1/4000s	3.0/s	Y	n
6.		Nikon D500	optical	Y	3.2 / 2359	tilting	Y	1/8000s	10.0/s	n	n
7.		Nikon D610	optical	Y	3.2 / 921	fixed	n	1/4000s	6.0/s	Y	n
8.		Nikon D7000	optical	Y	3.0 / 921	fixed	n	1/8000s	6.0/s	Y	n
9.		Olympus E-3	optical	Y	2.5 / 230	swivel	n	1/8000s	5.0/s	Y	Y
10.		Olympus E-5	optical	Y	3.0 / 920	swivel	n	1/8000s	5.0/s	Y	Y
11.		Olympus E-300	optical	n	1.8 / 134	fixed	n	1/4000s	2.5/s	Y	n
12.		Olympus E-330	optical	n	2.5 / 215	tilting	n	1/4000s	3.0/s	Y	n
13.		Sony A7 IV	3686	n	3.0 / 1037	swivel	Y	1/8000s	10.0/s	n	Y
14.		Sony A7R II	2400	n	3.0 / 1229	tilting	n	1/8000s	5.0/s	n	Y
15.		Sony A7R IV	5760	n	3.0 / 1440	tilting	Y	1/8000s	10.0/s	n	Y
16.		Sony A7S	2400	n	3.0 / 921	tilting	n	1/8000s	5.0/s	n	n
17.		Sony A7S III	9440	n	3.0 / 1440	swivel	Y	1/8000s	10.0/s	n	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the E-1, but is missing on the A7S II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7S II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The E-1 writes its imaging data to Compact Flash or xD Picture cards, while the A7S II uses SDXC or Memory Stick PRO Duo cards. The E-1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the A7S II only has one slot.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-1 and Sony Alpha 7S II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Olympus E-1	Y	- / -	-	-	-	2.0	-	-	-
2.		Sony A7S II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
3.		Canon 6D Mark II	Y	stereo / mono	Y	-	mini	2.0	Y	Y	Y
4.		Canon 7D	Y	mono / -	Y	-	mini	2.0	-	-	-
5.		Leica Digilux 3	Y	stereo / mono	-	-	-	2.0	-	-	-
6.		Nikon D500	Y	stereo / mono	Y	Y	mini	3.0	Y	Y	Y
7.		Nikon D610	Y	mono / mono	Y	Y	mini	2.0	-	-	-
8.		Nikon D7000	Y	mono / mono	Y	-	mini	2.0	-	-	-
9.		Olympus E-3	Y	- / -	-	-	-	2.0	-	-	-
10.		Olympus E-5	Y	stereo / -	-	-	mini	2.0	-	-	-
11.		Olympus E-300	Y	- / -	-	-	-	2.0	-	-	-
12.		Olympus E-330	Y	- / -	-	-	-	2.0	-	-	-
13.		Sony A7 IV	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y
14.		Sony A7R II	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
15.		Sony A7R IV	Y	stereo / mono	Y	Y	micro	3.1	Y	Y	Y
16.		Sony A7S	Y	stereo / mono	Y	Y	micro	2.0	Y	Y	-
17.		Sony A7S III	Y	stereo / mono	Y	Y	full	3.2	Y	-	Y

It is notable that the A7S II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-1 does not provide wifi capability.

Studio photographers will appreciate that the Olympus E-1 (unlike the A7S II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the E-1 and the A7S II have been discontinued, but can regularly be found used on ebay. The E-1 was replaced by the Olympus E-3, while the A7S II was followed by the Sony A7S III. Further information on the features and operation of the E-1 and A7S II can be found, respectively, in the Olympus E-1 Manual (free pdf) or the online Sony A7S II Manual.

Review summary

So what is the bottom line? Which of the two cameras – the Olympus E-1 or the Sony A7S II – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Olympus E-1:

• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• Longer lasting: Can take more shots (750 versus 370) on a single battery charge.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More affordable: Was introduced into a lower priced category (43 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in June 2003).

Reasons to prefer the Sony Alpha 7S II:

• More detail: Has more megapixels (12 vs 4.9MP), which boosts linear resolution by 59%.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Broader imaging potential: Can capture not only stills but also 4K/30p video.
• More framing info: Has an electronic viewfinder that displays shooting data.
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.78x vs 0.48x).
• Larger screen: Has a bigger rear LCD (3.0" vs 1.8") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (1229k vs 134k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• More compact: Is smaller (127x96mm vs 141x104mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 111g or 15 percent) and is thus easier to take along.
• Easier travel charging: Can be conveniently charged via its USB port.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
• More modern: Reflects 12 years and 2 months of technical progress since the E-1 launch.

If the count of individual advantages (bullet points above) is taken as a guide, the A7S II is the clear winner of the contest (22 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Olympus E-1 and the Sony A7S II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-1 or the A7S II. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Olympus E-1	..	..	..	+	o	..	Jun 2003	1,699	ebay.com
2.		Sony A7S II	5/5	+	..	..	4.5/5	5/5	Sep 2015	2,999	ebay.com
3.		Canon 6D Mark II	4/5	+	4/5	80/100	4.5/5	4/5	Jun 2017	1,999	amazon.com
4.		Canon 7D	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2009	1,699	ebay.com
5.		Leica Digilux 3	..	..	..	..	..	..	Sep 2006	1,499	ebay.com
6.		Nikon D500	5/5	+ +	4.7/5	91/100	4.5/5	5/5	Jan 2016	1,999	ebay.com
7.		Nikon D610	4/5	+ +	..	87/100	4.5/5	4.5/5	Oct 2013	1,999	ebay.com
8.		Nikon D7000	4/5	..	..	80/100	4.5/5	4.5/5	Sep 2010	1,499	ebay.com
9.		Olympus E-3	..	88/100	..	+ +	o	4/5	Oct 2007	1,699	ebay.com
10.		Olympus E-5	4/5	..	..	75/100	4/5	4.5/5	Sep 2010	1,699	ebay.com
11.		Olympus E-300	..	..	..	+	o	4.5/5	Sep 2004	799	ebay.com
12.		Olympus E-330	..	..	..	+	o	..	Jan 2006	999	ebay.com
13.		Sony A7 IV	5/5	+ +	4.5/5	89/100	4.5/5	4.5/5	Oct 2021	2,499	amazon.com
14.		Sony A7R II	5/5	+ +	5/5	90/100	5/5	5/5	Jun 2015	3,199	ebay.com
15.		Sony A7R IV	5/5	+	4.5/5	91/100	4.5/5	5/5	Jul 2019	3,499	ebay.com
16.		Sony A7S	4/5	..	..	86/100	4.5/5	5/5	Apr 2014	2,499	ebay.com
17.		Sony A7S III	4.5/5	+ +	5/5	91/100	4.5/5	5/5	Jul 2020	3,499	amazon.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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