Olympus E-1 vs Fujifilm X-H1
The Olympus E-1 and the Fujifilm X-H1 are two digital cameras that were announced, respectively, in June 2003 and February 2018. The E-1 is a DSLR, while the X-H1 is a mirrorless interchangeable lens camera. The cameras are based on a Four Thirds (E-1) and an APS-C (X-H1) sensor. The Olympus has a resolution of 4.9 megapixels, whereas the Fujifilm provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-1 and the Fujifilm X-H1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Olympus E-1 and the Fujifilm X-H1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-H1 is notably smaller (7 percent) than the Olympus E-1. Moreover, the X-H1 is markedly lighter (9 percent) than the E-1. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Four Thirds Lens Catalog (E-1) and the Fujinon X Lens Catalog (X-H1). Mirrorless cameras, such as the X-H1, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the E-1 gets 750 shots out of its Olympus BLM-1 battery, while the X-H1 can take 310 images on a single charge of its Fujifilm NP-W126S power pack. The power pack in the X-H1 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-1 | 141 mm | 104 mm | 81 mm | 738 g | 750 | Y | Jun 2003 | 1,699 | ebay.com | |
2. | Fujifilm X-H1 | 140 mm | 97 mm | 86 mm | 673 g | 310 | Y | Feb 2018 | 1,899 | ebay.com | |
3. | Canon 6D Mark II | 144 mm | 111 mm | 75 mm | 765 g | 1200 | Y | Jun 2017 | 1,999 | amazon.com | |
4. | Canon 7D | 148 mm | 111 mm | 74 mm | 860 g | 800 | Y | Sep 2009 | 1,699 | ebay.com | |
5. | Fujifilm X-H2S | 136 mm | 93 mm | 85 mm | 660 g | 580 | Y | May 2022 | 2,499 | amazon.com | |
6. | Fujifilm X-H2 | 136 mm | 93 mm | 85 mm | 660 g | 680 | Y | Sep 2022 | 1,999 | amazon.com | |
7. | Fujifilm X-T5 | 130 mm | 91 mm | 64 mm | 557 g | 580 | Y | Nov 2022 | 1,699 | amazon.com | |
8. | Fujifilm X-T4 | 135 mm | 93 mm | 64 mm | 607 g | 500 | Y | Feb 2020 | 1,699 | ebay.com | |
9. | Fujifilm X-Pro3 | 141 mm | 83 mm | 46 mm | 497 g | 440 | Y | Oct 2019 | 1,799 | amazon.com | |
10. | Leica Digilux 3 | 146 mm | 87 mm | 77 mm | 606 g | 750 | n | Sep 2006 | 1,499 | ebay.com | |
11. | Nikon D500 | 147 mm | 115 mm | 81 mm | 860 g | 1240 | Y | Jan 2016 | 1,999 | ebay.com | |
12. | Nikon D610 | 141 mm | 113 mm | 82 mm | 850 g | 900 | Y | Oct 2013 | 1,999 | ebay.com | |
13. | Nikon D7000 | 132 mm | 105 mm | 77 mm | 780 g | 1050 | Y | Sep 2010 | 1,499 | ebay.com | |
14. | Olympus E-5 | 142 mm | 117 mm | 75 mm | 873 g | 750 | Y | Sep 2010 | 1,699 | ebay.com | |
15. | Olympus E-3 | 142 mm | 116 mm | 75 mm | 876 g | 750 | Y | Oct 2007 | 1,699 | ebay.com | |
16. | Olympus E-330 | 140 mm | 87 mm | 72 mm | 637 g | 750 | n | Jan 2006 | 999 | ebay.com | |
17. | Olympus E-300 | 147 mm | 85 mm | 64 mm | 624 g | 750 | n | Sep 2004 | 799 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-1 was launched at a somewhat lower price (by 11 percent) than the X-H1, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-1 features a Four Thirds sensor and the Fujifilm X-H1 an APS-C sensor. The sensor area in the X-H1 is 64 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 1.5. The sensor in the E-1 has a native 4:3 aspect ratio, while the one in the X-H1 offers a 3:2 aspect.
With 24MP, the X-H1 offers a higher resolution than the E-1 (4.9MP), but the X-H1 has smaller individual pixels (pixel pitch of 3.92μm versus 6.78μm for the E-1). Yet, the X-H1 is a much more recent model (by 14 years and 7 months) than the E-1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X-H1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-H1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-H1 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-1 are 12.8 x 9.6 inches or 32.5 x 24.4 cm for good quality, 10.2 x 7.7 inches or 26 x 19.5 cm for very good quality, and 8.5 x 6.4 inches or 21.7 x 16.3 cm for excellent quality prints.
The X-H1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Olympus E-1 has a native sensitivity range from ISO 100 to ISO 800, which can be extended to ISO 100-3200. The corresponding ISO settings for the Fujifilm X-H1 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 100-51200.
In terms of underlying technology, the E-1 is build around a CCD sensor, while the X-H1 uses a CMOS imager. Like most digital cameras, the E-1 uses a Bayer filter for capturing RGB colors on a square grid of photosensors. In contrast, the X-H1 employs a more randomized X-Trans layout of photosites, which according to Fujifilm helps to minimize moiré.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-1 | Four Thirds | 4.9 | 2560 | 1920 | none | 20.0 | 9.7 | -145 | 44 | |
2. | Fujifilm X-H1 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.0 | 13.3 | 1806 | 82 | |
3. | Canon 6D Mark II | Full Frame | 26.0 | 6240 | 4160 | 1080/60p | 24.4 | 11.9 | 2862 | 85 | |
4. | Canon 7D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.0 | 11.7 | 854 | 66 | |
5. | Fujifilm X-H2S | APS-C | 26.0 | 6240 | 4160 | 6.2k/30p | 24.3 | 13.9 | 2224 | 86 | |
6. | Fujifilm X-H2 | APS-C | 39.8 | 7728 | 5152 | 8k/30p | 24.3 | 13.9 | 2249 | 86 | |
7. | Fujifilm X-T5 | APS-C | 39.8 | 7728 | 5152 | 6.2k/30p | 24.3 | 13.9 | 2264 | 86 | |
8. | Fujifilm X-T4 | APS-C | 26.0 | 6240 | 4160 | 4K/60p | 24.1 | 13.6 | 1995 | 84 | |
9. | Fujifilm X-Pro3 | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.1 | 13.6 | 1968 | 84 | |
10. | Leica Digilux 3 | Four Thirds | 7.4 | 3136 | 2352 | none | 21.0 | 10.6 | 127 | 53 | |
11. | Nikon D500 | APS-C | 20.7 | 5568 | 3712 | 4K/30p | 24.0 | 14.0 | 1324 | 83 | |
12. | Nikon D610 | Full Frame | 24.2 | 6016 | 4016 | 1080/30p | 25.1 | 14.4 | 2925 | 94 | |
13. | Nikon D7000 | APS-C | 16.1 | 4928 | 3264 | 1080/24p | 23.5 | 13.9 | 1167 | 80 | |
14. | Olympus E-5 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.6 | 10.5 | 519 | 56 | |
15. | Olympus E-3 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.6 | 10.5 | 571 | 56 | |
16. | Olympus E-330 | Four Thirds | 7.4 | 3136 | 2352 | none | 20.8 | 10.4 | 73 | 52 | |
17. | Olympus E-300 | Four Thirds | 8.0 | 3264 | 2448 | none | 20.4 | 10.1 | -40 | 48 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. The X-H1 indeed provides for movie recording, while the E-1 does not. The highest resolution format that the X-H1 can use is 4K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X-H1 has an electronic viewfinder (3690k dots), while the E-1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the X-H1 has a higher magnification than the one of the E-1 (0.75x vs 0.48x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Olympus E-1 and Fujifilm X-H1 along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-1 | optical | Y | 1.8 / 134 | fixed | n | 1/4000s | 3.0/s | n | n | |
2. | Fujifilm X-H1 | 3690 | Y | 3.0 / 1040 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
3. | Canon 6D Mark II | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 6.5/s | n | n | |
4. | Canon 7D | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 8.0/s | Y | n | |
5. | Fujifilm X-H2S | 5760 | Y | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
6. | Fujifilm X-H2 | 5760 | Y | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
7. | Fujifilm X-T5 | 3690 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 15.0/s | n | Y | |
8. | Fujifilm X-T4 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
9. | Fujifilm X-Pro3 | 3690 | n | 3.0 / 1620 | tilting | Y | 1/8000s | 8.0/s | n | n | |
10. | Leica Digilux 3 | optical | n | 2.5 / 207 | fixed | n | 1/4000s | 3.0/s | Y | n | |
11. | Nikon D500 | optical | Y | 3.2 / 2359 | tilting | Y | 1/8000s | 10.0/s | n | n | |
12. | Nikon D610 | optical | Y | 3.2 / 921 | fixed | n | 1/4000s | 6.0/s | Y | n | |
13. | Nikon D7000 | optical | Y | 3.0 / 921 | fixed | n | 1/8000s | 6.0/s | Y | n | |
14. | Olympus E-5 | optical | Y | 3.0 / 920 | swivel | n | 1/8000s | 5.0/s | Y | Y | |
15. | Olympus E-3 | optical | Y | 2.5 / 230 | swivel | n | 1/8000s | 5.0/s | Y | Y | |
16. | Olympus E-330 | optical | n | 2.5 / 215 | tilting | n | 1/4000s | 3.0/s | Y | n | |
17. | Olympus E-300 | optical | n | 1.8 / 134 | fixed | n | 1/4000s | 2.5/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The X-H1 has a touchscreen, while the E-1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-H1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-H1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-1 writes its imaging data to Compact Flash or xD Picture cards, while the X-H1 uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-1 and Fujifilm X-H1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-1 | Y | - / - | - | - | - | 2.0 | - | - | - | |
2. | Fujifilm X-H1 | Y | stereo / mono | Y | - | micro | 3.0 | Y | - | - | |
3. | Canon 6D Mark II | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
4. | Canon 7D | Y | mono / - | Y | - | mini | 2.0 | - | - | - | |
5. | Fujifilm X-H2S | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | Y | |
6. | Fujifilm X-H2 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
7. | Fujifilm X-T5 | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
8. | Fujifilm X-T4 | Y | stereo / mono | Y | - | micro | 3.1 | Y | - | Y | |
9. | Fujifilm X-Pro3 | Y | stereo / mono | Y | - | - | 3.1 | Y | - | Y | |
10. | Leica Digilux 3 | Y | stereo / mono | - | - | - | 2.0 | - | - | - | |
11. | Nikon D500 | Y | stereo / mono | Y | Y | mini | 3.0 | Y | Y | Y | |
12. | Nikon D610 | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
13. | Nikon D7000 | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
14. | Olympus E-5 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
15. | Olympus E-3 | Y | - / - | - | - | - | 2.0 | - | - | - | |
16. | Olympus E-330 | Y | - / - | - | - | - | 2.0 | - | - | - | |
17. | Olympus E-300 | Y | - / - | - | - | - | 2.0 | - | - | - |
It is notable that the X-H1 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-1 does not provide wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the E-1 and the X-H1 have been discontinued, but can regularly be found used on ebay. The E-1 was replaced by the Olympus E-3, while the X-H1 does not have a direct successor. Further information on the features and operation of the E-1 and X-H1 can be found, respectively, in the Olympus E-1 Manual (free pdf) or the online Fujifilm X-H1 Manual.
Review summary
So what is the bottom line? Is the Olympus E-1 better than the Fujifilm X-H1 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Olympus E-1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Can take more shots (750 versus 310) on a single battery charge.
- More affordable: Was introduced into a lower priced segment (11 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in June 2003).
Arguments in favor of the Fujifilm X-H1:
- More detail: Has more megapixels (24 vs 4.9MP), which boosts linear resolution by 125%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.75x vs 0.48x).
- Larger screen: Has a bigger rear LCD (3.0" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 134k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More modern: Reflects 14 years and 7 months of technical progress since the E-1 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the X-H1 is the clear winner of the contest (24 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-1 and the Fujifilm X-H1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the E-1 or the X-H1. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-1 | .. | .. | .. | + | o | .. | Jun 2003 | 1,699 | ebay.com | |
2. | Fujifilm X-H1 | .. | + | 5/5 | 86/100 | 4.5/5 | 4.5/5 | Feb 2018 | 1,899 | ebay.com | |
3. | Canon 6D Mark II | 4/5 | + | 4/5 | 80/100 | 4.5/5 | 4/5 | Jun 2017 | 1,999 | amazon.com | |
4. | Canon 7D | 5/5 | + + | .. | 84/100 | 4.5/5 | 4.5/5 | Sep 2009 | 1,699 | ebay.com | |
5. | Fujifilm X-H2S | 5/5 | + | 5/5 | 90/100 | 5/5 | 5/5 | May 2022 | 2,499 | amazon.com | |
6. | Fujifilm X-H2 | 5/5 | + + | 5/5 | 89/100 | 5/5 | 5/5 | Sep 2022 | 1,999 | amazon.com | |
7. | Fujifilm X-T5 | 5/5 | + + | 4.5/5 | 90/100 | 4.5/5 | .. | Nov 2022 | 1,699 | amazon.com | |
8. | Fujifilm X-T4 | 5/5 | + + | 5/5 | 88/100 | 5/5 | 5/5 | Feb 2020 | 1,699 | ebay.com | |
9. | Fujifilm X-Pro3 | 4/5 | + | 4/5 | 85/100 | 4/5 | .. | Oct 2019 | 1,799 | amazon.com | |
10. | Leica Digilux 3 | .. | .. | .. | .. | .. | .. | Sep 2006 | 1,499 | ebay.com | |
11. | Nikon D500 | 5/5 | + + | 4.7/5 | 91/100 | 4.5/5 | 5/5 | Jan 2016 | 1,999 | ebay.com | |
12. | Nikon D610 | 4/5 | + + | .. | 87/100 | 4.5/5 | 4.5/5 | Oct 2013 | 1,999 | ebay.com | |
13. | Nikon D7000 | 4/5 | .. | .. | 80/100 | 4.5/5 | 4.5/5 | Sep 2010 | 1,499 | ebay.com | |
14. | Olympus E-5 | 4/5 | .. | .. | 75/100 | 4/5 | 4.5/5 | Sep 2010 | 1,699 | ebay.com | |
15. | Olympus E-3 | .. | 88/100 | .. | + + | o | 4/5 | Oct 2007 | 1,699 | ebay.com | |
16. | Olympus E-330 | .. | .. | .. | + | o | .. | Jan 2006 | 999 | ebay.com | |
17. | Olympus E-300 | .. | .. | .. | + | o | 4.5/5 | Sep 2004 | 799 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon M5 vs Olympus E-1
- Canon M50 vs Olympus E-1
- Canon SX620 vs Fujifilm X-H1
- Fujifilm X-A10 vs Fujifilm X-H1
- Fujifilm X-H1 vs Fujifilm X-H2
- Fujifilm X-H1 vs Fujifilm X-T2
- Fujifilm X-H1 vs Panasonic ZS80
- Fujifilm X-H1 vs Sony A900
- Fujifilm X-Pro1 vs Olympus E-1
- Leica M10 vs Olympus E-1
- Nikon D5500 vs Olympus E-1
- Olympus E-1 vs Sony A7 III
Specifications: Olympus E-1 vs Fujifilm X-H1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Olympus E-1 | Fujifilm X-H1 |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Four Thirds lenses | Fujifilm X mount lenses |
Launch Date | June 2003 | February 2018 |
Launch Price | USD 1,699 | USD 1,899 |
Sensor Specs | Olympus E-1 | Fujifilm X-H1 |
Sensor Technology | CCD | CMOS |
Sensor Format | Four Thirds Sensor | APS-C Sensor |
Sensor Size | 17.3 x 13.0 mm | 23.6 x 15.6 mm |
Sensor Area | 224.9 mm2 | 368.16 mm2 |
Sensor Diagonal | 21.6 mm | 28.3 mm |
Crop Factor | 2.0x | 1.5x |
Sensor Resolution | 4.9 Megapixels | 24 Megapixels |
Image Resolution | 2560 x 1920 pixels | 6000 x 4000 pixels |
Pixel Pitch | 6.78 μm | 3.92 μm |
Pixel Density | 2.19 MP/cm2 | 6.52 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | no Video | 4K/30p Video |
ISO Setting | 100 - 800 ISO | 200 - 12,800 ISO |
ISO Boost | 100 - 3,200 ISO | 100 - 51,200 ISO |
Image Processor | TruePic | X-Processor Pro2 |
Screen Specs | Olympus E-1 | Fujifilm X-H1 |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.48x | 0.75x |
Viewfinder Resolution | 3690k dots | |
Top-Level Screen | Control Panel | Control Panel |
LCD Framing | Live View | |
Rear LCD Size | 1.8inch | 3.0inch |
LCD Resolution | 134k dots | 1040k dots |
LCD Attachment | Fixed screen | Fully flexible screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Olympus E-1 | Fujifilm X-H1 |
Focus System | Phase-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
Continuous Shooting | 3 shutter flaps/s | 14 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/32000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Image Stabilization | Lens stabilization only | In-body stabilization |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | CF or XD cards | SDXC cards |
Single or Dual Card Slots | Dual card slots | Dual card slots |
Connectivity Specs | Olympus E-1 | Fujifilm X-H1 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | PC Sync socket |
USB Connector | USB 2.0 | USB 3.0 |
HDMI Port | no HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Wifi Support | no Wifi | Wifi built-in |
Body Specs | Olympus E-1 | Fujifilm X-H1 |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Olympus BLM-1 | Fujifilm NP-W126S |
Battery Life (CIPA) | 750 shots per charge | 310 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
141 x 104 x 81 mm (5.6 x 4.1 x 3.2 in) |
140 x 97 x 86 mm (5.5 x 3.8 x 3.4 in) |
Camera Weight | 738 g (26.0 oz) | 673 g (23.7 oz) |
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