Olympus E-1 vs Canon G16
The Olympus E-1 and the Canon PowerShot G16 are two digital cameras that were announced, respectively, in June 2003 and August 2013. The E-1 is a DSLR, while the G16 is a fixed lens compact. The cameras are based on a Four Thirds (E-1) and a 1/1.7-inch (G16) sensor. The Olympus has a resolution of 4.9 megapixels, whereas the Canon provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Olympus E-1 and the Canon PowerShot G16? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Olympus E-1 and the Canon G16. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon G16 is considerably smaller (44 percent) than the Olympus E-1. It is worth mentioning in this context that the E-1 is splash and dust resistant, while the G16 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G16 has a lens built in, whereas the E-1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-1 and their specifications in the Four Thirds Lens Catalog.
Concerning battery life, the E-1 gets 750 shots out of its Olympus BLM-1 battery, while the G16 can take 360 images on a single charge of its Canon NB-10L power pack.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-1 | 141 mm | 104 mm | 81 mm | 738 g | 750 | Y | Jun 2003 | 1,699 | ebay.com | |
2. | Canon G16 | 109 mm | 76 mm | 40 mm | 356 g | 360 | n | Aug 2013 | 549 | ebay.com | |
3. | Canon 6D Mark II | 144 mm | 111 mm | 75 mm | 765 g | 1200 | Y | Jun 2017 | 1,999 | amazon.com | |
4. | Canon 7D | 148 mm | 111 mm | 74 mm | 860 g | 800 | Y | Sep 2009 | 1,699 | ebay.com | |
5. | Canon G1 X Mark II | 116 mm | 74 mm | 66 mm | 553 g | 240 | n | Feb 2014 | 799 | ebay.com | |
6. | Canon G12 | 112 mm | 76 mm | 48 mm | 401 g | 370 | n | Sep 2010 | 499 | ebay.com | |
7. | Canon G15 | 107 mm | 76 mm | 40 mm | 352 g | 350 | n | Sep 2012 | 499 | ebay.com | |
8. | Leica Digilux 3 | 146 mm | 87 mm | 77 mm | 606 g | 750 | n | Sep 2006 | 1,499 | ebay.com | |
9. | Nikon D500 | 147 mm | 115 mm | 81 mm | 860 g | 1240 | Y | Jan 2016 | 1,999 | ebay.com | |
10. | Nikon D610 | 141 mm | 113 mm | 82 mm | 850 g | 900 | Y | Oct 2013 | 1,999 | ebay.com | |
11. | Nikon D7000 | 132 mm | 105 mm | 77 mm | 780 g | 1050 | Y | Sep 2010 | 1,499 | ebay.com | |
12. | Nikon P7800 | 119 mm | 78 mm | 50 mm | 399 g | 350 | n | Sep 2013 | 549 | ebay.com | |
13. | Olympus E-3 | 142 mm | 116 mm | 75 mm | 876 g | 750 | Y | Oct 2007 | 1,699 | ebay.com | |
14. | Olympus E-5 | 142 mm | 117 mm | 75 mm | 873 g | 750 | Y | Sep 2010 | 1,699 | ebay.com | |
15. | Olympus E-300 | 147 mm | 85 mm | 64 mm | 624 g | 750 | n | Sep 2004 | 799 | ebay.com | |
16. | Olympus E-330 | 140 mm | 87 mm | 72 mm | 637 g | 750 | n | Jan 2006 | 999 | ebay.com | |
17. | Panasonic LX7 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Jul 2012 | 499 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G16 was launched at a lower price than the E-1, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Olympus E-1 features a Four Thirds sensor and the Canon G16 a 1/1.7-inch sensor. The sensor area in the G16 is 81 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 2.0 and 4.65. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Despite having a smaller sensor, the G16 offers a higher resolution of 12 megapixels, compared with 4.9 MP of the E-1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.87μm versus 6.78μm for the E-1). However, it should be noted that the G16 is much more recent (by 10 years and 2 months) than the E-1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Canon G16 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the G16 for good quality output (200 dots per inch) amounts to 20 x 15 inches or 50.8 x 38.1 cm, for very good quality (250 dpi) 16 x 12 inches or 40.6 x 30.5 cm, and for excellent quality (300 dpi) 13.3 x 10 inches or 33.9 x 25.4 cm. The corresponding values for the Olympus E-1 are 12.8 x 9.6 inches or 32.5 x 24.4 cm for good quality, 10.2 x 7.7 inches or 26 x 19.5 cm for very good quality, and 8.5 x 6.4 inches or 21.7 x 16.3 cm for excellent quality prints.
The Olympus E-1 has a native sensitivity range from ISO 100 to ISO 800, which can be extended to ISO 100-3200. The corresponding ISO settings for the Canon PowerShot G16 are ISO 80 to ISO 12800 (no boost).
In terms of underlying technology, the E-1 is build around a CCD sensor, while the G16 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-1 | Four Thirds | 4.9 | 2560 | 1920 | none | 20.0 | 9.7 | -145 | 44 | |
2. | Canon G16 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.0 | 11.7 | 230 | 54 | |
3. | Canon 6D Mark II | Full Frame | 26.0 | 6240 | 4160 | 1080/60p | 24.4 | 11.9 | 2862 | 85 | |
4. | Canon 7D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.0 | 11.7 | 854 | 66 | |
5. | Canon G1 X Mark II | 1.5-inch | 13.0 | 4160 | 3120 | 1080/30p | 21.5 | 10.8 | 581 | 58 | |
6. | Canon G12 | 1/1.7 | 10.0 | 3648 | 2736 | 720/24p | 20.4 | 11.2 | 161 | 47 | |
7. | Canon G15 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/24p | 19.9 | 11.5 | 165 | 46 | |
8. | Leica Digilux 3 | Four Thirds | 7.4 | 3136 | 2352 | none | 21.0 | 10.6 | 127 | 53 | |
9. | Nikon D500 | APS-C | 20.7 | 5568 | 3712 | 4K/30p | 24.0 | 14.0 | 1324 | 83 | |
10. | Nikon D610 | Full Frame | 24.2 | 6016 | 4016 | 1080/30p | 25.1 | 14.4 | 2925 | 94 | |
11. | Nikon D7000 | APS-C | 16.1 | 4928 | 3264 | 1080/24p | 23.5 | 13.9 | 1167 | 80 | |
12. | Nikon P7800 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/30p | 21.2 | 11.7 | 200 | 54 | |
13. | Olympus E-3 | Four Thirds | 10.0 | 3648 | 2736 | none | 21.6 | 10.5 | 571 | 56 | |
14. | Olympus E-5 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.6 | 10.5 | 519 | 56 | |
15. | Olympus E-300 | Four Thirds | 8.0 | 3264 | 2448 | none | 20.4 | 10.1 | -40 | 48 | |
16. | Olympus E-330 | Four Thirds | 7.4 | 3136 | 2352 | none | 20.8 | 10.4 | 73 | 52 | |
17. | Panasonic LX7 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 20.7 | 11.7 | 147 | 50 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. The G16 indeed provides for movie recording, while the E-1 does not. The highest resolution format that the G16 can use is 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. The E-1 and the G16 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The following table reports on some other key feature differences and similarities of the Olympus E-1, the Canon G16, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-1 | optical | Y | 1.8 / 134 | fixed | n | 1/4000s | 3.0/s | n | n | |
2. | Canon G16 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.2/s | Y | Y | |
3. | Canon 6D Mark II | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 6.5/s | n | n | |
4. | Canon 7D | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 8.0/s | Y | n | |
5. | Canon G1 X Mark II | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 5.2/s | Y | Y | |
6. | Canon G12 | optical | n | 2.8 / 461 | swivel | n | 1/4000s | 1.1/s | Y | Y | |
7. | Canon G15 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.1/s | Y | Y | |
8. | Leica Digilux 3 | optical | n | 2.5 / 207 | fixed | n | 1/4000s | 3.0/s | Y | n | |
9. | Nikon D500 | optical | Y | 3.2 / 2359 | tilting | Y | 1/8000s | 10.0/s | n | n | |
10. | Nikon D610 | optical | Y | 3.2 / 921 | fixed | n | 1/4000s | 6.0/s | Y | n | |
11. | Nikon D7000 | optical | Y | 3.0 / 921 | fixed | n | 1/8000s | 6.0/s | Y | n | |
12. | Nikon P7800 | 921 | n | 3.0 / 921 | swivel | n | 1/4000s | 8.0/s | Y | Y | |
13. | Olympus E-3 | optical | Y | 2.5 / 230 | swivel | n | 1/8000s | 5.0/s | Y | Y | |
14. | Olympus E-5 | optical | Y | 3.0 / 920 | swivel | n | 1/8000s | 5.0/s | Y | Y | |
15. | Olympus E-300 | optical | n | 1.8 / 134 | fixed | n | 1/4000s | 2.5/s | Y | n | |
16. | Olympus E-330 | optical | n | 2.5 / 215 | tilting | n | 1/4000s | 3.0/s | Y | n | |
17. | Panasonic LX7 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the E-1, but is missing on the G16 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Canon G16 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The E-1 writes its imaging data to Compact Flash or xD Picture cards, while the G16 uses SDXC cards. The E-1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the G16 only has one slot.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Olympus E-1 and Canon PowerShot G16 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-1 | Y | - / - | - | - | - | 2.0 | - | - | - | |
2. | Canon G16 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
3. | Canon 6D Mark II | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
4. | Canon 7D | Y | mono / - | Y | - | mini | 2.0 | - | - | - | |
5. | Canon G1 X Mark II | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
6. | Canon G12 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
7. | Canon G15 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
8. | Leica Digilux 3 | Y | stereo / mono | - | - | - | 2.0 | - | - | - | |
9. | Nikon D500 | Y | stereo / mono | Y | Y | mini | 3.0 | Y | Y | Y | |
10. | Nikon D610 | Y | mono / mono | Y | Y | mini | 2.0 | - | - | - | |
11. | Nikon D7000 | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
12. | Nikon P7800 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
13. | Olympus E-3 | Y | - / - | - | - | - | 2.0 | - | - | - | |
14. | Olympus E-5 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
15. | Olympus E-300 | Y | - / - | - | - | - | 2.0 | - | - | - | |
16. | Olympus E-330 | Y | - / - | - | - | - | 2.0 | - | - | - | |
17. | Panasonic LX7 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - |
It is notable that the G16 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the E-1 does not provide wifi capability.
Studio photographers will appreciate that the Olympus E-1 (unlike the G16) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the E-1 and the G16 have been discontinued, but can regularly be found used on ebay. The E-1 was replaced by the Olympus E-3, while the G16 does not have a direct successor. Further information on the features and operation of the E-1 and G16 can be found, respectively, in the Olympus E-1 Manual (free pdf) or the online Canon G16 Manual.
Review summary
So what is the bottom line? Is there a clear favorite between the Olympus E-1 and the Canon G16? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Olympus E-1:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster burst: Shoots at higher frequency (3 vs 2.2 flaps/sec) to capture the decisive moment.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (750 versus 360) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in June 2003).
Arguments in favor of the Canon PowerShot G16:
- More detail: Has more megapixels (12 vs 4.9MP), which boosts linear resolution by 56%.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Larger screen: Has a bigger rear LCD (3.0" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (922k vs 134k dots).
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the E-1 requires a separate lens.
- More compact: Is smaller (109x76mm vs 141x104mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the E-1).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 10 years and 2 months of technical progress since the E-1 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the G16 comes out slightly ahead of the E-1 (13 : 12 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Olympus E-1 and the Canon G16 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the E-1 or the G16 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Olympus E-1 | .. | .. | .. | + | o | .. | Jun 2003 | 1,699 | ebay.com | |
2. | Canon G16 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 549 | ebay.com | |
3. | Canon 6D Mark II | 4/5 | + | 4/5 | 80/100 | 4.5/5 | 4/5 | Jun 2017 | 1,999 | amazon.com | |
4. | Canon 7D | 5/5 | + + | .. | 84/100 | 4.5/5 | 4.5/5 | Sep 2009 | 1,699 | ebay.com | |
5. | Canon G1 X Mark II | 3/5 | + | .. | 77/100 | 4/5 | 4.5/5 | Feb 2014 | 799 | ebay.com | |
6. | Canon G12 | 4/5 | + | .. | 73/100 | 4.5/5 | 4.5/5 | Sep 2010 | 499 | ebay.com | |
7. | Canon G15 | 4/5 | + | .. | 76/100 | 4.5/5 | 4.5/5 | Sep 2012 | 499 | ebay.com | |
8. | Leica Digilux 3 | .. | .. | .. | .. | .. | .. | Sep 2006 | 1,499 | ebay.com | |
9. | Nikon D500 | 5/5 | + + | 4.7/5 | 91/100 | 4.5/5 | 5/5 | Jan 2016 | 1,999 | ebay.com | |
10. | Nikon D610 | 4/5 | + + | .. | 87/100 | 4.5/5 | 4.5/5 | Oct 2013 | 1,999 | ebay.com | |
11. | Nikon D7000 | 4/5 | .. | .. | 80/100 | 4.5/5 | 4.5/5 | Sep 2010 | 1,499 | ebay.com | |
12. | Nikon P7800 | 3/5 | .. | .. | .. | 4/5 | 4.5/5 | Sep 2013 | 549 | ebay.com | |
13. | Olympus E-3 | .. | 88/100 | .. | + + | o | 4/5 | Oct 2007 | 1,699 | ebay.com | |
14. | Olympus E-5 | 4/5 | .. | .. | 75/100 | 4/5 | 4.5/5 | Sep 2010 | 1,699 | ebay.com | |
15. | Olympus E-300 | .. | .. | .. | + | o | 4.5/5 | Sep 2004 | 799 | ebay.com | |
16. | Olympus E-330 | .. | .. | .. | + | o | .. | Jan 2006 | 999 | ebay.com | |
17. | Panasonic LX7 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Jul 2012 | 499 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X vs Olympus E-1
- Canon 20D vs Olympus E-1
- Canon 300D vs Canon G16
- Canon G16 vs Fujifilm XF10
- Canon G16 vs Olympus E-P3
- Canon G16 vs Olympus XZ-2
- Canon G16 vs Panasonic GF5
- Canon G16 vs Panasonic TZ95
- Canon R6 Mark II vs Olympus E-1
- Leica D-LUX 5 vs Olympus E-1
- Olympus E-1 vs Samsung NX30
- Olympus E-1 vs Sony RX100 VII
Specifications: Olympus E-1 vs Canon G16
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Olympus E-1 | Canon G16 |
---|---|---|
Camera Type | Digital single lens reflex | Fixed lens compact camera |
Camera Lens | Four Thirds lenses | 28-140mm f/1.8-2.8 |
Launch Date | June 2003 | August 2013 |
Launch Price | USD 1,699 | USD 549 |
Sensor Specs | Olympus E-1 | Canon G16 |
Sensor Technology | CCD | BSI-CMOS |
Sensor Format | Four Thirds Sensor | 1/1.7" Sensor |
Sensor Size | 17.3 x 13.0 mm | 7.44 x 5.58 mm |
Sensor Area | 224.9 mm2 | 41.5152 mm2 |
Sensor Diagonal | 21.6 mm | 9.3 mm |
Crop Factor | 2.0x | 4.65x |
Sensor Resolution | 4.9 Megapixels | 12 Megapixels |
Image Resolution | 2560 x 1920 pixels | 4000 x 3000 pixels |
Pixel Pitch | 6.78 μm | 1.87 μm |
Pixel Density | 2.19 MP/cm2 | 28.91 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | no Video | 1080/60p Video |
ISO Setting | 100 - 800 ISO | 80 - 12,800 ISO |
ISO Boost | 100 - 3,200 ISO | no Enhancement |
Image Processor | TruePic | DIGIC 6 |
DXO Sensor Quality (score) | .. | 54 |
DXO Color Depth (bits) | .. | 21.0 |
DXO Dynamic Range (EV) | .. | 11.7 |
DXO Low Light (ISO) | .. | 230 |
Screen Specs | Olympus E-1 | Canon G16 |
Viewfinder Type | Optical viewfinder | Optical viewfinder |
Viewfinder Field of View | 100% | 80% |
Viewfinder Magnification | 0.48x | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | |
Rear LCD Size | 1.8inch | 3.0inch |
LCD Resolution | 134k dots | 922k dots |
LCD Attachment | Fixed screen | Fixed screen |
Shooting Specs | Olympus E-1 | Canon G16 |
Focus System | Phase-detect AF | Contrast-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 3 shutter flaps/s | 2.2 shutter flaps/s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | CF or XD cards | SDXC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
Connectivity Specs | Olympus E-1 | Canon G16 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | no HDMI | mini HDMI |
Wifi Support | no Wifi | Wifi built-in |
Body Specs | Olympus E-1 | Canon G16 |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | Olympus BLM-1 | Canon NB-10L |
Battery Life (CIPA) | 750 shots per charge | 360 shots per charge |
Body Dimensions |
141 x 104 x 81 mm (5.6 x 4.1 x 3.2 in) |
109 x 76 x 40 mm (4.3 x 3.0 x 1.6 in) |
Camera Weight | 738 g (26.0 oz) | 356 g (12.6 oz) |
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