Nikon Z7 vs Pentax 645Z
The Nikon Z7 and the Pentax 645Z are two digital cameras that were announced, respectively, in August 2018 and April 2014. The Z7 is a mirrorless interchangeable lens camera, while the 645Z is a DSLR. The cameras are based on a full frame (Z7) and a medium format (645Z) sensor. The Nikon has a resolution of 45.4 megapixels, whereas the Pentax provides 51.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Z7 and the Pentax 645Z? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon Z7 and the Pentax 645Z is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax 645Z is notably larger (35 percent) than the Nikon Z7. Moreover, the 645Z is substantially heavier (130 percent) than the Z7. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the Z7 gets 330 shots out of its EN-EL15b battery, while the 645Z can take 650 images on a single charge of its D-LI90 power pack. The power pack in the Z7 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Nikon Z7||5.3 in||4.0 in||2.6 in||23.8 oz||330||Y||Aug 2018||3,399|
|Pentax 645Z||6.1 in||4.6 in||4.8 in||54.7 oz||650||Y||Apr 2014||8,499|
|Canon 5DS||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699|
|Canon 5DS R||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699|
|Hasselblad X1D||5.9 in||3.9 in||2.8 in||25.6 oz||..||Y||Jun 2016||8,995|
|Leica SL||5.8 in||4.1 in||1.5 in||29.9 oz||400||Y||Oct 2015||7,450|
|Nikon Z7 II||5.3 in||4.0 in||2.8 in||24.9 oz||420||Y||Oct 2020||2,999|
|Nikon Z6||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999|
|Nikon D850||5.7 in||4.9 in||3.1 in||35.5 oz||1840||Y||Jul 2017||3,299|
|Panasonic S1R||5.9 in||4.3 in||3.8 in||35.8 oz||380||Y||Feb 2019||3,699|
|Pentax 645D||6.1 in||4.6 in||4.7 in||52.2 oz||800||Y||Mar 2010||9,995|
|Sony A7R III||5.0 in||3.8 in||2.9 in||22.9 oz||650||Y||Oct 2017||3,199|
|Sony A9||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499|
|Sony A99 II||5.6 in||4.1 in||3.0 in||29.9 oz||490||Y||Sep 2016||3,199|
|Sony A7R II||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199|
|Sony A7S II||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999|
|Sony A99||5.8 in||4.4 in||3.1 in||28.6 oz||500||Y||Sep 2012||2,799|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The Z7 was launched at a markedly lower price (by 60 percent) than the 645Z, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon Z7 features a full frame sensor and the Pentax 645Z a medium format sensor. The sensor area in the 645Z is 67 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 0.79. The sensor in the Z7 has a native 3:2 aspect ratio, while the one in the 645Z offers a 4:3 aspect.
With 51.1MP, the 645Z offers a higher resolution than the Z7 (45.4MP), but the 645Z nevertheless has larger individual pixels (pixel pitch of 5.30μm versus 4.35μm for the Z7) due to its larger sensor. However, the Z7 is a much more recent model (by 4 years and 4 months) than the 645Z, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The Z7 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon Z7 has a native sensitivity range from ISO 64 to ISO 25600, which can be extended to ISO 32-102400. The corresponding ISO settings for the Pentax 645Z are ISO 100 to ISO 204800 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|Pentax 645Z||Medium Format||51.1||8256||6192||1080/60i||26.0||14.7||4505||101|
|Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|Hasselblad X1D||Medium Format||51.3||8272||6200||1080/25p||26.2||14.8||4489||102|
|Leica SL||Full Frame||24.0||6000||4000||4K/30p||25.0||13.4||1821||88|
|Nikon Z7 II||Full Frame||45.4||8256||5504||4K/60p||..||..||..||..|
|Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95|
|Nikon D850||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100|
|Panasonic S1R||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100|
|Pentax 645D||Medium Format||39.5||7264||5440||none||24.6||12.6||1262||82|
|Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the Z7 provides a higher video resolution than the 645Z. It can shoot video footage at 4K/30p, while the Pentax is limited to 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the Z7 has an electronic viewfinder (3690k dots), while the 645Z has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the Z7 offers a wider field of view (100%) than the one in the 645Z (98%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the Z7 has a higher magnification (0.80x vs 0.78x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Nikon Z7, the Pentax 645Z, and comparable cameras.
|Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n|
|Nikon Z7 II||3690||Y||3.2||2100||tilting||Y||1/8000s||10.0||n||Y|
|Sony A7R III||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|Sony A99 II||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y|
|Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
|Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
One feature that differentiates the Z7 and the 645Z is in-body image stabilization (IBIS). The Z7 reduces the risk of handshake-induced blur with all attached lenses, while the 645Z offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the Z7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon Z7 and the Pentax 645Z both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The Z7 writes its imaging data to XQD cards, while the 645Z uses SDXC cards. The 645Z features dual card slots, which can be very useful in case a memory card fails. In contrast, the Z7 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Z7 and Pentax 645Z and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-|
|Nikon Z7 II||Y||stereo||mono||Y||Y||micro||3.2||Y||-||Y|
|Sony A7R III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Sony A99 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y|
|Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
|Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the Z7 has a headphone jack, which is not present on the 645Z This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
Studio photographers will appreciate that the Pentax 645Z (unlike the Z7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The 645Z is a recent model that features in the current product line-up of Pentax. In contrast, the Z7 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the Z7 was succeeded by the Nikon Z7 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Pentax websites.
So how do things add up? Which of the two cameras – the Nikon Z7 or the Pentax 645Z – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Nikon Z7:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 98%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.78x).
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1037k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (9 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (134x101mm vs 156x117mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 875g or 56 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
- More modern: Reflects 4 years and 4 months of technical progress since the 645Z launch.
Reasons to prefer the Pentax 645Z:
- Better low-light sensitivity: Can shoot in dim conditions (0.8 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Gets more shots (650 versus 330) out of a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in April 2014).
If the count of individual advantages (bullet points above) is taken as a guide, the Z7 is the clear winner of the match-up (20 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon Z7 and the Pentax 645Z place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the Z7 or the 645Z. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Nikon Z7||+||89/100||4.5/5||4.5/5||5/5||Aug 2018||3,399|
|Pentax 645Z||..||..||4.5/5||5/5||5/5||Apr 2014||8,499|
|Canon 5DS||+||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699|
|Canon 5DS R||+||83/100||5/5||5/5||4.5/5||Feb 2015||3,699|
|Hasselblad X1D||o||81/100||..||..||4/5||Jun 2016||8,995|
|Leica SL||..||84/100||4.5/5||4/5||4/5||Oct 2015||7,450|
|Nikon Z7 II||..||..||..||..||..||Oct 2020||2,999|
|Nikon Z6||..||..||4.5/5||4.5/5||5/5||Aug 2018||1,999|
|Nikon D850||+ +||89/100||4.5/5||5/5||5/5||Jul 2017||3,299|
|Panasonic S1R||..||89/100||4.5/5||5/5||4.5/5||Feb 2019||3,699|
|Pentax 645D||..||..||..||4.5/5||..||Mar 2010||9,995|
|Sony A7R III||+ +||90/100||4.5/5||5/5||5/5||Oct 2017||3,199|
|Sony A9||+ +||89/100||5/5||5/5||5/5||Apr 2017||4,499|
|Sony A99 II||..||85/100||4.5/5||4.5/5||4.5/5||Sep 2016||3,199|
|Sony A7R II||+ +||90/100||5/5||4.5/5||5/5||Jun 2015||3,199|
|Sony A7S II||+||..||4.5/5||5/5||5/5||Sep 2015||2,999|
|Sony A99||..||84/100||4.5/5||o||4.5/5||Sep 2012||2,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Nikon Z7 vs Pentax 645Z
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon Z7||Pentax 645Z|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Nikon Z mount lenses||Pentax 645 mount lenses|
|Launch Date||August 2018||April 2014|
|Launch Price||USD 3,399||USD 8,499|
|Sensor Specs||Nikon Z7||Pentax 645Z|
|Sensor Format||Full Frame Sensor||Medium Format Sensor|
|Sensor Size||35.9 x 23.9 mm||43.8 x 32.8 mm|
|Sensor Area||858.01 mm2||1436.64 mm2|
|Sensor Diagonal||43.1 mm||54.7 mm|
|Sensor Resolution||45.4 Megapixels||51.1 Megapixels|
|Image Resolution||8256 x 5504 pixels||8256 x 6192 pixels|
|Pixel Pitch||4.35 μm||5.30 μm|
|Pixel Density||5.30 MP/cm2||3.56 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||1080/60i Video|
|ISO Setting||64 - 25,600 ISO||100 - 204,800 ISO|
|ISO Boost||32 - 102,400 ISO||no Enhancement|
|Image Processor||EXPEED 6||PRIME III|
|DXO Sensor Quality (score)||99||101|
|DXO Color Depth (bits)||26.3||26.0|
|DXO Dynamic Range (EV)||14.6||14.7|
|DXO Low Light (ISO)||2668||4505|
|Screen Specs||Nikon Z7||Pentax 645Z|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||98%|
|Viewfinder Resolution||3690k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.2inch|
|LCD Resolution||2100k dots||1037k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Nikon Z7||Pentax 645Z|
|Focus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||9 shutter flaps/s||3 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations||100 000 actuations|
|Electronic Shutter||up to 1/8000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||XQD cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Nikon Z7||Pentax 645Z|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 3.1||USB 3.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Nikon Z7||Pentax 645Z|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||330 shots per charge||650 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
134 x 101 x 67 mm
(5.3 x 4.0 x 2.6 in)
156 x 117 x 123 mm
(6.1 x 4.6 x 4.8 in)
|Camera Weight||675 g (23.8 oz)||1550 g (54.7 oz)|
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