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Nikon Z7 vs Olympus E-M5 III

The Nikon Z7 and the Olympus OM-D E-M5 Mark III are two enthusiast cameras that were officially introduced, respectively, in August 2018 and October 2019. Both the Z7 and the E-M5 III are mirrorless interchangeable lens cameras that are based on a full frame (Z7) and a Four Thirds (E-M5 III) sensor. The Nikon has a resolution of 45.4 megapixels, whereas the Olympus provides 20.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications
Nikon Z7 VS Olympus E-M5 III
Nikon Z7 Olympus E-M5 III
Mirrorless system camera Mirrorless system camera
Nikon Z mount lenses Micro Four Thirds lenses
45.4 MP, Full Frame Sensor 20.2 MP, Four Thirds Sensor
4K/30p Video 4k/24p Video
ISO 64-25600 (32-102400) ISO 200-25600
Electronic viewfinder (3690k dots) Electronic viewfinder (2360k dots)
3.2" LCD, 2100k dots 3.0" LCD, 1040k dots
Tilting touchscreen Swivel touchscreen
9 shutter flaps per second 10 shutter flaps per second
In-body stabilizationIn-body stabilization
Weathersealed bodyWeathersealed body
330 shots per battery charge310 shots per battery charge
134 x 101 x 67 mm, 675 g 125 x 85 x 50 mm, 414 g

Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Z7 and the Olympus OM-D E-M5 Mark III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Nikon Z7 and the Olympus E-M5 III are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The E-M5 III can be obtained in two different colors (black, silver), while the Z7 is only available in black.

Size Nikon Z7 vs Olympus E-M5 III
Compare Z7 versus E-M5 III top
Comparison Z7 or E-M5 III rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 III is notably smaller (21 percent) than the Nikon Z7. Moreover, the E-M5 III is substantially lighter (39 percent) than the Z7. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the Z7 gets 330 shots out of its EN-EL15b battery, while the E-M5 III can take 310 images on a single charge of its BLS-50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Camera
Model
 
Nikon Z7» 5.3 in 4.0 in 2.6 in 23.8 oz 330 Y Aug 2018 3,399 iNikon Z7
 
Olympus E-M5 III« 4.9 in 3.3 in 2.0 in 14.6 oz 310 Y Oct 2019 1,199 iOlympus E-M5 III
 
Nikon Z6« » 5.3 in 4.0 in 2.6 in 23.8 oz 310 Y Aug 2018 1,999 iNikon Z6
 
Nikon D850« » 5.7 in 4.9 in 3.1 in 35.5 oz 1840 Y Jul 2017 3,299 iNikon D850
 
Olympus PEN-F« » 4.9 in 2.8 in 1.5 in 15.1 oz 330 n Jan 2016 1,199 iOlympus PEN-F
 
Olympus E-M5 II« » 4.9 in 3.3 in 1.8 in 16.5 oz 310 Y Feb 2015 1,099iOlympus E-M5 II
 
Olympus E-M1« » 5.1 in 3.7 in 2.5 in 17.5 oz 350 Y Sep 2013 1,399iOlympus E-M1
 
Olympus E-M5« » 4.8 in 3.5 in 1.7 in 15.0 oz 360 Y Feb 2012 1,299iOlympus E-M5
 
Panasonic S1R« » 5.9 in 4.3 in 3.8 in 35.8 oz 380 Y Feb 2019 3,699 iPanasonic S1R
 
Panasonic GX8« » 5.2 in 3.1 in 2.5 in 17.2 oz 330 Y Jul 2015 1,199iPanasonic GX8
 
Sony A7 III« » 5.0 in 3.8 in 2.9 in 22.9 oz 610 Y Feb 2018 1,999 iSony A7 III
 
Sony A7R III« » 5.0 in 3.8 in 2.9 in 22.9 oz 650 Y Oct 2017 3,199iSony A7R III
 
Sony A9« » 5.0 in 3.8 in 2.5 in 23.7 oz 650 Y Apr 2017 4,499iSony A9
 
Sony A99 II« » 5.6 in 4.1 in 3.0 in 29.9 oz 490 Y Sep 2016 3,199 iSony A99 II
 
Sony A7R II« » 5.0 in 3.8 in 2.4 in 22.0 oz 290 Y Jun 2015 3,199iSony A7R II
 
Sony A7S II« » 5.0 in 3.8 in 2.4 in 22.1 oz 370 Y Sep 2015 2,999 iSony A7S II
 
Sony A99« » 5.8 in 4.4 in 3.1 in 28.6 oz 500 Y Sep 2012 2,799iSony A99
Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-M5 III was launched at a markedly lower price (by 65 percent) than the Z7, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Nikon Z7 features a full frame sensor and the Olympus E-M5 III a Four Thirds sensor. The sensor area in the E-M5 III is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the Z7 has a native 3:2 aspect ratio, while the one in the E-M5 III offers a 4:3 aspect.

Nikon Z7 and Olympus E-M5 III sensor measures

With 45.4MP, the Z7 offers a higher resolution than the E-M5 III (20.2MP), but the Z7 nevertheless has larger individual pixels (pixel pitch of 4.35μm versus 3.34μm for the E-M5 III) due to its larger sensor. However, the E-M5 III is a somewhat more recent model (by 1 year and 1 month) than the Z7, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Nikon Z7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z7 for good quality output (200 dots per inch) amounts to 41.3 x 27.5 inch or 104.9 x 69.9 cm, for very good quality (250 dpi) 33 x 22 inch or 83.9 x 55.9 cm, and for excellent quality (300 dpi) 27.5 x 18.3 inch or 69.9 x 46.6 cm. The corresponding values for the Olympus E-M5 III are 25.9 x 19.4 inch or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inch or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inch or 43.9 x 32.9 cm for excellent quality prints.

Unlike the Z7, the E-M5 III has the capacity to capture high quality composite images (80MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).

The Nikon Z7 has a native sensitivity range from ISO 64 to ISO 25600, which can be extended to ISO 32-102400. The corresponding ISO settings for the Olympus OM-D E-M5 Mark III are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 64-25600.

Z7 versus E-M5 III MP

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
 
Nikon Z7 Full Frame 45.4 8256 55044K/30p26.314.6266899Nikon Z7
 
Olympus E-M5 III Four Thirds 20.2 5184 38884k/24p........Olympus E-M5 III
 
Nikon Z6 Full Frame 24.3 6048 40244K/30p25.314.3329995Nikon Z6
 
Nikon D850 Full Frame 45.4 8256 55044K/30p26.414.82660100Nikon D850
 
Olympus PEN-F Four Thirds 20.2 5184 38881080/60p23.112.489474Olympus PEN-F
 
Olympus E-M5 II Four Thirds 15.9 4608 34561080/60p23.012.584273Olympus E-M5 II
 
Olympus E-M1 Four Thirds 15.9 4608 34561080/30p23.012.775773Olympus E-M1
 
Olympus E-M5 Four Thirds 15.9 4608 34561080/60i22.812.382671Olympus E-M5
 
Panasonic S1R Full Frame 46.7 8368 55844K/60p26.414.13525100Panasonic S1R
 
Panasonic GX8 Four Thirds 20.2 5184 38884K/30p23.512.680675Panasonic GX8
 
Sony A7 III Full Frame 24.0 6000 40004K/30p25.014.7373096Sony A7 III
 
Sony A7R III Full Frame 42.2 7952 53044K/30p26.014.73523100Sony A7R III
 
Sony A9 Full Frame 24.0 6000 40004K/30p24.913.3351792Sony A9
 
Sony A99 II Full Frame 42.2 7952 53044K/30p25.413.4231792Sony A99 II
 
Sony A7R II Full Frame 42.2 7952 53044K/30p26.013.9343498Sony A7R II
 
Sony A7S II Full Frame 12.0 4240 28324K/30p23.613.3299385Sony A7S II
 
Sony A99 Full Frame 24.0 6000 40001080/60p25.014.0155589Sony A99

Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the Z7 provides a higher frame rate than the E-M5 III. It can shoot video footage at 4K/30p, while the Olympus is limited to 4k/24p.

 

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the Z7 offers a substantially higher resolution than the one in the E-M5 III (3690k vs 2360k dots). The table below summarizes some of the other core capabilities of the Nikon Z7 and Olympus E-M5 III in connection with corresponding information for a sample of similar cameras.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Mech
Shutter
Speed
Shutter
Flaps
(1/sec)
Built-in
Flash
(yes/no)
Built-in
Image
Stab
Camera
Model
 
Nikon Z73690 Y 3.2 2100 tilting Y 1/8000s 9.0 n Y Nikon Z7
 
Olympus E-M5 III2360 n 3.0 1040 swivel Y 1/8000s 10.0 n Y Olympus E-M5 III
 
Nikon Z63690 Y 3.2 2100 tilting Y 1/8000s 12.0 n Y Nikon Z6
 
Nikon D850optical Y 3.2 2359 tilting Y 1/8000s 9.0 n n Nikon D850
 
Olympus PEN-F2360 n 3.0 1037 swivel Y 1/8000s 10.0 n Y Olympus PEN-F
 
Olympus E-M5 II2360 n 3.0 1037 swivel Y 1/8000s 10.0 n Y Olympus E-M5 II
 
Olympus E-M12360 n 3.0 1037 tilting Y 1/8000s 10.0 n Y Olympus E-M1
 
Olympus E-M51440 n 3.0 610 tilting Y 1/4000s 9.0 n Y Olympus E-M5
 
Panasonic S1R5760 Y 3.2 2100 full-flex Y 1/8000s 9.0 n Y Panasonic S1R
 
Panasonic GX82360 n 3.0 1040 swivel Y 1/8000s 10.0 n Y Panasonic GX8
 
Sony A7 III2359 n 3.0 922 tilting Y 1/8000s 10.0 n Y Sony A7 III
 
Sony A7R III3686 n 3.0 1440 tilting Y 1/8000s 10.0 n Y Sony A7R III
 
Sony A93686 n 3.0 1440 tilting Y 1/8000s 20.0 n Y Sony A9
 
Sony A99 II2400 Y 3.0 1229 full-flex n 1/8000s 12.0 n Y Sony A99 II
 
Sony A7R II2400 n 3.0 1229 tilting n 1/8000s 5.0 n Y Sony A7R II
 
Sony A7S II2400 n 3.0 1229 tilting n 1/8000s 5.0 n Y Sony A7S II
 
Sony A992359 Y 3.0 1229 full-flex n 1/8000s 6.0 n Y Sony A99

One feature that is present on the Z7, but is missing on the E-M5 III is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The E-M5 III has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the Z7 does not have a selfie-screen.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M5 III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Nikon Z7 and the Olympus E-M5 III both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The Z7 writes its imaging data to XQD cards, while the E-M5 III uses SDXC cards.

 

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Z7 and Olympus OM-D E-M5 Mark III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Port
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
 
Nikon Z7YstereomonoYYmicro3.1Y-YNikon Z7
 
Olympus E-M5 IIIYstereomonoY-micro2.0Y-YOlympus E-M5 III
 
Nikon Z6YstereomonoYYmicro3.1Y-YNikon Z6
 
Nikon D850YstereomonoYYmini3.0YYYNikon D850
 
Olympus PEN-FYstereomono--micro2.0Y--Olympus PEN-F
 
Olympus E-M5 IIYstereomonoY-micro2.0Y--Olympus E-M5 II
 
Olympus E-M1YstereomonoY-micro2.0Y--Olympus E-M1
 
Olympus E-M5Ystereomono--mini2.0---Olympus E-M5
 
Panasonic S1RYstereomonoYYfull3.1Y-YPanasonic S1R
 
Panasonic GX8YstereomonoY-micro2.0YY-Panasonic GX8
 
Sony A7 IIIYstereomonoYYmicro3.1YYYSony A7 III
 
Sony A7R IIIYstereomonoYYmicro3.1YYYSony A7R III
 
Sony A9YstereomonoYYmicro2.0YYYSony A9
 
Sony A99 IIYstereomonoYYmicro2.0YYYSony A99 II
 
Sony A7R IIYstereomonoYYmicro2.0YY-Sony A7R II
 
Sony A7S IIYstereomonoYYmicro2.0YY-Sony A7S II
 
Sony A99YstereomonoYYmini2.0---Sony A99

It is notable that the Z7 has a headphone jack, which is not present on the E-M5 III This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.

Studio photographers will appreciate that the Olympus E-M5 III (unlike the Z7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the Z7 and the E-M5 III are recent models that are part of the current product line-up. The E-M5 III replaced the earlier Olympus E-M5 II, while the Z7 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Olympus websites.

Review summary

So what is the bottom line? Is there a clear favorite between the Nikon Z7 and the Olympus E-M5 III? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

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Advantages of the Nikon Z7:

  • More detail: Offers more megapixels (45.4 vs 20.2MP) with a 53% higher linear resolution.
  • Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
  • Richer colors: The pixel size advantage translates into images with better, more accurate colors.
  • More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
  • Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
  • Better video: Provides higher movie framerates (4K/30p versus 4k/24p).
  • Better sound control: Has a headphone port that enables audio monitoring while recording.
  • More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2360k dots).
  • Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.68x).
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
  • More detailed LCD: Has a higher resolution rear screen (2100k vs 1040k dots).
  • Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
  • More heavily discounted: Has been on the market for longer (launched in August 2018).

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Reasons to prefer the Olympus OM-D E-M5 Mark III:

  • High quality composites: Can combine several shots after pixel-shifting its sensor.
  • More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
  • More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
  • Less disturbing: Has an electronic shutter option for completely silent shooting.
  • More compact: Is smaller (125x85mm vs 134x101mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 261g or 39 percent) and is thus easier to take along.
  • Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
  • More affordable: Was introduced into a lower priced category (65 percent cheaper at launch).
  • More modern: Was introduced somewhat (1 year and 1 month) more recently.

If the number of relative strengths (bullet points above) is taken as a guide, the Z7 is the clear winner of the match-up (14 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

Z7 14:09 E-M5 III

How about other alternatives? Do the specifications of the Nikon Z7 and the Olympus E-M5 III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the Z7 or the E-M5 III. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Review Scores
  Camera
Model
cam
era
  labs  
dp
re
  view  
e
photo
  zine  
ima
ging
resource
photo
graphy
  blog  
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Camera
Model
 
Nikon Z7+89/1004.5/54.5/55/5 Aug 2018 3,399 iNikon Z7
 
Olympus E-M5 III+82/1004.5/5..4.5/5 Oct 2019 1,199 iOlympus E-M5 III
 
Nikon Z6....4.5/54.5/55/5 Aug 2018 1,999 iNikon Z6
 
Nikon D850+ +89/1004.5/55/55/5 Jul 2017 3,299 iNikon D850
 
Olympus PEN-F..82/1004.5/54.5/55/5 Jan 2016 1,199 iOlympus PEN-F
 
Olympus E-M5 II+ +81/1005/54.5/55/5 Feb 2015 1,099iOlympus E-M5 II
 
Olympus E-M1+ +84/1004.5/54.5/54.5/5 Sep 2013 1,399iOlympus E-M1
 
Olympus E-M5+ +80/1004.5/55/55/5 Feb 2012 1,299iOlympus E-M5
 
Panasonic S1R..89/1004.5/55/54.5/5 Feb 2019 3,699 iPanasonic S1R
 
Panasonic GX8+82/1004.5/55/54.5/5 Jul 2015 1,199iPanasonic GX8
 
Sony A7 III+ +89/1005/55/55/5 Feb 2018 1,999 iSony A7 III
 
Sony A7R III+ +90/1004.5/55/55/5 Oct 2017 3,199iSony A7R III
 
Sony A9+ +89/1005/55/55/5 Apr 2017 4,499iSony A9
 
Sony A99 II..85/1004.5/54.5/54.5/5 Sep 2016 3,199 iSony A99 II
 
Sony A7R II+ +90/1005/54.5/55/5 Jun 2015 3,199iSony A7R II
 
Sony A7S II+..4.5/55/55/5 Sep 2015 2,999 iSony A7S II
 
Sony A99..84/1004.5/5o4.5/5 Sep 2012 2,799iSony A99
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

Nikon Z7:
Check Amazon price
Olympus E-M5 III:
Check Amazon price

Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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    Specifications: Nikon Z7 vs Olympus E-M5 III

    Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.

    Camera Specifications
    Camera Model Nikon Z7 Olympus E-M5 III
    Camera Type Mirrorless system camera Mirrorless system camera
    Camera Lens Nikon Z mount lenses Micro Four Thirds lenses
    Launch Date August 2018 October 2019
    Launch Price USD 3399 USD 1199
    Sensor Specs Nikon Z7 Olympus E-M5 III
    Sensor Technology BSI-CMOS CMOS
    Sensor Format Full Frame Sensor Four Thirds Sensor
    Sensor Size 35.9 x 23.9 mm 17.3 x 13.0 mm
    Sensor Area 858.01 mm2 224.9 mm2
    Sensor Diagonal 43.1 mm 21.6 mm
    Crop Factor 1.0x 2.0x
    Sensor Resolution 45.4 Megapixels 20.2 Megapixels
    Image Resolution 8256 x 5504 pixels 5184 x 3888 pixels
    Pixel Pitch 4.35 μm 3.34 μm
    Pixel Density 5.30 MP/cm2 8.96 MP/cm2
    Moiré control no AA filter no AA filter
    Movie Capability 4K/30p Video 4k/24p Video
    ISO Setting 64-25600 ISO 200-25600 ISO
    ISO Boost 32-102400 ISO 64-25600 ISO
    Image Processor EXPEED 6 TruePic VIII
    DXO Sensor Quality (score) 99 ..
    DXO Color Depth (bits) 26.3 ..
    DXO Dynamic Range (EV) 14.6 ..
    DXO Low Light (ISO) 2668 ..
    Screen Specs Nikon Z7 Olympus E-M5 III
    Viewfinder Type Electronic viewfinder Electronic viewfinder
    Viewfinder Field of View 100% 100%
    Viewfinder Magnification 0.80x 0.68x
    Viewfinder Resolution 3690k dots 2360k dots
    Top-Level Screen Control Panel no Top Display
    LCD Framing Live View Live View
    Rear LCD Size 3.2 inch 3.0 inch
    LCD Resolution 2100k dots 1040k dots
    LCD Attachment Tilting screen Swivel screen
    Touch Input Touchscreen Touchscreen
    Shooting Specs Nikon Z7 Olympus E-M5 III
    Focus System On-Sensor Phase-detect On-Sensor Phase-detect
    Manual Focusing AidFocus PeakingFocus Peaking
    Max Shutter Speed (mechanical) 1/8000/s 1/8000/s
    Continuous Shooting 9 shutter flaps/s 10 shutter flaps/s
    Electronic Shutterno E-Shutterup to 1/32000s
    Time-Lapse PhotographyIntervalometer built-inIntervalometer built-in
    Image StabilizationIn-body stabilizationIn-body stabilization
    Fill Flash no On-Board Flash no On-Board Flash
    Storage Medium XQD cards SDXC cards
    Second Storage Option Single card slot Single card slot
    Connectivity Specs Nikon Z7 Olympus E-M5 III
    External Flash Hotshoe Hotshoe
    Studio Flash no PC Sync PC Sync socket
    USB Connector USB 3.1 USB 2.0
    HDMI Port micro HDMI micro HDMI
    Microphone Port External MIC port External MIC port
    Headphone Socket Headphone port no Headphone port
    Wifi Support Wifi built-in Wifi built-in
    Bluetooth Support Bluetooth built-in Bluetooth built-in
    Body Specs Nikon Z7 Olympus E-M5 III
    Environmental SealingWeathersealed bodyWeathersealed body
    Battery Type EN-EL15b BLS-50
    Battery Life (CIPA)330 shots per charge310 shots per charge
    In-Camera Charging USB charging USB charging
    Body Dimensions 134 x 101 x 67 mm
    (5.3 x 4.0 x 2.6 in)
    125 x 85 x 50 mm
    (4.9 x 3.3 x 2.0 in)
    Camera Weight 675 g (23.8 oz) 414 g (14.6 oz)

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