Nikon Z7 II vs Sony A6600
The Nikon Z7 II and the Sony Alpha A6600 are two enthusiast cameras that were officially introduced, respectively, in October 2020 and August 2019. Both the Z7 II and the A6600 are mirrorless interchangeable lens cameras that are based on a full frame (Z7 II) and an APS-C (A6600) sensor. The Nikon has a resolution of 45.4 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Z7 II and the Sony Alpha A6600? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon Z7 II and the Sony A6600 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6600 is considerably smaller (41 percent) than the Nikon Z7 II. Moreover, the A6600 is markedly lighter (29 percent) than the Z7 II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the Z7 II gets 420 shots out of its EN-EL15c battery, while the A6600 can take 810 images on a single charge of its NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Nikon Z7 II||134 mm||101 mm||70 mm||705 g||420||Y||Oct 2020||2,999|
|2.||Sony A6600||120 mm||67 mm||69 mm||503 g||810||Y||Aug 2019||1,399|
|3.||Canon R5||138 mm||98 mm||88 mm||738 g||320||Y||Jul 2020||3,899|
|4.||Canon R6||138 mm||98 mm||88 mm||680 g||360||Y||Jul 2020||2,499|
|5.||Fujifilm X-T4||135 mm||93 mm||64 mm||607 g||500||Y||Feb 2020||1,699|
|6.||Nikon Z5||134 mm||101 mm||67 mm||675 g||470||Y||Jul 2020||1,399|
|7.||Nikon Z6 II||134 mm||101 mm||70 mm||705 g||410||Y||Oct 2020||1,999|
|8.||Nikon Z6||134 mm||101 mm||67 mm||675 g||310||Y||Aug 2018||1,999|
|9.||Nikon Z7||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399|
|10.||Sony A7S III||127 mm||97 mm||81 mm||699 g||600||Y||Jul 2020||3,499|
|11.||Sony A7C||124 mm||71 mm||60 mm||509 g||740||Y||Sep 2020||1,799|
|12.||Sony A7R IV||129 mm||96 mm||78 mm||665 g||670||Y||Jul 2019||3,499|
|13.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199|
|14.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199|
|15.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
|16.||Sony A77 II||143 mm||104 mm||81 mm||647 g||480||Y||May 2014||1,199|
|17.||Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A6600 was launched at a markedly lower price (by 53 percent) than the Z7 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon Z7 II features a full frame sensor and the Sony A6600 an APS-C sensor. The sensor area in the A6600 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 45.4MP, the Z7 II offers a higher resolution than the A6600 (24MP), but the Z7 II nevertheless has larger individual pixels (pixel pitch of 4.35μm versus 3.91μm for the A6600) due to its larger sensor. Moreover, the Z7 II is a somewhat more recent model (by 1 year and 1 month) than the A6600, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the Z7 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon Z7 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z7 II for good quality output (200 dots per inch) amounts to 41.3 x 27.5 inches or 104.9 x 69.9 cm, for very good quality (250 dpi) 33 x 22 inches or 83.9 x 55.9 cm, and for excellent quality (300 dpi) 27.5 x 18.3 inches or 69.9 x 46.6 cm. The corresponding values for the Sony A6600 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
The Nikon Z7 II has a native sensitivity range from ISO 64 to ISO 25600, which can be extended to ISO 32-102400. The corresponding ISO settings for the Sony Alpha A6600 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 100-102400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the Z7 II provides substantially higher image quality than the A6600, with an overall score that is 18 points higher. This advantage is based on 2.5 bits higher color depth, 1.3 EV in additional dynamic range, and 0.9 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
| DXO |
|1.||Nikon Z7 II||Full Frame||45.4||8256||5504||4K/60p||26.3||14.7||2841||100|
|3.||Canon R5||Full Frame||44.8||8192||5464||8k/30p||25.3||14.6||3042||95|
|4.||Canon R6||Full Frame||20.0||5472||3648||4k/60p||24.2||14.3||3394||90|
|6.||Nikon Z5||Full Frame||24.2||6016||4016||4K/30p||..||..||..||..|
|7.||Nikon Z6 II||Full Frame||24.3||6048||4024||4K/60p||..||..||..||..|
|8.||Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95|
|9.||Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|10.||Sony A7S III||Full Frame||12.0||4240||2832||4K/120p||23.7||13.9||2520||86|
|11.||Sony A7C||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3407||95|
|12.||Sony A7R IV||Full Frame||60.2||9504||6336||4K/30p||26.0||14.8||3344||99|
|13.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|14.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|16.||Sony A77 II||APS-C||24.0||6000||4000||1080/60p||..||..||..||..|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the Z7 II provides a higher frame rate than the A6600. It can shoot video footage at 4K/60p, while the Sony is limited to 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the Z7 II offers a substantially higher resolution than the one in the A6600 (3690k vs 2359k dots). The adjacent table lists some of the other core features of the Nikon Z7 II and Sony A6600 along with similar information for a selection of comparators.
|1.||Nikon Z7 II||3690||Y||3.2||2100||tilting||Y||1/8000s||10.0||n||Y|
|7.||Nikon Z6 II||3690||Y||3.2||2100||tilting||Y||1/8000s||14.0||n||Y|
|10.||Sony A7S III||9440||n||3.0||1440||swivel||Y||1/8000s||10.0||n||Y|
|12.||Sony A7R IV||5760||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|13.||Sony A7R III||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|14.||Sony A99 II||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y|
|16.||Sony A77 II||2359||Y||3.0||1229||full-flex||n||1/8000s||12.0||Y||Y|
One feature that is present on the Z7 II, but is missing on the A6600 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The A6600 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the Z7 II does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon Z7 II and the Sony A6600 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The Z7 II writes its imaging data to CFexpress or SDXC cards, while the A6600 uses SDXC or Memory Stick PRO Duo cards. The Z7 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the A6600 only has one slot. The Z7 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the A6600 can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Z7 II and Sony Alpha A6600 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Nikon Z7 II||Y||stereo||mono||Y||Y||micro||3.2||Y||-||Y|
|7.||Nikon Z6 II||Y||stereo||mono||Y||Y||micro||3.2||Y||-||Y|
|10.||Sony A7S III||Y||stereo||mono||Y||Y||full||3.2||Y||-||Y|
|12.||Sony A7R IV||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|13.||Sony A7R III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|14.||Sony A99 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y|
|16.||Sony A77 II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-|
Both the Z7 II and the A6600 are recent models that are part of the current product line-up. The A6600 replaced the earlier Sony A6500, while the Z7 II followed on from the Nikon Z7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
So what is the bottom line? Is the Nikon Z7 II better than the Sony A6600 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Nikon Z7 II:
- More detail: Offers more megapixels (45.4 vs 24MP) with a 38% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores substantially higher (18 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.5 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.3 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.9 stops ISO advantage).
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2359k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.70x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 922k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Is somewhat more recent (announced 1 year and 1 month after the A6600).
Advantages of the Sony Alpha A6600:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (120x67mm vs 134x101mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 202g or 29 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (810 versus 420) out of a single battery charge.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (53 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in August 2019).
If the number of relative strengths (bullet points above) is taken as a guide, the Z7 II is the clear winner of the match-up (17 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon Z7 II and the Sony A6600 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the Z7 II or the A6600 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon Z7 II||4.5/5||..||..||4.5/5||4.5/5||Oct 2020||2,999|
|2.||Sony A6600||4/5||+||83/100||4.5/5||4/5||Aug 2019||1,399|
|3.||Canon R5||4.5/5||..||91/100||4.5/5||4.5/5||Jul 2020||3,899|
|4.||Canon R6||5/5||+ +||90/100||4.5/5||5/5||Jul 2020||2,499|
|5.||Fujifilm X-T4||5/5||+ +||..||5/5||5/5||Feb 2020||1,699|
|6.||Nikon Z5||4/5||..||89/100||4.5/5||4/5||Jul 2020||1,399|
|7.||Nikon Z6 II||4.5/5||..||89/100||4.5/5||4.5/5||Oct 2020||1,999|
|8.||Nikon Z6||5/5||..||..||4.5/5||5/5||Aug 2018||1,999|
|9.||Nikon Z7||5/5||+||89/100||4.5/5||5/5||Aug 2018||3,399|
|10.||Sony A7S III||..||+ +||91/100||4.5/5||5/5||Jul 2020||3,499|
|11.||Sony A7C||3.5/5||..||86/100||4/5||4/5||Sep 2020||1,799|
|12.||Sony A7R IV||5/5||+||91/100||4.5/5||5/5||Jul 2019||3,499|
|13.||Sony A7R III||..||+ +||90/100||4.5/5||5/5||Oct 2017||3,199|
|14.||Sony A99 II||..||..||85/100||4.5/5||4.5/5||Sep 2016||3,199|
|15.||Sony A6500||5/5||+ +||85/100||4.5/5||4.5/5||Oct 2016||1,399|
|16.||Sony A77 II||4/5||..||80/100||4.5/5||5/5||May 2014||1,199|
|17.||Sony A77||5/5||91/100||81/100||..||5/5||Aug 2011||1,399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Nikon Z7 II vs Sony A6600
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon Z7 II||Sony A6600|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Nikon Z mount lenses||Sony E mount lenses|
|Launch Date||October 2020||August 2019|
|Launch Price||USD 2,999||USD 1,399|
|Sensor Specs||Nikon Z7 II||Sony A6600|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||35.9 x 23.9 mm||23.5 x 15.6 mm|
|Sensor Area||858.01 mm2||366.6 mm2|
|Sensor Diagonal||43.1 mm||28.2 mm|
|Sensor Resolution||45.4 Megapixels||24 Megapixels|
|Image Resolution||8256 x 5504 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.35 μm||3.91 μm|
|Pixel Density||5.30 MP/cm2||6.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/60p Video||4K/30p Video|
|ISO Setting||64 - 25,600 ISO||100 - 32,000 ISO|
|ISO Boost||32 - 102,400 ISO||100 - 102,400 ISO|
|Image Processor||DUAL EXPEED 6||BIONZ X|
|DXO Sensor Quality (score)||100||82|
|DXO Color Depth (bits)||26.3||23.8|
|DXO Dynamic Range (EV)||14.7||13.4|
|DXO Low Light (ISO)||2841||1497|
|Screen Specs||Nikon Z7 II||Sony A6600|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots||2359k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2100k dots||922k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Nikon Z7 II||Sony A6600|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||10 shutter flaps/s||11 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations||100 000 actuations|
|Electronic Shutter||up to 1/8000s||YES|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CFexpress or SDXC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-II||UHS-I|
|Connectivity Specs||Nikon Z7 II||Sony A6600|
|USB Connector||USB 3.2||USB 2.0|
|HDMI Port||micro HDMI||YES HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Nikon Z7 II||Sony A6600|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||420 shots per charge||810 shots per charge|
|In-Camera Charging||USB charging||USB charging|
134 x 101 x 70 mm
(5.3 x 4.0 x 2.8 in)
120 x 67 x 69 mm
(4.7 x 2.6 x 2.7 in)
|Camera Weight||705 g (24.9 oz)||503 g (17.7 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.