Nikon Z7 II vs Sony A1
The Nikon Z7 II and the Sony A1 are two digital cameras that were announced, respectively, in October 2020 and January 2021. Both the Z7 II and the A1 are mirrorless interchangeable lens cameras that are equipped with a full frame sensor. The Nikon has a resolution of 45.4 megapixels, whereas the Sony provides 49.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Z7 II and the Sony A1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon Z7 II and the Sony A1. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A1 is notably smaller (8 percent) than the Nikon Z7 II. However, the A1 is markedly heavier (5 percent) than the Z7 II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the Z7 II gets 420 shots out of its EN-EL15c battery, while the A1 can take 530 images on a single charge of its NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Nikon Z7 II||134 mm||101 mm||70 mm||705 g||420||Y||Oct 2020||2,999|
|2.||Sony A1||129 mm||97 mm||81 mm||737 g||530||Y||Jan 2021||6,499|
|3.||Canon R5||138 mm||98 mm||88 mm||738 g||320||Y||Jul 2020||3,899|
|4.||Canon R6||138 mm||98 mm||88 mm||680 g||360||Y||Jul 2020||2,499|
|5.||Nikon Z5||134 mm||101 mm||67 mm||675 g||470||Y||Jul 2020||1,399|
|6.||Nikon Z6 II||134 mm||101 mm||70 mm||705 g||410||Y||Oct 2020||1,999|
|7.||Nikon Z6||134 mm||101 mm||67 mm||675 g||310||Y||Aug 2018||1,999|
|8.||Nikon Z7||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399|
|9.||Sony A7S III||127 mm||97 mm||81 mm||699 g||600||Y||Jul 2020||3,499|
|10.||Sony A7R IV||129 mm||96 mm||78 mm||665 g||670||Y||Jul 2019||3,499|
|11.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199|
|12.||Sony A9||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499|
|13.||Sony A99 II||143 mm||104 mm||76 mm||849 g||490||Y||Sep 2016||3,199|
|14.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The Z7 II was launched at a markedly lower price (by 54 percent) than the A1, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around BSI-CMOS sensors.
With 49.8MP, the A1 offers a higher resolution than the Z7 II (45.4MP), but the A1 has smaller individual pixels (pixel pitch of 4.16μm versus 4.35μm for the Z7 II). Yet, the A1 is a somewhat more recent model (by 3 months) than the Z7 II, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Sony A1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A1 for good quality output (200 dots per inch) amounts to 43.2 x 28.8 inches or 109.7 x 73.2 cm, for very good quality (250 dpi) 34.6 x 23 inches or 87.8 x 58.5 cm, and for excellent quality (300 dpi) 28.8 x 19.2 inches or 73.2 x 48.8 cm. The corresponding values for the Nikon Z7 II are 41.3 x 27.5 inches or 104.9 x 69.9 cm for good quality, 33 x 22 inches or 83.9 x 55.9 cm for very good quality, and 27.5 x 18.3 inches or 69.9 x 46.6 cm for excellent quality prints.
Unlike the Z7 II, the A1 has the capacity to capture high quality composite images (YESMP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Nikon Z7 II has a native sensitivity range from ISO 64 to ISO 25600, which can be extended to ISO 32-102400. The corresponding ISO settings for the Sony A1 are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 500-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
| DXO |
|1.||Nikon Z7 II||Full Frame||45.4||8256||5504||4K/60p||..||..||..||..|
|2.||Sony A1||Full Frame||49.8||8640||5760||8k/30p||..||..||..||..|
|3.||Canon R5||Full Frame||44.8||8192||5464||8k/30p||25.3||14.6||3042||95|
|4.||Canon R6||Full Frame||20.0||5472||3648||4k/60p||24.2||14.3||3394||90|
|5.||Nikon Z5||Full Frame||24.2||6016||4016||4K/30p||..||..||..||..|
|6.||Nikon Z6 II||Full Frame||24.3||6048||4024||4K/60p||..||..||..||..|
|7.||Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95|
|8.||Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|9.||Sony A7S III||Full Frame||12.0||4240||2832||4K/120p||23.7||13.9||2520||86|
|10.||Sony A7R IV||Full Frame||60.2||9504||6336||4K/30p||26.0||14.8||3344||99|
|11.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|12.||Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|13.||Sony A99 II||Full Frame||42.2||7952||5304||4K/30p||25.4||13.4||2317||92|
|14.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A1 provides a better video resolution than the Z7 II. It can shoot movie footage at 8k/30p, while the Nikon is limited to 4K/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A1 offers a substantially higher resolution than the one in the Z7 II (9437k vs 3690k dots). The table below summarizes some of the other core capabilities of the Nikon Z7 II and Sony A1 in connection with corresponding information for a sample of similar cameras.
|1.||Nikon Z7 II||3690||Y||3.2||2100||tilting||Y||1/8000s||10.0||n||Y|
|6.||Nikon Z6 II||3690||Y||3.2||2100||tilting||Y||1/8000s||14.0||n||Y|
|9.||Sony A7S III||9440||n||3.0||1440||swivel||Y||1/8000s||10.0||n||Y|
|10.||Sony A7R IV||5760||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|11.||Sony A7R III||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|13.||Sony A99 II||2400||Y||3.0||1229||full-flex||n||1/8000s||12.0||n||Y|
|14.||Sony A7R II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y|
One feature that is present on the Z7 II, but is missing on the A1 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon Z7 II and the Sony A1 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the Z7 II and the A1 write their files to CFexpress or SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Z7 II and Sony A1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Nikon Z7 II||Y||stereo||mono||Y||Y||micro||3.2||Y||-||Y|
|6.||Nikon Z6 II||Y||stereo||mono||Y||Y||micro||3.2||Y||-||Y|
|9.||Sony A7S III||Y||stereo||mono||Y||Y||full||3.2||Y||-||Y|
|10.||Sony A7R IV||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|11.||Sony A7R III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|13.||Sony A99 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y|
|14.||Sony A7R II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
Studio photographers will appreciate that the Sony A1 (unlike the Z7 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the Z7 II and the A1 are recent models that are part of the current product line-up. The Z7 II replaced the earlier Nikon Z7, while the A1 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sony websites.
So how do things add up? Is there a clear favorite between the Nikon Z7 II and the Sony A1? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Nikon Z7 II:
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1440k dots).
- More affordable: Was introduced into a lower priced category (54 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in October 2020).
Advantages of the Sony A1:
- More detail: Has more megapixels (49.8 vs 45.4MP), which boosts linear resolution by 5%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher definition movie capture (8k/30p vs 4K/60p).
- More detailed viewfinder: Has higher resolution electronic viewfinder (9437k vs 3690k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.9x vs 0.80x).
- Longer lasting: Gets more shots (530 versus 420) out of a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More modern: Was introduced somewhat (3 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the A1 emerges as the winner of the match-up (8 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon Z7 II and the Sony A1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the Z7 II or the A1 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon Z7 II||4.5/5||..||..||4.5/5||4.5/5||Oct 2020||2,999|
|2.||Sony A1||..||..||..||..||..||Jan 2021||6,499|
|3.||Canon R5||4.5/5||..||91/100||4.5/5||4.5/5||Jul 2020||3,899|
|4.||Canon R6||5/5||+ +||90/100||4.5/5||5/5||Jul 2020||2,499|
|5.||Nikon Z5||4/5||..||89/100||4.5/5||4/5||Jul 2020||1,399|
|6.||Nikon Z6 II||4.5/5||..||89/100||4.5/5||4.5/5||Oct 2020||1,999|
|7.||Nikon Z6||5/5||..||..||4.5/5||5/5||Aug 2018||1,999|
|8.||Nikon Z7||5/5||+||89/100||4.5/5||5/5||Aug 2018||3,399|
|9.||Sony A7S III||..||+ +||91/100||4.5/5||5/5||Jul 2020||3,499|
|10.||Sony A7R IV||5/5||+||91/100||4.5/5||5/5||Jul 2019||3,499|
|11.||Sony A7R III||..||+ +||90/100||4.5/5||5/5||Oct 2017||3,199|
|12.||Sony A9||5/5||+ +||89/100||5/5||5/5||Apr 2017||4,499|
|13.||Sony A99 II||..||..||85/100||4.5/5||4.5/5||Sep 2016||3,199|
|14.||Sony A7R II||5/5||+ +||90/100||5/5||5/5||Jun 2015||3,199|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Nikon Z7 II vs Sony A1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon Z7 II||Sony A1|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Nikon Z mount lenses||Sony E mount lenses|
|Launch Date||October 2020||January 2021|
|Launch Price||USD 2,999||USD 6,499|
|Sensor Specs||Nikon Z7 II||Sony A1|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||35.9 x 23.9 mm||35.9 x 24.0 mm|
|Sensor Area||858.01 mm2||861.6 mm2|
|Sensor Diagonal||43.1 mm||43.2 mm|
|Sensor Resolution||45.4 Megapixels||49.8 Megapixels|
|Image Resolution||8256 x 5504 pixels||8640 x 5760 pixels|
|Pixel Pitch||4.35 μm||4.16 μm|
|Pixel Density||5.30 MP/cm2||5.78 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/60p Video||8k/30p Video|
|ISO Setting||64 - 25,600 ISO||100 - 32,000 ISO|
|ISO Boost||32 - 102,400 ISO||500 - 102,400 ISO|
|Image Processor||DUAL EXPEED 6||Dual BIONZ XR|
|Screen Specs||Nikon Z7 II||Sony A1|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots||9437k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2100k dots||1440k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Nikon Z7 II||Sony A1|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||10 shutter flaps/s||10 shutter flaps/s|
|Shutter Life Expectancy||200 000 actuations||500 000 actuations|
|Electronic Shutter||up to 1/8000s||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CFexpress or SDXC cards||CFexpress or SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||UHS-II||UHS-II|
|Connectivity Specs||Nikon Z7 II||Sony A1|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 3.2||USB 3.2|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Nikon Z7 II||Sony A1|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||420 shots per charge||530 shots per charge|
|In-Camera Charging||USB charging||USB charging|
134 x 101 x 70 mm
(5.3 x 4.0 x 2.8 in)
129 x 97 x 81 mm
(5.1 x 3.8 x 3.2 in)
|Camera Weight||705 g (24.9 oz)||737 g (26.0 oz)|
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