Nikon Z7 II vs Sigma fp
The Nikon Z7 II and the Sigma fp are two digital cameras that were announced, respectively, in October 2020 and July 2019. Both the Z7 II and the fp are mirrorless interchangeable lens cameras that are equipped with a full frame sensor. The Nikon has a resolution of 45.4 megapixels, whereas the Sigma provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Z7 II and the Sigma fp? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Nikon Z7 II and the Sigma fp. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sigma fp is considerably smaller (42 percent) than the Nikon Z7 II. Moreover, the fp is substantially lighter (40 percent) than the Z7 II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Nikon Z7 II||134 mm||101 mm||70 mm||705 g||420||Y||Oct 2020||2,999|
|2.||Sigma fp||113 mm||70 mm||45 mm||422 g||280||Y||Jul 2019||1,899|
|3.||Canon R5||138 mm||98 mm||88 mm||738 g||320||Y||Jul 2020||3,899|
|4.||Canon R6||138 mm||98 mm||88 mm||680 g||360||Y||Jul 2020||2,499|
|5.||Fujifilm X-Pro3||141 mm||83 mm||46 mm||497 g||440||Y||Oct 2019||1,799|
|6.||Nikon D780||144 mm||116 mm||76 mm||840 g||2260||Y||Jan 2020||2,299|
|7.||Nikon Z5||134 mm||101 mm||67 mm||675 g||470||Y||Jul 2020||1,399|
|8.||Nikon Z6 II||134 mm||101 mm||70 mm||705 g||410||Y||Oct 2020||1,999|
|9.||Nikon Z6||134 mm||101 mm||67 mm||675 g||310||Y||Aug 2018||1,999|
|10.||Nikon Z7||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399|
|11.||Panasonic S5||133 mm||98 mm||82 mm||714 g||440||Y||Sep 2020||1,999|
|12.||Panasonic S1||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499|
|13.||Panasonic S1H||151 mm||114 mm||110 mm||1052 g||400||Y||May 2019||3,999|
|14.||Sony A7S III||127 mm||97 mm||81 mm||699 g||600||Y||Jul 2020||3,499|
|15.||Sony A7R IV||129 mm||96 mm||78 mm||665 g||670||Y||Jul 2019||3,499|
|16.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199|
|17.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The fp was launched at a markedly lower price (by 37 percent) than the Z7 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor and have a format factor (sometimes also referred to as "crop factor") of 1.0. Within the spectrum of camera sensors, this places the review cameras among the large-sensor cameras that aim for top notch image quality. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around BSI-CMOS sensors.
While the two cameras under review share the same sensor size, the Z7 II offers a higher resolution of 45.4 megapixels, compared with 24 MP of the fp. This megapixels advantage translates into a 38 percent gain in linear resolution. On the other hand, these sensor specs imply that the Z7 II has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.35μm versus 5.98μm for the fp). In this context, it should be noted, however, that the Z7 II is a somewhat more recent model (by 1 year and 3 months) than the fp, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Nikon Z7 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z7 II for good quality output (200 dots per inch) amounts to 41.3 x 27.5 inches or 104.9 x 69.9 cm, for very good quality (250 dpi) 33 x 22 inches or 83.9 x 55.9 cm, and for excellent quality (300 dpi) 27.5 x 18.3 inches or 69.9 x 46.6 cm. The corresponding values for the Sigma fp are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
The Z7 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon Z7 II has a native sensitivity range from ISO 64 to ISO 25600, which can be extended to ISO 32-102400. The corresponding ISO settings for the Sigma fp are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 6-102400.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Nikon Z7 II||Full Frame||45.4||8256||5504||4K/60p||26.3||14.7||2841||100|
|2.||Sigma fp||Full Frame||24.0||6000||4000||4K/30p||..||..||..||..|
|3.||Canon R5||Full Frame||44.8||8192||5464||8K/30p||25.3||14.6||3042||95|
|4.||Canon R6||Full Frame||20.0||5472||3648||4k/60p||24.2||14.3||3394||90|
|6.||Nikon D780||Full Frame||24.3||6048||4024||4K/30p||..||..||..||..|
|7.||Nikon Z5||Full Frame||24.2||6016||4016||4K/30p||..||..||..||..|
|8.||Nikon Z6 II||Full Frame||24.3||6048||4024||4K/60p||25||14.4||3303||94|
|9.||Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95|
|10.||Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|11.||Panasonic S5||Full Frame||24.0||6000||4000||4K/60p||25.1||14.5||2697||94|
|12.||Panasonic S1||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95|
|13.||Panasonic S1H||Full Frame||24.0||6000||4000||6K/30p||..||..||..||..|
|14.||Sony A7S III||Full Frame||12.0||4240||2832||4K/120p||23.7||13.9||2520||86|
|15.||Sony A7R IV||Full Frame||60.2||9504||6336||4K/30p||26.0||14.8||3344||99|
|16.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|17.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the Z7 II provides a higher frame rate than the fp. It can shoot video footage at 4K/60p, while the Sigma is limited to 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the Z7 II has an electronic viewfinder (3690k dots), which can be very helpful when shooting in bright sunlight. In contrast, the fp relies on live view and the rear LCD for framing. That said, the fp can be equipped with an optional viewfinder – the EVF-11. The table below summarizes some of the other core capabilities of the Nikon Z7 II and Sigma fp in connection with corresponding information for a sample of similar cameras.
|1.||Nikon Z7 II||3690||Y||3.2 / 2100||tilting||Y||1/8000s||10.0||n||Y|
|2.||Sigma fp||optional||n||3.2 / 2100||fixed||Y||1/8000s||12.0||n||n|
|3.||Canon R5||5760||Y||3.2 / 2100||swivel||Y||1/8000s||10.0||n||Y|
|4.||Canon R6||3690||n||3.0 / 1620||swivel||Y||1/8000s||12.0||n||Y|
|5.||Fujifilm X-Pro3||3690||n||3.0 / 1620||tilting||Y||1/8000s||8.0||n||n|
|6.||Nikon D780||optical||Y||3.2 / 2359||tilting||Y||1/8000s||12.0||n||n|
|7.||Nikon Z5||3690||n||3.2 / 1040||tilting||Y||1/8000s||4.5||n||Y|
|8.||Nikon Z6 II||3690||Y||3.2 / 2100||tilting||Y||1/8000s||14.0||n||Y|
|9.||Nikon Z6||3690||Y||3.2 / 2100||tilting||Y||1/8000s||12.0||n||Y|
|10.||Nikon Z7||3690||Y||3.2 / 2100||tilting||Y||1/8000s||9.0||n||Y|
|11.||Panasonic S5||2360||n||3.0 / 1840||swivel||Y||1/8000s||7.0||n||Y|
|12.||Panasonic S1||5760||Y||3.2 / 2100||full-flex||Y||1/8000s||9.0||n||Y|
|13.||Panasonic S1H||5760||Y||3.2 / 2330||swivel||Y||1/8000s||9.0||n||Y|
|14.||Sony A7S III||9440||n||3.0 / 1440||swivel||Y||1/8000s||10.0||n||Y|
|15.||Sony A7R IV||5760||n||3.0 / 1440||tilting||Y||1/8000s||10.0||n||Y|
|16.||Sony A7R III||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0||n||Y|
|17.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0||n||Y|
One feature that is present on the Z7 II, but is missing on the fp is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon Z7 II and the Sigma fp both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The Z7 II writes its imaging data to CFexpress or SDXC cards, while the fp uses SDXC cards. The Z7 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the fp only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Z7 II and Sigma fp and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon Z7 II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|2.||Sigma fp||Y||stereo / mono||Y||-||micro||3.1||-||-||-|
|3.||Canon R5||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Canon R6||Y||mono / mono||Y||Y||micro||3.2||Y||-||Y|
|5.||Fujifilm X-Pro3||Y||stereo / mono||Y||-||-||3.1||Y||-||Y|
|6.||Nikon D780||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|7.||Nikon Z5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|8.||Nikon Z6 II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|9.||Nikon Z6||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|10.||Nikon Z7||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|11.||Panasonic S5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|12.||Panasonic S1||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|13.||Panasonic S1H||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|14.||Sony A7S III||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|15.||Sony A7R IV||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|16.||Sony A7R III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|17.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the Z7 II has a headphone jack, which is not present on the fp This port makes it possible to attach external headphones and monitor the quality of sound during the recording process.
Both the Z7 II and the fp are recent models that are part of the current product line-up. The Z7 II replaced the earlier Nikon Z7, while the fp does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Sigma websites.
So how do things add up? Is the Nikon Z7 II better than the Sigma fp or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Nikon Z7 II:
- More detail: Offers more megapixels (45.4 vs 24MP) with a 38% higher linear resolution.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Longer lasting: Can take more shots (420 versus 280) on a single battery charge.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 3.1).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Is somewhat more recent (announced 1 year and 3 months after the fp).
Reasons to prefer the Sigma fp:
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (113x70mm vs 134x101mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 283g or 40 percent) and is thus easier to take along.
- More affordable: Was introduced into a lower priced category (37 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in July 2019).
If the count of individual advantages (bullet points above) is taken as a guide, the Z7 II is the clear winner of the match-up (14 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon Z7 II and the Sigma fp place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the Z7 II and the fp in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon Z7 II||4.5/5||..||4.5/5||..||4.5/5||4.5/5||Oct 2020||2,999|
|2.||Sigma fp||4/5||..||4/5||..||4/5||4.5/5||Jul 2019||1,899|
|3.||Canon R5||4.5/5||+||4/5||91/100||4.5/5||4.5/5||Jul 2020||3,899|
|4.||Canon R6||5/5||+ +||4/5||90/100||4.5/5||5/5||Jul 2020||2,499|
|5.||Fujifilm X-Pro3||4/5||+||4/5||85/100||4/5||..||Oct 2019||1,799|
|6.||Nikon D780||5/5||..||5/5||87/100||4.5/5||4.5/5||Jan 2020||2,299|
|7.||Nikon Z5||4/5||..||4/5||89/100||4.5/5||4/5||Jul 2020||1,399|
|8.||Nikon Z6 II||4.5/5||..||4/5||89/100||4.5/5||4.5/5||Oct 2020||1,999|
|9.||Nikon Z6||5/5||..||5/5||89/100||4.5/5||5/5||Aug 2018||1,999|
|10.||Nikon Z7||5/5||+||4.8/5||89/100||4.5/5||5/5||Aug 2018||3,399|
|11.||Panasonic S5||4.5/5||+ +||4.5/5||88/100||4.5/5||4.5/5||Sep 2020||1,999|
|12.||Panasonic S1||4.5/5||+ +||4.5/5||88/100||4.5/5||4/5||Feb 2019||2,499|
|13.||Panasonic S1H||..||..||4/5||90/100||..||..||May 2019||3,999|
|14.||Sony A7S III||..||+ +||5/5||91/100||4.5/5||5/5||Jul 2020||3,499|
|15.||Sony A7R IV||5/5||+||4.5/5||91/100||4.5/5||5/5||Jul 2019||3,499|
|16.||Sony A7R III||..||+ +||4/5||90/100||4.5/5||5/5||Oct 2017||3,199|
|17.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 90D vs Nikon Z7 II
- Canon R3 vs Nikon Z7 II
- Fujifilm GFX 100 vs Nikon Z7 II
- Leica D-LUX 6 vs Sigma fp
- Leica S3 vs Nikon Z7 II
- Nikon P950 vs Nikon Z7 II
- Nikon Z7 II vs Olympus E-M1 II
- Panasonic GH5 vs Sigma fp
- Panasonic LX100 vs Sigma fp
- Pentax K-3 II vs Sigma fp
- Pentax K-5 II vs Sigma fp
- Sigma fp vs Sony HX350
Specifications: Nikon Z7 II vs Sigma fp
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon Z7 II||Sigma fp|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Nikon Z mount lenses||Leica L mount lenses|
|Launch Date||October 2020||July 2019|
|Launch Price||USD 2,999||USD 1,899|
|Sensor Specs||Nikon Z7 II||Sigma fp|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||35.9 x 23.9 mm||35.9 x 23.9 mm|
|Sensor Area||858.01 mm2||858.01 mm2|
|Sensor Diagonal||43.1 mm||43.1 mm|
|Sensor Resolution||45.4 Megapixels||24 Megapixels|
|Image Resolution||8256 x 5504 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.35 μm||5.98 μm|
|Pixel Density||5.30 MP/cm2||2.80 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/60p Video||4K/30p Video|
|ISO Setting||64 - 25,600 ISO||100 - 25,600 ISO|
|ISO Boost||32 - 102,400 ISO||6 - 102,400 ISO|
|DXO Sensor Quality (score)||100||..|
|DXO Color Depth (bits)||26.3||..|
|DXO Dynamic Range (EV)||14.7||..|
|DXO Low Light (ISO)||2841||..|
|Screen Specs||Nikon Z7 II||Sigma fp|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3690k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.2inch|
|LCD Resolution||2100k dots||2100k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Shooting Specs||Nikon Z7 II||Sigma fp|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||10 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||up to 1/8000s||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CFexpress or SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||UHS-II||UHS-II|
|Connectivity Specs||Nikon Z7 II||Sigma fp|
|USB Connector||USB 3.2||USB 3.1|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Nikon Z7 II||Sigma fp|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||420 shots per charge||280 shots per charge|
|In-Camera Charging||USB charging||USB charging|
134 x 101 x 70 mm
(5.3 x 4.0 x 2.8 in)
113 x 70 x 45 mm
(4.4 x 2.8 x 1.8 in)
|Camera Weight||705 g (24.9 oz)||422 g (14.9 oz)|
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