Nikon Z7 II vs Olympus E-P7
The Nikon Z7 II and the Olympus PEN E-P7 are two enthusiast cameras that were announced, respectively, in October 2020 and June 2021. Both the Z7 II and the E-P7 are mirrorless interchangeable lens cameras that are based on a full frame (Z7 II) and a Four Thirds (E-P7) sensor. The Nikon has a resolution of 45.4 megapixels, whereas the Olympus provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Z7 II and the Olympus PEN E-P7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Nikon Z7 II and the Olympus E-P7. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The E-P7 can be obtained in three different colors (black, silver, white), while the Z7 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-P7 is considerably smaller (40 percent) than the Nikon Z7 II. Moreover, the E-P7 is substantially lighter (52 percent) than the Z7 II. It is worth mentioning in this context that the Z7 II is splash and dust resistant, while the E-P7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the Z7 II gets 420 shots out of its Nikon EN-EL15c battery, while the E-P7 can take 360 images on a single charge of its Olympus BLS-50 power pack. The power pack in the Z7 II can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon Z7 II | 134 mm | 101 mm | 70 mm | 705 g | 420 | Y | Oct 2020 | 2,999 | amazon.com | |
2. | Olympus E-P7 | 118 mm | 69 mm | 38 mm | 337 g | 360 | n | Jun 2021 | 799 | amazon.com | |
3. | Canon R5 | 138 mm | 98 mm | 88 mm | 738 g | 320 | Y | Jul 2020 | 3,899 | amazon.com | |
4. | Canon R6 | 138 mm | 98 mm | 88 mm | 680 g | 360 | Y | Jul 2020 | 2,499 | amazon.com | |
5. | Nikon Z9 | 149 mm | 150 mm | 91 mm | 1340 g | 740 | Y | Oct 2021 | 5,499 | amazon.com | |
6. | Nikon Z6 II | 134 mm | 101 mm | 70 mm | 705 g | 410 | Y | Oct 2020 | 1,999 | amazon.com | |
7. | Nikon Z6 | 134 mm | 101 mm | 67 mm | 675 g | 310 | Y | Aug 2018 | 1,999 | ebay.com | |
8. | Nikon Z7 | 134 mm | 101 mm | 67 mm | 675 g | 330 | Y | Aug 2018 | 3,399 | ebay.com | |
9. | Olympus E-M10 IV | 122 mm | 84 mm | 49 mm | 383 g | 360 | n | Aug 2020 | 699 | amazon.com | |
10. | Olympus E-M10 | 119 mm | 82 mm | 46 mm | 396 g | 320 | n | Jan 2014 | 699 | ebay.com | |
11. | Olympus E-P5 | 122 mm | 69 mm | 37 mm | 420 g | 330 | n | May 2013 | 999 | ebay.com | |
12. | Olympus E-P3 | 122 mm | 69 mm | 34 mm | 369 g | 330 | n | Jun 2011 | 799 | ebay.com | |
13. | Olympus E-P2 | 121 mm | 70 mm | 36 mm | 355 g | 300 | n | Nov 2009 | 799 | ebay.com | |
14. | Sony A7R IIIA | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Apr 2021 | 3,199 | amazon.com | |
15. | Sony A7R IV | 129 mm | 96 mm | 78 mm | 665 g | 670 | Y | Jul 2019 | 3,499 | ebay.com | |
16. | Sony A7R III | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Oct 2017 | 3,199 | ebay.com | |
17. | Sony A7R II | 127 mm | 96 mm | 60 mm | 625 g | 290 | Y | Jun 2015 | 3,199 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-P7 was launched at a markedly lower price (by 73 percent) than the Z7 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon Z7 II features a full frame sensor and the Olympus E-P7 a Four Thirds sensor. The sensor area in the E-P7 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the Z7 II has a native 3:2 aspect ratio, while the one in the E-P7 offers a 4:3 aspect.
With 45.4MP, the Z7 II offers a higher resolution than the E-P7 (20.2MP), but the Z7 II nevertheless has larger individual pixels (pixel pitch of 4.35μm versus 3.34μm for the E-P7) due to its larger sensor. However, the E-P7 is a somewhat more recent model (by 7 months) than the Z7 II, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the Z7 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon Z7 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z7 II for good quality output (200 dots per inch) amounts to 41.3 x 27.5 inches or 104.9 x 69.9 cm, for very good quality (250 dpi) 33 x 22 inches or 83.9 x 55.9 cm, and for excellent quality (300 dpi) 27.5 x 18.3 inches or 69.9 x 46.6 cm. The corresponding values for the Olympus E-P7 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The Z7 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon Z7 II has a native sensitivity range from ISO 64 to ISO 25600, which can be extended to ISO 32-102400. The corresponding ISO settings for the Olympus PEN E-P7 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
In terms of underlying technology, the Z7 II is build around a BSI-CMOS sensor, while the E-P7 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon Z7 II | Full Frame | 45.4 | 8256 | 5504 | 4K/60p | 26.3 | 14.7 | 2841 | 100 | |
2. | Olympus E-P7 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.4 | 13.3 | 1494 | 77 | |
3. | Canon R5 | Full Frame | 44.8 | 8192 | 5464 | 8K/30p | 25.3 | 14.6 | 3042 | 95 | |
4. | Canon R6 | Full Frame | 20.0 | 5472 | 3648 | 4k/60p | 24.2 | 14.3 | 3394 | 90 | |
5. | Nikon Z9 | Full Frame | 45.4 | 8256 | 5504 | 8K/30p | 26.3 | 14.4 | 2451 | 98 | |
6. | Nikon Z6 II | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | 25.0 | 14.4 | 3303 | 94 | |
7. | Nikon Z6 | Full Frame | 24.3 | 6048 | 4024 | 4K/30p | 25.3 | 14.3 | 3299 | 95 | |
8. | Nikon Z7 | Full Frame | 45.4 | 8256 | 5504 | 4K/30p | 26.3 | 14.6 | 2668 | 99 | |
9. | Olympus E-M10 IV | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.3 | 13.2 | 1402 | 76 | |
10. | Olympus E-M10 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.8 | 12.3 | 884 | 72 | |
11. | Olympus E-P5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 22.8 | 12.4 | 895 | 72 | |
12. | Olympus E-P3 | Four Thirds | 12.2 | 4032 | 3024 | 1080/60i | 20.8 | 10.1 | 536 | 51 | |
13. | Olympus E-P2 | Four Thirds | 12.2 | 4032 | 3024 | 720/30p | 21.5 | 10.4 | 505 | 56 | |
14. | Sony A7R IIIA | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
15. | Sony A7R IV | Full Frame | 60.2 | 9504 | 6336 | 4K/30p | 26.0 | 14.8 | 3344 | 99 | |
16. | Sony A7R III | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
17. | Sony A7R II | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 13.9 | 3434 | 98 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the Z7 II provides a higher frame rate than the E-P7. It can shoot video footage at 4K/60p, while the Olympus is limited to 4K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the Z7 II has an electronic viewfinder (3690k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-P7 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Nikon Z7 II and Olympus E-P7 in connection with corresponding information for a sample of similar cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon Z7 II | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
2. | Olympus E-P7 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.7/s | Y | Y | |
3. | Canon R5 | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
4. | Canon R6 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
5. | Nikon Z9 | 3690 | Y | 3.2 / 2089 | full-flex | Y | 1/32000s | 30.0/s | n | Y | |
6. | Nikon Z6 II | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 14.0/s | n | Y | |
7. | Nikon Z6 | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 12.0/s | n | Y | |
8. | Nikon Z7 | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 9.0/s | n | Y | |
9. | Olympus E-M10 IV | 2360 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 15.0/s | Y | Y | |
10. | Olympus E-M10 | 1440 | n | 3.0 / 1037 | tilting | Y | 1/4000s | 8.0/s | Y | Y | |
11. | Olympus E-P5 | optional | n | 3.0 / 1037 | tilting | Y | 1/8000s | 9.0/s | Y | Y | |
12. | Olympus E-P3 | optional | n | 3.0 / 614 | fixed | Y | 1/4000s | 3.0/s | Y | Y | |
13. | Olympus E-P2 | optional | n | 3.0 / 230 | fixed | n | 1/4000s | 3.0/s | n | Y | |
14. | Sony A7R IIIA | 3686 | n | 3.0 / 2340 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
15. | Sony A7R IV | 5760 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
16. | Sony A7R III | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
17. | Sony A7R II | 2400 | n | 3.0 / 1229 | tilting | n | 1/8000s | 5.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the Z7 II, but is missing on the E-P7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The E-P7 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the Z7 II does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon Z7 II and the Olympus E-P7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The Z7 II writes its imaging data to CFexpress (type B) or SDXC cards, while the E-P7 uses SDXC cards. The Z7 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-P7 only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Z7 II and Olympus PEN E-P7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon Z7 II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
2. | Olympus E-P7 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
3. | Canon R5 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
4. | Canon R6 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
5. | Nikon Z9 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
6. | Nikon Z6 II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
7. | Nikon Z6 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
8. | Nikon Z7 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
9. | Olympus E-M10 IV | Y | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
10. | Olympus E-M10 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
11. | Olympus E-P5 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
12. | Olympus E-P3 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
13. | Olympus E-P2 | Y | stereo / - | - | - | mini | 2.0 | - | - | - | |
14. | Sony A7R IIIA | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
15. | Sony A7R IV | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
16. | Sony A7R III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
17. | Sony A7R II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - |
It is notable that the Z7 II has a microphone port, which is missing on the E-P7. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the Z7 II and the E-P7 are recent models that are part of the current product line-up. The Z7 II replaced the earlier Nikon Z7, while the E-P7 followed on from the Olympus E-P5. Further information on the features and operation of the Z7 II and E-P7 can be found, respectively, in the Nikon Z7 II Manual (free pdf) or the online Olympus E-P7 Manual.
Review summary
So how do things add up? Is the Nikon Z7 II better than the Olympus E-P7 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Nikon Z7 II:
- More detail: Offers more megapixels (45.4 vs 20.2MP) with a 53% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 8.7 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (420 versus 360) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been on the market for longer (launched in October 2020).
Reasons to prefer the Olympus PEN E-P7:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (118x69mm vs 134x101mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 368g or 52 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (73 percent cheaper at launch).
- More modern: Was introduced somewhat (7 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the Z7 II is the clear winner of the match-up (22 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon Z7 II and the Olympus E-P7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the Z7 II and the E-P7 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Nikon Z7 II | 4.5/5 | .. | 4.5/5 | .. | 4.5/5 | 4.5/5 | Oct 2020 | 2,999 | amazon.com | |
2. | Olympus E-P7 | 4/5 | .. | 4.5/5 | .. | .. | 4.5/5 | Jun 2021 | 799 | amazon.com | |
3. | Canon R5 | 4.5/5 | + | 4/5 | 91/100 | 4.5/5 | 4.5/5 | Jul 2020 | 3,899 | amazon.com | |
4. | Canon R6 | 5/5 | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Jul 2020 | 2,499 | amazon.com | |
5. | Nikon Z9 | 5/5 | .. | 4.5/5 | 94/100 | 5/5 | 5/5 | Oct 2021 | 5,499 | amazon.com | |
6. | Nikon Z6 II | 4.5/5 | .. | 4/5 | 89/100 | 4.5/5 | 4.5/5 | Oct 2020 | 1,999 | amazon.com | |
7. | Nikon Z6 | 5/5 | .. | 5/5 | 89/100 | 4.5/5 | 5/5 | Aug 2018 | 1,999 | ebay.com | |
8. | Nikon Z7 | 5/5 | + | 4.8/5 | 89/100 | 4.5/5 | 5/5 | Aug 2018 | 3,399 | ebay.com | |
9. | Olympus E-M10 IV | 4.5/5 | .. | 5/5 | 81/100 | 4.5/5 | 4.5/5 | Aug 2020 | 699 | amazon.com | |
10. | Olympus E-M10 | 4/5 | .. | .. | 80/100 | 5/5 | 5/5 | Jan 2014 | 699 | ebay.com | |
11. | Olympus E-P5 | 5/5 | + + | .. | 78/100 | 4.5/5 | 5/5 | May 2013 | 999 | ebay.com | |
12. | Olympus E-P3 | .. | 83/100 | .. | 74/100 | 4.5/5 | 4.5/5 | Jun 2011 | 799 | ebay.com | |
13. | Olympus E-P2 | 3/5 | + | .. | 69/100 | 4/5 | 4.5/5 | Nov 2009 | 799 | ebay.com | |
14. | Sony A7R IIIA | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Apr 2021 | 3,199 | amazon.com | |
15. | Sony A7R IV | 5/5 | + | 4.5/5 | 91/100 | 4.5/5 | 5/5 | Jul 2019 | 3,499 | ebay.com | |
16. | Sony A7R III | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Oct 2017 | 3,199 | ebay.com | |
17. | Sony A7R II | 5/5 | + + | 5/5 | 90/100 | 5/5 | 5/5 | Jun 2015 | 3,199 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon M50 vs Nikon Z7 II
- Canon R vs Nikon Z7 II
- Canon R100 vs Olympus E-P7
- Nikon Z7 II vs Panasonic FZ82
- Nikon Z7 II vs Panasonic S1R
- Nikon Z7 II vs Pentax 645Z
- Nikon Z7 II vs Sony WX800
- Olympus E-P7 vs Panasonic GF2
- Olympus E-P7 vs Panasonic GF6
- Olympus E-P7 vs Panasonic GM5
- Olympus E-P7 vs Panasonic GX85
- Olympus E-P7 vs Sony NEX-7
Specifications: Nikon Z7 II vs Olympus E-P7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Nikon Z7 II | Olympus E-P7 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Nikon Z mount lenses | Micro Four Thirds lenses |
Launch Date | October 2020 | June 2021 |
Launch Price | USD 2,999 | USD 799 |
Sensor Specs | Nikon Z7 II | Olympus E-P7 |
Sensor Technology | BSI-CMOS | CMOS |
Sensor Format | Full Frame Sensor | Four Thirds Sensor |
Sensor Size | 35.9 x 23.9 mm | 17.4 x 13.0 mm |
Sensor Area | 858.01 mm2 | 226.2 mm2 |
Sensor Diagonal | 43.1 mm | 21.7 mm |
Crop Factor | 1.0x | 2.0x |
Sensor Resolution | 45.4 Megapixels | 20.2 Megapixels |
Image Resolution | 8256 x 5504 pixels | 5184 x 3888 pixels |
Pixel Pitch | 4.35 μm | 3.34 μm |
Pixel Density | 5.30 MP/cm2 | 8.91 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 4K/60p Video | 4K/30p Video |
ISO Setting | 64 - 25,600 ISO | 200 - 25,600 ISO |
ISO Boost | 32 - 102,400 ISO | 100 - 25,600 ISO |
Image Processor | DUAL EXPEED 6 | TruePic VIII |
DXO Sensor Quality (score) | 100 | .. |
DXO Color Depth (bits) | 26.3 | .. |
DXO Dynamic Range (EV) | 14.7 | .. |
DXO Low Light (ISO) | 2841 | .. |
Screen Specs | Nikon Z7 II | Olympus E-P7 |
Viewfinder Type | Electronic viewfinder | no viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.80x | |
Viewfinder Resolution | 3690k dots | |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.2inch | 3.0inch |
LCD Resolution | 2100k dots | 1040k dots |
LCD Attachment | Tilting screen | Tilting screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Nikon Z7 II | Olympus E-P7 |
Focus System | On-Sensor Phase-detect | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/8000s | 1/4000s |
Continuous Shooting | 10 shutter flaps/s | 8.7 shutter flaps/s |
Electronic Shutter | up to 1/8000s | up to 1/16000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | In-body stabilization | In-body stabilization |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | CFexB or SDXC cards | SDXC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
UHS card support | UHS-II | UHS-II |
Connectivity Specs | Nikon Z7 II | Olympus E-P7 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 3.2 | USB 2.0 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | External MIC port | no MIC socket |
Headphone Socket | Headphone port | no Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | Nikon Z7 II | Olympus E-P7 |
Environmental Sealing | Weathersealed body | not weather sealed |
Battery Type | Nikon EN-EL15c | Olympus BLS-50 |
Battery Life (CIPA) | 420 shots per charge | 360 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
134 x 101 x 70 mm (5.3 x 4.0 x 2.8 in) |
118 x 69 x 38 mm (4.6 x 2.7 x 1.5 in) |
Camera Weight | 705 g (24.9 oz) | 337 g (11.9 oz) |
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