Nikon Z6 vs Zeiss ZX1
The Nikon Z6 and the Zeiss ZX1 are two enthusiast cameras that were announced, respectively, in August 2018 and September 2018. The Z6 is a mirrorless interchangeable lens camera, while the ZX1 is a fixed lens compact. Both cameras are equipped with a full frame sensor. The Nikon has a resolution of 24.3 megapixels, whereas the Zeiss provides 37.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon Z6||Zeiss ZX1|
|Mirrorless system camera||Fixed lens compact camera|
|Nikon Z mount lenses||35mm f/2.8|
|24.3 MP, Full Frame Sensor||37.4 MP, Full Frame Sensor|
|4K/30p Video||4K/30p Video|
|ISO 100-51200 (50-204800)||ISO 80-51200|
|Electronic viewfinder (3690k dots)||Electronic viewfinder (6221k dots)|
|3.2" LCD, 2100k dots||4.3" LCD, 2765k dots|
|Tilting touchscreen||Fixed touchscreen|
|12 shutter flaps per second||3 shutter flaps per second|
|In-body stabilization||No shake reduction|
|Weathersealed body||Not weather sealed|
|134 x 101 x 67 mm, 675 g||142 x 93 x 46 mm, 800 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Z6 and the Zeiss ZX1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Nikon Z6 and the Zeiss ZX1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Zeiss ZX1 is somewhat smaller (2 percent) than the Nikon Z6. It is worth mentioning in this context that the Z6 is splash and dust resistant, while the ZX1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the ZX1 has a lens built in, whereas the Z6 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
The power pack in the Z6 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Nikon Z6»||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999||Nikon Z6|
|Zeiss ZX1«||5.6 in||3.7 in||1.8 in||28.2 oz||..||n||Sep 2018||4,199||Zeiss ZX1|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Fujifilm X-H1« »||5.5 in||3.8 in||3.4 in||23.7 oz||310||Y||Feb 2018||1,899||Fujifilm X-H1|
|Leica Q2« »||5.1 in||3.1 in||3.6 in||25.3 oz||370||Y||Mar 2019||4,995||Leica Q2|
|Leica M10« »||5.5 in||3.1 in||1.5 in||23.3 oz||210||Y||Jan 2017||6,595||Leica M10|
|Leica Q Typ 116« »||5.1 in||3.1 in||3.7 in||22.6 oz||300||n||Jun 2015||4,249||-||Leica Q Typ 116|
|Nikon Z7« »||5.3 in||4.0 in||2.6 in||23.8 oz||330||Y||Aug 2018||3,399||Nikon Z7|
|Nikon D750« »||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299||Nikon D750|
|Panasonic S1R« »||5.9 in||4.3 in||3.8 in||35.8 oz||380||Y||Feb 2019||3,699||Panasonic S1R|
|Panasonic G9« »||5.4 in||3.8 in||3.6 in||23.2 oz||400||Y||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Panasonic FZ1000« »||5.4 in||3.9 in||5.2 in||29.3 oz||360||n||Jun 2014||899||-||Panasonic FZ1000|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A9« »||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499||Sony A9|
|Sony RX1R II« »||4.4 in||2.6 in||2.8 in||17.9 oz||220||n||Oct 2015||3,299||Sony RX1R II|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the ZX1 is 1 percent bigger. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 37.4MP, the ZX1 offers a higher resolution than the Z6 (24.3MP), but the ZX1 has smaller individual pixels (pixel pitch of 4.81μm versus 5.94μm for the Z6). It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation.
The resolution advantage of the Zeiss ZX1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the ZX1 for good quality output (200 dots per inch) amounts to 37.4 x 25 inch or 95.1 x 63.4 cm, for very good quality (250 dpi) 30 x 20 inch or 76.1 x 50.7 cm, and for excellent quality (300 dpi) 25 x 16.6 inch or 63.4 x 42.3 cm. The corresponding values for the Nikon Z6 are 30.2 x 20.1 inch or 76.8 x 51.1 cm for good quality, 24.2 x 16.1 inch or 61.4 x 40.9 cm for very good quality, and 20.2 x 13.4 inch or 51.2 x 34.1 cm for excellent quality prints.
The Z6 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon Z6 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-204800. The corresponding ISO settings for the Zeiss ZX1 are ISO 80 to ISO 51200 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Nikon Z6»||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95||Nikon Z6|
|Zeiss ZX1«||Full Frame||37.4||7488||4992||4K/30p||-||-||-||-||Zeiss ZX1|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Fujifilm X-H1« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-H1|
|Leica Q2« »||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96||Leica Q2|
|Leica M10« »||Full Frame||23.8||5952||3992||-||24.4||13.2||2133||86||Leica M10|
|Leica Q Typ 116« »||Full Frame||24.0||6000||4000||1080/60p||24.3||12.7||2221||85||Leica Q Typ 116|
|Nikon Z7« »||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99||Nikon Z7|
|Nikon D750« »||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93||Nikon D750|
|Panasonic S1R« »||Full Frame||46.7||8368||5584||4K/60p||26.4||14.1||3525||100||Panasonic S1R|
|Panasonic G9« »||Four Thirds||20.2||5184||3888||4K/60p||-||-||-||-||Panasonic G9|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Panasonic FZ1000« »||1-inch||20.0||5472||3648||4K/30p||22.1||11.7||517||64||Panasonic FZ1000|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A9« »||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony RX1R II« »||Full Frame||42.2||7952||5304||1080/60p||25.8||13.9||3204||97||Sony RX1R II|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the ZX1 offers a substantially higher resolution than the one in the Z6 (6221k vs 3690k dots). The table below summarizes some of the other core capabilities of the Nikon Z6 and Zeiss ZX1 in connection with corresponding information for a sample of similar cameras.
|Nikon Z6»||3690||Y||3.2||2100||tilting||Y||1/8000s||12.0||n||Y||Nikon Z6|
|Zeiss ZX1«||6221||n||4.3||2765||fixed||Y||1/1000s||3.0||n||n||Zeiss ZX1|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Fujifilm X-H1« »||3690||Y||3.0||1040||full-flex||Y||1/8000s||14.0||n||Y||Fujifilm X-H1|
|Leica Q2« »||3680||n||3.0||1040||fixed||Y||1/2000s||20.0||n||Y||Leica Q2|
|Leica M10« »||optical||n||3.0||1037||fixed||n||1/4000s||5.0||n||n||Leica M10|
|Leica Q Typ 116« »||3680||n||3.0||1040||fixed||Y||1/2000s||10.0||n||Y||Leica Q Typ 116|
|Nikon Z7« »||3690||Y||3.2||2100||tilting||Y||1/8000s||9.0||n||Y||Nikon Z7|
|Nikon D750« »||optical||Y||3.2||1229||tilting||n||1/4000s||6.0||Y||n||Nikon D750|
|Panasonic S1R« »||5760||Y||3.2||2100||full-flex||Y||1/8000s||9.0||n||Y||Panasonic S1R|
|Panasonic G9« »||3680||Y||3.0||1040||swivel||Y||1/8000s||20.0||n||Y||Panasonic G9|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Panasonic FZ1000« »||2359||n||3.0||921||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ1000|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A9« »||3686||n||3.0||1440||tilting||Y||1/8000s||20.0||n||Y||Sony A9|
|Sony RX1R II« »||2360||n||3.0||1229||tilting||n||1/4000s||5.0||n||n||Sony RX1R II|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
One feature that is present on the Z6, but is missing on the ZX1 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the ZX1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon Z6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The Z6 writes its imaging data to XQD cards, while the ZX1 uses an internal SSD.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Z6 and Zeiss ZX1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon Z6»||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Zeiss ZX1«||Y||stereo||mono||-||-||-||3.1||Y||Y||Y||Zeiss ZX1|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Fujifilm X-H1« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-H1|
|Leica Q2« »||Y||stereo||mono||-||-||-||-||Y||-||Y||Leica Q2|
|Leica M10« »||Y||-||-||-||-||-||-||Y||-||-||Leica M10|
|Leica Q Typ 116« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Leica Q Typ 116|
|Nikon Z7« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z7|
|Nikon D750« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Nikon D750|
|Panasonic S1R« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic S1R|
|Panasonic G9« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Panasonic FZ1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic FZ1000|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A9« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony RX1R II« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony RX1R II|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
It is notable that the Z6 has a microphone port, which is missing on the ZX1. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the Z6 and the ZX1 are recent models that are part of the current product line-up. Neither of the two has a direct predecessor, so perhaps they will constitute the origins of new camera lines for Nikon and Zeiss. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Zeiss websites.
So what conclusions can be drawn? Which of the two cameras – the Nikon Z6 or the Zeiss ZX1 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Nikon Z6:
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.74x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/1000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
Advantages of the Zeiss ZX1:
- More detail: Has more megapixels (37.4 vs 24.3MP), which boosts linear resolution by 24%.
- More detailed viewfinder: Has higher resolution electronic viewfinder (6221k vs 3690k dots).
- Larger screen: Has a bigger rear LCD (4.3" vs 3.2") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2765k vs 2100k dots).
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Has an integrated lens, whereas the Z6 necessitates an extra lens.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More prestigious: Has the Zeiss luxury appeal, which ensures a high resale value.
If the count of individual advantages (bullet points above) is taken as a guide, the Z6 is the clear winner of the match-up (12 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon Z6 and the Zeiss ZX1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the Z6 and the ZX1 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Nikon Z6»||-||-||4.5/5||4.5/5||5/5||Aug 2018||1,999||Nikon Z6|
|Zeiss ZX1«||-||-||-||-||-||Sep 2018||4,199||Zeiss ZX1|
|Canon 6D Mark II« »||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Fujifilm X-H1« »||+||86/100||4.5/5||-||4.5/5||Feb 2018||1,899||Fujifilm X-H1|
|Leica Q2« »||-||84/100||4.5/5||-||4/5||Mar 2019||4,995||Leica Q2|
|Leica M10« »||-||-||4/5||-||4.5/5||Jan 2017||6,595||Leica M10|
|Leica Q Typ 116« »||-||80/100||4.5/5||-||4.5/5||Jun 2015||4,249||-||Leica Q Typ 116|
|Nikon Z7« »||+||89/100||4.5/5||4.5/5||5/5||Aug 2018||3,399||Nikon Z7|
|Nikon D750« »||+ +||90/100||4.5/5||5/5||4.5/5||Sep 2014||2,299||Nikon D750|
|Panasonic S1R« »||-||89/100||4.5/5||-||4.5/5||Feb 2019||3,699||Panasonic S1R|
|Panasonic G9« »||+ +||85/100||5/5||5/5||5/5||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Panasonic FZ1000« »||+ +||82/100||4.5/5||4.5/5||4.5/5||Jun 2014||899||-||Panasonic FZ1000|
|Sony A7 III« »||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A9« »||+ +||89/100||5/5||5/5||5/5||Apr 2017||4,499||Sony A9|
|Sony RX1R II« »||-||82/100||-||o||4.5/5||Oct 2015||3,299||Sony RX1R II|
|Sony A7 II« »||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Nikon Z6 vs Zeiss ZX1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon Z6||Zeiss ZX1|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Nikon Z mount lenses||35mm f/2.8|
|Launch Date||August 2018||September 2018|
|Launch Price||USD 1999||USD 4199|
|Sensor Specs||Nikon Z6||Zeiss ZX1|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||35.9 x 23.9 mm||36.0 x 24.0 mm|
|Sensor Area||858.01 mm2||864 mm2|
|Sensor Diagonal||43.1 mm||43.3 mm|
|Sensor Resolution||24.3 Megapixels||37.4 Megapixels|
|Image Resolution||6048 x 4024 pixels||7488 x 4992 pixels|
|Pixel Pitch||5.94 μm||4.81 μm|
|Pixel Density||2.84 MP/cm2||4.33 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100-51200 ISO||80-51200 ISO|
|ISO Boost||50-204800 ISO||no Enhancement|
|DXO Sensor Quality (score)||95||..|
|DXO Color Depth (bits)||25.3||..|
|DXO Dynamic Range (EV)||14.3||..|
|DXO Low Light (ISO)||3299||..|
|Screen Specs||Nikon Z6||Zeiss ZX1|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots||6221k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||4.3 inch|
|LCD Resolution||2100k dots||2765k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Shooting Specs||Nikon Z6||Zeiss ZX1|
|Autofocus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||12 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||No handshake reduction|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||XQD cards||Internal SSD|
|Second Storage Option||Single card slot||Single SSD|
|Connectivity Specs||Nikon Z6||Zeiss ZX1|
|USB Connector||USB 3.1||USB 3.1|
|HDMI Port||micro HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Nikon Z6||Zeiss ZX1|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|In-Camera Charging||USB charging||no USB charging|
134 x 101 x 67 mm
(5.3 x 4.0 x 2.6 in)
142 x 93 x 46 mm
(5.6 x 3.7 x 1.8 in)
|Camera Weight||675 g (23.8 oz)||800 g (28.2 oz)|
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