Nikon Z6 vs Sony A7 III
The Nikon Z6 and the Sony Alpha A7 III are two enthusiast cameras that were revealed to the public, respectively, in August 2018 and February 2018. Both the Z6 and the A7 III are mirrorless interchangeable lens cameras that are equipped with a full frame sensor. The Nikon has a resolution of 24.3 megapixels, whereas the Sony provides 24 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Nikon Z6||Sony A7 III|
|Mirrorless system camera||Mirrorless system camera|
|Nikon Z mount lenses||Sony E mount lenses|
|24.3 MP, Full Frame Sensor||24 MP, Full Frame Sensor|
|4K/30p Video||4K/30p Video|
|ISO 100-51200 (50-204800)||ISO 100-51200 (50-204800)|
|Electronic viewfinder (3690k dots)||Electronic viewfinder (2359k dots)|
|3.2" LCD, 2100k dots||3.0" LCD, 922k dots|
|Tilting touchscreen||Tilting touchscreen|
|12 shutter flaps per second||10 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|Weathersealed body||Weathersealed body|
|310 shots per battery charge||610 shots per battery charge|
|134 x 101 x 67 mm, 675 g||127 x 96 x 74 mm, 650 g|
Body comparison: Nikon Z6 vs Sony A7 III
An illustration of the physical size and weight of the Nikon Z6 and the Sony A7 III is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the Z6 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 III is notably smaller (10 percent) than the Nikon Z6. Moreover, the A7 III is slightly lighter (4 percent) than the Z6. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Nikon Z6»||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999||Nikon Z6|
|Sony A7 III«||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Fujifilm X-H1« »||5.5 in||3.8 in||3.4 in||23.7 oz||310||Y||Feb 2018||1,899||Fujifilm X-H1|
|Nikon Z7« »||5.3 in||4.0 in||2.6 in||23.8 oz||330||Y||Aug 2018||3,399||Nikon Z7|
|Nikon D7500« »||5.4 in||4.1 in||2.9 in||25.4 oz||950||Y||Apr 2017||1,299||Nikon D7500|
|Nikon D750« »||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299||Nikon D750|
|Panasonic G9« »||5.4 in||3.8 in||3.6 in||23.2 oz||400||Y||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Sony A9« »||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499||Sony A9|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||-||Sony A7|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Nikon Z6 vs Sony A7 III
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the A7 III is 1 percent smaller. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around BSI-CMOS sensors.
With 24.3MP, the Z6 offers a slightly higher resolution than the A7 III (24MP), but the Z6 nevertheless has the same individual pixel size (pixel pitch of 5.94μm) as the A7 III due to its larger sensor. It is noteworthy in this context that the Z6 is a somewhat more recent model (by 5 months) than the A7 III, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the A7 III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Nikon Z6 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-204800.. The Sony Alpha A7 III offers exactly the same ISO settings.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Nikon Z6»||Full Frame||24.3||6048||4024||4K/30p||-||-||-||-||Nikon Z6|
|Sony A7 III«||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Fujifilm X-H1« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-H1|
|Nikon Z7« »||Full Frame||45.4||8256||5504||4K/30p||-||-||-||-||Nikon Z7|
|Nikon D7500« »||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86||Nikon D7500|
|Nikon D750« »||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93||Nikon D750|
|Panasonic G9« »||Four Thirds||20.2||5184||3888||4K/60p||-||-||-||-||Panasonic G9|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Sony A9« »||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92||Sony A9|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7S II« »||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7« »||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).
Feature comparison: Nikon Z6 vs Sony A7 III
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the Z6 offers a substantially higher resolution than the one in the A7 III (3690k vs 2359k dots). The table below summarizes some of the other core capabilities of the Nikon Z6 and Sony A7 III in connection with corresponding information for a sample of similar cameras.
|Nikon Z6»||3690||Y||3.2||2100||tilting||Y||8000||12.0||n||Y||Nikon Z6|
|Sony A7 III«||2359||n||3.0||922||tilting||Y||8000||10.0||n||Y||Sony A7 III|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||4000||6.5||n||n||Canon 6D Mark II|
|Fujifilm X-H1« »||3690||Y||3.0||1040||full-flex||Y||8000||14.0||n||Y||Fujifilm X-H1|
|Nikon Z7« »||3690||Y||3.2||2100||tilting||Y||8000||9.0||n||Y||Nikon Z7|
|Nikon D7500« »||optical||Y||3.2||922||tilting||Y||8000||8.0||Y||n||Nikon D7500|
|Nikon D750« »||optical||Y||3.2||1229||tilting||n||4000||6.0||Y||n||Nikon D750|
|Panasonic G9« »||3680||Y||3.0||1040||swivel||Y||8000||20.0||n||Y||Panasonic G9|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||8000||12.0||n||Y||Panasonic GH5|
|Sony A9« »||3686||n||3.0||1440||tilting||Y||8000||20.0||n||Y||Sony A9|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||8000||5.0||n||Y||Sony A7R II|
|Sony A7S II« »||2400||n||3.0||1229||tilting||n||8000||5.0||n||Y||Sony A7S II|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||8000||5.0||n||Y||Sony A7 II|
|Sony A7« »||2400||n||3.0||1230||tilting||n||8000||5.0||n||n||Sony A7|
One feature that is present on the Z6, but is missing on the A7 III is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the A7 III features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Z6 writes its imaging data to XQD cards, while the A7 III uses SDXC or Memory Stick PRO Duo cards.
Connectivity comparison: Nikon Z6 vs Sony A7 III
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Z6 and Sony Alpha A7 III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Nikon Z6»||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Sony A7 III«||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Fujifilm X-H1« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-H1|
|Nikon Z7« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z7|
|Nikon D7500« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Nikon D7500|
|Nikon D750« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Nikon D750|
|Panasonic G9« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Sony A9« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||Y||Sony A9|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7S II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
Both the Z6 and the A7 III are recent models that feature in their makers' current product line-up. The A7 III replaced the earlier Sony A7 II, while the Z6 does not have a direct predecessor.
Review summary: Nikon Z6 vs Sony A7 III
So what is the bottom line? Is there a clear favorite between the Nikon Z6 and the Sony A7 III? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Nikon Z6:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2359k dots).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 922k dots).
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- More modern: Is somewhat more recent (announced 5 months after the A7 III).
Advantages of the Sony Alpha A7 III:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Longer lasting: Gets more shots (610 versus 310) out of a single battery charge.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been on the market for longer (launched in February 2018).
If the number of relative strengths (bullet points above) is taken as a guide, the Z6 emerges as the winner of the contest (7 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the Z6 and the A7 III in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Nikon Z6 vs Sony A7 III
This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Nikon Z6»||-||-||4.5/5||-||5/5||Aug 2018||1,999||Nikon Z6|
|Sony A7 III«||HiRec||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Canon 6D Mark II« »||Rec||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Fujifilm X-H1« »||Rec||86/100||4.5/5||-||4.5/5||Feb 2018||1,899||Fujifilm X-H1|
|Nikon Z7« »||Rec||89/100||4.5/5||4.5/5||5/5||Aug 2018||3,399||Nikon Z7|
|Nikon D7500« »||HiRec||86/100||5/5||4.5/5||4.5/5||Apr 2017||1,299||Nikon D7500|
|Nikon D750« »||HiRec||90/100||4.5/5||5/5||4.5/5||Sep 2014||2,299||Nikon D750|
|Panasonic G9« »||HiRec||85/100||5/5||5/5||5/5||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||HiRec||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Sony A9« »||HiRec||89/100||5/5||5/5||5/5||Apr 2017||4,499||Sony A9|
|Sony A7R II« »||HiRec||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||Rec||-||4.5/5||5/5||5/5||Sep 2015||2,999||Sony A7S II|
|Sony A7 II« »||Rec||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Sony A7« »||HiRec||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-||Sony A7|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Nikon Z6 vs Sony A7 III
|Camera Model||Nikon Z6||Sony A7 III|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Nikon Z mount lenses||Sony E mount lenses|
|Launch Date||August 2018||February 2018|
|Launch Price||USD 1999||USD 1999|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||35.9 x 23.9 mm||35.6 x 23.9 mm|
|Sensor Area||858.01 mm2||847.28 mm2|
|Sensor Diagonal||43.1 mm||42.8 mm|
|Sensor Resolution||24.3 Megapixels||24 Megapixels|
|Image Resolution||6048 x 4024 pixels||6000 x 4000 pixels|
|Pixel Pitch||5.94 μm||5.94 μm|
|Pixel Density||2.84 MP/cm2||2.83 MP/cm2|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100-51200 ISO||100-51200 ISO|
|ISO Boost||50-204800 ISO||50-204800 ISO|
|Image Processor||EXPEED 6||BIONZ X|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Resolution||3690k dots||2359k dots|
|Top-Level Screen||Control Panel||no Top Display|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||2100k dots||922k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Maximum Shutter Speed||1/8000s||1/8000s|
|Continuous Shooting||12 shutter flaps/s||10 shutter flaps/s|
|Silent Shooting||no E-Shutter||Electronic Shutter|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||XQD cards||MS or SDXC cards|
|USB Connector||USB 3.1||USB 3.1|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||EN-EL15b power pack||NP-FZ100 power pack|
|Battery Life (CIPA)||310 shots per charge||610 shots per charge|
134 x 101 x 67 mm
(5.3 x 4.0 x 2.6 in)
127 x 96 x 74 mm
(5.0 x 3.8 x 2.9 in)
|Camera Weight||675 g (23.8 oz)||650 g (22.9 oz)|
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