Nikon Z6 vs Olympus E-PM2
The Nikon Z6 and the Olympus PEN E-PM2 are two digital cameras that were revealed to the public, respectively, in August 2018 and September 2012. Both the Z6 and the E-PM2 are mirrorless interchangeable lens cameras that are based on a full frame (Z6) and a Four Thirds (E-PM2) sensor. The Nikon has a resolution of 24.3 megapixels, whereas the Olympus provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Nikon Z6||Olympus E-PM2|
|Mirrorless system camera||Mirrorless system camera|
|Nikon Z mount lenses||Micro Four Thirds lenses|
|24.3 MP, Full Frame Sensor||15.9 MP, Four Thirds Sensor|
|4K/30p Video||1080/30p Video|
|ISO 100-51,200 (50 - 204,800)||ISO 100-25,600|
|Electronic viewfinder (3690k dots)||Viewfinder optional|
|3.2 LCD, 2100k dots||3.0 LCD, 460k dots|
|Tilting touchscreen||Fixed touchscreen|
|12 shutter flaps per second||8 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|Weathersealed body||not weather sealed|
|310 shots per battery charge||360 shots per battery charge|
|134 x 101 x 67 mm, 675 g||110 x 64 x 34 mm, 269 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Z6 and the Olympus PEN E-PM2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Nikon Z6 and the Olympus E-PM2 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The E-PM2 can be obtained in four different colors (black, silver, red, white), while the Z6 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-PM2 is considerably smaller (48 percent) than the Nikon Z6. Moreover, the E-PM2 is substantially lighter (60 percent) than the Z6. It is worth mentioning in this context that the Z6 is splash and dust resistant, while the E-PM2 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the Z6 gets 310 shots out of its EN-EL15b battery, while the E-PM2 can take 360 images on a single charge of its BLS-5 power pack. The power pack in the Z6 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Nikon Z6||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999|
|Olympus E-PM2||4.3 in||2.5 in||1.3 in||9.5 oz||360||n||Sep 2012||499|
|Canon 6D Mark II||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999|
|Nikon Z5||5.3 in||4.0 in||2.6 in||23.8 oz||470||Y||Jul 2020||1,399|
|Nikon Z6 II||5.3 in||4.0 in||2.8 in||24.9 oz||410||Y||Oct 2020||1,999|
|Nikon Z7||5.3 in||4.0 in||2.6 in||23.8 oz||330||Y||Aug 2018||3,399|
|Nikon D750||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299|
|Olympus E-M10 II||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||649|
|Olympus E-P5||4.8 in||2.7 in||1.5 in||14.8 oz||330||n||May 2013||999|
|Olympus E-PL6||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||May 2013||599|
|Olympus E-PL5||4.4 in||2.5 in||1.5 in||11.5 oz||360||n||Sep 2012||599|
|Olympus E-PM1||4.3 in||2.5 in||1.3 in||9.3 oz||330||n||Jun 2011||499|
|Panasonic GH5||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999|
|Sony A9 II||5.1 in||3.8 in||3.0 in||23.9 oz||690||Y||Oct 2019||4,499|
|Sony A7 III||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999|
|Sony A9||5.0 in||3.8 in||2.5 in||23.7 oz||650||Y||Apr 2017||4,499|
|Sony A7 II||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-PM2 was launched at a markedly lower price (by 75 percent) than the Z6, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Nikon Z6 features a full frame sensor and the Olympus E-PM2 a Four Thirds sensor. The sensor area in the E-PM2 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the Z6 has a native 3:2 aspect ratio, while the one in the E-PM2 offers a 4:3 aspect.
With 24.3MP, the Z6 offers a higher resolution than the E-PM2 (15.9MP), but the Z6 nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 3.76μm for the E-PM2) due to its larger sensor. Moreover, the Z6 is a much more recent model (by 5 years and 11 months) than the E-PM2, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Nikon Z6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z6 for good quality output (200 dots per inch) amounts to 30.2 x 20.1 inches or 76.8 x 51.1 cm, for very good quality (250 dpi) 24.2 x 16.1 inches or 61.4 x 40.9 cm, and for excellent quality (300 dpi) 20.2 x 13.4 inches or 51.2 x 34.1 cm. The corresponding values for the Olympus E-PM2 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Z6 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Nikon Z6 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-204800. The corresponding ISO settings for the Olympus PEN E-PM2 are ISO 100 to ISO 25600 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the Z6 provides substantially higher image quality than the E-PM2, with an overall score that is 23 points higher. This advantage is based on 2.6 bits higher color depth, 2.1 EV in additional dynamic range, and 1.8 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95|
|Olympus E-PM2||Four Thirds||15.9||4608||3456||1080/30p||22.7||12.2||932||72|
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Nikon Z5||Full Frame||24.2||6016||4016||4K/30p||..||..||..||..|
|Nikon Z6 II||Full Frame||24.3||6048||4024||4K/60p||..||..||..||..|
|Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93|
|Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|Olympus E-PL6||Four Thirds||15.9||4608||3456||1080/30p||..||..||..||..|
|Olympus E-PL5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||889||72|
|Olympus E-PM1||Four Thirds||12.2||4032||3024||1080/60i||21.0||10.3||499||52|
|Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the Z6 provides a higher video resolution than the E-PM2. It can shoot video footage at 4K/30p, while the Olympus is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the Z6 has an electronic viewfinder (3690k dots), which can be very helpful when shooting in bright sunlight. In contrast, the E-PM2 relies on live view and the rear LCD for framing. That said, the E-PM2 can be equipped with an optional viewfinder – the VF-4. The adjacent table lists some of the other core features of the Nikon Z6 and Olympus E-PM2 along with similar information for a selection of comparators.
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n|
|Nikon Z6 II||3690||Y||3.2||2100||tilting||Y||1/8000s||14.0||n||Y|
|Olympus E-M10 II||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y|
|Sony A9 II||3686||n||3.0||1440||tilting||Y||1/8000s||10.0||n||Y|
|Sony A7 III||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y|
One feature that is present on the Z6, but is missing on the E-PM2 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the Z6 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon Z6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The Z6 writes its imaging data to XQD cards, while the E-PM2 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Z6 and Olympus PEN E-PM2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y|
|Nikon Z6 II||Y||stereo||mono||Y||Y||micro||3.2||Y||-||Y|
|Olympus E-M10 II||Y||stereo||mono||-||-||micro||2.0||Y||-||-|
|Sony A9 II||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Sony A7 III||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the Z6 has a microphone port, which is missing on the E-PM2. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
The Z6 is a recent model that features in the current product line-up of Nikon. In contrast, the E-PM2 has been discontinued (but can be found pre-owned on eBay). There has not been a direct replacement model for the E-PM2 from Olympus. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Olympus websites.
So what conclusions can be drawn? Is there a clear favorite between the Nikon Z6 and the Olympus E-PM2? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Nikon Z6:
- More detail: Offers more megapixels (24.3 vs 15.9MP) with a 26% higher linear resolution.
- Better image quality: Scores substantially higher (23 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.6 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2.1 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1.8 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 8 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 5 years and 11 months of technical progress since the E-PM2 launch.
Arguments in favor of the Olympus PEN E-PM2:
- More compact: Is smaller (110x64mm vs 134x101mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 406g or 60 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (360 versus 310) out of a single battery charge.
- More affordable: Was introduced into a lower priced category (75 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in September 2012).
If the number of relative strengths (bullet points above) is taken as a guide, the Z6 is the clear winner of the match-up (23 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon Z6 and the Olympus E-PM2 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the Z6 or the E-PM2. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Nikon Z6||..||..||4.5/5||4.5/5||5/5||Aug 2018||1,999|
|Olympus E-PM2||..||77/100||5/5||4.5/5||4.5/5||Sep 2012||499|
|Canon 6D Mark II||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999|
|Nikon Z5||..||89/100||4.5/5||..||4/5||Jul 2020||1,399|
|Nikon Z6 II||..||..||..||..||..||Oct 2020||1,999|
|Nikon Z7||+||89/100||4.5/5||4.5/5||5/5||Aug 2018||3,399|
|Nikon D750||+ +||90/100||4.5/5||5/5||4.5/5||Sep 2014||2,299|
|Olympus E-M10 II||+ +||80/100||5/5||5/5||5/5||Aug 2015||649|
|Olympus E-P5||+ +||78/100||4.5/5||4.5/5||5/5||May 2013||999|
|Olympus E-PL6||..||..||..||..||..||May 2013||599|
|Olympus E-PL5||+ +||..||4.5/5||4.5/5||4.5/5||Sep 2012||599|
|Olympus E-PM1||86/100||71/100||4.5/5||..||4.5/5||Jun 2011||499|
|Panasonic GH5||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999|
|Sony A9 II||..||90/100||5/5||..||5/5||Oct 2019||4,499|
|Sony A7 III||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999|
|Sony A9||+ +||89/100||5/5||5/5||5/5||Apr 2017||4,499|
|Sony A7 II||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark II vs Nikon Z6
- Canon 1D X vs Olympus E-PM2
- Canon 5DS vs Nikon Z6
- Canon G1 X Mark III vs Olympus E-PM2
- Canon G15 vs Nikon Z6
- Canon Rebel vs Olympus E-PM2
- Canon SX610 vs Nikon Z6
- Canon T4i vs Olympus E-PM2
- Fujifilm X-S10 vs Nikon Z6
- Fujifilm X-T10 vs Nikon Z6
- Nikon D300 vs Nikon Z6 II
- Nikon Z6 vs Sony RX0 II
Specifications: Nikon Z6 vs Olympus E-PM2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon Z6||Olympus E-PM2|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Nikon Z mount lenses||Micro Four Thirds lenses|
|Launch Date||August 2018||September 2012|
|Launch Price||USD 1,999||USD 499|
|Sensor Specs||Nikon Z6||Olympus E-PM2|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||35.9 x 23.9 mm||17.3 x 13.0 mm|
|Sensor Area||858.01 mm2||224.9 mm2|
|Sensor Diagonal||43.1 mm||21.6 mm|
|Sensor Resolution||24.3 Megapixels||15.9 Megapixels|
|Image Resolution||6048 x 4024 pixels||4608 x 3456 pixels|
|Pixel Pitch||5.94 μm||3.76 μm|
|Pixel Density||2.84 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/30p Video|
|ISO Setting||100 - 51,200 ISO||100 - 25,600 ISO|
|ISO Boost||50 - 204,800 ISO||no Enhancement|
|Image Processor||EXPEED 6||TruePic VI|
|DXO Sensor Quality (score)||95||72|
|DXO Color Depth (bits)||25.3||22.7|
|DXO Dynamic Range (EV)||14.3||12.2|
|DXO Low Light (ISO)||3299||932|
|Screen Specs||Nikon Z6||Olympus E-PM2|
|Viewfinder Type||Electronic viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3690k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2100k dots||460k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Shooting Specs||Nikon Z6||Olympus E-PM2|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||12 shutter flaps/s||8 shutter flaps/s|
|Electronic Shutter||up to 1/8000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||XQD cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Nikon Z6||Olympus E-PM2|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Nikon Z6||Olympus E-PM2|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||310 shots per charge||360 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
134 x 101 x 67 mm
(5.3 x 4.0 x 2.6 in)
110 x 64 x 34 mm
(4.3 x 2.5 x 1.3 in)
|Camera Weight||675 g (23.8 oz)||269 g (9.5 oz)|
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