Nikon Z50 vs Pentax K-3 II
The Nikon Z50 and the Pentax K-3 II are two digital cameras that were revealed to the public, respectively, in October 2019 and April 2015. The Z50 is a mirrorless interchangeable lens camera, while the K-3 II is a DSLR. Both cameras are equipped with an APS-C sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Pentax provides 24.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Z50 and the Pentax K-3 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Nikon Z50 and the Pentax K-3 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The K-3 II can be obtained in two different colors (black, silver), while the Z50 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-3 II is notably larger (10 percent) than the Nikon Z50. Moreover, the K-3 II is substantially heavier (78 percent) than the Z50. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the Z50 gets 320 shots out of its EN-EL25 battery, while the K-3 II can take 720 images on a single charge of its D-LI90 power pack. The power pack in the Z50 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Nikon Z50||127 mm||94 mm||60 mm||450 g||320||Y||Oct 2019||859||amazon.com|
|2.||Pentax K-3 II||131 mm||100 mm||77 mm||800 g||720||Y||Apr 2015||1,099||ebay.com|
|3.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779||ebay.com|
|4.||Nikon Z30||128 mm||74 mm||60 mm||405 g||330||Y||Jun 2022||709||amazon.com|
|5.||Nikon Z fc||135 mm||94 mm||44 mm||445 g||300||n||Jun 2021||959||amazon.com|
|6.||Nikon D5500||124 mm||97 mm||70 mm||470 g||820||n||Jan 2015||899||ebay.com|
|7.||Nikon 1 V3||111 mm||65 mm||33 mm||381 g||310||n||Mar 2014||799||ebay.com|
|8.||Nikon D5300||125 mm||98 mm||76 mm||480 g||600||n||Oct 2013||799||ebay.com|
|9.||Panasonic G90||130 mm||94 mm||77 mm||536 g||290||Y||Apr 2019||999||amazon.com|
|10.||Pentax K-3 III||135 mm||104 mm||74 mm||820 g||800||Y||Mar 2021||1,999||amazon.com|
|11.||Pentax KP||132 mm||101 mm||76 mm||703 g||390||Y||Jan 2017||1,099||ebay.com|
|12.||Pentax K-70||126 mm||93 mm||74 mm||688 g||410||Y||Jun 2016||649||amazon.com|
|13.||Pentax K-3||131 mm||100 mm||77 mm||800 g||560||Y||Oct 2013||1,299||ebay.com|
|14.||Pentax K-5||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2010||1,099||ebay.com|
|15.||Sigma fp||113 mm||70 mm||45 mm||422 g||280||Y||Jul 2019||1,899||amazon.com|
|16.||Sony A6400||120 mm||67 mm||50 mm||403 g||410||Y||Jan 2019||899||amazon.com|
|17.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The Z50 was launched at a somewhat lower price (by 22 percent) than the K-3 II, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the K-3 II is 1 percent smaller. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the K-3 II offers a higher resolution of 24.1 megapixels, compared with 20.7 MP of the Z50. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.90μm versus 4.22μm for the Z50). Moreover, it should be noted that the Z50 is much more recent (by 4 years and 5 months) than the K-3 II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Pentax K-3 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-3 II for good quality output (200 dots per inch) amounts to 30.1 x 20 inches or 76.4 x 50.8 cm, for very good quality (250 dpi) 24.1 x 16 inches or 61.1 x 40.6 cm, and for excellent quality (300 dpi) 20.1 x 13.3 inches or 50.9 x 33.9 cm. The corresponding values for the Nikon Z50 are 27.8 x 18.6 inches or 70.7 x 47.1 cm for good quality, 22.3 x 14.8 inches or 56.6 x 37.7 cm for very good quality, and 18.6 x 12.4 inches or 47.1 x 31.4 cm for excellent quality prints.
The Z50 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the Z50, the K-3 II has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Nikon Z50 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 100-204800. The corresponding ISO settings for the Pentax K-3 II are ISO 100 to ISO 51200 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Pentax K-3 II||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80|
|5.||Nikon Z fc||APS-C||20.7||5568||3712||4K/30p||24.2||13.8||2131||85|
|7.||Nikon 1 V3||1-inch||18.2||5232||3488||1080/60p||20.8||10.7||384||52|
|9.||Panasonic G90||Four Thirds||20.2||5184||3888||4K/30p||23.2||13.0||1273||75|
|10.||Pentax K-3 III||APS-C||25.6||6192||4128||4K/30p||24.2||13.7||2083||85|
|15.||Sigma fp||Full Frame||24.0||6000||4000||4K/30p||25.2||14.2||2829||94|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the Z50 provides a higher video resolution than the K-3 II. It can shoot video footage at 4K/30p, while the Pentax is limited to 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the Z50 has an electronic viewfinder (2360k dots), while the K-3 II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the Z50 has a higher magnification than the one of the K-3 II (0.68x vs 0.63x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Nikon Z50, the Pentax K-3 II, and comparable cameras.
|1.||Nikon Z50||2360||n||3.2 / 1040||tilting||Y||1/4000s||11.0/s||Y||n|
|2.||Pentax K-3 II||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3/s||n||Y|
|3.||Canon M50||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0/s||Y||n|
|4.||Nikon Z30||none||n||3.0 / 1040||swivel||Y||1/4000s||11.0/s||Y||n|
|5.||Nikon Z fc||2360||Y||3.0 / 1040||swivel||Y||1/4000s||11.0/s||n||n|
|6.||Nikon D5500||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0/s||Y||n|
|7.||Nikon 1 V3||optional||n||3.0 / 1037||tilting||Y||1/4000s||60.0/s||Y||n|
|8.||Nikon D5300||optical||n||3.2 / 1037||swivel||n||1/4000s||5.0/s||Y||n|
|9.||Panasonic G90||2360||n||3.0 / 1240||swivel||Y||1/4000s||9.0/s||Y||Y|
|10.||Pentax K-3 III||optical||Y||3.2 / 1620||fixed||Y||1/8000s||12.0/s||n||Y|
|11.||Pentax KP||optical||n||3.0 / 921||tilting||n||1/6000s||7.0/s||Y||Y|
|12.||Pentax K-70||optical||n||3.0 / 921||swivel||n||1/6000s||6.0/s||Y||Y|
|13.||Pentax K-3||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3/s||Y||Y|
|14.||Pentax K-5||optical||Y||3.0 / 921||fixed||n||1/8000s||7.0/s||Y||Y|
|15.||Sigma fp||optional||n||3.2 / 2100||fixed||Y||1/8000s||12.0/s||n||n|
|16.||Sony A6400||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0/s||Y||n|
|17.||Sony A6300||2359||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The Z50 has one, while the K-3 II does not. While the built-in flash of the Z50 is not very powerful, it can at times be useful as a fill-in light.The Z50 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the K-3 II does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the Z50 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon Z50 and the Pentax K-3 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the Z50 and the K-3 II write their files to SDXC cards. The K-3 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the Z50 only has one slot. The Z50 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the K-3 II can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Z50 and Pentax K-3 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon Z50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|2.||Pentax K-3 II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|3.||Canon M50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|4.||Nikon Z30||Y||stereo / mono||Y||-||micro||3.2||Y||-||Y|
|5.||Nikon Z fc||Y||stereo / mono||Y||-||micro||3.2||Y||-||Y|
|6.||Nikon D5500||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|7.||Nikon 1 V3||-||stereo / mono||Y||-||mini||2.0||Y||-||-|
|8.||Nikon D5300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|9.||Panasonic G90||Y||stereo / mono||Y||Y||micro||2.0||Y||-||Y|
|10.||Pentax K-3 III||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|11.||Pentax KP||Y||stereo / mono||Y||-||-||2.0||Y||-||-|
|12.||Pentax K-70||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|13.||Pentax K-3||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|14.||Pentax K-5||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|15.||Sigma fp||Y||stereo / mono||Y||-||micro||3.1||-||-||-|
|16.||Sony A6400||Y||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|17.||Sony A6300||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
It is notable that the Z50 offers wifi support, while the K-3 II does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Pentax K-3 II (unlike the Z50) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the K-3 II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The Z50 is a recent model that features in the current product line-up of Nikon. In contrast, the K-3 II has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the K-3 II was succeeded by the Pentax K-3 III. Further information on the features and operation of the Z50 and K-3 II can be found, respectively, in the Nikon Z50 Manual (free pdf) or the online Pentax K-3 II Manual.
So what conclusions can be drawn? Which of the two cameras – the Nikon Z50 or the Pentax K-3 II – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Nikon Z50:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60i).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.68x vs 0.63x).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (11 vs 8.3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Less heavy: Is lighter (by 350g or 44 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More affordable: Was introduced into a lower priced segment (22 percent cheaper at launch).
- More modern: Reflects 4 years and 5 months of technical progress since the K-3 II launch.
Reasons to prefer the Pentax K-3 II:
- More detail: Has more megapixels (24.1 vs 20.7MP), which boosts linear resolution by 8%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Gets more shots (720 versus 320) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in April 2015).
If the count of relative strengths (bullet points above) is taken as a measure, the Z50 is the clear winner of the match-up (18 : 13 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon Z50 and the Pentax K-3 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the Z50 or the K-3 II perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon Z50||5/5||..||5/5||85/100||4.5/5||4.5/5||Oct 2019||859||amazon.com|
|2.||Pentax K-3 II||4.5/5||..||..||..||5/5||5/5||Apr 2015||1,099||ebay.com|
|3.||Canon M50||..||+||4/5||79/100||..||3.5/5||Feb 2018||779||ebay.com|
|4.||Nikon Z30||4/5||..||4/5||86/100||4.5/5||4/5||Jun 2022||709||amazon.com|
|5.||Nikon Z fc||4/5||..||4.5/5||86/100||5/5||4.5/5||Jun 2021||959||amazon.com|
|6.||Nikon D5500||5/5||+||..||79/100||4.5/5||4.5/5||Jan 2015||899||ebay.com|
|7.||Nikon 1 V3||3/5||..||..||76/100||4.5/5||4/5||Mar 2014||799||ebay.com|
|8.||Nikon D5300||4/5||+ +||..||79/100||4.5/5||4.5/5||Oct 2013||799||ebay.com|
|9.||Panasonic G90||4.5/5||+||4.5/5||83/100||4.5/5||4.5/5||Apr 2019||999||amazon.com|
|10.||Pentax K-3 III||4/5||..||3/5||..||4.5/5||..||Mar 2021||1,999||amazon.com|
|11.||Pentax KP||4/5||..||3/5||82/100||5/5||4.5/5||Jan 2017||1,099||ebay.com|
|12.||Pentax K-70||4.5/5||..||4/5||79/100||4.5/5||4.5/5||Jun 2016||649||amazon.com|
|13.||Pentax K-3||4/5||..||..||83/100||5/5||5/5||Oct 2013||1,299||ebay.com|
|14.||Pentax K-5||4/5||..||..||83/100||5/5||4.5/5||Sep 2010||1,099||ebay.com|
|15.||Sigma fp||4/5||..||4/5||..||4/5||4.5/5||Jul 2019||1,899||amazon.com|
|16.||Sony A6400||4/5||+||4/5||85/100||4.5/5||4/5||Jan 2019||899||amazon.com|
|17.||Sony A6300||4.5/5||+||..||85/100||5/5||5/5||Feb 2016||999||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 5D Mark IV vs Nikon Z50
- Canon M3 vs Pentax K-3 II
- Canon SL2 vs Nikon Z50
- Canon SX530 vs Pentax K-3 II
- Canon T5 vs Pentax K-3 II
- Leica S3 vs Nikon Z50
- Nikon D7200 vs Nikon Z50
- Nikon Z50 vs Panasonic G85
- Nikon Z50 vs Panasonic ZS200
- Panasonic GX800 vs Pentax K-3 II
- Pentax K-3 II vs Sony A99 II
- Pentax K-3 II vs Sony RX100 VI
Specifications: Nikon Z50 vs Pentax K-3 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon Z50||Pentax K-3 II|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Pentax K mount lenses|
|Launch Date||October 2019||April 2015|
|Launch Price||USD 859||USD 1,099|
|Sensor Specs||Nikon Z50||Pentax K-3 II|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.5 x 15.7 mm||23.5 x 15.6 mm|
|Sensor Area||368.95 mm2||366.6 mm2|
|Sensor Diagonal||28.3 mm||28.2 mm|
|Sensor Resolution||20.7 Megapixels||24.1 Megapixels|
|Image Resolution||5568 x 3712 pixels||6016 x 4000 pixels|
|Pixel Pitch||4.22 μm||3.90 μm|
|Pixel Density||5.60 MP/cm2||6.56 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||1080/60i Video|
|ISO Setting||100 - 51,200 ISO||100 - 51,200 ISO|
|ISO Boost||100 - 204,800 ISO||no Enhancement|
|Image Processor||EXPEED 6||PRIME III|
|DXO Sensor Quality (score)||..||80|
|DXO Color Depth (bits)||..||23.6|
|DXO Dynamic Range (EV)||..||13.6|
|DXO Low Light (ISO)||..||1106|
|Screen Specs||Nikon Z50||Pentax K-3 II|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.2inch|
|LCD Resolution||1040k dots||1037k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Nikon Z50||Pentax K-3 II|
|Focus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||11 shutter flaps/s||8.3 shutter flaps/s|
|Electronic Shutter||up to 1/4000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Single card slot||Dual card slots|
|UHS card support||UHS-II||UHS-I|
|Connectivity Specs||Nikon Z50||Pentax K-3 II|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Nikon Z50||Pentax K-3 II|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||320 shots per charge||720 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
127 x 94 x 60 mm
(5.0 x 3.7 x 2.4 in)
131 x 100 x 77 mm
(5.2 x 3.9 x 3.0 in)
|Camera Weight||450 g (15.9 oz)||800 g (28.2 oz)|
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