Nikon Z50 vs Olympus E-M1 III
The Nikon Z50 and the Olympus OM-D E-M1 Mark III are two digital cameras that were officially introduced, respectively, in October 2019 and February 2020. Both the Z50 and the E-M1 III are mirrorless interchangeable lens cameras that are based on an APS-C (Z50) and a Four Thirds (E-M1 III) sensor. The Nikon has a resolution of 20.7 megapixels, whereas the Olympus provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Nikon Z50 and the Olympus OM-D E-M1 Mark III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Nikon Z50 and the Olympus E-M1 III are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M1 III is somewhat larger (2 percent) than the Nikon Z50. Moreover, the E-M1 III is markedly heavier (29 percent) than the Z50. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the Z50 gets 320 shots out of its EN-EL25 battery, while the E-M1 III can take 420 images on a single charge of its BLH-1 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Nikon Z50||127 mm||94 mm||60 mm||450 g||320||Y||Oct 2019||859|
|2.||Olympus E-M1 III||134 mm||91 mm||69 mm||580 g||420||Y||Feb 2020||1,799|
|3.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779|
|4.||Fujifilm X-T30||118 mm||83 mm||47 mm||383 g||380||n||Feb 2019||899|
|5.||Fujifilm X-T3||133 mm||93 mm||59 mm||539 g||390||Y||Sep 2018||1,499|
|6.||Nikon Z fc||135 mm||94 mm||44 mm||445 g||300||n||Jun 2021||959|
|7.||Nikon D3500||124 mm||97 mm||70 mm||415 g||1550||n||Aug 2018||429|
|8.||Nikon D5500||124 mm||97 mm||70 mm||470 g||820||n||Jan 2015||899|
|9.||Nikon D5300||125 mm||98 mm||76 mm||480 g||600||n||Oct 2013||799|
|10.||Olympus E-M5 III||125 mm||85 mm||50 mm||414 g||310||Y||Oct 2019||1,199|
|11.||Olympus E-M1X||144 mm||147 mm||75 mm||997 g||870||Y||Jan 2019||2,999|
|12.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|13.||Panasonic G95||130 mm||94 mm||77 mm||536 g||290||Y||Apr 2019||999|
|14.||Panasonic G9||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699|
|15.||Sony A6400||120 mm||67 mm||50 mm||403 g||410||Y||Jan 2019||899|
|16.||Sony A6100||120 mm||67 mm||59 mm||396 g||420||n||Aug 2019||749|
|17.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The Z50 was launched at a markedly lower price (by 52 percent) than the E-M1 III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Nikon Z50 features an APS-C sensor and the Olympus E-M1 III a Four Thirds sensor. The sensor area in the E-M1 III is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the Z50 has a native 3:2 aspect ratio, while the one in the E-M1 III offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 20.7MP, the Z50 offers a slightly higher resolution than the E-M1 III (20.2MP), but the Z50 nevertheless has larger individual pixels (pixel pitch of 4.22μm versus 3.34μm for the E-M1 III) due to its larger sensor. However, the E-M1 III is a somewhat more recent model (by 4 months) than the Z50, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
Unlike the Z50, the E-M1 III has the capacity to capture high quality composite images (80MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Nikon Z50 has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 100-204800. The corresponding ISO settings for the Olympus OM-D E-M1 Mark III are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 64-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Olympus E-M1 III||Four Thirds||20.2||5184||3888||4K/30p||23.3||13.1||1356||76|
|6.||Nikon Z fc||APS-C||20.7||5568||3712||4K/30p||24.2||13.8||2131||85|
|10.||Olympus E-M5 III||Four Thirds||20.2||5184||3888||4K/30p||23.3||13.1||1324||76|
|11.||Olympus E-M1X||Four Thirds||20.2||5184||3888||4K/30p||23.2||13.0||1254||75|
|12.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|13.||Panasonic G95||Four Thirds||20.2||5184||3888||4K/30p||23.2||13.0||1273||75|
|14.||Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||23.1||12.8||1138||74|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Beyond body and sensor, cameras can and do differ across a range of features. The Z50 and the E-M1 III are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The following table reports on some other key feature differences and similarities of the Nikon Z50, the Olympus E-M1 III, and comparable cameras.
|1.||Nikon Z50||2360||n||3.2 / 1040||tilting||Y||1/4000s||11.0/s||Y||n|
|2.||Olympus E-M1 III||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0/s||n||Y|
|3.||Canon M50||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0/s||Y||n|
|4.||Fujifilm X-T30||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||n|
|5.||Fujifilm X-T3||3690||n||3.0 / 1040||tilting||Y||1/8000s||11.0/s||n||n|
|6.||Nikon Z fc||2360||Y||3.0 / 1040||swivel||Y||1/4000s||11.0/s||n||n|
|7.||Nikon D3500||optical||n||3.0 / 921||fixed||n||1/4000s||5.0/s||Y||n|
|8.||Nikon D5500||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0/s||Y||n|
|9.||Nikon D5300||optical||n||3.2 / 1037||swivel||n||1/4000s||5.0/s||Y||n|
|10.||Olympus E-M5 III||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0/s||n||Y|
|11.||Olympus E-M1X||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0/s||n||Y|
|12.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0/s||n||Y|
|13.||Panasonic G95||2360||n||3.0 / 1240||swivel||Y||1/4000s||9.0/s||Y||Y|
|14.||Panasonic G9||3680||Y||3.0 / 1040||swivel||Y||1/8000s||20.0/s||n||Y|
|15.||Sony A6400||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0/s||Y||n|
|16.||Sony A6100||1440||n||3.0 / 922||tilting||Y||1/4000s||11.0/s||Y||n|
|17.||Sony A6300||2359||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The Z50 has one, while the E-M1 III does not. While the built-in flash of the Z50 is not very powerful, it can at times be useful as a fill-in light.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon Z50 and the Olympus E-M1 III both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the Z50 and the E-M1 III write their files to SDXC cards. The E-M1 III features dual card slots, which can be very useful in case a memory card fails. In contrast, the Z50 only has one slot. Both the Z50 and the E-M1 III support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s (the second slot of the E-M1 III only offers slower UHS-I transfer rates, though).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Nikon Z50 and Olympus OM-D E-M1 Mark III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Nikon Z50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|2.||Olympus E-M1 III||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|3.||Canon M50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|4.||Fujifilm X-T30||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|5.||Fujifilm X-T3||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|6.||Nikon Z fc||Y||stereo / mono||Y||-||micro||3.2||Y||-||Y|
|7.||Nikon D3500||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|8.||Nikon D5500||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|9.||Nikon D5300||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|10.||Olympus E-M5 III||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|11.||Olympus E-M1X||Y||stereo / mono||Y||Y||micro||3.0||Y||-||Y|
|12.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|13.||Panasonic G95||Y||stereo / mono||Y||Y||micro||2.0||Y||-||Y|
|14.||Panasonic G9||Y||stereo / mono||Y||Y||full||3.0||Y||-||Y|
|15.||Sony A6400||Y||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|16.||Sony A6100||Y||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|17.||Sony A6300||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
It is notable that the E-M1 III has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The Z50 lacks such a headphone port.
Studio photographers will appreciate that the Olympus E-M1 III (unlike the Z50) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the Z50 and the E-M1 III are recent models that are part of the current product line-up. The E-M1 III replaced the earlier Olympus E-M1 II, while the Z50 does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Nikon and Olympus websites.
So what is the bottom line? Is the Nikon Z50 better than the Olympus E-M1 III or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Nikon Z50:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Less heavy: Is lighter (by 130g or 22 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (52 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in October 2019).
Reasons to prefer the Olympus OM-D E-M1 Mark III:
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.68x).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (18 vs 11 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (420 versus 320) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Was introduced somewhat (4 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the E-M1 III emerges as the winner of the match-up (12 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Nikon Z50 and the Olympus E-M1 III place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the Z50 and the E-M1 III in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Nikon Z50||5/5||..||5/5||85/100||4.5/5||4.5/5||Oct 2019||859|
|2.||Olympus E-M1 III||5/5||..||5/5||83/100||4.5/5||4/5||Feb 2020||1,799|
|3.||Canon M50||..||+||4/5||79/100||..||3.5/5||Feb 2018||779|
|4.||Fujifilm X-T30||5/5||+ +||5/5||84/100||4.5/5||4.5/5||Feb 2019||899|
|5.||Fujifilm X-T3||5/5||+ +||4.5/5||88/100||5/5||5/5||Sep 2018||1,499|
|6.||Nikon Z fc||4/5||..||4.5/5||86/100||5/5||4.5/5||Jun 2021||959|
|7.||Nikon D3500||..||..||4/5||75/100||4/5||4.5/5||Aug 2018||429|
|8.||Nikon D5500||5/5||+||..||79/100||4.5/5||4.5/5||Jan 2015||899|
|9.||Nikon D5300||4/5||+ +||..||79/100||4.5/5||4.5/5||Oct 2013||799|
|10.||Olympus E-M5 III||5/5||+||5/5||82/100||4.5/5||4.5/5||Oct 2019||1,199|
|11.||Olympus E-M1X||4.5/5||o||5/5||85/100||4.5/5||..||Jan 2019||2,999|
|12.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|13.||Panasonic G95||4.5/5||+||4.5/5||83/100||4.5/5||4.5/5||Apr 2019||999|
|14.||Panasonic G9||..||+ +||5/5||85/100||5/5||5/5||Nov 2017||1,699|
|15.||Sony A6400||4/5||+||4/5||85/100||4.5/5||4/5||Jan 2019||899|
|16.||Sony A6100||..||..||4/5||82/100||4/5||5/5||Aug 2019||749|
|17.||Sony A6300||4.5/5||+||..||85/100||5/5||5/5||Feb 2016||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
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Specifications: Nikon Z50 vs Olympus E-M1 III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Nikon Z50||Olympus E-M1 III|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Micro Four Thirds lenses|
|Launch Date||October 2019||February 2020|
|Launch Price||USD 859||USD 1,799|
|Sensor Specs||Nikon Z50||Olympus E-M1 III|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.5 x 15.7 mm||17.3 x 13.0 mm|
|Sensor Area||368.95 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||20.7 Megapixels||20.2 Megapixels|
|Image Resolution||5568 x 3712 pixels||5184 x 3888 pixels|
|Pixel Pitch||4.22 μm||3.34 μm|
|Pixel Density||5.60 MP/cm2||8.96 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||4K/30p Video|
|ISO Setting||100 - 51,200 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 204,800 ISO||64 - 25,600 ISO|
|Image Processor||EXPEED 6||TruePic IX|
|Screen Specs||Nikon Z50||Olympus E-M1 III|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1040k dots||1037k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Shooting Specs||Nikon Z50||Olympus E-M1 III|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||11 shutter flaps/s||18 shutter flaps/s|
|Electronic Shutter||up to 1/4000s||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-II||Single UHS-II|
|Connectivity Specs||Nikon Z50||Olympus E-M1 III|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Nikon Z50||Olympus E-M1 III|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||320 shots per charge||420 shots per charge|
|In-Camera Charging||USB charging||USB charging|
127 x 94 x 60 mm
(5.0 x 3.7 x 2.4 in)
134 x 91 x 69 mm
(5.3 x 3.6 x 2.7 in)
|Camera Weight||450 g (15.9 oz)||580 g (20.5 oz)|
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